nwicatholic.com >> Enertainment>>DVD and Video>> Past Video and DVD Reviews

VIDEO AND DVD PREVIOUSLY REVIEWED
Information is provided by the Catholic News Service

A  B  C  D  E  F  G  H  I  J  K  L  M  N  O  P  Q  R  S  T  U  V  W  X  Y  Z 

A
“Abraham and Mary Lincoln: A House Divided" (2003)
Writer-director David Grubin offers an intimate portrait of the frontier farmer's son as well as his aristocratic wife in the comprehensive and compelling three-part series, which originally aired on PBS' "The American Experience" series. The first episode entertains with its presentation of personal details. Although Mary, a learned woman, was an incredible flirt, she waited a year and a half for Lincoln to propose a second time, after he had callously broken off their initial engagement. She saw in him the dogged ambition that would lead him to be president, and she wanted to be by his side when it happened. From his first term as president, the bloody Civil War and the Emancipation Proclamation through Lincoln's re-election and assassination, the next two episodes emphasize the human story behind the historical facts. Archival photos and lively dramatizations as well as scenes shot in the Mary Todd Lincoln House in Kentucky and the Lincoln Home National Historic Site in Illinois are interspersed with historians and biographers' commentary. Narrated by David McCullough. Parents should be aware that the documentary contains gruesome images of Civil War victims unsuitable for younger viewers. However, the program is a thorough and engaging presentation that could serve as a psychological history lesson for adolescents.

"The Abyss" (1989)
Derivative sea adventure tracking the attempt to rescue a U.S. nuclear submarine which has sunk in waters inhabited by mysterious, benign alien creatures. Writer-director James Cameron drowns the fantasy in a sea of dopey interpersonal distractions and technological razzle-dazzle. Intense underwater action with drownings, resuscitations and locker-room language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (20th Century Fox Home Entertainment)

"Across the Universe" (Deluxe Edition) (2007)
At once spectacular and schizophrenic, this musical tribute to the Beatles chronicles the adventures of a Liverpool dockworker (Jim Sturgess) as he travels to America, befriends a rebellious preppy (Joe Anderson), falls in love with the preppy's sister (Evan Rachel Wood), pals around with his Janis Joplin-like singer-landlady (Dana Fuchs), her Jimi Hendrix-like bandmate (Martin Luther McCoy), and a former cheerleader turned bohemian (T.V. Carpio). As conceived and directed by Julie Taymor, the film is a highly imaginative, visually stunning fantasia, employing the music of the Fab Four to elucidate the 1960s, though its contrived story line too often leaves both cast and audience bogged down in a mire of cliches. Partial, rear and upper female nudity, cohabitation, a sexual embrace, a disrespectful sequence with a priest, drug use, occasional rough and much crude and crass language. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Sony Pictures Home Entertainment)

"A Dennis the Menace Christmas" (2007)
Innocent but mostly unfunny holiday outing in which the titular terror (Maxwell Perry Cotton) wreaks havoc on his grouchy neighbor, Mr. Wilson (Robert Wagner), and his kindly wife (Louise Fletcher), thus causing damages that threaten to ruin his parents (Kim Schraner and George Newbern) financially, a problem that only the intervention of an angel (Godfrey) may be able to resolve. Director Ron Oliver's comedy, when not ripping off Dickens or Frank Capra, indulges in the most predictable kind of destructive slapstick, though along the way it does manage to promote some positive values. One mild oath and a sight gag involving a brassiere. Added features on the DVD include a behind-the-scenes look at the making of the film, brief blooper and outtake reels, an audio commentary with Oliver and Wagner, a picture-in-picture video commentary by Cotton, and Spanish and Portuguese dubbing and subtitle options. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted. (Warner Home Video)

"The Adventures of Mark Twain" (1986)
Combining elements of the author's life and times with excerpts from his writings, this animated fantasy will engage youngsters while providing older viewers with some insights into Twain's complex character. Will Vinton's use of clay animation, with fully modeled characters in imaginative sets, is a visual treat. Several scenes may be frightening for the very young but otherwise it's unusually fine family entertainment. The no-frills DVD issue offers a good-looking anamorphic (offering maximum resolution) widescreen image. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted. (Sony Pictures Home Entertainment)

"The Adventures of the Little Prince: The Greatest Gift" (1983)
Three episodes from the gentle 1980s Nickelodeon series -- endorsed by the National Education Association -- inspired by the character created by Antoine de Saint-Exupery about the wise child who rules the distant asteroid B-612, and in this series comes to earth for various adventures, learning (and imparting to young viewers) various life lessons in the process. The DVD includes three 22-minute episodes. In the titular story, the Little Prince wants to see what Christmas is all about but lands on a tropical isle where a self-centered rich man, reminded of his own lost child, wants to adopt him, caring little for anyone else until the Prince teaches him about generosity and the true meaning of season. "Too Big for This World" and "The Winning Ride," concerning a giant and a jockey, respectively, follow the same pattern. All in all, these are very nice stories for preschoolers, and if the animation is simplistic, it does capture some of the spirit of Saint-Exupery's beloved work. Print quality is a little soft, but colorful enough for the kids. Five other DVDs in the series are available, along with a boxed set of the entire series (Koch Vision).

"The Adventures of Sharkboy & Lavagirl in 3-D" (2005)
Entertaining family fantasy about a picked-on 10-year-old (Cayden Boyd) with a fertile imagination who finds himself recruited by the superheroes he created in his daydreams and blasts off on a mission to save a distant world from the sinister machinations of Mr. Electric (George Lopez). Directed by Robert Rodriguez, this kid-friendly film is full of whimsical visuals but the gimmicky 3-D effects distract from what is otherwise a genial tale about the importance of imagination and fostering creativity. Some light comic book violence and mildly rude humor. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Buena Vista)

"The Adventures of Ociee Nash" (2004)
Family-friendly drama set in 1898 which follows the modest adventures of a tomboyish 9-year-old (Skyler Day), who, leaving behind her widowed father (Keith Carradine), travels from rural Mississippi to North Carolina to live with an aunt (Mare Winningham) set on teaching her to become a "proper young lady." Along the way, she rubs elbows with such historical personalities as President McKinley and the Wright brothers. Directed by Kristen McGary from Milam McGraw Propst's children's novel, "A Flower Blooms on Charlotte Street," the film scores points for its disarmingly old-time-values tone but, sadly, neither its homespun charm nor its refreshingly wholesome message can fully mask its flat writing and performances. The DVD includes both wide- and full-screen versions, though trailers and TV spots are the only significant extras on a good-looking DVD. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. (Fox)

"An Affair to Remember: 50th Anniversary Edition" (1957)
Lush sentimental melodrama begins as light comedy with a shipboard romance between a wealthy bachelor (Cary Grant) and a former nightclub singer (Deborah Kerr), then plunges into heavyweight soap opera when their rendezvous in New York is prevented by an accident. Director Leo McCarey's remake of his 1939 "Love Affair" manages to keep the lumbering romance afloat with an old-fashioned mix of smiles and tears, a charming cast and plush settings. Starry-eyed romance. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (20th Century Fox Home Entertainment)

"After Hours" (1985)
A bored yuppie (Griffin Dunne) from Manhattan's fashionable East Side ventures into a dangerous part of town to meet an eccentric date (Rosanna Arquette) only to encounter a series of life-threatening misadventures before escaping back to the safety of his own turf in the dawn's early light. Director Martin Scorsese's black comedy lacks satiric bite, preferring instead to wring laughs out of mental instability and bizarre sexual practices. Sophomoric nihilism and some brief nudity.  The USCCB Office for Film & Broadcasting classification is A-IV -- adults, with reservations. The Motion Picture Association of America rating is R -- restricted. (Warner Bros.)

"After the Sunset" (2004)
Lackluster caper directed by Brett Ratner about a master thief (Pierce Brosnan) who, after calling it quits and retiring to a tropical island with his sexy accomplice (Salma Hayek), is tempted to steal a priceless gem aboard a cruise ship docked in port while being watched by an FBI agent (Woody Harrelson) gunning to nail him. Despite good cat-and-mouse chemistry between Brosnan and Harrelson, the film's warmed-over premise doesn't really contribute anything new to the heist genre and in making light of the felonies committed suggests that crime pays handsomely. A glamorized portrayal of larceny, crime without consequence, brief violence, several implied sexual encounters and some racy images, as well as an instance of rough language and intermittent crude language. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (New Line)

"Against the Ropes" (2004)
Leaden drama about a brassy female fight fan (Meg Ryan) who tosses her hat and her hopes into the ring when she decides to manage a promising young boxer (Omar Epps). Based loosely on the life of boxing manager Jackie Kallen, the film, directed by Charles S. Dutton, has little chance of scoring a knockout at the box office thanks to lightweight performances and a script that doesn't pack much of a punch. Boxing action, brief violence and drug content, and recurring crude sexual language and humor.      The USCCB Office for Film & Broadcasting classification is A-III - adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Paramount)

"Air Buddies" (2006)
Straight-to-video fifth installment in the live-action "Air Bud" series in which the sports-playing golden retriever, Air Bud, and his mate are dognapped by a flamboyant animal dealer, leaving it up to their litter of five "talking" puppies to undertake a rescue mission, while evading capture themselves by the poacher's bungling henchmen. The pups are adorable, but director Robert Vince's lightweight effort is padded with frivolous slapstick that may keep very young children adequately amused, but have older kids pawing for the remote. Don't be fooled by the DVD's cover art; there's hardly any of the doggy-sports antics of the previous four films. And while you could do worse for clean, family-friendly entertainment, if you're expecting "101 Dalmatians" -- which this movie references -- you're barking up the wrong tree. Bonus features include a cute "interview" with the pooch stars, an instructive segment on how to train your dog, and more. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children (Disney Home Entertainment).

"Akeelah and the Bee" (2006)
Irresistible story about a South Los Angeles 11-year-old loner (Keke Palmer) who reluctantly competes in a national spelling bee under the tutelage of an emotionally fragile English professor (Laurence Fishburne) and against the initial wishes of her hard-working mother (Angela Bassett). Writer-director Doug Atchison handles Akeelah's journey of self-discovery deftly and builds suspense along the way to a satisfying conclusion, helped by his first-rate leads, and inspiring messages about conquering fears, winning by honest means, the strength of community and, above all, the beauty and potency of words. A few crass expressions and a single use of a four-letter word can't detract from an overall warm endorsement for all audiences. The film has been given the deluxe anamorphic DVD treatment with seven brief but enjoyable deleted scenes, three lively featurettes and more. Highly recommended. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children (Lions Gate Home Video).

"A Knight's Tale" (Extended Cut) (2001)
Rollicking action adventure story about a young squire (Heath Ledger) in 14th-century France who assumes his deceased master's identity and works his way up the jousting circuit to foil a nasty villain (Rufus Sewell). Inspired by Chaucer's "Canterbury Tales," director Brian Helgeland deftly blends contemporary attitudes, dialogue and rock music into an entertaining period piece, although the movie's length is a bit indulgent. Intermittent action violence, some rear nudity and fleeting crass language. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Columbia/TriStar)

"Aladdin" (1992)
Vibrant animated "Arabian Nights" tale of a genie (voice of Robin Williams), a commoner in love with a princess and an evil vizier who connives to capture the genie and marry the princess. Directed by John Musker and Ron Clements, the Disney production has a sweet story and delightful animation, and Williams' wisecracks wedded to lightning-fast sight gags should hold adult interest. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. (Buena Vista)

"The Alamo" (2004)
Sweeping historical drama set in 1836 about the famous last stand of a handful of Texans -- led by Jim Bowie (Jason Patric) and Davy Crockett (Billy Bob Thornton) -- who, though overwhelmingly outnumbered, valiantly held the besieged fort for 13 days before falling to the Mexican army under the command of Gen. Santa Anna (Emilio Echevarria), rallying the cause of Texan independence. Despite its sweeping scope, the film, as directed by John Lee Hancock, is less concerned with bloody battles and flag-waving patriotism than it is with the relationships of the men involved, resulting in an intimate, character-driven tale about courage and sacrifice. Extended battlefield violence and some crude language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Buena Vista)

"All Dogs Go to Heaven 1 & 2" (Double Feature) (1989 and 1996)
The two Don Bluth animated features are repackaged in two slim-line DVD cases, full screen, and with no extras. Adequate print quality on both. (Sony)

"All Dogs Go To Heaven 1" (1989)
Dark, disappointing animated feature, set in 1930s Louisiana, charts the death and redemption of a rogue German shepherd (voice of Burt Reynolds) who, after being bumped off by a crooked business partner, cons his way from heaven back to earth where he is reformed by his love for an adorable orphan (voice of Judith Barsi). The orphan proves the only shining light in director Don Bluth's predictable, derivative fantasy with forgettable music and unappealing lead characters. Some cartoon menace and intense moments of mortal danger. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted.

"All Dogs Go To Heaven 2" (1996)
Animated musical sequel in which two canine angels (voices of Charlie Sheen and Dom DeLuise) in San Francisco to retrieve Gabriel's horn help a runaway boy return home while outwitting a devilish duo. Directed by Paul Sabella and Larry Leker, the result features some sprightly songs but the busy animation often looks washed out. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted.

"All Dogs Go to Heaven: The Series" (1996-1999)
Canine guardian angel Charlie and his scrappy sidekick, Itchy, are back, getting into all sorts of mutt mischief while trying to earn their wings and halos by helping out people and dogs in need here below. Originally airing on cable's Fox (now ABC) Family Channel 1996-99, the animated series features the voices of Steven Weber, Dom DeLuise, Sheena Easton, Ernest Borgnine, Charles Nelson Reilly, and Bebe Neuwirth as Anabelle, the pair's celestial handler who keeps them on a short leash. Each of the two discs (sold separately) contains four episodes grouped according to themes, and each pooch parable imparts a life lesson. Volume 1, "Friends to the Rescue," is comprised of stories dealing with friendship: "Field Trip," "Cyrano De Barkinac," "Mutts Ado About Nothing" and "Heaventh Inning Stretch." Volume 2, "Dogs Undercover," contains a quartet of adventures: "La Doggie Vita," "Magical Misery Tour," "Fearless Fido," and the "The Big Fetch." With their teaching story lines, lively animation and positive messages, these collections, while pleasing parents, should keep the pups wagging their tails. (Sony)

"Almost Heroes" (1998)
Comedy clunker about inept explorers Chris Farley and Matthew Perry starting out from St. Louis in 1804 to beat the Lewis and Clark expedition to the Pacific Ocean. It's a one-joke comedy whose witless wilderness proceedings go from crude to cruder. Slapstick violence, sexual innuendo, outhouse humor and profanity. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Warner Bros.)

"Alexander" (2004)
Ambitious historical epic which explores the life of Alexander the Great (Colin Farrell), the fabled fourth-century B.C. Macedonian conqueror, chronicling his rise to power, stunning military victories and empire expansion, with breaks in the sword-and-sandal action for some Freudian forays into his bisexuality and estranged relationship with his conniving mother (Angelina Jolie) and rough-hewn royal father (Val Kilmer). Though this "Alexander" is far from great, director Oliver Stone's visually impressive film features spectacular, though graphic, battles and lavish re-creations of antiquity that somewhat balance its epic flaws, which include campy acting and dialogue, a plodding pace and an interminable running time of three hours. Strong battlefield violence and associated gore, an attempted rape, several implied gay sexual situations, one involving shadowy rear nudity, an explicit straight bedroom scene and generalized background debauchery. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. (Warner Bros.)

"Alfie" (2004)
Successfully competing with fond memories of the 1966 Michael Caine English film, this new version, set in Manhattan, features a superb Jude Law as the womanizing cad whose callous ways eventually catch up with him. Charles Shyer's beautifully crafted remake -- an exceedingly moral film even as it features a most amoral anti-hero -- follows the titular Cockney limo driver as he makes his amorous way through his best friend's girl (Nia Long), a wealthy older society matron (Susan Sarandon), a married woman (Jane Krakowski), a free-spirited party girl (Sienna Miller) and a single mom (Marisa Tomei), before feeling the emptiness of his self-centered life. Some rough and crude language, strong sexual content, nudity and recreational drug use. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. (Paramount)

"Alice Doesn't Live Here Anymore" (1975)
A widow (Ellen Burstyn) takes her young son (Alfred Lutter) on a sojourn across the Southwest trying to pursue her dream of a singing career but winds up as a waitress in a greasy spoon where she is courted by a local rancher (Kris Kristofferson). Director Martin Scorsese's somewhat ambiguous picture of a single parent in contemporary America also offers some interesting insights on the condition of women in a male chauvinistic society. Several sordid situations and rough language.   The USCCB Office for Film & Broadcasting classification is A-IV -- adults, with reservations. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Warner Bros.)

"Alice in Wonderland" (1985)
Lavish two-part television adaptation of Lewis Carroll's evergreen children's story with an incredible all-star cast including Red Buttons (the White Rabbit), Sammy Davis Jr. (the Caterpillar), Roddy McDowell (the March Hare), Robert Morley (the King of Hearts), Anthony Newley (the Mad Hatter), Donald O'Connor (the Lory Bird), Martha Raye (the Duchess), Shelley Winters (the Dodo Bird) , Carol Channing (the White Queen), Ernest Borgnine (the Lion), Karl Malden (the Walrus), and Ringo Starr (the Mock Turtle), plus many more. Irwin ("The Poseidon Adventure") Allen produced, and Harry Harris directed Paul Zindel's reasonably faithful adaptation for which Steve Allen (who also appears) provided some pleasant songs, and the accents are mostly American, including cute Natalie Gregory as Alice. The DVD features a fullscreen image, and the color quality of the film is excellent. Kids should love it, while adults will appreciate the parade of stars (Sony Home Entertainment).

"Alien vs. Predator" (2004)
Sci-fi actioner about a team of scientists (including Sanaa Lathan) hired by a wealthy industrialist (Lance Henriksen) to explore a mysterious ancient pyramid discovered beneath the Antarctic who become live bait in a battle royal between the two space species of the title slugging it out for bragging rights in the galaxy. Cross-pollinating two popular franchises, the extraterrestrial face-off, directed by Paul W.S. Anderson, while peppered with some mild shivers and creepy atmospherics, is devoid of substance or style, its repellent cavalcade of slimy special effects drowning out any real suspense and testing the boundaries of its PG-13 rating. Gory action violence, an instance of rough language and scattered crude expressions. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Fox)

"All the King's Men" (2006)
Uneven remake of Robert Penn Warren's 1946 Pulitzer Prize winner set in the 1950s, about a rabble-rousing everyman (Sean Penn) who rises from obscurity, railing against political corruption, and is elected governor of Louisiana, only to be polluted by power once he's in office; and the idealistic journalist (Jude Law) who falls under his spell. Written and directed by Steven Zaillian, the handsomely crafted morality tale -- loosely based on the life of Depression-era Louisiana Gov. Huey P. Long -- explores the means and ends of power, but Penn's passionate and committed performance is undermined by an opaque script. A violent shooting, implied adultery, a suicide, a bedroom encounter with shadowy side nudity, a provocative nightclub performance, some mildly crude language, profanity and racial slurs. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13 (Sony Pictures).

"All the President's Men" (1976)
The investigation by two Washington Post reporters (Dustin Hoffman and Robert Redford) of the facts behind the 1974 Watergate break-in has been dramatized with restraint and objectivity. Director Alan Pakula's deliberately low-keyed, well-acted and comprehensive account of a political scandal emphasizes the painstaking work involved in investigative journalism. Though it uses a few coarse words in a realistic context, the movie is one that older teenagers would benefit from seeing. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Warner Bros.)

"Almost Famous" (2000)
Poignant drama set in the 1970s about an aspiring rock journalist (Patrick Fugit) who lands a freelance assignment at age 15 with Rolling Stone magazine to interview a hot new rock band (led by Billy Crudup) as they tour the United States. Director Cameron Crowe's semiautobiographical coming-of-age story skillfully reflects the era, yet remains on a largely superficial level. Implied sexual encounters, fleeting nudity, an extramarital affair, some drug use including an overdose and intermittent rough language. The USCCB Office for Film & Broadcasting classification is A-IV -- adults, with reservations. The Motion Picture Association of America rating is R -- restricted. (DreamWorks)

"Along Came Polly " (2004)
Stale romantic comedy about a tightly wound New York insurance risk assessor (Ben Stiller) who, after being jilted by his newlywed bride (Debra Messing) on their honeymoon, has his play-it-safe lifestyle turned topsy-turvy when he falls for a bohemian former high school classmate (Jennifer Aniston). In lieu of a smart, witty farce about the emotional perils of modern mating, director John Hamburg has strung together a series of crude bathroom sight-gags and stock sex skits which are made more painful by his love-shy leads' total lack of on-screen chemistry. A few sexual encounters, much crass humor, some rear nudity, recurring crude language and profanity. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Universal)

"A Mighty Heart" (2007)
Tense recounting of the 2002 kidnapping of and frantic search for Wall Street Journal reporter Daniel Pearl (Dan Futterman) in Karachi, Pakistan, as seen through the eyes of his pregnant wife, Mariane (Angelina Jolie), also a journalist. Director Michael Winterbottom superbly captures the tumult, and without histrionics (except for one searing outpouring of grief), deftly embodies the courageous Mariane Pearl who, after the tragic events, refused to succumb to bitterness or vengeance. Several uses of the f-word under duress, and a few other crude or crass words, fleeting newsreel footage of bombings and some dead bodies including a grim morgue image, a discreet torture scene, a brief nongraphic bedroom scene and a verbal description of Pearl's gruesome death. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian.

"Amazing Grace" (2007)
Compelling historical biography about William Wilberforce (a dynamic Ioan Gruffudd), the great 18th-century British abolitionist, who with the help of the young British Prime Minister William Pitt (Benedict Cumberbatch), and other like-minded friends in Parliament and elsewhere (Rufus Sewell, Michael Gambon, Albert Finney and Youssou N'Dour), managed -- after tireless and courageous struggle -- to pass an anti-slave trade bill in Parliament. With its solid performances, accessible script and handsome production design, director Michael Apted's film recalls some of the best historical dramas from Hollywood's golden age, and is all the more admirable for its unabashed portrait of a passionate man of God. The DVD includes commentary by Apted and Gruffudd, a making-of documentary with much historical detail, a tour of the National Underground Railroad Freedom Center in Cincinnati, a music video of the title song with Chris Tomlin, and various interactive study guides. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Twentieth Century Fox Home Entertainment)

"American Dreamz" (2006)
Fairly amusing satire of fame and politics as a would-be terrorist (Sam Golzari) enamored of American show tunes winds up on an "American Idol"-like talent show, where his Afghan superiors expect him to kill the U.S. president (Dennis Quaid) who is appearing as a celebrity judge to boost his image, while the show's host (Hugh Grant) falls for a "white trash" contestant from Ohio (Mandy Moore). The performances, including those of Marcia Gay Harden and Willem Dafoe, are good, and director-writer Paul Weitz carefully avoids most of the pitfalls of such a premise with a surprisingly sweet-natured story with no real villains, though the salvos about today's vapid pop culture, the public's misplaced priorities, the need for understanding of our "enemies," and the obscenity of war could sometimes be more sharply focused. Scattered instances of four-letter words, profanity, sexual and crass expressions, an implied premarital coupling and a suicide. The anamorphic DVD includes about 12 minutes of deleted scenes, commentary by Weitz and Golzari, and a couple of lightweight featurettes. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13 (Universal).

"America's Heart and Soul" (2004)
Captivating documentary in which filmmaker Louis Schwartzberg traverses the country interviewing a colorful assortment of folks who are passionate about what they do, including a blind mountain climber, a musically inclined dairy farmer, an aerobatic pilot and cliff dancers, to name only a few. Combined with breathtaking, panoramic cinematography, the film's personal vignettes are as emotionally involving as the documentary is spiritually uplifting in celebrating individual diversity and the love of liberty that Americans share. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Columbia/TriStar)

"An American Werewolf in London" (1981)
Trashy, sardonically muddled horror show by writer-director John Landis attempts to combine comedy and fright with a dash of steamy sex. The result is a squalid mess. Contains violence and explicit sex. The USCCB Office for Film & Broadcasting classification is O -- morally offensive. The Motion Picture Association of America rating is R -- restricted. (Universal)
 

"Annapolis" (2006)
Diverting but derivative drama about a scrappy shipyard worker (an appealing James Franco), who, after being accepted to the U.S. Naval Academy, must prove his mettle while training for the school's boxing tournament against his no-nonsense drill instructor (Tyrese Gibson). However, director Justin Lin's "An Officer and a Gentleman" retread is hollow and formulaic. Brutal boxing sequences, an attempted suicide, some sexually crude language and humor, as well as profanity. The anamorphic DVD includes seven deleted scenes with audio commentary; a "making of" featurette; and another on the boxing sequences. Audio commentary by Lin and others from the creative team. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13 (Touchstone Home Entertainment).

"An Awfully Big Adventure" (1995)
Dark, muddled tale of backstage romances set in 1947 Liverpool where a dramatic troupe, headed by a cruelly arrogant director (Hugh Grant), is joined by a starry-eyed adolescent (Georgina Cates) who's seduced by the lead actor (Alan Rickman), with devastating consequences. Directed by Mike Newell, the unappealing story of manipulative adults and vulnerable adolescents offers a poorly focused mix of strained drama and mean-spirited comedy. Brief bedroom scenes with nudity, frequent sexual innuendo, fleeting violence and an instance of rough language. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted.

"Amistad" (1997)
Uneven dramatization of the 1839 legal battle over the fate of 53 Africans who massacre the crew of a Spanish slave ship, then are captured by an American naval vessel and put on trial for murder and piracy in a case that ultimately reaches the Supreme Court, where former President John Quincy Adams (Anthony Hopkins) defends their right to freedom. Director Steven Spielberg's ambitious attempt to re-examine the contradictions of a society which proclaimed the equality of all and yet accepted slavery succeeds in dramatizing the obvious injustices done the enslaved Africans (led by Djimon Hounsou), but the legal and political issues argued in the lengthy case are treated in stiff historical tableaus. Some gory violence, brutalizing conditions of slavery and brief frontal nudity. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. (DreamWorks)

"Anchorman: The Legend of Ron Burgundy" (2004)
lame spoof set in the era of 1970s' male-dominated TV newscasts in which a pompous San Diego anchorman (Will Ferrell) loses his heart and then his job to a more competent blonde newcomer (Christina Applegate) set on becoming a network anchor. Writer-director Adam McKay's underperforming comedy mocks chauvinist behavior but the slack script's exaggerated stereotypes are dopey without being funny. An implied affair, several sexual references and crude expressions, occasional profanity and an instance of rough language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (DreamWorks)

"Anna Karenina" (1997)
Opulent adaptation of Leo Tolstoy's 19th-century novel of czarist Russia contrasts the hard-won love story of an eventually happy couple (Alfred Molina and Mia Kirshner) with the doomed romance of a married woman (Sophie Morceau) who forsakes husband and child to run off with a wealthy officer (Sean Bean). Screenwriter-director Bernard Rose's elaborate period piece is visually lush in portraying the hypocrisy of class distinctions and exploring characters who question the morality of their actions. Brief violence, fleeting bedroom scene and a suicidal character's drug dependency. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (WGBH)

"Angels in America" (2003)
An ambitious, compelling and stirring television adaptation of Tony Kushner's award-winning theatrical production, originally on Broadway in 1993 and 1994. Well-written, timely and poignant, the play hit upon many controversial themes as the new millennium approached: the gay lifestyle and the advent of AIDS in America, the Reagan era, apocalyptic fears, religion and a time-worn human quest to define heaven while grappling with mortality. Directed by Mike Nichols, the television film is true to the play, with excellent production values and a superb cast.: Patrick Wilson, Mary-Louise Parker, Justin Kirk, Al Pacino, Emma Thompson, Meryl Streep and Jeffrey Wright. One cannot write off a play that presents such affecting physical and spiritual anguish, yet "Angels in America" has flaws and numerous troubling aspects that would make many Catholic viewers unable to endure it. An unqualified recommendation is therefore difficult, but there is value in such a spectacularly mounted production that presents much thought-provoking fodder. (HBO)

"Annie Get Your Gun" (1950)
Big and brassy version of the Irving Berlin musical in which rustic Annie Oakley (Betty Hutton) gets some polish working with Frank Butler (Howard Keel) in a sharpshooting act, then finds fame and finally gets her man (Butler) after Buffalo Bill (Louis Calhern) makes her a star in his Wild West Show. Directed by George Sidney, this show has lots of stunt riding, staged Indian attacks and shoot-outs which make a suitable backdrop for Hutton's overcharged performance, with the result memorable chiefly for its songs ranging from the romantic "The Girl That I Marry" to the comedic "Doing What Comes Naturally" and "Anything You Can Do," and the signature tune, "There's No Business Like Show Business." Romantic complications. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (Warner Bros.)

"Antwone Fisher" (2002)
Inspirational true-life story of a troubled naval recruit (Derek Luke) who with the help of a Navy psychiatrist (Denzel Washington) learns to cope with the emotional devastation wreaked by childhood rejection and physical abuse. Despite a sometimes predictable narrative, Washington's directorial debut is a moving account of strength and survival, as well as a testament to the nobility of spirit inherent in every person. Some violence including depictions of child abuse, an implied sexual encounter and minimal rough language and profanity. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Fox)

"Antz" (1998)
Computer-animated tale of an ant colony in which a whiny worker ant (voice of Woody Allen) sets his sights on the ant queen's sassy daughter (voice of Sharon Stone) and defies his lowly status by becoming a warrior ant out to save the colony from the machinations of its dictatorial General (voice of Gene Hackman). Directors Eric Darnell and Tim Johnson provide the animation with a three-dimensional look, but the story about following one's dreams is on the bland side. Some crude expressions and fleeting cartoon violence. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Universal)

"Antwone Fisher" (2002)
Inspirational true-life story of a troubled naval recruit (Derek Luke) who with the help of a Navy psychiatrist (Denzel Washington) learns to cope with the emotional devastation wreaked by childhood rejection and physical abuse. Despite a sometimes predictable narrative, Washington's directorial debut is a moving account of strength and survival, as well as a testament to the nobility of spirit inherent in every person. Some violence including depictions of child abuse, an implied sexual encounter and minimal rough language and profanity. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Fox)

"Anything But Love" (2003)
Modestly charming tale of a struggling cabaret singer (co-writer Isabel Rose) torn between her corporate lawyer fiance (Cameron Bancroft) and a destitute musician (Andrew McCarthy) who shares her love of a bygone musical era. Co-written and directed by Robert Cary, the film's romantic predictability is balanced by its low-budget plucky spirit, colorful production design and appealing follow-your-dream theme. Occasional profanity and fleeting homosexual innuendo. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Wellspring)

"Anything Else" (2003)
Romantic comedy about an aspiring New York writer's (Jason Biggs) rocky love affair with a sexually free-spirited ingenue (Christina Ricci). Though frequently funny, the film, written and directed by Woody Allen (who also appears in a supporting role), retreads material from many of Allen's earlier movies, and its observations about interpersonal relationships are undermined by the filmmaker's angry, fatalistic cynicism. A nihilistic view of morality, several sexual encounters, recurring sexually crude and religiously irreverent humor, an instance of drug abuse, as well as a few instances of profanity. The USCCB Office for Film & Broadcasting classification is A-IV -- adults, with reservations. The Motion Picture Association of America rating is R -- restricted. (Universal)

"Anything Goes" (1956)
So-so musical in which a veteran performer (Bing Crosby) agrees to team with a rising newcomer (Donald O'Connor), then each signs a different leading lady (Mitzi Gaynor and Jeanmaire, respectively) while vacationing in Europe, but they resolve the mix-up on the voyage home. Directed by Robert Lewis from Sidney Sheldon's leaden adaptation of the Broadway classic, the result lumbers along with stilted production numbers, surprisingly few laughs and even the few Cole Porter songs from the original seem flat. Romantic complications and some sexual innuendo. The DVD features a terrific looking letterboxed print, but no extras. Strangely, there are no chapter stops for the musical numbers, only for the dramatic scenes. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (Paramount)

"Apollo 13 (Imax Format)" (2002)
The rerelease of the 1995 Academy Award-winning movie is changed only in that the screen image is up to eight stories high, allowing for some startling vistas and close-ups, although panning shots look momentarily blurry. The original capsule review follows: Fact-based story of the April 1970 moon launch aborted on its third day in space after an incapacitating problem diminished the oxygen, power and computer systems, making the safe return of the three astronauts (Tom Hanks, Bill Paxton, Kevin Bacon) an almost insurmountable problem for Houston Mission Control. Director Ron Howard keeps emotional tensions taut and suspense levels high throughout this salute to the courage and perseverance of all involved in the dicey rescue mission. Fleeting sexual innuendo and minor profanity. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Universal)

"Apocalypto" (2006)
Visually bold but extremely bloody action-adventure set in 15th-century Central America about the desperate odyssey of a jungle tribesman (Rudy Youngblood) to get back to his pregnant wife (Dalia Hernandez) and child after he and other members of his tribe are taken captive by the ruling Mayans following the massacre of his village. In what is essentially a chase movie, director Mel Gibson impressively re-creates the world of the Mayans -- the sights, sounds and savagery -- using an indigenous cast speaking entirely in Mayan dialects, but the intoxicating imagery and human drama are undermined by so much gore that, even if historically accurate, the cumulative result registers as gratuitous. Intense and graphic violence, including scenes of slaughter, human sacrifice, beheadings and a man being mauled by a jaguar, disturbing images, some sexual humor and innuendo, a suggested marital encounter, partial nudity, an instance of rough language and a few crude expressions. The sharp DVD has good-natured, interesting commentary by Gibson and writer and co-producer Farhad Safinia, an informative 25-minute making-of documentary, and a brief deleted scene (though "snippet" would be more accurate). The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian (Touchstone Home Entertainment).

"Apostolic Fathers: Handing On the Faith" (2007)
Energetic 90-minute examination of the lives, teachings and ultimate martyrdoms of five of the earliest Fathers of the Church. Born into the first or second generation to receive the Gospel message, the so-called "Apostolic Fathers" learned the faith from the apostles themselves, bore witness to it in their writings -- many of which survive -- and offered the ultimate sacrifice for it by laying down their lives under pagan persecution. Affable, anything-for-a-laugh host Steven Ray (given to pratfalls and silly hats), whose own conversion to the Catholic faith was heavily influenced by the writings of the fathers, takes viewers on a journey around the Mediterranean, from the Holy Land through Turkey to Italy and southern France. As he tells the stories of Sts. Clement, Ignatius, Polycarp, Irenaeus and Justin Martyr, the documentary journeys to the ruins of the Roman world in which these holy men lived, enters the arenas where they were executed, and visits their tombs in ancient churches. It is one installment of a 10-part video series entitled "The Footprints of God: The Story of Salvation From Abraham to Augustine." DVD extras include excerpts from an interview with spiritual writer Father Benedict Groeschel, a Franciscan Friar of the Renewal, a 25-minute making-of film and a brief blooper reel. Also included is a print study guide. Spanish subtitles. (Ignatius Press/St. Joseph Productions) (www.ignatius.com)

"Aquamarine" (2006)
Sweetly told modern-day fairy tale about two 13-year-old best friends -- Claire (Emma Roberts) and Hailey (Joanna "JoJo" Levesque) -- who help a mermaid (Sara Paxton), washed ashore during a storm, experience true love in the hopes that the magic wish rewarded them will undo Hailey's impending move to Australia. With a delightful mix of fantasy, comedy and romance, director Elizabeth Allen's wholesome and warmly sentimental, if admittedly lightweight, effort scores points for admirably showing that authentic love can express itself in varied ways. Some mild sensuality and suggestiveness, a few crass expressions and innuendo. The widescreen DVD contains deleted scenes and three "making of" featurettes, as well as audio commentary by the director and cast members. The USCCB Office for Film & Broadcasting classification is A-II - adults and adolescents. Motion Picture Association of America rating, PG -- parental guidance suggested (Fox Home Entertainment).

"Are We There Yet?" (2005)
Leaden road comedy about a smooth-talking skirt-chaser (Ice Cube) with no patience for kids who gets more than he bargained for when he falls for a pretty divorcee (Nia Long) and volunteers to taxi her two mischievous children (Philip Daniel Bolden and Aleisha Allen) from Portland, Ore., to Vancouver, British Columbia, where she is staying on business, so they can all be together on New Year's Eve. Directed by Brian Levant, this film runs out of gas early, leaving viewers to endure a bumpy ride of scatological sight gags and mean-spirited mishaps (making it unsuitable for younger adolescents) which, unfortunately, dampens its sincere, albeit sentimental, message about the importance of family and parenthood. Recurring crude humor and comic violence, and some mildly crass language. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Columbia/TriStar)

"Arguing the World'' (1998)
Feature documentary on the life and times of writers Irving Kristol, Nathan Glazer, Daniel Bell and the late Irving Howe, all of whom attended New York's City College during the 1930s, then went their different ways in the political ferment of postwar America. Writer-director Joseph Dorman uses vintage newsreel footage as well as interviews with the writers and others in providing a nostalgic look at the urban culture from which they came as well as a lively chronicle of how their views grew increasingly conservative over the years. Deals with matters beyond the experience of youngsters. The DVD release includes an interview with Dorman. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (First Run Features)

"The Aristocats: Special Edition" (1970)
Animated Disney feature directed by Wolfgang Reitherman follows the adventures of a family of felines after they inherit the estate of their millionaire mistress, then are catnapped and ditched in the country but then rescued by a pair of bumbling hounds, a couple of giggling geese, a rodent named Roquefort and an alley cat named O'Malley. Enhanced by the voices of Eva Gabor, Phil Harris, Hermione Baddeley and Sterling Holloway, with four songs thrown in for good measure, the result, while not purr-fect, is plentifully pleasing. DVD extras include "The Great Cat Family," hosted by Walt Disney from his old TV show in 1956; a piece on the Sherman brothers, Disney tunesmiths who wrote the film's amiable songs; a scrapbook you can navigate with the remote; and the cartoon short "Bath Day." There's also a charming deleted song introduced by Richard Sherman (and sung by Baddeley), an option to play the film's four songs only, and kid-friendly games and activities. Spanish language option. The Motion Picture Association of America rating is G -- general audiences. All ages admitted. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. (Buena Vista Home Entertainment)

"Around the Bend" (2004)
Offbeat but appealing story of intergenerational bonding as ex-con grandfather (Christopher Walken), single dad (Josh Lucas), and young son (Jonah Bobo) travel to Albuquerque spreading the ashes of great-grandfather Henry (Michael Caine). Though writer-director Jordan Roberts's film -- which, at its core, is all about reconciliation and forgiveness -- is not without its flaws, he has fashioned a winning film with excellent performances, touching sentiment, considerable humor, an eclectic soundtrack and pretty scenery to counterbalance what could otherwise have been a downbeat story. Some rough and crude language, brief bloody images, and an irreligious dispersal of ashes. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. (Warner Bros.)

"Around the World in 80 Days" (2004)
Entertaining extravaganza set in Victorian times about an eccentric English inventor (Steve Coogan) who, along with his trusty, chop-socky valet (Jackie Chan), embarks on a globetrotting steam-age adventure in order to win an outrageous wager that they can do what the title says. Based on the classic yarn by Jules Verne, the film, directed by Frank Coraci, combines lavish action sequences, romance and madcap comedy in serving up a family-friendly spectacle that is both campy and clever -- and, as an added attraction, quite fun for all but the youngest viewers. Recurring action violence, some mildly crude language and humor, and brief drunkenness. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Buena Vista)

"Arthur 2: On the Rocks" (1988)
Comedy sequel about the perpetually drunk millionaire wastrel (Dudley Moore) whose marriage to a perky waitress-shoplifter (Liza Minnelli) is threatened by a tycoon (Stephen Elliott) and his daughter (Cynthia Sikes). Though director Bud Yorkin adds some weight with a subplot about the couple's adoption of a baby, alcoholism is no laughing matter. Some vulgar language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Warner Bros.)

"The Astaire and Rogers Collection: Volume One"
Long-awaited collection of Fred and Ginger's best films, featuring sparkling prints of arguably their best films, cogent feature-length commentary on three of them, and a vintage musical short, a cartoon and a featurette for each, with everything beautifully restored and packaged. Excellent family viewing. (Warner Bros.)

The collection includes:

"The Barclays of Broadway" (1949)
When illness forced Judy Garland out of this MGM Charles Walters-directed film, Astaire teamed with old partner Rogers after 10 years. It was the last one they'd make together (and the only one in color), playing a married musical comedy team, with the wife having aspirations to break up the act and be a "tragic" dramatic actress. Entertaining musical numbers, though not the equal of their earlier work at RKO. No commentary. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America.

 "Follow the Fleet" (1936)
Sturdy musical about an easygoing sailor (Astaire) trying to win back his former hoofing partner (Rogers) while her schoolteacher sister (Harriet Hilliard) pines for his shipboard buddy (Randolph Scott). Directed by Mark Sandrich; the appealing characters make the thin plot worth following, helped by some wry humor, delightful dance routines and lively Irving Berlin songs. Romantic complications. No commentary. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America.

 "Shall We Dance" (1937)
Thin musical about ballet dancer (Astaire) and musical revue star (Rogers) who team for a Broadway show, then get married in name only to avoid a scandal, but true love predictably wins out in the end. Directed by Mark Sandrich, the story creaks with contrived complications but the song-and-dance numbers are first-rate. Commentary by pianist Kevin Cole and Tin Pan Alley tunesmith Hugh Martin. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America.

 "Swing Time" (1936)
Down-on-his-luck hoofer (Astaire) rides the rails to New York, teams with a comely dance instructor (Rogers) and they score as the town's top dancing duo in such numbers as "Waltz in Swing Time" and Astaire's solo showstopper, "Bojangles of Harlem." Director George Stevens keeps the pair's romantic misunderstandings light and lively, gets strong comic relief from Victor Moore and Helen Broderick, and effortlessly stages such songs as "A Fine Romance" and "The Way You Look Tonight." Elegant entertainment. Commentary by Astaire expert John Mueller and a featurette. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America.

 "Top Hat" (1935)
Stylish musical romance between a hoofer (Astaire) and a socialite (Rogers) starts with comic misunderstandings in London, then goes on to ever more zany encounters in Venice. Director Mark Sandrich keeps the lightweight proceedings on the boil, with the dance routines and Irving Berlin songs providing substance. Sexual innuendo and frivolous treatment of marriage. The DVD has interesting commentary by Astaire's daughter, Ava Astaire McKenzie, and dance film historian Larry Billman, plus a featurette, a Bob Hope short and the cartoon "Page Miss Glory." The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America.

"Carefree" (1938)
Wacky musical comedy about a psychiatrist (Astaire) whose best friend (Ralph Bellamy) asks him to treat his marriage-shy girlfriend (Rogers) but matters get complicated when the patient falls for the doctor. Directed by Mark Sandrich, the thin plot takes some very giddy turns, with the added bonus of appealing Irving Berlin tunes, including "I Used to Be Color Blind" danced in slow motion by Rogers and Astaire, as well as Astaire's standout syncopated solo on the golf links (A-I).

"Flying Down to Rio" (1933)
Wacky musical comedy in which a bandleader (Gene Raymond) takes a job in Rio de Janeiro where he unknowingly romances the fiancee (Dolores Del Rio) of a pal (singer Raul Roulien). Directed by Thornton Freeland, the proceedings are dominated by a genial pair of hoofers (Astaire and Rogers) who stage the show-stopping finale with showgirls performing on the wings of biplanes. Stylized violence, romantic complications and innuendo (A-II).

"The Gay Divorcee" (1934)
Comic misunderstandings abound in this dated musical fluff about an American (Rogers) whose lawyer (Edward Everett Horton) hires a professional co-respondent to obtain a divorce in England, then mistakes an unwanted admirer (Astaire) for the unseen hireling. Director Mark Sandrich turns the farcical situation into a lighthearted musical comedy with charming songs and dances, notably "The Continental," and creaky comic routines. Comic treatment of the war between the sexes with divorce as a plot device (A-II).

"Roberta" (1935)
Adaptation of composer Jerome Kern's Broadway hit, here starring Irene Dunne and Randolph Scott as a Russian princess and an American football player who inherits a Parisian fashion business. William A. Seiter directs, and look closely and you'll spot a blonde Lucille Ball as a model. Songs include "Smoke Gets in Your Eyes" and "I Won't Dance," and though Astaire and Rogers have only supporting roles they steal the picture (A-I).

"The Story of Vernon and Irene Castle" (1939)
Nostalgic musical biography of a vaudevillian (Astaire) and his bride (Rogers) who in 1911 team as ballroom dancers and become international favorites before Vernon's tragic death as an aviator in World War I. Director H.C. Potter's warm portrait of a loving couple is paced by elegant dance numbers, period songs and occasional comic relief (Edna May Oliver, Walter Brennan and Lew Fields). Old-fashioned family fare (A-I).

"Arctic Tale" (2007)
Queen Latifah delightfully narrates an absorbing story charting the parallel journeys of a polar bear cub and a walrus pup in the Arctic Circle from birth to maturity and showing how they manage to survive a changing environment with ever-decreasing ice seriously impeding both their natural habitat and their ability to obtain food. Co-directors and cinematographers Adam Ravetch and Sarah Robertson have fashioned an impressively photographed "fable" out of the challenges facing these creatures in light of global warming, rendering the film a vivid animal counterpart to Al Gore's "An Inconvenient Truth." Though restrained in its presentation, the film includes some images of animal violence and death, perhaps precluding viewing by the very young. The DVD edition includes both a making-of featurette, and another kid-friendly one on polar bear spotting. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted. (Paramount Home Entertainment)

"Art School Confidential" (2006)
Oddball story that can't decide if it's a touching coming-of-age story, gross-out frat movie, murder mystery or mordant black comedy, though it does make some sharply satiric points about the art world. Director Terry Zwigoff's sporadically amusing film adapted by Daniel Clowes from his comic strip concerns a sensitive art school student (Max Minghella), smitten with an attractive artist's model (Sophia Myles) and struggling to find his artistic voice amid loutish roommates, colorful teachers (John Malkovich and Angelica Huston), and an embittered and alcoholic failed artist (Jim Broadbent), against the backdrop of a mysterious strangler killing off the students. Pervasive profanity, rough language and vulgarity, full-frontal male and partial female art-model nudity, much sexual banter and innuendo, a couple of minor gay characters, and a stylized strangling. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian (Sony Pictures Home Entertainment).

"The Assassination Bureau" (1969)
Tongue-in-cheek British comedy set in the early 1900s about an international organization of killers-for-hire that is commissioned by a neophyte reporter (Diana Rigg) to kill their own leader (Oliver Reed). Good cast, marvelous settings but Basil Dearden's direction is rather uncertain in its mixture of slapstick and satire. Comic violence.      The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating was M -- parental guidance suggested, but all ages admitted. (Paramount)

"The Assassination of Jesse James by the Coward Robert Ford" (2007)
Unusual and compelling Western dramatizing the circumstances that lead up to the shooting of notorious outlaw Jesse James (Brad Pitt) by Robert Ford (Oscar-nominated Casey Affleck), a member of his own gang, and the publicity generated afterward. Writer-director Andrew Dominik tells the story intelligently at a leisurely but controlled pace with penetrating close-ups of the excellent cast -- Affleck is particularly outstanding -- to probe psychological motivations, while the relatively restrained violence is presented with an admirable realism devoid of glamorization. Some crude language and profanity, innuendo, a nongraphic sexual encounter, several shooting deaths with blood and scenes of physical violence, suicide and brief rear male nudity. The standard DVD contains no extras but the picture quality is fine, while the HD/DVD combo edition contains a 30-minute documentary. Spanish titles available. The USCCB Office for Film & Broadcasting classification is A-III --adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Warner Home Video)

"Assault on Precinct 13" (2005)
Brutal and violent -- though reasonably gripping -- story of a desolate Detroit police precinct under siege by crooked police who are out to silence a criminal (Laurence Fishburne) incarcerated there, to cover up what he knows about corruption within their ranks, effecting an unusual alliance between the police and criminals within the station house who must unite to defend themselves. Jean-Francois Richet's remake of the 1976 film features good performances by Fishburne, Ethan Hawke and Brian Dennehy, but the bloodshed and violence seem unnecessarily explicit, and the improbable story calls for major suspension of disbelief. Graphic and bloody violence and related gore, much rough, crude and profane language, and some sexual innuendo. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. (Universal)

"Assisted Living" (2005)
Poignant docudrama that follows a 27-year-old, pot-smoking slacker (Michael Bonsignore) through his final day as a janitor at a nursing home, during which he gains deeper maturity through an unlikely friendship he develops with an elderly resident (Maggie Riley) who is suffering from the early stages of Alzheimer's disease and mistakes him for her absent son. Incorporating footage of real residents and staff at the facility where it was shot into the fictional story, this modest film by first-time director Elliot Greenebaum manages despite its no-frills look to offer a moving meditation on loneliness and the human need for contact and compassion. Some recreational drug usage and brief crude expressions. The USCCB Office for Film & Broadcasting classification is A-III -- adults. Not rated by the Motion Picture Association of America. (Hart Sharp)

"August Rush" (2007)
Unabashedly romantic fable in which an 11-year-old musical prodigy (Freddie Highmore) embarks on a search for the cellist mother (Keri Russell) and rock-singer father (Jonathan Rhys Meyers) from whom he was separated at birth. Director Kristen Sheridan's warm-hearted tribute to the power of music blithely eschews all connection to reality, and will likely strike some as charmingly poetic and others as merely naive. An implied premarital sexual encounter, one use of profanity, one use of the s-word and one crass expression. The double-sided DVD (widescreen and full-screen) includes additional worthy scenes (though one contains an additional profanity). Spanish-language, subtitle options. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Warner Home Video; also available on Blu-ray)

"Aurora Borealis" (2006)
Unmotivated Minnesota man (an appealing Joshua Jackson) takes on a maintenance job at an assisted living facility to be near his ailing grandfather (Donald Sutherland) and falls in love with his granddad's home health aide (Juliette Lewis). James Burke's downbeat film scores points for its compassionate portrayal of the elderly and their need for care and the acting is generally good. The script goes beyond empathizing with the grandfather's fervent wish to be spared a debilitating decline into almost making a case for euthanasia, despite a morally sound ending on all fronts. Pervasive rough and crude language, euthanasia theme, adultery, acceptance of premarital sex, some heavy groping and innuendo, a couple of violent brawls and a drug reference. The good-looking anamorphic DVD includes interviews with the actors, writer Brent Boyd, Burke and the producers. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian (Liberation Entertainment/Regent Releasing).

"Autumn Spring" (2003)
Tender, bittersweet comedy about an old man (famed Czech actor Vlastimil Brodsky) who invents various colorful personalities in order to come to terms with his own mortality. Despite its at times heavy-handed fatalism, director Vladimir Michalek elicits virtuoso performances from his cast in this minor gem, resulting in a