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VIDEO AND DVD PREVIOUSLY REVIEWED
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A
“Abraham and Mary Lincoln: A House Divided" (2003)
Writer-director David Grubin offers an intimate portrait of the frontier farmer's son as well as his aristocratic wife in the comprehensive and compelling three-part series, which originally aired on PBS' "The American Experience" series. The first episode entertains with its presentation of personal details. Although Mary, a learned woman, was an incredible flirt, she waited a year and a half for Lincoln to propose a second time, after he had callously broken off their initial engagement. She saw in him the dogged ambition that would lead him to be president, and she wanted to be by his side when it happened. From his first term as president, the bloody Civil War and the Emancipation Proclamation through Lincoln's re-election and assassination, the next two episodes emphasize the human story behind the historical facts. Archival photos and lively dramatizations as well as scenes shot in the Mary Todd Lincoln House in Kentucky and the Lincoln Home National Historic Site in Illinois are interspersed with historians and biographers' commentary. Narrated by David McCullough. Parents should be aware that the documentary contains gruesome images of Civil War victims unsuitable for younger viewers. However, the program is a thorough and engaging presentation that could serve as a psychological history lesson for adolescents.

"The Abyss" (1989)
Derivative sea adventure tracking the attempt to rescue a U.S. nuclear submarine which has sunk in waters inhabited by mysterious, benign alien creatures. Writer-director James Cameron drowns the fantasy in a sea of dopey interpersonal distractions and technological razzle-dazzle. Intense underwater action with drownings, resuscitations and locker-room language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (20th Century Fox Home Entertainment)

"A Christmas Story" (1983)
Adapted from Jean Shepherd's nostalgic piece of whimsy, "In God We Trust, All Others Pay Cash," the movie re-creates what it was like to be a boy (Peter Billingsley) yearning for a genuine Red Ryder air rifle for Christmas in the Midwest of the 1940s. Director Bob Clark gets some good performances from Darren McGavin and Melinda Dillon as the understanding parents and the period atmosphere is nicely conveyed in what is essentially a warm celebration of a more innocent, less sophisticated America. A few vulgar syllables. Spanish titles option. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Warner Home Video)

"Across the Universe" (Deluxe Edition) (2007)
At once spectacular and schizophrenic, this musical tribute to the Beatles chronicles the adventures of a Liverpool dockworker (Jim Sturgess) as he travels to America, befriends a rebellious preppy (Joe Anderson), falls in love with the preppy's sister (Evan Rachel Wood), pals around with his Janis Joplin-like singer-landlady (Dana Fuchs), her Jimi Hendrix-like bandmate (Martin Luther McCoy), and a former cheerleader turned bohemian (T.V. Carpio). As conceived and directed by Julie Taymor, the film is a highly imaginative, visually stunning fantasia, employing the music of the Fab Four to elucidate the 1960s, though its contrived story line too often leaves both cast and audience bogged down in a mire of cliches. Partial, rear and upper female nudity, cohabitation, a sexual embrace, a disrespectful sequence with a priest, drug use, occasional rough and much crude and crass language. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Sony Pictures Home Entertainment)

"A Dennis the Menace Christmas" (2007)
Innocent but mostly unfunny holiday outing in which the titular terror (Maxwell Perry Cotton) wreaks havoc on his grouchy neighbor, Mr. Wilson (Robert Wagner), and his kindly wife (Louise Fletcher), thus causing damages that threaten to ruin his parents (Kim Schraner and George Newbern) financially, a problem that only the intervention of an angel (Godfrey) may be able to resolve. Director Ron Oliver's comedy, when not ripping off Dickens or Frank Capra, indulges in the most predictable kind of destructive slapstick, though along the way it does manage to promote some positive values. One mild oath and a sight gag involving a brassiere. Added features on the DVD include a behind-the-scenes look at the making of the film, brief blooper and outtake reels, an audio commentary with Oliver and Wagner, a picture-in-picture video commentary by Cotton, and Spanish and Portuguese dubbing and subtitle options. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted. (Warner Home Video)

"Adventures from the Book of Virtues: Adventures in Faith" (1996)
Inspiring animated PBS adaptation of former U.S. Secretary of Education William J. Bennett's "The Book of Virtues" features two youngsters, Zach and Annie, who are told a series of classic moral tales by a group of animal friends led by a wise bison named Plato. In the two half-hour episodes devoted to faith, the parable of the good Samaritan, the story of the prophet Daniel, the exploits of anti-slavery activist Harriet Tubman (c. 1820-1913) and the legend of Androcles and the lion are recounted as Annie copes with the sudden death of a friendly older neighbor and Zach hesitates to help an immigrant schoolmate left homeless by a fire. Also released are companion volumes on "Honesty" and "Courage." Full-screen DVD. Spanish language option. (PorchLight Home Entertainment)

"Adventureland" (2009)
Sensitive but downbeat coming-of-age tale, set in 1987 Pittsburgh, about an awkward college graduate (Jesse Eisenberg) who takes a summer job at a third-rate amusement park and falls for one of his co-workers (Kristen Stewart), not realizing she is having an adulterous affair with an older employee (Ryan Reynolds). Though generally restrained in its presentation of sexuality, director Greg Mottola's wryly nostalgic romance takes a benign view of its characters' frequent indulgence in marijuana and reaches a morally unacceptable conclusion. Nongraphic adulterous and premarital sexual activity, brief partial nudity, repeated drug use, some sexual and fleeting scatological humor, pervasive rough and crude language, and a few uses of profanity. Spanish titles option on Blu-ray edition. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Buena Vista Home Entertainment; also available on Blu-ray)

"The Adventures of Mark Twain" (1986)
Combining elements of the author's life and times with excerpts from his writings, this animated fantasy will engage youngsters while providing older viewers with some insights into Twain's complex character. Will Vinton's use of clay animation, with fully modeled characters in imaginative sets, is a visual treat. Several scenes may be frightening for the very young but otherwise it's unusually fine family entertainment. The no-frills DVD issue offers a good-looking anamorphic (offering maximum resolution) widescreen image. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted. (Sony Pictures Home Entertainment)

"The Adventures of the Little Prince: The Greatest Gift" (1983)
Three episodes from the gentle 1980s Nickelodeon series -- endorsed by the National Education Association -- inspired by the character created by Antoine de Saint-Exupery about the wise child who rules the distant asteroid B-612, and in this series comes to earth for various adventures, learning (and imparting to young viewers) various life lessons in the process. The DVD includes three 22-minute episodes. In the titular story, the Little Prince wants to see what Christmas is all about but lands on a tropical isle where a self-centered rich man, reminded of his own lost child, wants to adopt him, caring little for anyone else until the Prince teaches him about generosity and the true meaning of season. "Too Big for This World" and "The Winning Ride," concerning a giant and a jockey, respectively, follow the same pattern. All in all, these are very nice stories for preschoolers, and if the animation is simplistic, it does capture some of the spirit of Saint-Exupery's beloved work. Print quality is a little soft, but colorful enough for the kids. Five other DVDs in the series are available, along with a boxed set of the entire series (Koch Vision).

"The Adventures of Sharkboy & Lavagirl in 3-D" (2005)
Entertaining family fantasy about a picked-on 10-year-old (Cayden Boyd) with a fertile imagination who finds himself recruited by the superheroes he created in his daydreams and blasts off on a mission to save a distant world from the sinister machinations of Mr. Electric (George Lopez). Directed by Robert Rodriguez, this kid-friendly film is full of whimsical visuals but the gimmicky 3-D effects distract from what is otherwise a genial tale about the importance of imagination and fostering creativity. Some light comic book violence and mildly rude humor. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Buena Vista)

"The Adventures of Ociee Nash" (2004)
Family-friendly drama set in 1898 which follows the modest adventures of a tomboyish 9-year-old (Skyler Day), who, leaving behind her widowed father (Keith Carradine), travels from rural Mississippi to North Carolina to live with an aunt (Mare Winningham) set on teaching her to become a "proper young lady." Along the way, she rubs elbows with such historical personalities as President McKinley and the Wright brothers. Directed by Kristen McGary from Milam McGraw Propst's children's novel, "A Flower Blooms on Charlotte Street," the film scores points for its disarmingly old-time-values tone but, sadly, neither its homespun charm nor its refreshingly wholesome message can fully mask its flat writing and performances. The DVD includes both wide- and full-screen versions, though trailers and TV spots are the only significant extras on a good-looking DVD. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. (Fox)

"Adventures of Walker and Ping Ping" (2008)
Two half-hour episodes of an educational animated series designed to introduce children ages 3-8 to the language, history and culture of China. In the first, a boy named Walker, whose family has recently moved to Hong Kong, befriends local girl Ping Ping, and under the guidance of Ping Ping's Grandpa Joss the two set out to explore the Great Wall. Lessons learned along the way include basic geography and some essential words and phrases, the latter frequently repeated and spelled out on-screen in both Chinese and English. These vocabulary terms are reinforced and added to in the second episode, during which the trio visits a market. This widescreen DVD provides a valuable first glimpse at the life of an ancient and vastly influential nation. (Little Emperor; www.walkerandpingping.com)

"An Affair to Remember: 50th Anniversary Edition" (1957)
Lush sentimental melodrama begins as light comedy with a shipboard romance between a wealthy bachelor (Cary Grant) and a former nightclub singer (Deborah Kerr), then plunges into heavyweight soap opera when their rendezvous in New York is prevented by an accident. Director Leo McCarey's remake of his 1939 "Love Affair" manages to keep the lumbering romance afloat with an old-fashioned mix of smiles and tears, a charming cast and plush settings. Starry-eyed romance. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (20th Century Fox Home Entertainment)

"After Hours" (1985)
A bored yuppie (Griffin Dunne) from Manhattan's fashionable East Side ventures into a dangerous part of town to meet an eccentric date (Rosanna Arquette) only to encounter a series of life-threatening misadventures before escaping back to the safety of his own turf in the dawn's early light. Director Martin Scorsese's black comedy lacks satiric bite, preferring instead to wring laughs out of mental instability and bizarre sexual practices. Sophomoric nihilism and some brief nudity.  The USCCB Office for Film & Broadcasting classification is A-IV -- adults, with reservations. The Motion Picture Association of America rating is R -- restricted. (Warner Bros.)

"After the Sunset" (2004)
Lackluster caper directed by Brett Ratner about a master thief (Pierce Brosnan) who, after calling it quits and retiring to a tropical island with his sexy accomplice (Salma Hayek), is tempted to steal a priceless gem aboard a cruise ship docked in port while being watched by an FBI agent (Woody Harrelson) gunning to nail him. Despite good cat-and-mouse chemistry between Brosnan and Harrelson, the film's warmed-over premise doesn't really contribute anything new to the heist genre and in making light of the felonies committed suggests that crime pays handsomely. A glamorized portrayal of larceny, crime without consequence, brief violence, several implied sexual encounters and some racy images, as well as an instance of rough language and intermittent crude language. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (New Line)

"Against the Ropes" (2004)
Leaden drama about a brassy female fight fan (Meg Ryan) who tosses her hat and her hopes into the ring when she decides to manage a promising young boxer (Omar Epps). Based loosely on the life of boxing manager Jackie Kallen, the film, directed by Charles S. Dutton, has little chance of scoring a knockout at the box office thanks to lightweight performances and a script that doesn't pack much of a punch. Boxing action, brief violence and drug content, and recurring crude sexual language and humor.      The USCCB Office for Film & Broadcasting classification is A-III - adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Paramount)

"Air Bud" (Special Edition; 1997)
Thin but likable story of a lonely boy (Kevin Zegers) who befriends a stray dog he names Buddy, then discovers the dog's talent for putting a basketball through the hoop which is good enough for his team's coach (Bill Cobbs) to use Buddy as a substitute player in the big game. Directed by Charles Martin Smith, the proceedings are cheerfully manipulative in alternating heartwarming scenes with ones of slapstick silliness, though some threatening moments are provided by an abusive coach and the cruel master who wants his runaway dog back. Some scenes of menace and a few vulgarities. The DVD includes commentary (uh, dog-u-mentary, from the Buddies, the pups considered the offspring of the original Buddy who have starred in sequels). Spanish language and titles options. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Walt Disney Studios Home Entertainment)

"Air Buddies" (2006)
Straight-to-video fifth installment in the live-action "Air Bud" series in which the sports-playing golden retriever, Air Bud, and his mate are dognapped by a flamboyant animal dealer, leaving it up to their litter of five "talking" puppies to undertake a rescue mission, while evading capture themselves by the poacher's bungling henchmen. The pups are adorable, but director Robert Vince's lightweight effort is padded with frivolous slapstick that may keep very young children adequately amused, but have older kids pawing for the remote. Don't be fooled by the DVD's cover art; there's hardly any of the doggy-sports antics of the previous four films. And while you could do worse for clean, family-friendly entertainment, if you're expecting "101 Dalmatians" -- which this movie references -- you're barking up the wrong tree. Bonus features include a cute "interview" with the pooch stars, an instructive segment on how to train your dog, and more. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children (Disney Home Entertainment).

"Akeelah and the Bee" (2006)
Irresistible story about a South Los Angeles 11-year-old loner (Keke Palmer) who reluctantly competes in a national spelling bee under the tutelage of an emotionally fragile English professor (Laurence Fishburne) and against the initial wishes of her hard-working mother (Angela Bassett). Writer-director Doug Atchison handles Akeelah's journey of self-discovery deftly and builds suspense along the way to a satisfying conclusion, helped by his first-rate leads, and inspiring messages about conquering fears, winning by honest means, the strength of community and, above all, the beauty and potency of words. A few crass expressions and a single use of a four-letter word can't detract from an overall warm endorsement for all audiences. The film has been given the deluxe anamorphic DVD treatment with seven brief but enjoyable deleted scenes, three lively featurettes and more. Highly recommended. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children (Lions Gate Home Video).

"A Knight's Tale" (Extended Cut) (2001)
Rollicking action adventure story about a young squire (Heath Ledger) in 14th-century France who assumes his deceased master's identity and works his way up the jousting circuit to foil a nasty villain (Rufus Sewell). Inspired by Chaucer's "Canterbury Tales," director Brian Helgeland deftly blends contemporary attitudes, dialogue and rock music into an entertaining period piece, although the movie's length is a bit indulgent. Intermittent action violence, some rear nudity and fleeting crass language. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Columbia/TriStar)

"Aladdin" (1992)
Vibrant animated "Arabian Nights" tale of a genie (voice of Robin Williams), a commoner in love with a princess and an evil vizier who connives to capture the genie and marry the princess. Directed by John Musker and Ron Clements, the Disney production has a sweet story and delightful animation, and Williams' wisecracks wedded to lightning-fast sight gags should hold adult interest. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. (Buena Vista)

"The Alamo" (2004)
Sweeping historical drama set in 1836 about the famous last stand of a handful of Texans -- led by Jim Bowie (Jason Patric) and Davy Crockett (Billy Bob Thornton) -- who, though overwhelmingly outnumbered, valiantly held the besieged fort for 13 days before falling to the Mexican army under the command of Gen. Santa Anna (Emilio Echevarria), rallying the cause of Texan independence. Despite its sweeping scope, the film, as directed by John Lee Hancock, is less concerned with bloody battles and flag-waving patriotism than it is with the relationships of the men involved, resulting in an intimate, character-driven tale about courage and sacrifice. Extended battlefield violence and some crude language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Buena Vista)

"All Dogs Go to Heaven 1 & 2" (Double Feature) (1989 and 1996)
The two Don Bluth animated features are repackaged in two slim-line DVD cases, full screen, and with no extras. Adequate print quality on both. (Sony)

"All Dogs Go To Heaven 1" (1989)
Dark, disappointing animated feature, set in 1930s Louisiana, charts the death and redemption of a rogue German shepherd (voice of Burt Reynolds) who, after being bumped off by a crooked business partner, cons his way from heaven back to earth where he is reformed by his love for an adorable orphan (voice of Judith Barsi). The orphan proves the only shining light in director Don Bluth's predictable, derivative fantasy with forgettable music and unappealing lead characters. Some cartoon menace and intense moments of mortal danger. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted.

"All Dogs Go To Heaven 2" (1996)
Animated musical sequel in which two canine angels (voices of Charlie Sheen and Dom DeLuise) in San Francisco to retrieve Gabriel's horn help a runaway boy return home while outwitting a devilish duo. Directed by Paul Sabella and Larry Leker, the result features some sprightly songs but the busy animation often looks washed out. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted.

"All Dogs Go to Heaven: The Series" (1996-1999)
Canine guardian angel Charlie and his scrappy sidekick, Itchy, are back, getting into all sorts of mutt mischief while trying to earn their wings and halos by helping out people and dogs in need here below. Originally airing on cable's Fox (now ABC) Family Channel 1996-99, the animated series features the voices of Steven Weber, Dom DeLuise, Sheena Easton, Ernest Borgnine, Charles Nelson Reilly, and Bebe Neuwirth as Anabelle, the pair's celestial handler who keeps them on a short leash. Each of the two discs (sold separately) contains four episodes grouped according to themes, and each pooch parable imparts a life lesson. Volume 1, "Friends to the Rescue," is comprised of stories dealing with friendship: "Field Trip," "Cyrano De Barkinac," "Mutts Ado About Nothing" and "Heaventh Inning Stretch." Volume 2, "Dogs Undercover," contains a quartet of adventures: "La Doggie Vita," "Magical Misery Tour," "Fearless Fido," and the "The Big Fetch." With their teaching story lines, lively animation and positive messages, these collections, while pleasing parents, should keep the pups wagging their tails. (Sony)

"Almost Heroes" (1998)
Comedy clunker about inept explorers Chris Farley and Matthew Perry starting out from St. Louis in 1804 to beat the Lewis and Clark expedition to the Pacific Ocean. It's a one-joke comedy whose witless wilderness proceedings go from crude to cruder. Slapstick violence, sexual innuendo, outhouse humor and profanity. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Warner Bros.)

"Alexander" (2004)
Ambitious historical epic which explores the life of Alexander the Great (Colin Farrell), the fabled fourth-century B.C. Macedonian conqueror, chronicling his rise to power, stunning military victories and empire expansion, with breaks in the sword-and-sandal action for some Freudian forays into his bisexuality and estranged relationship with his conniving mother (Angelina Jolie) and rough-hewn royal father (Val Kilmer). Though this "Alexander" is far from great, director Oliver Stone's visually impressive film features spectacular, though graphic, battles and lavish re-creations of antiquity that somewhat balance its epic flaws, which include campy acting and dialogue, a plodding pace and an interminable running time of three hours. Strong battlefield violence and associated gore, an attempted rape, several implied gay sexual situations, one involving shadowy rear nudity, an explicit straight bedroom scene and generalized background debauchery. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. (Warner Bros.)

"Alfie" (2004)
Successfully competing with fond memories of the 1966 Michael Caine English film, this new version, set in Manhattan, features a superb Jude Law as the womanizing cad whose callous ways eventually catch up with him. Charles Shyer's beautifully crafted remake -- an exceedingly moral film even as it features a most amoral anti-hero -- follows the titular Cockney limo driver as he makes his amorous way through his best friend's girl (Nia Long), a wealthy older society matron (Susan Sarandon), a married woman (Jane Krakowski), a free-spirited party girl (Sienna Miller) and a single mom (Marisa Tomei), before feeling the emptiness of his self-centered life. Some rough and crude language, strong sexual content, nudity and recreational drug use. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. (Paramount)

"Alice Doesn't Live Here Anymore" (1975)
A widow (Ellen Burstyn) takes her young son (Alfred Lutter) on a sojourn across the Southwest trying to pursue her dream of a singing career but winds up as a waitress in a greasy spoon where she is courted by a local rancher (Kris Kristofferson). Director Martin Scorsese's somewhat ambiguous picture of a single parent in contemporary America also offers some interesting insights on the condition of women in a male chauvinistic society. Several sordid situations and rough language.   The USCCB Office for Film & Broadcasting classification is A-IV -- adults, with reservations. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Warner Bros.)

"Alice in Wonderland" (1985)
Lavish two-part television adaptation of Lewis Carroll's evergreen children's story with an incredible all-star cast including Red Buttons (the White Rabbit), Sammy Davis Jr. (the Caterpillar), Roddy McDowell (the March Hare), Robert Morley (the King of Hearts), Anthony Newley (the Mad Hatter), Donald O'Connor (the Lory Bird), Martha Raye (the Duchess), Shelley Winters (the Dodo Bird) , Carol Channing (the White Queen), Ernest Borgnine (the Lion), Karl Malden (the Walrus), and Ringo Starr (the Mock Turtle), plus many more. Irwin ("The Poseidon Adventure") Allen produced, and Harry Harris directed Paul Zindel's reasonably faithful adaptation for which Steve Allen (who also appears) provided some pleasant songs, and the accents are mostly American, including cute Natalie Gregory as Alice. The DVD features a fullscreen image, and the color quality of the film is excellent. Kids should love it, while adults will appreciate the parade of stars (Sony Home Entertainment).

"Aliens in the Attic" (2009)
Mostly harmless comic adventure in which a group of young cousins (principally Carter Jenkins, Austin Butler and Ashley Tisdale) battle a quartet of aggressive extraterrestrials (voices of Josh Peck, J.K. Simmons, Thomas Haden Church and Kari Wahlgren) who've invaded their vacation home as a preliminary step to world domination. Director John Schultz's mildly diverting fantasy offers lessons about family unity and the value of education, but also includes dialogue inappropriate for younger viewers, who might otherwise enjoy it most. A few sexual references, occasional innuendo and at least one crass term. Spanish titles option. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (20th Century Fox; also available on Blu-ray)

"Alien vs. Predator" (2004)
Sci-fi actioner about a team of scientists (including Sanaa Lathan) hired by a wealthy industrialist (Lance Henriksen) to explore a mysterious ancient pyramid discovered beneath the Antarctic who become live bait in a battle royal between the two space species of the title slugging it out for bragging rights in the galaxy. Cross-pollinating two popular franchises, the extraterrestrial face-off, directed by Paul W.S. Anderson, while peppered with some mild shivers and creepy atmospherics, is devoid of substance or style, its repellent cavalcade of slimy special effects drowning out any real suspense and testing the boundaries of its PG-13 rating. Gory action violence, an instance of rough language and scattered crude expressions. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Fox)

"All the King's Men" (2006)
Uneven remake of Robert Penn Warren's 1946 Pulitzer Prize winner set in the 1950s, about a rabble-rousing everyman (Sean Penn) who rises from obscurity, railing against political corruption, and is elected governor of Louisiana, only to be polluted by power once he's in office; and the idealistic journalist (Jude Law) who falls under his spell. Written and directed by Steven Zaillian, the handsomely crafted morality tale -- loosely based on the life of Depression-era Louisiana Gov. Huey P. Long -- explores the means and ends of power, but Penn's passionate and committed performance is undermined by an opaque script. A violent shooting, implied adultery, a suicide, a bedroom encounter with shadowy side nudity, a provocative nightclub performance, some mildly crude language, profanity and racial slurs. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13 (Sony Pictures).

"All the President's Men" (1976)
The investigation by two Washington Post reporters (Dustin Hoffman and Robert Redford) of the facts behind the 1974 Watergate break-in has been dramatized with restraint and objectivity. Director Alan Pakula's deliberately low-keyed, well-acted and comprehensive account of a political scandal emphasizes the painstaking work involved in investigative journalism. Though it uses a few coarse words in a realistic context, the movie is one that older teenagers would benefit from seeing. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Warner Bros.)

"Almost Famous" (2000)
Poignant drama set in the 1970s about an aspiring rock journalist (Patrick Fugit) who lands a freelance assignment at age 15 with Rolling Stone magazine to interview a hot new rock band (led by Billy Crudup) as they tour the United States. Director Cameron Crowe's semiautobiographical coming-of-age story skillfully reflects the era, yet remains on a largely superficial level. Implied sexual encounters, fleeting nudity, an extramarital affair, some drug use including an overdose and intermittent rough language. The USCCB Office for Film & Broadcasting classification is A-IV -- adults, with reservations. The Motion Picture Association of America rating is R -- restricted. (DreamWorks)

"Along Came Polly " (2004)
Stale romantic comedy about a tightly wound New York insurance risk assessor (Ben Stiller) who, after being jilted by his newlywed bride (Debra Messing) on their honeymoon, has his play-it-safe lifestyle turned topsy-turvy when he falls for a bohemian former high school classmate (Jennifer Aniston). In lieu of a smart, witty farce about the emotional perils of modern mating, director John Hamburg has strung together a series of crude bathroom sight-gags and stock sex skits which are made more painful by his love-shy leads' total lack of on-screen chemistry. A few sexual encounters, much crass humor, some rear nudity, recurring crude language and profanity. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Universal)

"A Mighty Heart" (2007)
Tense recounting of the 2002 kidnapping of and frantic search for Wall Street Journal reporter Daniel Pearl (Dan Futterman) in Karachi, Pakistan, as seen through the eyes of his pregnant wife, Mariane (Angelina Jolie), also a journalist. Director Michael Winterbottom superbly captures the tumult, and without histrionics (except for one searing outpouring of grief), deftly embodies the courageous Mariane Pearl who, after the tragic events, refused to succumb to bitterness or vengeance. Several uses of the f-word under duress, and a few other crude or crass words, fleeting newsreel footage of bombings and some dead bodies including a grim morgue image, a discreet torture scene, a brief nongraphic bedroom scene and a verbal description of Pearl's gruesome death. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian.

"Amazing Grace" (2007)
Compelling historical biography about William Wilberforce (a dynamic Ioan Gruffudd), the great 18th-century British abolitionist, who with the help of the young British Prime Minister William Pitt (Benedict Cumberbatch), and other like-minded friends in Parliament and elsewhere (Rufus Sewell, Michael Gambon, Albert Finney and Youssou N'Dour), managed -- after tireless and courageous struggle -- to pass an anti-slave trade bill in Parliament. With its solid performances, accessible script and handsome production design, director Michael Apted's film recalls some of the best historical dramas from Hollywood's golden age, and is all the more admirable for its unabashed portrait of a passionate man of God. The DVD includes commentary by Apted and Gruffudd, a making-of documentary with much historical detail, a tour of the National Underground Railroad Freedom Center in Cincinnati, a music video of the title song with Chris Tomlin, and various interactive study guides. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Twentieth Century Fox Home Entertainment)

"American Dreamz" (2006)
Fairly amusing satire of fame and politics as a would-be terrorist (Sam Golzari) enamored of American show tunes winds up on an "American Idol"-like talent show, where his Afghan superiors expect him to kill the U.S. president (Dennis Quaid) who is appearing as a celebrity judge to boost his image, while the show's host (Hugh Grant) falls for a "white trash" contestant from Ohio (Mandy Moore). The performances, including those of Marcia Gay Harden and Willem Dafoe, are good, and director-writer Paul Weitz carefully avoids most of the pitfalls of such a premise with a surprisingly sweet-natured story with no real villains, though the salvos about today's vapid pop culture, the public's misplaced priorities, the need for understanding of our "enemies," and the obscenity of war could sometimes be more sharply focused. Scattered instances of four-letter words, profanity, sexual and crass expressions, an implied premarital coupling and a suicide. The anamorphic DVD includes about 12 minutes of deleted scenes, commentary by Weitz and Golzari, and a couple of lightweight featurettes. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13 (Universal).

"America's Heart and Soul" (2004)
Captivating documentary in which filmmaker Louis Schwartzberg traverses the country interviewing a colorful assortment of folks who are passionate about what they do, including a blind mountain climber, a musically inclined dairy farmer, an aerobatic pilot and cliff dancers, to name only a few. Combined with breathtaking, panoramic cinematography, the film's personal vignettes are as emotionally involving as the documentary is spiritually uplifting in celebrating individual diversity and the love of liberty that Americans share. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Columbia/TriStar)

"American Harvest" (2008)
Filmmaker Angelo Mancuso's informative 90-minute documentary travels to Florida, Arizona, Delaware and New York to explore the indispensable role Hispanic migrant workers and immigrants play in sustaining the U.S. agricultural industry. Mancuso interviews farmers and produce brokers who underscore the fact that few native Americans are willing to engage in the picking, cleaning and packaging of the fruits and vegetables that keep our supermarket shelves full. For Mexicans and other Latin Americans, on the other hand, a field job in this country can offer the chance to earn in an hour what they would earn in a day at home. Given that agribusiness would grind to a halt without such workers, those providing them with support, like Caroline Isaacs of the Tucson, Ariz., branch of the American Friends Service Committee, plead for sensible and humane immigration law reform. Mancuso also visits Our Lady of Guadalupe Catholic Church in Immokalee, Fla., which serves the spiritual needs of the area's Hispanic laborers. Barry Moreno, librarian and historian of the Ellis Island Immigration Museum in New York Harbor, places the contemporary immigrant's experience within a broader historical context. (www.americanharvestmovie.com)

"American Pop" (1981)
Animated feature by Ralph Bakshi presents a history of American popular music through the story of an immigrant family from the turn of the century to the present, with the great-grandson gaining fame as a rock star. Interesting concept, but the story lacks dramatic focus and many of the characters are unappealing, if not repulsive. Depiction of some sleazy environments and the use of drugs. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Image Entertainment)

"An American Werewolf in London" (1981)
Trashy, sardonically muddled horror show by writer-director John Landis attempts to combine comedy and fright with a dash of steamy sex. The result is a squalid mess. Contains violence and explicit sex. The USCCB Office for Film & Broadcasting classification is O -- morally offensive. The Motion Picture Association of America rating is R -- restricted. (Universal)

"A Mighty Heart" (2007)
Tense recounting of the 2002 kidnapping of and frantic search for Wall Street Journal reporter Daniel Pearl (Dan Futterman) in Karachi, Pakistan, as seen through the eyes of his pregnant wife, Mariane (Angelina Jolie), also a journalist. Director Michael Winterbottom superbly captures the tumult, and without histrionics (except for one searing outpouring of grief), deftly embodies the courageous Mariane Pearl who, after the tragic events, refused to succumb to bitterness or vengeance. Several uses of the f-word under duress and a few other crude or crass words, fleeting newsreel footage of bombings and some dead bodies including a grim morgue image, a discreet torture scene, a brief nongraphic bedroom scene and a verbal description of Pearl's gruesome death. The good-looking DVD includes a 30-minute making-of documentary, and short pieces on the Daniel Pearl Foundation and the Committee to Protect Journalists. The USCCB Office for Film & Broadcasting classification is A-III --adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Paramount Home Entertainment)

"Annapolis" (2006)
Diverting but derivative drama about a scrappy shipyard worker (an appealing James Franco), who, after being accepted to the U.S. Naval Academy, must prove his mettle while training for the school's boxing tournament against his no-nonsense drill instructor (Tyrese Gibson). However, director Justin Lin's "An Officer and a Gentleman" retread is hollow and formulaic. Brutal boxing sequences, an attempted suicide, some sexually crude language and humor, as well as profanity. The anamorphic DVD includes seven deleted scenes with audio commentary; a "making of" featurette; and another on the boxing sequences. Audio commentary by Lin and others from the creative team. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13 (Touchstone Home Entertainment).

"An Awfully Big Adventure" (1995)
Dark, muddled tale of backstage romances set in 1947 Liverpool where a dramatic troupe, headed by a cruelly arrogant director (Hugh Grant), is joined by a starry-eyed adolescent (Georgina Cates) who's seduced by the lead actor (Alan Rickman), with devastating consequences. Directed by Mike Newell, the unappealing story of manipulative adults and vulnerable adolescents offers a poorly focused mix of strained drama and mean-spirited comedy. Brief bedroom scenes with nudity, frequent sexual innuendo, fleeting violence and an instance of rough language. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted.

"Amistad" (1997)
Uneven dramatization of the 1839 legal battle over the fate of 53 Africans who massacre the crew of a Spanish slave ship, then are captured by an American naval vessel and put on trial for murder and piracy in a case that ultimately reaches the Supreme Court, where former President John Quincy Adams (Anthony Hopkins) defends their right to freedom. Director Steven Spielberg's ambitious attempt to re-examine the contradictions of a society which proclaimed the equality of all and yet accepted slavery succeeds in dramatizing the obvious injustices done the enslaved Africans (led by Djimon Hounsou), but the legal and political issues argued in the lengthy case are treated in stiff historical tableaus. Some gory violence, brutalizing conditions of slavery and brief frontal nudity. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. (DreamWorks)

"Anchorman: The Legend of Ron Burgundy" (2004)
lame spoof set in the era of 1970s' male-dominated TV newscasts in which a pompous San Diego anchorman (Will Ferrell) loses his heart and then his job to a more competent blonde newcomer (Christina Applegate) set on becoming a network anchor. Writer-director Adam McKay's underperforming comedy mocks chauvinist behavior but the slack script's exaggerated stereotypes are dopey without being funny. An implied affair, several sexual references and crude expressions, occasional profanity and an instance of rough language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (DreamWorks)

"Anna Karenina" (1997)
Opulent adaptation of Leo Tolstoy's 19th-century novel of czarist Russia contrasts the hard-won love story of an eventually happy couple (Alfred Molina and Mia Kirshner) with the doomed romance of a married woman (Sophie Morceau) who forsakes husband and child to run off with a wealthy officer (Sean Bean). Screenwriter-director Bernard Rose's elaborate period piece is visually lush in portraying the hypocrisy of class distinctions and exploring characters who question the morality of their actions. Brief violence, fleeting bedroom scene and a suicidal character's drug dependency. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (WGBH)

"Angels in America" (2003)
An ambitious, compelling and stirring television adaptation of Tony Kushner's award-winning theatrical production, originally on Broadway in 1993 and 1994. Well-written, timely and poignant, the play hit upon many controversial themes as the new millennium approached: the gay lifestyle and the advent of AIDS in America, the Reagan era, apocalyptic fears, religion and a time-worn human quest to define heaven while grappling with mortality. Directed by Mike Nichols, the television film is true to the play, with excellent production values and a superb cast.: Patrick Wilson, Mary-Louise Parker, Justin Kirk, Al Pacino, Emma Thompson, Meryl Streep and Jeffrey Wright. One cannot write off a play that presents such affecting physical and spiritual anguish, yet "Angels in America" has flaws and numerous troubling aspects that would make many Catholic viewers unable to endure it. An unqualified recommendation is therefore difficult, but there is value in such a spectacularly mounted production that presents much thought-provoking fodder. (HBO)

"Annie Get Your Gun" (1950)
Big and brassy version of the Irving Berlin musical in which rustic Annie Oakley (Betty Hutton) gets some polish working with Frank Butler (Howard Keel) in a sharpshooting act, then finds fame and finally gets her man (Butler) after Buffalo Bill (Louis Calhern) makes her a star in his Wild West Show. Directed by George Sidney, this show has lots of stunt riding, staged Indian attacks and shoot-outs which make a suitable backdrop for Hutton's overcharged performance, with the result memorable chiefly for its songs ranging from the romantic "The Girl That I Marry" to the comedic "Doing What Comes Naturally" and "Anything You Can Do," and the signature tune, "There's No Business Like Show Business." Romantic complications. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (Warner Bros.)

"Annie Hall" (1977)
Director Woody Allen's romantic comedy about an on-again, off-again relationship between a Jewish comedian from New York (Allen) and a WASP from the Midwest (Diane Keaton). Although the movie is frequently very funny and has a touch of humanity lacking in Allen's earlier work, it falls far short of its more ambitious intention of making a serious statement about human relationships. Some rough language and much humor derived from sexual matters. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (United Artists)

"Antwone Fisher" (2002)
Inspirational true-life story of a troubled naval recruit (Derek Luke) who with the help of a Navy psychiatrist (Denzel Washington) learns to cope with the emotional devastation wreaked by childhood rejection and physical abuse. Despite a sometimes predictable narrative, Washington's directorial debut is a moving account of strength and survival, as well as a testament to the nobility of spirit inherent in every person. Some violence including depictions of child abuse, an implied sexual encounter and minimal rough language and profanity. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Fox)

"Antz" (1998)
Computer-animated tale of an ant colony in which a whiny worker ant (voice of Woody Allen) sets his sights on the ant queen's sassy daughter (voice of Sharon Stone) and defies his lowly status by becoming a warrior ant out to save the colony from the machinations of its dictatorial General (voice of Gene Hackman). Directors Eric Darnell and Tim Johnson provide the animation with a three-dimensional look, but the story about following one's dreams is on the bland side. Some crude expressions and fleeting cartoon violence. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Universal)

"Antwone Fisher" (2002)
Inspirational true-life story of a troubled naval recruit (Derek Luke) who with the help of a Navy psychiatrist (Denzel Washington) learns to cope with the emotional devastation wreaked by childhood rejection and physical abuse. Despite a sometimes predictable narrative, Washington's directorial debut is a moving account of strength and survival, as well as a testament to the nobility of spirit inherent in every person. Some violence including depictions of child abuse, an implied sexual encounter and minimal rough language and profanity. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Fox)

"Anything But Love" (2003)
Modestly charming tale of a struggling cabaret singer (co-writer Isabel Rose) torn between her corporate lawyer fiance (Cameron Bancroft) and a destitute musician (Andrew McCarthy) who shares her love of a bygone musical era. Co-written and directed by Robert Cary, the film's romantic predictability is balanced by its low-budget plucky spirit, colorful production design and appealing follow-your-dream theme. Occasional profanity and fleeting homosexual innuendo. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Wellspring)

"Anything Else" (2003)
Romantic comedy about an aspiring New York writer's (Jason Biggs) rocky love affair with a sexually free-spirited ingenue (Christina Ricci). Though frequently funny, the film, written and directed by Woody Allen (who also appears in a supporting role), retreads material from many of Allen's earlier movies, and its observations about interpersonal relationships are undermined by the filmmaker's angry, fatalistic cynicism. A nihilistic view of morality, several sexual encounters, recurring sexually crude and religiously irreverent humor, an instance of drug abuse, as well as a few instances of profanity. The USCCB Office for Film & Broadcasting classification is A-IV -- adults, with reservations. The Motion Picture Association of America rating is R -- restricted. (Universal)

"Anything Goes" (1956)
So-so musical in which a veteran performer (Bing Crosby) agrees to team with a rising newcomer (Donald O'Connor), then each signs a different leading lady (Mitzi Gaynor and Jeanmaire, respectively) while vacationing in Europe, but they resolve the mix-up on the voyage home. Directed by Robert Lewis from Sidney Sheldon's leaden adaptation of the Broadway classic, the result lumbers along with stilted production numbers, surprisingly few laughs and even the few Cole Porter songs from the original seem flat. Romantic complications and some sexual innuendo. The DVD features a terrific looking letterboxed print, but no extras. Strangely, there are no chapter stops for the musical numbers, only for the dramatic scenes. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (Paramount)

"Apollo 13 (Imax Format)" (2002)
The rerelease of the 1995 Academy Award-winning movie is changed only in that the screen image is up to eight stories high, allowing for some startling vistas and close-ups, although panning shots look momentarily blurry. The original capsule review follows: Fact-based story of the April 1970 moon launch aborted on its third day in space after an incapacitating problem diminished the oxygen, power and computer systems, making the safe return of the three astronauts (Tom Hanks, Bill Paxton, Kevin Bacon) an almost insurmountable problem for Houston Mission Control. Director Ron Howard keeps emotional tensions taut and suspense levels high throughout this salute to the courage and perseverance of all involved in the dicey rescue mission. Fleeting sexual innuendo and minor profanity. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Universal)

"Apocalypto" (2006)
Visually bold but extremely bloody action-adventure set in 15th-century Central America about the desperate odyssey of a jungle tribesman (Rudy Youngblood) to get back to his pregnant wife (Dalia Hernandez) and child after he and other members of his tribe are taken captive by the ruling Mayans following the massacre of his village. In what is essentially a chase movie, director Mel Gibson impressively re-creates the world of the Mayans -- the sights, sounds and savagery -- using an indigenous cast speaking entirely in Mayan dialects, but the intoxicating imagery and human drama are undermined by so much gore that, even if historically accurate, the cumulative result registers as gratuitous. Intense and graphic violence, including scenes of slaughter, human sacrifice, beheadings and a man being mauled by a jaguar, disturbing images, some sexual humor and innuendo, a suggested marital encounter, partial nudity, an instance of rough language and a few crude expressions. The sharp DVD has good-natured, interesting commentary by Gibson and writer and co-producer Farhad Safinia, an informative 25-minute making-of documentary, and a brief deleted scene (though "snippet" would be more accurate). The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian (Touchstone Home Entertainment).

"Apostolic Fathers: Handing On the Faith" (2007)
Energetic 90-minute examination of the lives, teachings and ultimate martyrdoms of five of the earliest Fathers of the Church. Born into the first or second generation to receive the Gospel message, the so-called "Apostolic Fathers" learned the faith from the apostles themselves, bore witness to it in their writings -- many of which survive -- and offered the ultimate sacrifice for it by laying down their lives under pagan persecution. Affable, anything-for-a-laugh host Steven Ray (given to pratfalls and silly hats), whose own conversion to the Catholic faith was heavily influenced by the writings of the fathers, takes viewers on a journey around the Mediterranean, from the Holy Land through Turkey to Italy and southern France. As he tells the stories of Sts. Clement, Ignatius, Polycarp, Irenaeus and Justin Martyr, the documentary journeys to the ruins of the Roman world in which these holy men lived, enters the arenas where they were executed, and visits their tombs in ancient churches. It is one installment of a 10-part video series entitled "The Footprints of God: The Story of Salvation From Abraham to Augustine." DVD extras include excerpts from an interview with spiritual writer Father Benedict Groeschel, a Franciscan Friar of the Renewal, a 25-minute making-of film and a brief blooper reel. Also included is a print study guide. Spanish subtitles. (Ignatius Press/St. Joseph Productions) (www.ignatius.com)

"Appaloosa" (2008)
Well-acted throwback to the Westerns of yore as a city marshal (Ed Harris) and his deputy (versatile Viggo Mortensen) try to bring order to the titular fictional New Mexico town by daring to take a powerful rancher and gang leader (Jeremy Irons) into custody, while the sheriff's fickle fiancee (Renee Zellweger) brings minor triangular complications to the men's rock-solid alliance. Harris also co-wrote and directed this overlong but quality production adapted from a Robert B. Parker novel, and though it falls short of truly gripping there's much to admire. Moderate gun violence, vigilante justice, brief long-shot rear nudity, implied nonmarital relationships, some innuendo, one use of the F-word, and some other crude words and profanity. The DVD, which offers both the widescreen and full-screen versions, includes commentary by Harris and writer Robert Knott, additional scenes and four featurettes. Spanish titles option. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Warner Home Video; also available on Blu-ray)

"Appointment With Danger" (1951)
Contrived but fairly interesting crime story of a postal inspector (Alan Ladd) getting some help from a nun (Phyllis Calvert) in tracking the killer of a colleague, then foiling a million-dollar mail robbery. Director Lewis Allen handles the action with the hard-bitten crooks (Paul Stewart, Henry Morgan and Jack Webb) better than the idealistic nun's reformation of a tough, cynical postal agent. Stylized violence. The Catholic News Service classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (Olive Films)

"Aquamarine" (2006)
Sweetly told modern-day fairy tale about two 13-year-old best friends -- Claire (Emma Roberts) and Hailey (Joanna "JoJo" Levesque) -- who help a mermaid (Sara Paxton), washed ashore during a storm, experience true love in the hopes that the magic wish rewarded them will undo Hailey's impending move to Australia. With a delightful mix of fantasy, comedy and romance, director Elizabeth Allen's wholesome and warmly sentimental, if admittedly lightweight, effort scores points for admirably showing that authentic love can express itself in varied ways. Some mild sensuality and suggestiveness, a few crass expressions and innuendo. The widescreen DVD contains deleted scenes and three "making of" featurettes, as well as audio commentary by the director and cast members. The USCCB Office for Film & Broadcasting classification is A-II - adults and adolescents. Motion Picture Association of America rating, PG -- parental guidance suggested (Fox Home Entertainment).

"Are We There Yet?" (2005)
Leaden road comedy about a smooth-talking skirt-chaser (Ice Cube) with no patience for kids who gets more than he bargained for when he falls for a pretty divorcee (Nia Long) and volunteers to taxi her two mischievous children (Philip Daniel Bolden and Aleisha Allen) from Portland, Ore., to Vancouver, British Columbia, where she is staying on business, so they can all be together on New Year's Eve. Directed by Brian Levant, this film runs out of gas early, leaving viewers to endure a bumpy ride of scatological sight gags and mean-spirited mishaps (making it unsuitable for younger adolescents) which, unfortunately, dampens its sincere, albeit sentimental, message about the importance of family and parenthood. Recurring crude humor and comic violence, and some mildly crass language. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Columbia/TriStar)

"Arguing the World'' (1998)
Feature documentary on the life and times of writers Irving Kristol, Nathan Glazer, Daniel Bell and the late Irving Howe, all of whom attended New York's City College during the 1930s, then went their different ways in the political ferment of postwar America. Writer-director Joseph Dorman uses vintage newsreel footage as well as interviews with the writers and others in providing a nostalgic look at the urban culture from which they came as well as a lively chronicle of how their views grew increasingly conservative over the years. Deals with matters beyond the experience of youngsters. The DVD release includes an interview with Dorman. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (First Run Features)

"The Aristocats: Special Edition" (1970)
Animated Disney feature directed by Wolfgang Reitherman follows the adventures of a family of felines after they inherit the estate of their millionaire mistress, then are catnapped and ditched in the country but then rescued by a pair of bumbling hounds, a couple of giggling geese, a rodent named Roquefort and an alley cat named O'Malley. Enhanced by the voices of Eva Gabor, Phil Harris, Hermione Baddeley and Sterling Holloway, with four songs thrown in for good measure, the result, while not purr-fect, is plentifully pleasing. DVD extras include "The Great Cat Family," hosted by Walt Disney from his old TV show in 1956; a piece on the Sherman brothers, Disney tunesmiths who wrote the film's amiable songs; a scrapbook you can navigate with the remote; and the cartoon short "Bath Day." There's also a charming deleted song introduced by Richard Sherman (and sung by Baddeley), an option to play the film's four songs only, and kid-friendly games and activities. Spanish language option. The Motion Picture Association of America rating is G -- general audiences. All ages admitted. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. (Buena Vista Home Entertainment)

"Around the Bend" (2004)
Offbeat but appealing story of intergenerational bonding as ex-con grandfather (Christopher Walken), single dad (Josh Lucas), and young son (Jonah Bobo) travel to Albuquerque spreading the ashes of great-grandfather Henry (Michael Caine). Though writer-director Jordan Roberts's film -- which, at its core, is all about reconciliation and forgiveness -- is not without its flaws, he has fashioned a winning film with excellent performances, touching sentiment, considerable humor, an eclectic soundtrack and pretty scenery to counterbalance what could otherwise have been a downbeat story. Some rough and crude language, brief bloody images, and an irreligious dispersal of ashes. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. (Warner Bros.)

"Around the World in 80 Days" (2004)
Entertaining extravaganza set in Victorian times about an eccentric English inventor (Steve Coogan) who, along with his trusty, chop-socky valet (Jackie Chan), embarks on a globetrotting steam-age adventure in order to win an outrageous wager that they can do what the title says. Based on the classic yarn by Jules Verne, the film, directed by Frank Coraci, combines lavish action sequences, romance and madcap comedy in serving up a family-friendly spectacle that is both campy and clever -- and, as an added attraction, quite fun for all but the youngest viewers. Recurring action violence, some mildly crude language and humor, and brief drunkenness. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Buena Vista)

"Arthur" (2011)
Rated "PG-13"
The utterly frivolous, merrily alcoholic heir (Russell Brand) to a billion-dollar corporate fortune is threatened with disinheritance unless he marries a domineering executive (Jennifer Garner) who plans to curb his wayward lifestyle. A chance encounter with a working-class New York City tour guide (Greta Gerwig), however, leaves the previously heedless playboy smitten and forced to choose between luxury and love. Though director Jason Winer's remake of Steve Gordon's popular 1981 comedy intermittently touches on the limits of materialism, it gives a pass to its main character's promiscuity and tends to trivialize his problem drinking. The fitful laughs on offer mostly derive from the tart observations of Helen Mirren as the man-boy's affectionate but not uncritical British nanny -- the distaff counterpart to John Gielgud's butler in the original. A fleeting nongraphic bedroom scene, an obscured nude image, brief irreverent humor, frequent sexual references, a couple of uses of profanity and a few crude terms. Spanish language and titles options. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Warner Home Video; also available on Blu-ray)

"Arthur 2: On the Rocks" (1988)
Comedy sequel about the perpetually drunk millionaire wastrel (Dudley Moore) whose marriage to a perky waitress-shoplifter (Liza Minnelli) is threatened by a tycoon (Stephen Elliott) and his daughter (Cynthia Sikes). Though director Bud Yorkin adds some weight with a subplot about the couple's adoption of a baby, alcoholism is no laughing matter. Some vulgar language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Warner Bros.)

"The Astaire and Rogers Collection: Volume One"
Long-awaited collection of Fred and Ginger's best films, featuring sparkling prints of arguably their best films, cogent feature-length commentary on three of them, and a vintage musical short, a cartoon and a featurette for each, with everything beautifully restored and packaged. Excellent family viewing. (Warner Bros.)

The collection includes:

"The Barclays of Broadway" (1949)
When illness forced Judy Garland out of this MGM Charles Walters-directed film, Astaire teamed with old partner Rogers after 10 years. It was the last one they'd make together (and the only one in color), playing a married musical comedy team, with the wife having aspirations to break up the act and be a "tragic" dramatic actress. Entertaining musical numbers, though not the equal of their earlier work at RKO. No commentary. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America.

 "Follow the Fleet" (1936)
Sturdy musical about an easygoing sailor (Astaire) trying to win back his former hoofing partner (Rogers) while her schoolteacher sister (Harriet Hilliard) pines for his shipboard buddy (Randolph Scott). Directed by Mark Sandrich; the appealing characters make the thin plot worth following, helped by some wry humor, delightful dance routines and lively Irving Berlin songs. Romantic complications. No commentary. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America.

 "Shall We Dance" (1937)
Thin musical about ballet dancer (Astaire) and musical revue star (Rogers) who team for a Broadway show, then get married in name only to avoid a scandal, but true love predictably wins out in the end. Directed by Mark Sandrich, the story creaks with contrived complications but the song-and-dance numbers are first-rate. Commentary by pianist Kevin Cole and Tin Pan Alley tunesmith Hugh Martin. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America.

 "Swing Time" (1936)
Down-on-his-luck hoofer (Astaire) rides the rails to New York, teams with a comely dance instructor (Rogers) and they score as the town's top dancing duo in such numbers as "Waltz in Swing Time" and Astaire's solo showstopper, "Bojangles of Harlem." Director George Stevens keeps the pair's romantic misunderstandings light and lively, gets strong comic relief from Victor Moore and Helen Broderick, and effortlessly stages such songs as "A Fine Romance" and "The Way You Look Tonight." Elegant entertainment. Commentary by Astaire expert John Mueller and a featurette. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America.

 "Top Hat" (1935)
Stylish musical romance between a hoofer (Astaire) and a socialite (Rogers) starts with comic misunderstandings in London, then goes on to ever more zany encounters in Venice. Director Mark Sandrich keeps the lightweight proceedings on the boil, with the dance routines and Irving Berlin songs providing substance. Sexual innuendo and frivolous treatment of marriage. The DVD has interesting commentary by Astaire's daughter, Ava Astaire McKenzie, and dance film historian Larry Billman, plus a featurette, a Bob Hope short and the cartoon "Page Miss Glory." The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America.

"Carefree" (1938)
Wacky musical comedy about a psychiatrist (Astaire) whose best friend (Ralph Bellamy) asks him to treat his marriage-shy girlfriend (Rogers) but matters get complicated when the patient falls for the doctor. Directed by Mark Sandrich, the thin plot takes some very giddy turns, with the added bonus of appealing Irving Berlin tunes, including "I Used to Be Color Blind" danced in slow motion by Rogers and Astaire, as well as Astaire's standout syncopated solo on the golf links (A-I).

"Flying Down to Rio" (1933)
Wacky musical comedy in which a bandleader (Gene Raymond) takes a job in Rio de Janeiro where he unknowingly romances the fiancee (Dolores Del Rio) of a pal (singer Raul Roulien). Directed by Thornton Freeland, the proceedings are dominated by a genial pair of hoofers (Astaire and Rogers) who stage the show-stopping finale with showgirls performing on the wings of biplanes. Stylized violence, romantic complications and innuendo (A-II).

"The Gay Divorcee" (1934)
Comic misunderstandings abound in this dated musical fluff about an American (Rogers) whose lawyer (Edward Everett Horton) hires a professional co-respondent to obtain a divorce in England, then mistakes an unwanted admirer (Astaire) for the unseen hireling. Director Mark Sandrich turns the farcical situation into a lighthearted musical comedy with charming songs and dances, notably "The Continental," and creaky comic routines. Comic treatment of the war between the sexes with divorce as a plot device (A-II).

"Roberta" (1935)
Adaptation of composer Jerome Kern's Broadway hit, here starring Irene Dunne and Randolph Scott as a Russian princess and an American football player who inherits a Parisian fashion business. William A. Seiter directs, and look closely and you'll spot a blonde Lucille Ball as a model. Songs include "Smoke Gets in Your Eyes" and "I Won't Dance," and though Astaire and Rogers have only supporting roles they steal the picture (A-I).

"The Story of Vernon and Irene Castle" (1939)
Nostalgic musical biography of a vaudevillian (Astaire) and his bride (Rogers) who in 1911 team as ballroom dancers and become international favorites before Vernon's tragic death as an aviator in World War I. Director H.C. Potter's warm portrait of a loving couple is paced by elegant dance numbers, period songs and occasional comic relief (Edna May Oliver, Walter Brennan and Lew Fields). Old-fashioned family fare (A-I).

"Arctic Tale" (2007)
Queen Latifah delightfully narrates an absorbing story charting the parallel journeys of a polar bear cub and a walrus pup in the Arctic Circle from birth to maturity and showing how they manage to survive a changing environment with ever-decreasing ice seriously impeding both their natural habitat and their ability to obtain food. Co-directors and cinematographers Adam Ravetch and Sarah Robertson have fashioned an impressively photographed "fable" out of the challenges facing these creatures in light of global warming, rendering the film a vivid animal counterpart to Al Gore's "An Inconvenient Truth." Though restrained in its presentation, the film includes some images of animal violence and death, perhaps precluding viewing by the very young. The DVD edition includes both a making-of featurette, and another kid-friendly one on polar bear spotting. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted. (Paramount Home Entertainment)

"Art School Confidential" (2006)
Oddball story that can't decide if it's a touching coming-of-age story, gross-out frat movie, murder mystery or mordant black comedy, though it does make some sharply satiric points about the art world. Director Terry Zwigoff's sporadically amusing film adapted by Daniel Clowes from his comic strip concerns a sensitive art school student (Max Minghella), smitten with an attractive artist's model (Sophia Myles) and struggling to find his artistic voice amid loutish roommates, colorful teachers (John Malkovich and Angelica Huston), and an embittered and alcoholic failed artist (Jim Broadbent), against the backdrop of a mysterious strangler killing off the students. Pervasive profanity, rough language and vulgarity, full-frontal male and partial female art-model nudity, much sexual banter and innuendo, a couple of minor gay characters, and a stylized strangling. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian (Sony Pictures Home Entertainment).

"As We Forgive" (2008)
Necessarily grim, but spiritually potent hourlong documentary about religiously inspired efforts to achieve reconciliation between the perpetrators and victims of the 1994 Rwandan genocide, which is estimated to have cost between 800,000 and 1 million lives. Filmmaker Laura Waters Hinson focuses on two repentant killers and the two survivors whose forgiveness they seek to illustrate the work of various Christian ministries dedicated to mediation and healing, including Prison Fellowship International and Christian Action for Reconciliation and Social Assistance. Actress Mia Farrow provides suitably restrained narration for a study of biblical values at work in the most extreme of circumstances. Weighty but rewarding fare for mature viewers. (Mpower Pictures; www.mpowerpictures.com)

"The Assassination Bureau" (1969)
Tongue-in-cheek British comedy set in the early 1900s about an international organization of killers-for-hire that is commissioned by a neophyte reporter (Diana Rigg) to kill their own leader (Oliver Reed). Good cast, marvelous settings but Basil Dearden's direction is rather uncertain in its mixture of slapstick and satire. Comic violence.      The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating was M -- parental guidance suggested, but all ages admitted. (Paramount)

"The Assassination of Jesse James by the Coward Robert Ford" (2007)
Unusual and compelling Western dramatizing the circumstances that lead up to the shooting of notorious outlaw Jesse James (Brad Pitt) by Robert Ford (Oscar-nominated Casey Affleck), a member of his own gang, and the publicity generated afterward. Writer-director Andrew Dominik tells the story intelligently at a leisurely but controlled pace with penetrating close-ups of the excellent cast -- Affleck is particularly outstanding -- to probe psychological motivations, while the relatively restrained violence is presented with an admirable realism devoid of glamorization. Some crude language and profanity, innuendo, a nongraphic sexual encounter, several shooting deaths with blood and scenes of physical violence, suicide and brief rear male nudity. The standard DVD contains no extras but the picture quality is fine, while the HD/DVD combo edition contains a 30-minute documentary. Spanish titles available. The USCCB Office for Film & Broadcasting classification is A-III --adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Warner Home Video)

"Assault on Precinct 13" (2005)
Brutal and violent -- though reasonably gripping -- story of a desolate Detroit police precinct under siege by crooked police who are out to silence a criminal (Laurence Fishburne) incarcerated there, to cover up what he knows about corruption within their ranks, effecting an unusual alliance between the police and criminals within the station house who must unite to defend themselves. Jean-Francois Richet's remake of the 1976 film features good performances by Fishburne, Ethan Hawke and Brian Dennehy, but the bloodshed and violence seem unnecessarily explicit, and the improbable story calls for major suspension of disbelief. Graphic and bloody violence and related gore, much rough, crude and profane language, and some sexual innuendo. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. (Universal)

"Assisted Living" (2005)
Poignant docudrama that follows a 27-year-old, pot-smoking slacker (Michael Bonsignore) through his final day as a janitor at a nursing home, during which he gains deeper maturity through an unlikely friendship he develops with an elderly resident (Maggie Riley) who is suffering from the early stages of Alzheimer's disease and mistakes him for her absent son. Incorporating footage of real residents and staff at the facility where it was shot into the fictional story, this modest film by first-time director Elliot Greenebaum manages despite its no-frills look to offer a moving meditation on loneliness and the human need for contact and compassion. Some recreational drug usage and brief crude expressions. The USCCB Office for Film & Broadcasting classification is A-III -- adults. Not rated by the Motion Picture Association of America. (Hart Sharp)

"August Rush" (2007)
Unabashedly romantic fable in which an 11-year-old musical prodigy (Freddie Highmore) embarks on a search for the cellist mother (Keri Russell) and rock-singer father (Jonathan Rhys Meyers) from whom he was separated at birth. Director Kristen Sheridan's warm-hearted tribute to the power of music blithely eschews all connection to reality, and will likely strike some as charmingly poetic and others as merely naive. An implied premarital sexual encounter, one use of profanity, one use of the s-word and one crass expression. The double-sided DVD (widescreen and full-screen) includes additional worthy scenes (though one contains an additional profanity). Spanish-language, subtitle options. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Warner Home Video; also available on Blu-ray)

"Aurora Borealis" (2006)
Unmotivated Minnesota man (an appealing Joshua Jackson) takes on a maintenance job at an assisted living facility to be near his ailing grandfather (Donald Sutherland) and falls in love with his granddad's home health aide (Juliette Lewis). James Burke's downbeat film scores points for its compassionate portrayal of the elderly and their need for care and the acting is generally good. The script goes beyond empathizing with the grandfather's fervent wish to be spared a debilitating decline into almost making a case for euthanasia, despite a morally sound ending on all fronts. Pervasive rough and crude language, euthanasia theme, adultery, acceptance of premarital sex, some heavy groping and innuendo, a couple of violent brawls and a drug reference. The good-looking anamorphic DVD includes interviews with the actors, writer Brent Boyd, Burke and the producers. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian (Liberation Entertainment/Regent Releasing).

"Australia" (2008)
Sprawling, generally entertaining three-hour epic set just before and after the bombing of Pearl Harbor as a starchy English widow (Nicole Kidman) takes over her late husband's cattle station down under, and falls in love with a rough-hewn drover (Hugh Jackman) whom she hires to help drive cattle to sale ahead of a rival magnate's (Bryan Brown) villainous henchman (David Wenham). Despite some fanciful plot contrivances, director Baz Luhrmann's lavish homage to classic epics and Westerns brings back old-style Hollywood romance, courtesy of its magnetic leads, and carries an admirable message about racial tolerance. Moderate action violence, a mostly implied nonmarital relationship including a very brief sexual encounter without nudity, mild innuendo, one use of the F-word and some Aboriginal mysticism; acceptable for older teens. Spanish language and titles options. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (20th Century Fox Home Entertainment; also available on Blu-ray)

"Autumn Spring" (2003)
Tender, bittersweet comedy about an old man (famed Czech actor Vlastimil Brodsky) who invents various colorful personalities in order to come to terms with his own mortality. Despite its at times heavy-handed fatalism, director Vladimir Michalek elicits virtuoso performances from his cast in this minor gem, resulting in a poignant meditation on life's fragility and fleetingness. Subtitles. Minimal rough language, as well as emotionally complex themes. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (First Look)

"The Aviator" (2004)
Absorbing and entertaining epic detailing the dramatic glory days of legendary billionaire Howard Hughes, in his myriad roles as aviation innovator and visionary, daredevil pilot, Hollywood producer and airline tycoon, while charting his well-publicized relationships with Katharine Hepburn and Ava Gardner, and ultimately his appearance before the Senate on charges of defrauding the public through wartime airplane contracts. This film is a career high point for both director Martin Scorsese and star Leonardo DiCaprio, who is onscreen almost every minute and gives a highly charismatic performance; and the supporting cast is mostly first-rate. Recurring profanity and intermittent crude expressions, and an instance of rough language, as well as implied sexual situations and innuendo, a violent plane crash and brief rear nudity. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Warner Bros.)

B
"Babe" (1995)
Live-action barnyard charmer in which a kindly Australian farmer (James Cromwell) enters his unusual piglet (voice of Christine Cavanaugh) in a sheepdog competition, unaware that his farm animals can talk to one another as they pull together to make the little pig's dream of herding sheep come true. Director Chris Noonan's enchanting comic fable is filmed entirely from the animals' point of view, with delightful visuals and an endearing message of learning to live and work in harmony. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Universal Studios Home Video)

"Babe" (Blu-ray edition; 1995)
Live-action barnyard charmer in which a kindly Australian farmer (James Cromwell) enters his unusual piglet (voice of Christine Cavanaugh) in a sheepdog competition, unaware that his farm animals can talk to one another as they pull together to make the little pig's dream of herding sheep come true. Director Chris Noonan's enchanting comic fable is filmed entirely from the animals' point-of-view, with delightful visuals and an endearing message of learning to live and work in harmony. Spanish titles option. The Catholic News Service classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted. (Universal Studios Home Entertainment)

"Babel" (2006)
Quietly powerful film charting three interconnected stories: an American couple (Brad Pitt and Cate Blanchett) stranded in Morocco; the deaf-mute teenage daughter (Rinko Kikuchi) of a widower father (Koji Yakusho) in Tokyo; and a Mexican governess (Adriana Barraza) and her nephew (Gael Garcia Bernal) who take her two young charges across the border. Director Alejandro Gonzalez Inarritu's somber film imparts an admirable message about a shared global humanity and the senselessness of violence has superbly empathetic performances by an international cast, and ultimately packs an emotional wallop. Partially subtitled. Some rough language and profanity, crude expressions, some violence including a killing, full female nudity, some discreet sexual elements, and alcohol and drug use. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian (Paramount Home Video).

"Baby Geniuses" (1999)
Comic misfire in which a megalomaniacal doctor (Kathleen Turner) intent on raising brilliant toddlers in a secret underground lab is outsmarted by 2-year-old twins who wreck her elaborate plans. Director Bob Clark's insipid take on babies as miniature, wise-cracking adults is unappealing, dull and overacted by both Turner and her clueless assistant, Christopher Lloyd. Some cartoon violence and mayhem and a few crude remarks. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Columbia/TriStar)

"Backbeat" (1994)
Tragic, fact-based story of Stu Sutcliffe (Stephen Dorff), one of the original Beatles and close friend of John Lennon (Ian Hart), who left the band to remain in Hamburg with his fiancee (Sheryl Lee) and hopes of a painting career, but died months later of a brain hemorrhage. Director Iain Softley's downbeat movie is little more than a routine buddy story which fails to capture the quirky energy of the Beatles as they first burst onto the international scene. Restrained bedroom scenes, intermittent nudity, brief violence and drug use and much rough language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. (Universal)

Backdraft" (1991)
Deep-rooted conflicts boil over when a rookie Chicago firefighter (William Baldwin) is placed under the command of his estranged brother (Kurt Russell) during the investigation of a string of arson-related murders. With the terrifying nature of fire emerging as the real star of the movie, director Ron Howard ambitiously tackles a relationship story, a murder mystery and a special-effects action movie with modest success. Some grisly shots of charred bodies, very brief nudity, fleeting sexual innuendo, occasional fisticuffs and intermittent rough language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. (Universal)

"Bad Boys II" (2003)
      Mindlessly violent action flick in which Miami narcotics cops (Will Smith and Martin Lawrence) must bring down a Cuban drug lord (Jordi Molla) smuggling millions of dollars worth of Ecstasy pills into the United States while protecting an undercover DEA agent (Gabrielle Union) in over her head.
      Director Michael Bay's protracted sequel visually assaults with its senseless, slow-motion gunplay and explosions while the strained plot is a pastiche of extraneous scenes. Relentlessly stylized graphic violence, a sexual encounter, recreational drug abuse and constant rough language with some profanity.     The USCCB Office for Film & Broadcasting classification is O -- morally offensive. The Motion Picture Association of America rating is R -- restricted. (Columbia/Tristar)

"Bad Education" (2004)
Triangular drama set in Spain about a young, gay filmmaker (Fele Martinez) who, after encountering a former classmate (Gael Garcia Bernal) -- now a struggling actor -- with whom he had once been enamored, decides to make a movie about their youthful experiences at a Catholic boarding school, in particular the pederast predations by their priest-headmaster (Daniel Gimenez-Cacho). Stylishly directed by Pedro Almodovar, the plot takes classic film-noir conventions and gives them a homoerotic twist. In touching on sexual abuse by the clergy, an unflattering -- and unbalanced -- picture of Catholic priests inevitably emerges; even if Almodovar's intent was to use the crimes as a catalyst for the story rather than as a weapon to target the church for condemnation. Subtitles. The film has been issued in its original NC-17 version, and an R-rated version that modifies some of the sexual content that earned the film its O classification. Almodovar provides full-length commentary in Spanish, but with English translation of his insightful remarks. A few unremarkable deleted scenes are included as a bonus, as well as red-carpet footage of the American Film Institute Film Festival with Bernal, Almodovar and Penelope Cruz, and a brief making-of featurette. Several intense homosexual encounters, implied pedophilia, murder without consequence, recurring drug content, transvestism, two boys masturbating, brief nudity, fleeting violence, instances of irreverent humor and frequent rough and crude language. The USCCB Office for Film & Broadcasting classification is O -- morally offensive. The Motion Picture Association of America rating is NC-17 -- no one 17 or under admitted. (Columbia/TriStar)

"Bad Santa" (2003)
Abrasive black comedy about a self-loathing safecracker (Billy Bob Thornton) who, along with his dwarf accomplice (Tony Cox), poses as a department store Santa to rob shopping malls of their holiday loot -- that is, until a friendless, overweight boy (Brett Kelly) stirs his booze-soaked conscience. Director Terry Zwigoff should expect coal in his stocking for assaulting viewers with a nonstop barrage of obscenities and vulgar raunchiness that leave Santa's red suit soiled -- in more ways than one. By taking the "merry" out of Christmas and portraying its sleazy St. Nick stand-in as a foul-mouthed, drunken, chain-smoking, suicidal sexual predator, the film undermines its tacked-on redemptive message. Excessive rough and crude language and profanity, recurring lewd sexual encounters, much crass humor, pervasive alcohol abuse, an attempted suicide and some violence. The USCCB Office for Film & Broadcasting classification is O -- morally offensive. The Motion Picture Association of America rating is R -- restricted. (Buena Vista)

Bait" (2000)
Insubstantial seriocomic actioner in which a bumbling petty thief (Jamie Foxx) is used by the government to trap a computer mastermind (Doug Hutchison) who stole gold bullion worth millions from the Federal Reserve. It's style over substance in director Antoine Fuqua's slick flick which starts off promisingly then fizzles with a scrambled script, one-note characters and a too-neat Hollywood ending. A sexual encounter, intermittent violence and recurring rough language with fleeting profanity. The USCCB Office for Film & Broadcasting classification is A-IV -- adults, with reservations. The Motion Picture Association of America rating is R -- restricted. (BFS)

"The Ballad of Jack & Rose" (2005)
Offbeat, slow-moving film about a nonconformist with a bad heart condition (Daniel Day-Lewis) who lives alone with his teenage daughter (Camilla Belle) on a former island commune, but then brings the woman (Catherine Keener) he has been dating into the house, along with her teenage sons, disrupting the delicate balance. Written and directed by Rebecca Miller, the film features an accomplished performance by Day-Lewis, but the vaguely incestuous undertones between father and daughter and a scene where the daughter invites one of the boys to deflower her make for fitfully distasteful viewing. Some rough and crude language, sexual situations and innuendo, a brief incestuous kiss, some talk of suicide, partial nudity, some drug material. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. (IFC)

"The Ballad of the Sad Cafe" (1991)
Disappointing adaptation of Carson McCullers' twisted love story of a strong, independent woman (Vanessa Redgrave) living in the rural South during the Depression whose downfall is engineered by the dwarfed hunchback (Cork Hubbert) she takes into her home and the husband (Keith Carradine) she threw out on their wedding night. Directed by Simon Callow, the narrative is slow and portentous, the characters unappealing and the conclusion heavy-handed and unenlightening. Brutalizing fistfight between the protagonists and minimal rough language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Home Vision)

"Ballets Russes" (2005)
Superb dance film about the trendsetting troupe that began with the legendary choreographer Serge Diaghilev (and the participation of great artists like Picasso, Nijinsky and Stravinksy), and after his death came under the leadership of autocratic Russian Col. Wasily de Basil with the name Ballet Russes de Monte Carlo, and how, after some internecine struggle, splintered into two troupes, one keeping that name, the other calling itself the Original Ballet Russes. Having interviewed many of the great dancers at a Ballets Russes reunion in 2000, filmmakers Dan Geller and Dayna Goldfine have juxtaposed priceless footage and still photographs of the great dancers in their youthful primes, making an incredibly poignant contrast. The various rivalries between the companies, and individual choreographers like Leonide Massine and George Balanchine give the narrative heightened dramatic interest. Pitch-perfect narration by actress Marion Seldes. The anamorphic DVD features numerous extras, including additional footage, stills galleries and a 12-page booklet by New York Times dance writer Jack Anderson. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America (Zeitgeist Video).

"Bambi" (1942)
Walt Disney's classic animated feature conveys the simplicity, charm and excitement of Felix Salten's novel, especially in its appealing characterization of Thumper, Flower and all the others who inhabit the young deer's forest world. The story has some intense moments, notably the forest fire sequence and the death of Bambi's mother, though in a context not beyond the resources of most young viewers. The DVD premiere of "Bambi" is all you could wish for: a pristine print with a more accurate color palette than even on the film's ballyhooed laserdisc incarnation, restored soundtrack (as well as alternate French and Spanish tracks), and multitudinous features spread over two discs. There are aural re-enactments of Walt Disney's story meetings -- lasting more than an hour -- wherein you can hear how the final film so closely mirrored the original concept. This, like the "Restoring Disney" feature on the second disc, is hosted by Patrick Stewart, who will play Bambi's father in the upcoming sequel, which gets its own plug in "The Legacy Continues" feature. There's a 53-minute "Making of Bambi" documentary; Walt Disney explaining on his television show how some of the film's effects were achieved; a look at the vast Disney archives where seemingly every scrap of Disney material is lovingly kept; a look at the actors who voiced the characters, including Thumper; and a couple of deleted scenes, though those are storyboard reconstructions rather than fully animated scenes. Add to all these a 1937 "Silly Symphony" that presaged some of Bambi's animation techniques, a 1942 time capsule, and a plethora of games and activities for the kids, and you have first-rate family entertainment. But even if there were no extra features, this is one of the true Disney masterpieces, and a must-have for the family library. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. (Buena Vista)

"Bambi" (1942)
Walt Disney's classic animated feature conveys the simplicity, charm and excitement of Felix Salten's novel, especially in its appealing characterization of Thumper, Flower and all the others who inhabit the young deer's forest world. The story has some intense moments, notably the forest fire sequence and the death of Bambi's mother, though in a context not beyond the resources of most young viewers. Spanish titles option. The Catholic News Service classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. (Walt Disney Studio Home Entertainment; also available on Blu-ray)

"Bambi II" (2005)
Touching, surprisingly good follow-up to the highly revered Disney classic "Bambi," with the story focusing on the period following the death of Bambi's mother. Here Bambi's father, The Great Prince (voice of Patrick Stewart), reluctantly agrees to nurture his offspring after no surrogate mother can be found, taking a "tough love" approach at first. Bambi (voice of Alexander Gould) is unsure of his father's love, but the inevitable bonding that ensues has echoes of "The Lion King." The plot is sound, and though the artwork is far less detailed than the richly designed original, it's still eye-filling, and the main characters -- including Bambi's friends Thumper (now with sisters), Flower and Faline -- are well-drawn. Strains of the original score and a couple of the songs hearken back to the beloved original, only slightly marred by some bland contemporary ballads. This coming-of-age story is almost good enough to have been released in theaters rather than direct to video. The DVD includes a making-of featurette with the animators paying due homage to the original, and the usual games and activities. Apart from the reference to the mother's death, and some scenes of peril from human hunters and their voracious dogs, which might frighten toddlers, this is fine entertainment for the kids and Disney buffs in general. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted. (Walt Disney Home Entertainment)

"The Band Wagon" (1953)
Classy backstage musical in which a Hollywood hoofer (Fred Astaire) tries to revive his flagging career by starring in a Broadway musical written by pals (Nanette Fabray and Oscar Levant), but the production fails after its pretentious director (Jack Buchanan) adds a serious Faustian theme and a temperamental ballet dancer (Cyd Charisse). Director Vincente Minnelli's loving spoof of show business serves up a delightful mix of Howard Dietz-Arthur Schwartz songs. Mild romantic complications. The deluxe two-DVD set includes an excellent documentary on the making of the film, a vintage one on Minnelli, a Cyd Charisse deleted number, a Jack Buchanan musical short, and commentary by Liza Minnelli and Michael Feinstein. Beautifully restored picture and sound. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (Warner Bros.)

"Bangkok Dangerous" (2008)
Grim shoot-'em-up about a solitary hit man (Nicolas Cage) who travels to the titular city to carry out four contract killings for a local crime boss (Nirattisai Kaljareuk), but finds his emotional isolation thawed by his friendship for the petty thief (Shahkrit Yamnarm) he hires as an assistant and his feelings for a pretty pharmacy clerk (Charlie Young) who can neither hear nor speak. As directed by brothers Danny Pang Fat and Oxide Pang Chun, this remake of their 1999 Thai film features considerable violence and muddled moral values, with its hero instructing his protege in the art of killing even while ostensibly reassessing his own viciousness. Brief graphic sexual activity, upper female nudity, intense action violence with gore, suicide, and occasional rough and crude language. Spanish titles option. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Lionsgate Home Entertainment; also available on Blu-ray)

"Battle Beyond the Stars" (1980)
Rated "PG"
Young volunteer Richard Thomas goes on a hunt to hire mercenaries to defend a planet threatened with conquest by an intergalactic tyrant. Scripted by John Sayles and directed by Jimmy T. Murakami with some style and humor, it is a moderately entertaining science fiction action fantasy. Many sexually oriented jokes. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Shout Factory; also available on Blu-ray)

"Barbra Streisand: The Television Specials" (1965-1973)
So why shouldn't a "nice Jewish girl" like Barbra Streisand be singing the ultimate Christian hymn in Central Park on a balmy summer night? Indeed, her heart-stopping version of "Silent Night" is only one of many transcendent moments on this most welcome boxed set of the lady's five acclaimed television specials which have finally made it to DVD. Critics in 1965 rolled out the superlatives when her first program (in black-and-white) -- revolutionary for the time, a one-person extravaganza with no guest stars -- first aired, and five Emmy Awards and a Peabody followed. The color follow-up, "Color Me Barbra," was scarcely less lauded. "The Belle of 14th Street," a vaudeville send-up, which added the novelty of guest stars (Jason Robards Jr. and John Bubbles, the original Sportin' Life in "Porgy & Bess," no less), was thought back then to be a bit of a misfire, though the songs are marvelous, and there's a priceless sequence with Streisand as an operatic diva dueting with herself as a young Irish boy in the audience on that old chestnut "Mother Machree." Critics were in her corner again when a one-hour distillation of that memorable Central Park concert was televised the following year. And, in her final hour, "Barbra Streisand ... and Other Musical Instruments," she performed with Ray Charles, kabuki woodblocks, and washing machines in a tuneful smorgasbord. All five specials have been splendidly restored, and provide ample proof of a prodigiously youthful talent that lives up to the oft-misused moniker of "God-given." (Warner Strategic Marketing/Rhino)

"Barbershop" (2002)
Set in Chicago's South Side, the enjoyable ensemble comedy has the owner (Ice Cube) of a local barbershop selling it to a sinister loan shark (Keith David), but then trying to buy it back once he realizes the shop's worth as a gathering place for the community. As directed by Tim Story, the film is flawed by silly stereotypes and predictability, but manages to be endearing as it touches on racism, the black man's place in society and the importance of fellowship. Some sexual innuendo, fleeting drug content and sporadic crass expressions and profanity with an instance of rough language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (MGM)

"Barney: Book Fair" (2009)
Two half-hour episodes of the popular children's TV series, aimed at 1- to 5-year-olds, are packaged with the book "Barney's Count to 10." In the first program, Barney helps his friends with a book drive for their library as they take turns telling the stories of different imaginary books in song; in the second, they together read the real-life tale "Dancing With Daddy," and learn about dance styles from ballet to jazz to hip-hop. A colorful, lighthearted celebration of reading and simple math skills. (Lionsgate/HIT Entertainment)

"Barney: Sharing is Caring" (2009)
Two half-hour episodes of the popular TV series for preschoolers, featuring the ever-chipper purple dinosaur. In the first, Barney and his friends participate in a toy drive for needy children and teach lessons, via songs and storytelling, about the importance of sharing and taking turns. The second episode celebrates friendship, and encourages young viewers to be open about their feelings. Along the way, Barney also promotes outdoor exercise and healthy snacking. Future Disney stars Demi Lovato and Selena Gomez play Barney's pals, Angela and Gianna. The full screen DVD also features two educational games. Formative fun for youngsters. Spanish language option. (Lionsgate/HIT Entertainment)

"The Batman: The Complete First Season" (2006)
The Bat is back in this action-packed animated series (currently airing on Kids' WB and cable's Cartoon Network). Departing from the vintage film noir moodiness of its lauded predecessor "Batman: The Animated Series" (1992-95), the newer series combines retro elements with a bolder, more vibrant look, strongly influenced by Japanese animation known as "anime" and less brooding in tone. It also reimagines several of the comic book's key characters. The slickly packaged collection contains all 13 episodes, charting the early years of billionaire Bruce Wayne's vigilante war on crime as the caped crusader. It also introduces many of the dark knight's colorful adversaries, including the Joker, Catwoman, the Penguin and Mr. Freeze, as well as lesser known villains like Bane and the Ventriloquist. Bonus features include a behind-the-scenes look, including interviews with creators and animators, two interactive "Batman Junior Detective Challenges" and a DVD-ROM for printable Gotham City Police badges and profiles of Batman's foes. The episodes contain some stylized violence. (Warner Home Video)

"Batman Begins" (2005)
Dark and brooding prequel that explains how Bruce Wayne (Christian Bale) became the costumed crimefighter and reveals the "hidden years," detailing his training as a member of a clandestine order of ninja-like vigilantes, leading up to his donning the cape and cowl to become Gotham City's self-appointed guardian. Director Christopher Nolan goes for a more gritty "reality-based" approach, focusing on the psychological dimension of Bruce/Batman's inner conflict rather than comic-book heroics. Intense action violence, some frightening images and mature thematic elements, as well as a few crude expressions and an instance of profanity. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Warner Bros.)

"Battle of Britain" (1969)
With the fall of France in 1940, Great Britain stood alone against the might of the German air force. The movie pays tribute to the smaller number of British fighter pilots who, in the months that followed, downed so many planes that the Luftwaffe was unable to mount its massive raids. Laurence Olivier, Michael Redgrave and Trevor Howard star in this huge and impressive British production directed by Guy Hamilton. Wartime violence. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted. (20th Century Fox Home Entertainment)

"The Beach" (2000)
A dissatisfying thrill-seeking drama about a restless American traveler (DiCaprio) who convinces a French couple (Guillaume Canet and Virginie Ledoyen) to journey with him to an idyllic, remote island off Thailand, but once there, they must pay a deadly price to keep the perfect beach a secret. Director Danny Boyle's visually beautiful but chaotic film becomes muddled as the beach's bohemian residents realize that evil exists even in paradise. Some gory violence including a suicide, a few shadowy sexual encounters with frontal nudity, some recreational drug abuse and recurring rough language. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian.

"Beastly" (2011)
Director Daniel Barnz's adaptation of Alex Flinn's novel retells the classic fairy tale "Beauty and the Beast" for the Facebook generation, offering good lessons in humility, kindness and old-fashioned romance along the way. Handsome and wealthy, but also self-absorbed and shallow, a popular teen (Alex Pettyfer) ridicules the ugly and less fortunate, including his high school's resident witch (Mary-Kate Olsen). In revenge, she casts a spell turning Kyle into a hideous monster and gives him a year to find the true meaning of love and inner beauty or remain in his repulsive new guise forever. So he sets out to win the pure heart of a classmate (Vanessa Hudgens) who prefers substance to style. Probably acceptable for mature adolescents. Brief action violence and a few crass terms. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Sony Pictures Home Entertainment; also available on Blu-ray)

"Because of Winn-Dixie" (2005)
Gentle and disarming story based on Kate DiCamillo's award-winning best-seller about a Baptist preacher (Jeff Daniels) and his little girl, Opal (AnnaSophia Robb), who move to a small Florida town, and the dog they take in. The dog becomes the catalyst for Opal to make friends with several of the town's outcasts: an ex-alcoholic recluse (Cicely Tyson), a fearful, spinsterish librarian (Eva Marie Saint) and a guitar-strumming pet store manager with a prison record (Dave Matthews). Wayne Wang's film is beautifully acted all around, and imparts a heart-tugging message about people's loneliness and need to connect, making satisfying entertainment for adults as well as children. The two-sided DVD -- which offers both wide and full screen versions-- includes detailed and amusing feature-length commentary by Daniels and producer Trevor Albert; scene-specific commentary by Robb to which children will respond; a brief gag reel; and two featurettes. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Fox)

"Basic" (2003)
Unsatisfying military thriller in which an ex-Army Ranger (John Travolta) and a prickly Army captain (Connie Nielsen) must try to unravel the truth behind the Panama jungle deaths of a hated Special Forces sergeant (Samuel L. Jackson) and four trainees under him, while two survivors spin an elaborate series of stories about what happened. Director John McTiernan's macho action flick takes a "Rashomon"-like approach to the narrative, but the dozen characters, murky visuals and constant plot twists eventually become tedious. Recurring violence, much rough language and intermittent profanity. The USCCB Office for Film & Broadcasting classification is A-IV -- adults, with reservations. The Motion Picture Association of America rating is R -- restricted. (Columbia/TriStar)

"Beau Geste" (1939)
Dandy adventure classic from the P.C. Wren story about three brothers, two of whom (Ray Milland and Robert Preston) follow the eldest (Gary Cooper) into the French Foreign Legion where they wind up in a Saharan outpost besieged by rebel Arabs and commanded by a sadistic sergeant (Brian Donlevy). Directed by William Wellman, this remake of the 1926 original retains the visual gusto of the silent's action scenes while getting strong performances from a fine cast, making the talkie version a success in its own right. Stylized violence. Spanish titles option. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America. (Universal Studios Home Video)

"Beauty Shop" (2005)
Amiable comedy about a widowed mother (Queen Latifah) working as a hairdresser who, after a falling-out with the shop's owner, flamboyant Jorge (scene-stealing Kevin Bacon), opens her own establishment in the ghetto and, thanks to her styling prowess and warm-hearted people skills, overcomes myriad obstacles to success. Bille Woodruff's engaging film is a perfect showcase for the likable Latifah, the eclectic ensemble cast (including Alfre Woodard, Alicia Silverstone, Djimon Hounsou and Andie MacDowell) makes for interesting watching and, despite some salty street language and salon sex chatter, the movie imparts solid messages about loyalty, friendship and parenting. Some profanity, crude language and crass expressions, sexual innuendo and suggestive dancing. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (MGM)

"Becoming Jane" (2007)
Interesting speculative drama, based on only a few known facts, about the bittersweet romance between writer Jane Austen (Anne Hathaway) and an Irish lawyer (James McAvoy), and how the experience might have influenced her writings. Julian Jarrold directs with an authentic 18th-century feel, performances are good (with American Hathaway holding her own reasonably well among such British stalwarts as Maggie Smith, Julie Walters and the late Ian Richardson) and though the film is somehow not entirely satisfying it nonetheless holds your interest up to its bittersweet ending. Though possibly acceptable for older teens, this film contains a couple of boxing sequences, a frisky but nongraphic husband and wife encounter, some prostitutes, an implied premarital sexual encounter, mild innuendo and brief sexual allusions. Copious DVD extras include commentary by Jarrold, writer Kevin Hood and producer Robert Bernstein, a whopping 13 deleted scenes, a making-of featurette, and a feature allowing viewers to watch the film with educational pop-up facts and footnotes. Spanish language and titles option. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Buena Vista Home Entertainment)

"Be Cool" (2005)
Flat follow-up to the 1994 comedy "Get Shorty" in which mobster-turned-movie producer Chili Palmer (John Travolta) -- having grown disenchanted with the film industry -- sets his streetwise sights on the music business, and agrees to manage a promising young singer (Christina Milian) who is tied in with shady record producers (Harvey Keitel and Vince Vaughn). Based on the Elmore Leonard novel and directed by F. Gary Gray, the stale sequel lacks the sharpness and satirical edge of the far superior "Shorty," resulting in a film that, despite a charismatic if retread performance by Travolta, is contrary to its title only lukewarm. The movie contains recurring violence, an implied sexual encounter, images of smoking, drug content, some vulgar gestures, and much rough and crude language and humor. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (MGM/UA)

"Bedknobs and Broomsticks" (Enchanted Musical Edition; 1971)
In an English seaside village during World War II, a would-be witch (Angela Lansbury) invokes an army of spectral warriors to rout 20th-century German invaders and takes some trips with three children on her big brass bed. Director Robert Stevenson keeps this Disney musical moving merrily and emphasizes the smiling high spirits of the youngsters. The widescreen DVD includes an engaging 10-minute interview with brothers Richard and Robert Sherman, who collaborated on the score, a featurette on special effects, the reconstruction of a musical number using a series of stills to replace the missing visual portion, and brief footage of the recording session for "Portobello Road," one of the film's signature songs. Spanish titles option. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. (Walt Disney Studios Home Entertainment)

"Bee Movie" (2007)
Generally delightful animated feature about a scrappy bee (voice of Jerry Seinfeld) who decides to sue the human race for stealing the honey manufactured by his hard-working bee brethren and brings the case to court, with the help of a sympathetic florist (Renee Zellweger). An often very funny script (by Seinfeld and others), terrific voice work from a cast including John Goodman, Chris Rock, Kathy Bates and many more, and ultimately a valuable ecological lesson, make this film -- directed by Simon J. Smith and Steve Hickner -- above-average family fare. Mild innuendo. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating was PG -- parental guidance suggested. Some material may not be suitable for children. (DreamWorks)

"Beginning of the End" (1957)
Hokey sci-fi tale of an agricultural specialist (Peter Graves) and a news reporter (Peggie Castle) trying to save Chicago from an invasion of giant locusts before the military nukes them and the city. Directed by Bert I. Gordon, the plot is flimsy, the acting phony and the special effects primitive, though the shot of superimposed grasshoppers on the Wrigley Building is a hoot. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America. (Image Entertainment)

"Be Kind, Rewind" (2008)
Zany, warmhearted comedy about a New Jersey video store worker (Mos Def) who comes up with a scheme to create amateur video versions of classic films when his bungling friend (Jack Black) accidentally erases all the tapes after the manager (Danny Glover) leaves town to investigate saving the building from demolition. Despite its intentionally rough-hewn, indie ambience, a wildly improbable plotline, and too much low-comedy shtick, writer-director Michel Gondry's valentine to filmmaking ultimately delivers a touching story of friendship, with a strong affirmation of community and good fellowship, as the townspeople rally to the aid of the threatened business. Some vulgar humor, brief sexual references and mild comic violence. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Warner Home Video)

"Bee Movie" (2007)
Generally delightful animated feature about a scrappy bee (voice of Jerry Seinfeld) who decides to sue the human race for stealing the honey manufactured by his hard-working bee brethren with the help of a sympathetic florist (Renee Zellweger). An often very funny script (by Seinfeld and others), terrific voice work from the cast, and ultimately a valuable ecological lesson make this film -- directed by Simon J. Smith and Steve Hickner -- above-average family fare. Mild innuendo. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Paramount Home Entertainment)

"Bee Season" (2005)
Gently involving drama about a sixth-grade spelling prodigy (Flora Cross) whose father (Richard Gere, an academic who believes that words and letters "hold the secrets of the universe," obsessively tutors her for a national spelling bee to the detriment of his mentally unstable wife (Juliette Binoche) and religiously rebellious teenage son (Max Minghella). Co-directors Scott McGehee and David Siegel couple domestic dysfunction and Jewish mysticism, thoughtfully crafting an intelligent, finely acted and visually imaginative, but emotionally muted, exploration of faith and family. A sexual encounter, a scene involving a questionable distribution of Communion, and minimal rough and crude language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (20th Century Fox Home Entertainment)

"Being Julia" (2004)
A few bright spots in an otherwise tedious adaptation of W. Somerset Maugham's novel, "Theatre," about a larger-than-life English stage actress (Annette Bening) who has an open marriage with her producer husband (Jeremy Irons), and takes up with an earnest young American accountant (Shaun Evans) in her husband's employ. Hungarian director Istvan Szabo is no stranger to period drama, but was perhaps the wrong choice for a film that doesn't quite ring true in its depiction of the 1938 period or very English locale. Nor is American Bening completely convincing either, in spite of some effective moments. A few instances of crude language, casual depiction of extramarital sex and an instance of rear nudity. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. (Columbia/TriStar)

"Bella" (2007)
Sweetly sentimental story about an unmarried New York waitress (an especially fine Tammy Blanchard) who loses her job after becoming pregnant, and her restaurant's empathetic chef (Mexican soap favorite Eduardo Verastegui) -- an ex-soccer star whose career ended after his car fatally struck a child -- who gives the young woman emotional support, takes her to visit his loving family and gently tries to persuade her to keep the baby. Director and co-writer Alejandro Monteverde's impressive feature film debut is sometimes dramatically slack and implausible, but the sensitive performances, positive depiction of the chef's warm Latino family and, most of all, its affirmative pro-life message -- along with themes of self-forgiveness, reconciliation and redemption -- should resonate with Catholic viewers. Partially subtitled. A couple of crass words, a child's death, a drug reference, and the out-of-wedlock theme aside, the film is admirably free of objectionable elements. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Lionsgate)

"Below" (2002)
Waterlogged drama set on board a World War II U.S. submarine whose commanding officer (Bruce Greenwood) rescues a British nurse (Olivia Williams) and two soldiers, after which everything on the sub malfunctions and paranoia takes hold. Directed by David Twohy as if the vessel was a haunted house, the murky proceedings never achieve a satisfying level of suspense. Brief violence, some profanity and intermittent rough language. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Echo Bridge Home Entertainment)

"Bells Are Ringing" (1960)
Faithful adaptation of Broadway musical about an overly helpful telephone answering service operator (Judy Holliday) who gets involved with her customers' lives, and falls in love with one of her clients, a composer (Dean Martin) struggling with writers' block, while fending off the police who think service is a front for illegal activities, including a bookie operation. Director Vincente Minnelli failed to open the movie up cinematically and the result is rather static, but Holliday's performance is treasurable and the Jule Styne-Comden & Green songs top notch. The DVD release includes three rare cut numbers, including one each for Holliday and Martin, and one with an almost unrecognizable Hal Linden, then making his film debut, and a short documentary about the making of the film, hosted by Linden. Excellent print quality. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America. (Warner Bros.)

"Beneath the Planet of the Apes" (1970)
Lame sequel has an astronaut (James Franciscus) reaching the bombed-out earth, where the ape people are warring with the subterranean remnants of the human race -- a colony of skinless people who worship "the Holy Bomb'' and these deformed humans destroy the planet in the final scene. Directed by Ted Post, it lacks the wit, excitement and ingenuity of the original's warning to warmongering, damage-prone humanity. Spanish titles option. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is G -- general audiences. All ages admitted. (20th Century Fox Home Entertainment; also available on Blu-ray)

"Benji Off the Leash!" (2004)
Family-friendly drama which finds the eponymous mutt teaming up with a shaggy stray and a young boy (Nick Whitaker) to save an ailing dog from a squalid backyard puppy mill run by a greedy breeder (Chris Kendrick). As directed by "Benji" creator Joe Camp, neither the film's heartwarming message nor its adorably scruffy stars can hide the doggone awful script and acting -- four-legged performers excluded. Some mildly crude expressions, implied spousal abuse and images of animal cruelty. The USCCB Office for Film & Broadcasting classification is A-II - adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Goodtimes)

"Ben-Hur" (Collector's Edition) (1959)
Director William Wyler's classic Hollywood epic follows the Jewish prince of the title (Charlton Heston) after he's betrayed by his Roman boyhood friend (Stephen Boyd) and subjected to much misery until finally achieving retribution for all his suffering. The narrative's melodrama is transformed by the grand scale of its spectacle, especially the chariot race, and by the stirring performances of its principals. The handsomely packaged four-disc collector's edition is a must have for any home film library. Discs one and two contain a glorious digital transfer that restores the lavish movie to its original grandeur and proper widescreen format (too narrow for some tastes), with audio commentary by Heston and film historian T. Gene Hatcher. The box set also includes a beautifully remastered transfer of the 1925 silent version starring Ramon Novarro. Worth the price alone, disc four contains two documentaries tracing the history of the film -- from the strongly religious Lew Wallace novel (subtitled "A Tale of the Christ") through its earlier stage and screen adaptations -- while examining its cinematic importance and influence on moviemaking (including interviews with current Hollywood directors like Ridley Scott and George Lucas), vintage newsreels of the film's star-studded New York and Hollywood premieres -- as well as its Japanese debut, attended by then-Emperor Hirohito -- highlights from the 1960 Academy Awards ceremony where it won an unprecedented 11 Oscars (including Wyler accepting his Best Director statuette from John Wayne), theatrical trailers, and rare screen tests (including -- believe it or not -- a young Leslie Nielsen auditioning for the role of Messala, which eventually went to Boyd.) The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. (Warner Bros.)

"Ben Hur"/"King of Kings"
"Ben Hur" (1959). Director William Wyler's classic Hollywood epic follows the Jewish prince of the title (Charlton Heston) after he's betrayed by his boyhood Roman friend (Stephen Boyd) and subjected to much misery until finally achieving retribution for all his suffering. The narrative's conventional melodrama is transformed by the grand scale of its spectacle, especially the chariot race, and by the stirring performances of its principals who manage to overcome the story's cliches and stereotypes. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. "King of Kings" (1961). Stolid screen spectacular presents the life of Christ within the historical context of Jewish resistance to Roman rule. Uncomfortably cast in the title role is Jeffrey Hunter, though more effective are Siobhan McKenna as his mother, Robert Ryan as John the Baptist, Hurd Hatfield as Pilate, Rip Torn as Judas and Harry Guardino as Barabbas. Directed by Nicholas Ray, the script is preoccupied with the period's political unrest but treats the Gospel account reverentially, if with more dramatic license than some might find acceptable. The USCCB Office for Film & Broadcasting classification is A-IV -- adults, with reservations. Not rated by the Motion Picture Association of America. (Warner Bros.)

"Beowulf & Grendel" (2006)
Grim and tepid, if ruggedly beautiful, retelling of the eighth-century Anglo-Saxon saga of the Norse hero Beowulf (Gerard Butler), who leads a troop of warriors across the sea to help the long-suffering Danish king Hrothgar (Stellan Skarsgard) rid his lands of a murderous troll, Grendel (Ingvar Sigurdsson), who is exacting revenge on Danes for an earlier wrong. Stripping the epic of both its fantasy and Christian elements while remaining faithful to its outline, director Sturla Gunnarsson does a good job at establishing the dark and brutish world of the poem, breaking up the overall broodiness with savage swordplay and severed limbs. But what the film gains in pathos by humanizing the monster, and a contemporary feel by modernizing the dialogue (including frequent use of the f-word), it loses in mythic luster. Assorted bloody violence including dismemberment, some gruesome images, a rape flashback, an implied sexual encounter, a crass scene of urination, and recurring rough and crude language. The widescreen DVD's paltry bonus features include some deleted scenes and interviews with cast and crew members, none particularly interesting. (Some of the interviews and outtakes also contain expletives.) There's also a short featurette of extracts from a longer behind-the-scenes documentary. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian (Union Station Media).

"Beowulf" (2007)
Generally impressive 3-D animated reworking of the Beowulf legend, dramatizing the warrior's (Ray Winstone) vanquishing of the tortured Grendel (Crispin Glover), his encounter with the demon's mother (Angelina Jolie) and his later troubled kingship. Director Robert Zemeckis has taken some dramatic license with the venerable but sketchy original narrative, but writers Neil Gaiman and Roger Avery's intelligent screenplay has remained faithful to the essentials, including its mix of Christian and pagan elements, while several of the action sequences, including the climactic battle with a flying dragon, are excitingly done. Nearly full male and female nudity, sexual references and innuendo, period bawdiness, adultery, implied nonmarital encounters, intense violence with gore and a suicide. Possibly acceptable for older teens. The vivid anamorphic DVD -- minus the 3-D effects, of course -- contains six not fully animated deleted scenes and an interesting making-of documentary that shows how the performance-capture animation was done, and other background features on the production and legend itself. The writers contend they put back earthy elements that the monks who preserved the legend presumably excised from their manuscripts. Spanish language and title options. The USCCB Office for Film & Broadcasting classification is A-III --adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Paramount Home Entertainment)

"Bernadette" (1987)
The story of St. Bernadette and her visions of "a beautiful lady in white" at a grotto near Lourdes, France, in 1858 is reverently rendered in this 1989 French production by veteran film director Jean Delannoy ("Mary of Nazareth," "The Eternal Return"). American actress Sidney Penny portrays the eponymous 15-year-old peasant girl with graceful down-to-earth innocence, humility and youthful awkwardness. Her honest performance shows Bernadette as a normal teenager caught up in circumstances beyond her understanding, but who refuses to wilt under local pressure. Having been previously unavailable in the United States, the movie has some fine period details and on-location photography, but the overall film is compromised by extremely poor dubbing into English and falls short of Henry King's superior "Song of Bernadette" (for which Jennifer Jones won the best actress Oscar in 1943 in the title role). The miraculous apparitions are handled discreetly, without resorting to cheesy special effects. Praised by the Vatican as "a sensitive portrayal of a very moving story that deserves a wide audience" and selected to screen daily at the shrine in Lourdes, the film is simple and historically accurate, as well as faithful to the religious drama of the events without the usual slushy piety. The result is a straightforward, but spiritually moving, picture of a young woman's faith, a story that still has relevance for contemporary viewers. Dubbed into English. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is PG -- parental guidance suggested.

"Between the Walls" (2006)
Low-budget Christian-themed drama about an embittered, unemployed steelworker (Patrick Midgley) whose resentment of his dead father (Scott Davis) -- a stern, Bible-quoting tyrant -- is fueled when he uncovers a stash of audio tapes on which his father had secretly recorded everything that happened within the family's unhappy walls. The discovery further disillusions him about religion, until his boyhood best friend (Eli Jared), a born-again Christian, leads him back to faith. Written, directed and produced by twin brothers Chris and Nick Staron, the well-intentioned film is competently crafted despite uneven performances. The melodramatic, allegorical script is preachy and its take on personal salvation as a one-time decision is simplistic, but, overall, it imparts redemptive messages about forgiveness, letting go of anger and relying on God. The DVD also includes deleted scenes, a behind-the-scenes video journal, an amusing animated "Pint Size Parable" and three instructional segments on producing and shooting a movie. Some mature thematic elements. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (Glowing Nose, www.glowingnose.com)

"Beverly Hills Chihuahua" (2008)
A pampered pooch (voice of Drew Barrymore) is kidnapped by a Mexican dog-fighting ring while on a junket in the custody of her doting owner's (Jamie Lee Curtis) self-absorbed niece (Piper Perabo), escapes with the help of a protective ex-police dog (voice of Andy Garcia) and discovers life on the streets while the ardent Chihuahua (voice of George Lopez) she once spurned leads the search for her. Along with entertaining adventures, director Raja Gosnell's sprightly live-action canine quest offers lessons about ethnic prejudice and class distinctions while also portraying the personality-warping effects of materialism. Mild menace. The DVD includes a new animated short, "The Legend of the Chihuahaus," three deleted scenes, bloopers and audio commentary by Gosnell (but only on the widescreen edition). Spanish language and titles options. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Walt Disney Studios Home Entertainment; also available on Blu-ray)

"The Bette Davis Collection"
Three beautifully packaged and restored classics, which contain interesting 10-minute "featurettes" about the film, and other assorted features, join the already-issued and excellent restorations of "The Letter" and "Now Voyager."

"Dark Victory" (1939)
Classic tear-jerker in which an energetic socialite (Bette Davis) is felled by a brain tumor, then falls in love with the surgeon (George Brent) who saved her life but knows she has only a few months to live. Directed by Edmund Goulding, the emotional manipulation of the plot is shamelessly transparent, but what still holds interest today is Davis' spunky, smiling-through-the-tears performance. Also, look for Ronald Reagan and a miscast Humphrey Bogart. The DVD features a fully restored print, perceptive commentary by film historian James Ursini and CNN film critic Paul Clinton, and the short, "1939: Tough Competition for Dark Victory," detailing how the film was overshadowed by "Gone With the Wind," "Wuthering Heights" and the year's other classics. Romantic complications and tense discussions of death. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (Warner Bros.)

"The Letter" (1940)
In a Singapore courtroom, the wife (Bette Davis) of a rubber plantation owner (Herbert Marshall) stands trial for killing a man she claims tried to assault her but his Eurasian widow (Gale Sondergaard) turns up with a letter proving it was an act of murder. Under William Wyler's moody direction, Davis gives a chilling performance in the coldly unsympathetic role as the faithless wife who ruins her life and the happiness of those around her. The DVD features a restored print, two Lux Radio Theater broadcasts with Davis and Marshall, and an alternate ending (with the famous retribution for the wife's crime intact). Restrained treatment of infidelity and its consequences. The USCCB Office for Film & Broadcasting classification is A-III -- adults. Not rated by the Motion Picture Association of America. (Warner Bros.)

"Mr. Skeffington" (1944)
Bette Davis received her eighth Oscar nomination for her spectacular performance as Fanny Skeffington, a beautiful New York socialite surrounded by suitors before and after marriage, but who loses her looks because of diphtheria. Claude Rains plays her devoted husband whom she ultimately comes to appreciate, and Franz Waxman composed the lush score. The DVD features invaluable commentary by director Vincent Sherman, and the interesting short, "Mr. Skeffington: A Picture of Strength." The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (Warner Bros.)

"Now, Voyager" (1942)
Classy tear-jerker follows a repressed Bostonian spinster (Bette Davis) from a sanatorium where she gains some self-confidence to an ocean cruise where she falls for an unhappily married man (Paul Henreid) but sublimates her love for him by giving a home to his love-starved preteen daughter. Directed by Irving Rapper, Davis's transformation from milksop to socialite is winning, Gladys Cooper makes a fine ogre as her domineering mother and Henreid's routine in lighting two cigarettes is classic Hollywood schmaltz. The DVD includes several audio-only Max Steiner scoring session music cues. The doomed love affair is handled most discreetly. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (Warner Bros.)

"The Star" (1952)
After three years without a job, a former movie star (Bette Davis) gets a chance at a supporting role but her ego gets in the way. In the film directed by Stuart Heisler, Davis runs the gamut of emotions, lacerating her agent (Warner Anderson), charming a veteran producer (Minor Watson), smothering her child (Natalie Wood) and scorning the man (Sterling Hayden) who loves her, but the melodramatic results are hardly worth the effort. The DVD includes a new featurette, "How Real Is the Star?" which insist the star's character was not based on Davis, but actually on Joan Crawford. Actress Carol Kane is among those interviewed. Romantic complications, sexual innuendo and delusional behavior. The USCCB Office for Film & Broadcasting classification is A-III -- adults. Not rated by the Motion Picture Association of America. (Warner Bros.)

"The Beverly Hillbillies: Ultimate Collection -- Vol. 1" (1962-1963)
The 1960s television classic from sitcom genius Paul Henning was an instant hit and ran for nine years, often in first place. The series comes to DVD with its first season of 26 episodes in glistening black and white. The amusing premise had Ozark mountaineer Jed Clampett (Buddy Ebsen) striking oil and, along with Granny (Irene Ryan), animal-loving daughter Elly May (Donna Douglas) and Cousin Jethro (Max Baer), then moving to Beverly Hills, where they were sitting ducks for every kind of con artist. The humor holds up surprisingly well, thanks to the engaging, perfectly cast leads who played with conviction. The superbly produced 50-minute documentary "Paul Henning & the Hillbillies" puts the show in historical context, shows how the series was created, and even includes rare footage of a baby-faced Henning in his singing days, crooning "Star Dust." Hennings' daughter, Linda Kaye Henning, is a gracious host, and rightly extols her dad's "clean but funny" humor. Ultimately, CBS canceled the series along with all of its other "rural" shows, deciding to cater to a more urban audience. Other features include an interesting interview with Baer; Ebsen doffing his overalls for top hat and tails on "The Hollywood Palace" TV show; and Ryan improbably belting "I'm a Woman" on another episode. Good, wholesome comedy for the whole family. (MPI)

"Bewitched: The Complete Third Season" (1966-67)
The latest installment in season-by-season release of that popular 1960s television staple features 33 episodes -- all in color, unlike the earlier seasons -- with Elizabeth Montgomery as Samantha (with her magically twitchy nose), Dick York as beleaguered husband Darrin and the great Agnes Moorehead as Samantha's mother. It was in this season that baby Tabitha's magical powers were discovered. Though there are no extras or commentary, the print quality is excellent and the slimline casing for the four discs continues the admirable space-saving trend of these television boxed sets. And it's good to be reminded of the charms of the original after the recent disappointing big screen version of the property. (Sony)

"Beyond the Gates of Splendor" (2005)
Absorbing and inspirational feature-length documentary chronicling the efforts of five married Protestant missionary couples to establish contact with the Waodani Indians, a primitive tribe dwelling in Ecuador's Amazon rain forest feared throughout the region for their savagery. Based on the best-seller by Elisabeth Elliot and narrated by an adult son of one of the couples, the film details the group's story from their college years to their arrival in Ecuador in 1952, their work among the more friendly Quicha tribe, their initial encounters with the fierce Waodani, the brutal slaying of the five male missionaries in 1956, and the courageous decision of the martyred men's widows to remain among the Waodani, who eventually turned away from their ancestral legacy of violence. Though marked by tragedy, the story is ultimately one of redemption, as several of the missionaries' children continue their parents' work, educating and empowering the impoverished Waodani, some of whom were responsible for their fathers' deaths. Beautifully crafted, with moving interviews with surviving family members, the film is a stirring testament to the power of faith and forgiveness, and witnesses the shared humanity of all people. The video contains some violent descriptions of death and brief disturbing images, as well as native nudity. (Fox Home Entertainment)

"Big Daddy" (1999)
Insipid comedy in which an irresponsible 32-year-old (Adam Sandler) temporarily takes custody of a motherless 5-year-old boy (twins Cole and Dylan Sprouse) to impress a girlfriend, but in the process learns parenting is more than just hanging out and goofing off. Director Dennis Dugan's dopey movie rarely moves beyond toilet humor, blatant product placements and sappy sentiment as Sandler's character predictably matures after initially being a terrible role model. Implied affairs, coarse expressions and gestures, some profanity and fleeting violence. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Columbia/TriStar)

"Bird" (1988)
Biography of troubled jazz saxophonist Charlie "Bird" Parker (Forest Whitaker) follows his last years on the road and with his common-law wife (Diane Venora). He died in 1955 at age 34 after ravaging his body with years of heroin and alcohol addiction. Directed by Clint Eastwood, there's not a false note in this expressionistic, moody look at the jazz subculture of the 1950s. Realistic view of the consequences of Parker's addiction, a graphic suicide attempt, sexual promiscuity and an offhanded acceptance of out-of-wedlock pregnancy. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Warner Home Video)

"Birth" (2004)
Unconventional love story about a New York widow (Nicole Kidman) who comes to believe that her dead husband has been reincarnated as a 10-year-old boy (Cameron Bright), much to the dismay of her new fiance (Danny Huston). Director Jonathan Glazer has crafted an elegiac meditation on love, loss and mortality, buttressed by exceptional performances from the assembled ensemble, hauntingly evocative visuals and a disquietingly plaintive score, but the film contains several controversial scenes between Kidman and Bright -- including one in a bathtub -- that many viewers may find extremely troubling. Suggestive situations involving an adult and a minor, and an explicit sexual encounter between adults with nudity. The USCCB Office for Film & Broadcasting classification is O -- morally offensive. The Motion Picture Association of America rating is R -- restricted. (New Line)

"The Bituminous Coal Queens of Pennsylvania" (2005)
A beauty pageant in a rural Pennyslvania mining community serves as a microcosm of small-town America in directors David Hunt and Jody Eldred's warmhearted documentary. To mark the pageant's 50th anniversary, organizers invited the previous winners, including 1972's Sarah Rush, an actress now living in Hollywood who serves as the film's tour guide. Interviews with the high school-age contestants and local personalities provide a charming, often humorous, window into a vanishing slice of Americana. The film contrasts the anxious preparations of the hopefuls with conversations with the rough-hewn miners who give the town its fierce sense of identity. The wholesome film can be enjoyed by all and celebrates the kind of traditional values that even city slickers can appreciate. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America (available only through Netflix, www.netflix.com).

"Black Beauty" (1971)
British version of the classic tale of a boy (Mark Lester) and his horse comes to the screen under the direction of James Hill. It is lovely to look at but is unfortunately flawed by stilted scripting and wooden performances which, one hopes, will not spoil it for younger audiences. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted. (Koch)

"The Black Hole" (1979)
Disney science fiction movie with some fine special effects and a mediocre plot about a maverick scientist (Maximilian Schell) and his mysterious space laboratory. Unfortunately, director Gary Nelson has made the experience no more intriguing than a ride at Disneyland. Incidental violence. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG - parental guidance suggested. Some material may not be suitable for children. (Buena Vista Home Entertainment)

"Black Moon" (1975)
French surrealistic fantasy in which a young girl (Cathryn Harrison), fleeing a bloody civil war between men and women combatants, finds refuge in an isolated country house in which live a bedridden old woman (Therese Giehse), a brother and sister (Joe Dallesandro and Alexandra Stewart) and a band of children. While battles rage around the estate, the girl is preoccupied with her bizarre surroundings, which include a talking unicorn, crying flowers, and an enormous rat named Humphrey. Director Louis Malle is less concerned with the theme of innocence than with the modern preoccupation with death and sex. Mature themes. The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Criterion Collection; also available on Blu-ray)

"Black Snake Moan" (2007)
Extremely lurid, but ultimately redemptive, melodrama set in rural Tennessee about an aging blues singer (Samuel L. Jackson) who nurses a badly beaten nymphomaniac (Christina Ricci) back to health, and gets her to overcome her drug and sexual addictions, conquering his own inner demons in the process. Writer-director Craig Brewer pulls out the stops with an intentionally florid style, while the impressive performances of the leads -- as well as those of John Cothran as a benevolent preacher, S. Epatha Merkerson as an empathetic friend and Justin Timberlake as an emotionally damaged soldier who loves the young woman -- overcome the more outrageous plot elements. The high quotient of sex, violence and foul language -- which walks the finest of lines between morally objectionable and dramatically valid -- will seriously limit the film's appeal to audiences, Catholic and otherwise. Pervasive rough and crude language and profanity, racial epithets, strong sexuality including a couple of graphic encounters without nudity, premarital situations, upper female nudity elsewhere, violence and drug use. The widescreen DVD features intelligent commentary by Brewster who describes the themes of the film as "sin and salvation." Among several interesting deleted scenes is a moving one with Jackson reading the "mustard seed" passage from Matthew to Ricci, and three informative featurettes which confirm the movie's serious intent. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian (Paramount Home Entertainment).

"Blade: Trinity" (2004)
Violent and vacuous fantasy action sequel, based on the titular Marvel Comics' character, a brooding half-mortal, half-vampire slayer (Wesley Snipes), who in this third go-round must join forces with a team of vampire hunters (Jessica Biel and Ryan Reynolds) and battle an army of bloodsuckers (led by Parker Posey) bent on resurrecting the granddaddy of all undead, Dracula (Dominic Purcell) -- here re-imagined as an ancient Sumerian demon -- to spawn a vampiric master race. Directed by David S. Goyer, this bloodfest dishes out the same tedious gore and cheesy dialogue as the first two installments, and hopefully this one will drive a stake through any future films in this forgettable franchise. Excessive violence, much profanity and rough language. The USCCB Office for Film & Broadcasting classification is O -- morally offensive. The Motion Picture Association of America rating is R -- restricted. (New Line)

"Blades of Glory" (2007)
Fitfully amusing buddy comedy about rival skating champions -- a macho ladies' man (Will Ferrell) and a former child prodigy (Jon Heder) -- banned from the world championships after fighting on the ice, who reluctantly become a team when they learn it's the only way they'll be allowed back to compete, while a jealous brother-sister act (Will Arnett and Amy Poehler) attempt to sabotage the duo. Will Speck and Josh Gordon direct the sophomoric proceedings capably, the skating stunts are well handled, the leads are well paired, and there are apt satirical barbs at the skating industry. The pervasive low humor and vulgarity preclude the younger viewers who would most appreciate the humor, even as predictable affirmations of friendship and good sportsmanship eventually prevail. Crude language, crass expressions, mild profanity, a couple of brief nongraphic sexual encounters, innuendo, comic violence and mayhem, including a decapitation, brief comic suggestion of incest and drug use. The USCCB Office for Film & Broadcasting classification is A-III --adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Paramount Home Video)

"Blindness" (2008)
Chilling parable in which an eye doctor (Mark Ruffalo) becomes an early victim in an epidemic of instant blindness and, voluntarily accompanied by his still-sighted wife (Julianne Moore), is forcibly quarantined in a dilapidated mental hospital where conditions, both physical and moral, rapidly deteriorate as the number of inmates (including Danny Glover, Alice Braga, Gael Garcia Bernal and Don McKellar, who also wrote the screenplay) grows. Director Fernando Meirelles' adaptation of Nobel Prize-winning author Jose Saramago's 1995 novel plumbs the depths of human sinfulness, but never gives way to nihilism. Strong sexual content, adultery, brief scenes of full nudity, frequent rough and some crude language, and occasional uses of profanity. The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Echo Bridge Home Entertainment)

"The Blind Swordsman: Zatoichi" (2004)
Stylish but gory revenge tale set in 19th-century Japan about a wandering, blind blade-master (Beat Takeshi) who uses his lethal sword skills to rid a small farming village of a gang of ruthless bandits. Incorporating cross-genre elements as diverse as vaudevillian slapstick and hip-hop dance, Takeshi -- who also wrote and directed the film under the name Takeshi Kitano -- gives the classic samurai tale a jazzy makeover, which, though chock full of blood-splattered swordfights, is not without moments of beauty, emotion and humor. Stylized action violence with associated gore, brief suggestion of child prostitution, a suicide, cross-dressing references and some crude language and humor. Subtitles. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. (Buena Vista)

"Blue Crush" (2002)
Average story about a young woman (Kate Bosworth) training to win the prestigious Pipe Masters surf competition who falls for a professional quarterback (Matthew Davis) staying at the hotel where she and her friends (Michelle Rodriguez, Sanoe Lake) are chambermaids, forcing her to re-evaluate her lifelong goals. As directed by John Stockwell, the skimpy story about overcoming fears and self-doubt while staying true to one's dreams despite the distractions of love is an afterthought to the awe-inspiring shots of surfing expertise and huge Hawaiian waves curling and smashing down on the shore. An implied sexual encounter and some sexual suggestiveness, brief underage drinking, a scene of fisticuffs and sporadic crass language and expressions. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Universal)

"Blood Diamond" (Two-Disc Special Edition) (2006) Compelling action-adventure set in Africa's Sierra Leone as a mercenary (a superb Leonardo DiCaprio), a crusading U.S. reporter (Jennifer Connelly) and a frantic African fisherman (Djimon Hounsou) who's been separated from his family join forces against a backdrop of bloody civil war and plundering of the country's natural resources. Director Edward Zwick masterfully balances the action sequences with the more intimate ones. The film, though overly long, delivers on entertainment value, while imparting a worthy message about the immoral origin of conflict diamonds and the exploitation of child soldiers, and delivers a strong affirmation of family, while the DiCaprio-Connelly romance is refreshingly devoid of overt sexual elements. Much violence and bloodshed though admirably restrained in its presentation, murder, rough language and profanity, crude expressions, threat of rape, underage drinking and smoking. The film is presented in sharp anamorphic widescreen with commentary by Zwick on the first disc, while the second platter is loaded with feature material: a 50-minute documentary on conflict diamonds, a profile of DiCaprio's training for the role, a look at women journalists at war, and how Zwick filmed the siege of Freetown. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian (Warner Home Video).

"Bobby Jones: Stroke of Genius" (2004)
Handsomely crafted biopic set in the 1920s about the life of legendary golfer Bobby Jones (Jim Caviezel), who, though getting off to a sickly start, defied the odds, overcoming physical hardships and personal demons to rise to the pinnacle of the sports world. Though the unfocused narrative spends too much time in tedious tournament sequences, the well acted film, directed by Rowdy Herrington, is an inspirational celebration of the ability of the human spirit to triumph over adversity and succeed without abandoning personal principles. Sporadic crude language. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Columbia/TriStar)

"Bogie & Bacall: The Signature Collection" (1944-48)
The four classic films made by Humphrey Bogart and Lauren Bacall, who would marry after their first film, "To Have and Have Not," have been gathered in this new box set. The print quality is excellent on all. All except "The Big Sleep" are classified A-II -- adults and adolescents. None were rated by the Motion Picture Association of America (Warner Home Video).

"The Big Sleep" (1946)
Classic hard-boiled crime caper with Raymond Chandler's private eye, Philip Marlowe (Bogart), taking a routine blackmail case that turns into a convoluted murder mystery involving a millionaire's bewildering daughters (Bacall and Martha Vickers). Director Howard Hawks keeps the plot complications simmering with plenty of rugged action, colorful tough guys, much sardonic humor, snappy dialogue and the promise of romance. Stylized violence and sexual innuendo. The DVD contains both the unreleased 1945 version, and the 1946 theatrical version with many scenes reshot to show Bacall to better advantage than in the first version. Archivist Robert Gitt of the University of California-Los Angeles explains the differences, large and small.

"Dark Passage" (1947)
Offbeat crime melodrama about a man (Bogart) who escapes prison, is sheltered by a woman (Bacall) who believes him innocent and has a plastic surgeon change his face so he won't be recognized as he tries to find the culprit who framed him. Directed by Delmer Daves, the film has some interesting plot twists, with fine use of San Francisco locations and a good gallery of intriguing characters. The DVD features a making-of featurette and a Bugs Bunny cartoon with a Bogart-Bacall connection.

"Key Largo" (1948)
High tension melodrama from Maxwell Anderson's play in which a hardened war veteran (Bogart) arrives at a Florida Keys hotel to find its owner (Lionel Barrymore) and his daughter (Bacall) being held prisoner by gangsters (headed by Edward G. Robinson), then is forced to take them to Cuba by boat after a hurricane leaves them stranded. Directed by John Huston, the desperate proceedings are given conviction by a fine cast, including Claire Trevor's aging gun moll, with the outcome hinged on the veteran's regained idealism in the riveting climax. Stylized violence, menacing situations and muted sexual innuendo. No extra content on the DVD.

"To Have and Have Not" (1944)
Lively adventure from Ernest Hemingway's novel set in the Caribbean where the American captain (Bogart) of a charter fishing boat throws in with the Free French resistance after being pushed around by Vichy agents in 1940 Martinique, while managing to find romance along the way with a slim adventuress (Bacall). Directed by Hawks from a script by Jules Furthman and William Faulkner, the melodramatic action is secondary to the romantic subplot and interesting cast of stereotypes, notably Walter Brennan's drink-addled seaman and his recurring question: "Was you ever bit by a dead bee?" Stylized violence and sexual innuendo. The DVD contains a making-of featurette, a cartoon in which "To Have and Have Not" figures, and a radio version with Bogart and Bacall.

"Body of Lies" (2008)
Taut and engrossing Middle East thriller about a conscientious U.S. intelligence agent (Leonardo DiCaprio) who -- in an environment of deception and betrayals -- seeks out an Osama-like terrorist leader while taking orders from his longtime colleague, a hard-nosed CIA chief (Russell Crowe) back in Virginia. Director Ridley Scott maintains a good pace, and there are intelligent performances by all, including Mark Strong as the agent's Jordanian liaison, while the culturally enlightened script encourages humanistic understanding of the politically and socially volatile region. Relatively brief but graphic images of violence, torture, and medical procedures, pervasive rough language and profanity, and some blunt sexual expressions. Spanish language and titles options. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Warner Home Video; also available on Blu-ray and a 2-Disc Digital Copy Special Edition, each with bonus features)

"Bonnie and Clyde" (1967)
Warren Beatty's production stars himself and Faye Dunaway, with supporting cast of Gene Hackman, Estelle Parsons and Michael J. Pollard, in a vivid and strikingly real re-creation of the treadmill existence of the Barrow gang, ill-fated bank robbers of the Depression. Director Arthur Penn brings a human perspective to the gang's wildly distorted legend and their senselessly violent deaths, which leaves viewers to ponder the brutal frontier ethic of American justice. Scenes of strong violence. The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Warner Home Video; also available on Blu-ray.)

"Boogeyman" (2005)
Hokey horror flick about a young man (Barry Watson) who has been haunted all his life by memories of a traumatic incident he "witnessed" in his bedroom as a boy -- he is convinced the eponymous evil specter snatched his father -- and who is advised by his psychologist that in order to salvage his sanity he must prove that the fearful episode was nothing more than a figment of his troubled imagination by spending a night alone in his creepy childhood home. Though not without some mild suspense and popcorn-tossing jolts, the movie, directed by Stephen Kay, is a muddled mess of failed frights, horror-movie cliches and backend-heavy special effects pieced together by a mostly incoherent script. Several sequences of menace, which involve horror-style violence as well as some sexually suggestive scenes, one of which contains partial nudity. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Columbia/TriStar)

"Born on the Fourth of July" (1989)
Emotionally wrenching story of an idealistic youth (Tom Cruise) who returns from Vietnam a crippled war hero, grows increasingly disillusioned and alienated from family and friends, turns to alcohol and sex but then rediscovers a purpose in life as part of the anti-war movement. Adapted from Ron Kovic's book by Kovic and director Oliver Stone, the movie captures the period in which the nation became polarized by the war and provides some insight into the problems of Vietnam veterans, but Stone's overly graphic depiction of violence and a sequence in a bordello are not for the faint-hearted. Disturbing depiction of violence, a scene with nudity in a sexual context and much rough language. The USCCB Office for Film & Broadcasting classification is A-IV -- adults, with reservations. The Motion Picture Association of America rating is R -- restricted. (Universal)

"The Bounty Hunter" (2010)
Forgettable, frequently mean-spirited mix of romantic comedy and crime story begins with a former police officer-turned-bounty hunter (Gerard Butler) delightedly arresting his journalist ex-wife (Jennifer Aniston) after she fails to appear for a court hearing, but the two quickly become entangled in a case of police corruption that leaves them dodging bullets and, far less successfully, a renewed hail of arrows from cupid's bow. Any potentially heartwarming elements in director Andy Tennant's predictable tale of rekindling romance get lost amid the frenetic shuffle as the rival protagonists use a Taser stun gun on one another as well as tackle and handcuff each other. Some action violence, scenes of torture, brief rear nudity, several sexual jokes and references, about eight uses of profanity, a bit of rough, much crude language. Spanish language and titles options on Blu-ray edition. The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Sony Pictures Home Entertainment; also available on Blu-ray.)

"The Bourne Supremacy" (2004)
Frenetic follow-up to "The Bourne Identity," about amnesiac CIA assassin Jason Bourne (Matt Damon), pursued around Europe by CIA operatives and a Russian hit man, while struggling with disturbing memories of a violent incident in which he may have played a part. Fine performances by Damon and a supporting cast including Joan Allen and Brian Cox, though extremely fast editing and episodic storytelling take this a couple of notches below the excellence of the first film. Scenes of intense action violence and a brief instance of crude language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Universal)

"The Bourne Ultimatum" (2007)
This lightning-paced, globe-trotting follow-up to "The Bourne Identity" and "The Bourne Supremacy" wraps up Bourne's (Matt Damon) quest to discover his true name and history even as CIA project head (David Strathairn) orders his immediate termination, but is continually stymied by Bourne's lethal skills at evasion and unexpected help from female CIA operatives (Joan Allen and Julia Stiles). Director Paul Greengrass orchestrates sustained and eye-popping action-excitement throughout, while top-notch cast members (including a climactic appearance by Albert Finney) manage to flesh out their characters, resulting in a satisfying if somewhat exhausting thriller. Much intense and fierce violence and intermittent profanity. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Universal Studios Home Video)

"Bordertown" (2006)
Worthy if necessarily bleak investigative drama in which, at the behest of her editor (Martin Sheen), a Chicago reporter (Jennifer Lopez) travels to Juarez, Mexico, to uncover the truth about a series of rapes and murders committed against female factory workers and, uniting with a former colleague and old flame (Antonio Banderas) as well as a wealthy local humanitarian (Sonia Braga), tries to protect the young survivor (Maya Zapata) of one such attack. Writer-director Gregory Nava's film, inspired by true events, is absorbing, despite some melodramatic elements and an over-simplified indictment of globalization. Brutal rape and attempted rape, nonmarital sexual activity, rear and upper female nudity, graphic images of blood and corpses, some rough, crude and profane language, and occasional crass language. The full-frame DVD features a making-of sequence including interviews with Nava, Lopez and Zapata, as well as two 15-minute documentaries about the factual background, one of which has an especially touching testimonial from a female factory worker struggling to educate her children so they can avoid exploitation. Spanish subtitles. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (THINKFilm)

"Boynton Beach Club" (2006)
Touching story about widowed and divorced seniors in Florida adult community who meet in a bereavement group and come to learn that life is far from over, as they forge friendships and romantic relationships. Director and co-writer Susan Seidelman has gathered a first-rate cast including Joe Bologna, Dyan Cannon, Len Cariou, Sally Kellerman, Michael Nouri, Renee Taylor and Brenda Vaccaro and has, for the most part, avoided hackneyed treatment, and with good messages about recovery from grief, finding unexpected love and rebuilding self-esteem. Casual view of premarital sex including condom use and pornography, acceptability of divorce, mild innuendo, nongraphic sexual encounters, partial female nudity, a few instances of rough and crude words, a nonsexual encounter with a prostitute and drug use. The anamorphic DVD features personable commentary by Seidelman. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. Not rated by the Motion Picture Association of America (Sony Pictures Home Entertainment).

"Boys Don't Cry" (1999)
Disturbing fact-based story of a confused young woman (Hilary Swank) posing as a guy in rural Nebraska where she fools some tough yokels with her male impersonation, and even romances one of their gals (Chloe Sevigny) before the ruse is discovered, with deadly consequences. Directed by Kimberly Pierce, the story of a woman's attempt to switch genders is convincingly portrayed as a dangerous obsession ultimately exploding in vengeful violence by unstable macho males in the tragic conclusion. Stylized violence including a graphic rape scene, sexual situations and references, brief nudity, drug abuse, occasional profanity and rough language. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (20th Century Fox Home Entertainment)

"The Boys of St. Vincent" (1994)
Fictional dramatization of fact-based events in Canada centers in a Catholic orphanage run by religious brothers who sexually molest the youngsters in their care but, because of a cover-up, are not brought to trial until 15 years later. Shown originally as a four-hour TV program, the 1992 Canadian production directed by John N. Smith is a powerful indictment of those who abuse positions of trust as well as a sensitive, nonexploitational portrayal of the damage done to their victims and the community, with convincing performances by a fine cast headed by Henry Czerny as the tormented chief offender. Strong fare but responsibly treated, relying on suggestion rather than graphic depiction of the sexual abuse of minors, with much pent-up emotional churnings, some outbursts of violence and occasional profanity. The USCCB Office for Film & Broadcasting classification is A-III -- adults. Not rated by the Motion Picture Association of America. (New Yorker)

"The Bourne Identity" (2002)
 Well-crafted thriller in which a highly trained CIA agent (Matt Damon) suffering from amnesia after a botched secret operation must figure out who he is and why fierce assassins are after him as he is aided by a German woman (Franka Potente) whom he has taken into his confidence. Based on the novel by Robert Ludlum, director Doug Liman's film is both an engaging character study and a fast-paced espionage yarn as the ongoing chase scenes and chilling close calls provide suspense and deflect attention from the story's predictable spots. Recurring harsh violence and some profanity with an instance of rough language.      The USCCB Office for Film & Broadcasting classification is A-IV -- adults, with reservations. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Universal)

"Bozo, the World's Most Famous Clown: Collection #1"
Thirty episodes spread over four discs comprise the first in a promised series of the beloved TV clown. The squeaky-clean episodes are culled from the series that aired in Boston in the 1960s with Frank Avruch as the titular funnyman, and with a studio audience of well-dressed children that would get low points on a diversity meter today. Fairly low-tech by today's standards, the color episodes nonetheless look remarkably good. Each episode includes a five-minute Bozo cartoon, too. The format is comfortingly straightforward: some slapstick involving riding Zany Zebra, a balloon game and some water antics in a bathtub. But all this should appeal to very young children and even some adults who fondly remember this icon from childhood (Infinity Entertainment./Falcon Picture Group/Larry Harmon Pictures Corp.).

"Brazil" (Blu-ray Edition; 1986)
Rated "R"
This production combines the failed utopian vision of "Blade Runner" with the whimsical outlook of the Monty Python comedy troupe in a playful, expressionistic fantasy of a madcap totalitarian England where nothing works. Director Terry Gilliam's mix of mirth and menace proclaims the futility of the hero's slapstick struggle to combat conformity and complacency with romantic love. Spanish titles option. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Universal Studios Home Entertainment)

"Breach" (2007)
Interesting, though by its nature downbeat dramatization about the case of FBI agent Robert Hanssen (a compelling Chris Cooper), who was revealed to be a spy for the Russians, called the worst breach in the history of U.S. intelligence, and how he was entrapped by young undercover agent Eric O'Neill (Ryan Phillippe), assigned to work with him. Writer-director Billy Ray's gray-toned film is deliberately paced, but ultimately delivers on suspense. There is secondary interest for Catholic viewers in Hanssen's commitment to Catholicism, though given the unsavory aspects of his personality (not only treasonous, but an alleged sexual deviant as well) the connection is more unfortunate than not. Candid discussion of sexual matters, some crude language and profanity, a brief image of a pornographic video, domestic discord and mild violence. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13 (Universal Home Video).

"Breaker Morant" (1980)
During the Boer War, three officers of an Australian unit (led by title character Edward Woodward) are court-martialed for shooting prisoners. Despite uniformly fine performances and well-staged action scenes, Australian director Bruce Beresford's fact-based courtroom drama never quite comes to grips with the issues raised about the irregular nature of combat against guerrilla forces as well as the defense of following orders. Mature themes and battlefield violence. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Image Entertainment)

"Breakfast at Tiffany's" (Centennial Collection; 1961)
Bright romantic comedy from Truman Capote's tale of Holly Golightly (Audrey Hepburn), a bubble-headed beauty whose kooky behavior wows Manhattan's social set and bowls over an earnest young writer (George Peppard) despite complications involving a well-to-do woman (Patricia Neal). Director Blake Edwards lances the bogus glitter of the big city and paces the action with humor (notably Mickey Rooney's broad performance as an irascible Japanese neighbor) but the movie's main attraction is Hepburn's ability to portray the innate innocence of the free-spirited Holly. Mature themes. The generously filled DVD includes several new features, including some carry-overs from the last release in this format, as well as commentary by producer Richard Shepherd. Spanish language and titles options. The USCCB Office for Film & Broadcasting classification is A-III -- adults. Not rated by the Motion Picture Association of America. (Paramount Home Entertainment)

"Breakin All the Rules" (2004)
Lukewarm romantic comedy about a magazine executive (Jamie Foxx) who writes a best-selling guide to breaking up after getting dumped by his fiancee, only to wind up in an awkward affair with his cousin's (Morris Chestnut) girlfriend (Gabrielle Union). Fueled by moldy mistaken-identity plot twists, the formulaic farce directed by Daniel Taplitz offers a mixed-bag message which, while espousing commitment, places little value on chastity. A recreational view of sex, several implied sexual encounters and recurring crude language and humor. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Columbia/TriStar)

"Breaking the Da Vinci Code" (2005)
Well-presented and intelligent refutation of claims made by author Dan Brown in his novel "The Da Vinci Code." The hourlong program is comprised mostly of interviews with biblical scholars and art historians, many of whom have written books debunking Brown's best seller. While acknowledging Brown's effective storytelling, they take issue with his assertions of historical accuracy. The production contends that many of Brown's "facts" are gross misrepresentations or outright inventions based on fanciful speculation and unsupported by historical evidence. Citing early church fathers, as well as first-century Jewish and pagan sources, the program makes a strong case that Brown's novel, however entertaining as fiction, is bad history. Unfortunately, the program takes a broad stroke approach and doesn't allow for a detailed examination of every inaccuracy. Still, it does provide viewers with a good overview of the more spurious claims put forward by the novel. Among the topics covered: the question of Christ's divinity; Mary Magdalene and her relationship to Jesus and his apostles; the Gnostic gospels; and Opus Dei. The DVD bonus features include extended interviews, a short documentary on Leonardo da Vinci, a tour of the Rosslyn Chapel, featured prominently in the novel, as well as a Spanish-language track. (Grizzly Adams Family Entertainment)

"Breakfast at Tiffany's" (Anniversary Edition) (1961)
Bright romantic comedy from Truman Capote's tale of Holly Golightly (Audrey Hepburn), a bubble-headed beauty whose kooky behavior wows Manhattan's social set and bowls over an earnest young writer (George Peppard) despite complications involving a well-to-do woman (Patricia Neal). Director Blake Edwards lances the bogus glitter of the big city and paces the action with humor (notably Mickey Rooney's broad performance as an irascible Japanese neighbor) but the movie's main attraction is Hepburn's ability to portray the innate innocence of the free-spirited Holly. The sharp-looking widescreen DVD includes commentary by producer Richard Shepherd; a 15-minute, behind-the-scenes featurette with Shepherd, Edwards and Neal as well as Hepburn's "companion," Robert Wolders, her son Sean Ferrer, the casting director and several extras, including some surprising revelations, such as Edwards regretting the casting of Rooney and Peppard. There are other short features on Hepburn's sense of style; the famed store Tiffany's itself; and the background on an adulatory letter from Hepburn extolling the store's virtues. Mature themes. The USCCB Office for Film & Broadcasting classification is A-III -- adults. Not rated by the Motion Picture Association of America.

"Breaking & Entering" (2007)
So-so drama about a London architect (Jude Law) -- living with a Swedish-American divorcee (Robin Wright Penn) and her autistic 13-year-old daughter -- who has an affair with the widowed Bosnian mother (Juliette Binoche) of a troubled boy who has broken into the architect's inner-city office, prompting a re-evaluation of his life and relationships against the city's evolving cultural landscape. Writer-director Anthony Minghella's film features good performances, but interweaves its themes of immigration, motherhood and economic disparity into a plot that's not terribly compelling, though its moral resolution involves forgiveness and reconciliation. Some rough and crude language and profanity, upper female nudity, a prostitute character, a couple of nongraphic sexual encounters, some sexual banter, infidelity and a condom reference. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian (Weinstein).

"Breakout" (1975)
Down-on-his-luck pilot (Charles Bronson) contracts to fly a wrongly accused American out of a Mexican prison and finds himself involved with a rogue CIA operation. Directed by Tom Gries, it's an old-fashioned adventure yarn with the emphasis on action rather than violence, except for a grisly depiction of a villain being killed by an airplane propeller. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Columbia/TriStar)

"The Break-Up" (2006)
Tepid but fitfully affable romantic comedy charting the deterioration of the relationship of an art gallery assistant (Jennifer Aniston) and a loutish Chicago tour bus operator (Vince Vaughn) who ultimately learns to be a more considerate person. Director Peyton Reed draws good work from the stars, especially the effortlessly appealing Aniston and a scene-stealing Judy Davis, though the protagonists from the start seem distinctly incompatible. Underneath the not-very-funny funny business, there are some universal truths about relationships, but the setup never quite rings true, and the script should be way sharper. Considerable profanity and crude language and an instance of rough language, some crass sexual banter, partial nudity and a permissive view of a premarital relationship. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13 (Universal).

"Brick" (2006)
Gritty low-budget murder mystery set in Southern California about a high school loner (Joseph Gordon-Levitt) whose obsessive search for his missing ex-girlfriend (Emilie de Ravin) leads to danger and deception, with a list of suspects that includes her junkie boyfriend (Noah Segan), a manipulative socialite (Nora Zehetner), a drug dealer (Lukas Haas) and a volatile thug (Noah Fleiss). Inspired by the crime novels of Raymond Chandler and Dashiell Hammett, director Rian Johnson cleverly gives the high school movie a noir twist, combining the teen and classic detective genres, resulting in a hard-boiled hybrid that proves intriguing despite its modest trappings, though its slangy dialogue may take some getting used to. Some violence, including several rough beatings and a shooting, recurring drug content, unflattering portrayal of authority figures, underage drinking and smoking, and sporadic crude language. The USCCB Office for Film & Broadcasting classification is A-III --adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian (Universal Home Video).

"Bridget Jones's Diary" (2001)
Fitfully entertaining comedy about a single, thirtysomething British woman (Renee Zellweger) who obsesses about her weight and her bad habits in her diary as she searches for the perfect man. Witty dialogue and an appealing cast in director Sharon Maguire's film help to overcome one-dimensional characterizations and a predictably structured plot, yet its atmosphere of promiscuity is troublesome. Fleeting and implied sexual encounters, recurring rough language and some profanity. The USCCB Office for Film & Broadcasting classification is A-IV -- adults, with reservations. The Motion Picture Association of America rating is R -- restricted. (Buena Vista)

"The Bridge of San Luis Rey" (2005)
Visually sumptuous remake of Thornton Wilder's 1927 Pulitzer Prize-winning book about the efforts of a clergyman (Gabriel Byrne) to piece together the lives of five strangers who perished when a bridge collapsed in 18th-century Peru at the time of the Inquisition, so he can determine whether the accident was pure chance or God's predetermined plan. Writer-director Mary McGuckian has assembled an A-level -- though wildly uneven -- cast (including F. Murray Abraham, Robert DiNiro, Kathy Bates, Geraldine Chaplin and Harvey Keitel), but despite the compelling story, moral themes and fine production values, the results are dramatically static. The letterboxed DVD looks great, and at least provides a visual feast. Some adult thematic material makes this suitable for adults and older adolescents. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. (New Line)

"Bridge to Terabithia" (2007)
Coming-of-age fantasy based on Katherine Paterson's children's novel about a young loner (Josh Hutcherson) who befriends a new girl in school (AnnaSophia Robb) who's also an outcast, and together they create a magical world -- Terabithia -- where they can escape their real-life troubles. The young leads are charming and the sweet story gently imparts worthy messages about friendship, family and the power of imagination, but director Gabor Csupo's faithful adaptation is a bit underwhelming, as the anticipated fantastical elements are minimal. Still, despite a plot twist that may upset sensitive young children, the movie is family-friendly. Mature thematic elements, including the death of a child, some minor peril and mildly crude language. The well-packaged DVD includes two audio commentaries, one with Csupo, writer Jeff Stockwell and producer Hal Lieberman; the other with Hutcherson, Robb and producer Lauren Levine, and featurettes on the themes of the book and the film's production. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children (Walt Disney Home Entertainment).

"Brideshead Revisited" (2008)
Well-acted and lushly outfitted, but substantially re-imagined, screen version of Evelyn Waugh's 1945 novel about a middle-class 1920s Oxford University student (Matthew Goode) who becomes entangled with an aristocratic Catholic dynasty through his almost romantic friendship with its younger son (Ben Whishaw), subsequently clashing with its misguided matriarch (Emma Thompson) and pursuing an adulterous affair with her elder daughter (Hayley Atwell). Director Julian Jarrold's sweeping period drama transforms a Catholic convert's meditation on God's grace into a cautionary tale about the negative effects of guilt-inflicting religious fundamentalism. Nongraphic adulterous sexual activity, brief rear nudity, a passing same-sex kiss, and occasional crass language. The handsome DVD contains seven deleted scenes (one with partial nudity), audio commentary by Jarrold, producer Kevin Loader, and writer Jeremy Brock, and a featurette, "The World of Brideshead." Spanish titles option. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Miramax Films Home Entertainment)

"Brigadoon" (1954)
Based on classic Lerner and Loewe Broadway musical about vacationing Americans (Gene Kelly and Van Johnson) lost in the Scottish countryside where they stumble upon an 18th-century village that appears only for a day every 100 years. Kelly's love for village lass Cyd Charisse isn't strong enough to keep director Vincente Minnelli's colorful fantasy from falling disappointingly flat, though the songs that remain from Broadway are lovely and Kelly's choreography worth watching. Beautiful transfer, and three interesting -- if less than scintillating -- deleted musical numbers. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. (Warner Bros.)

"Bright Young Things" (2004)
Overly frenetic but generally successful adaptation of Evelyn Waugh's "Vile Bodies," a morality tale about hedonistic Jazz Age sophisticates who party their lives away in wild abandon until they're caught short by reality. Actor-writer Stephen Fry, making his directorial debut, shows an overfondness for rapid camera pans, and lays on the Twenties soundtrack pretty heavily, but he elicits fine performances from a stellar cast, and as the story takes a serious turn the film slows down to a thoughtful pace as well. Recreational drug and alcohol use, implied promiscuity, generalized decadence, amoral behavior and a suicide. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. (New Line)

"Bringing Up Baby" (1938)
Classic screwball comedy in which a serious-minded paleontologist (Cary Grant) gets mixed up with a zany socialite heiress (Katharine Hepburn) whose pet leopard, Baby, is mistaken for an escaped killer leopard as confusions multiply until girl gets boy. Howard Hawks directs the hilarious proceedings with flair and style; he is aided by a playful plot, madcap performances by Hepburn and Grant and a great supporting cast. The DVD is given a two-disc packaging, loaded with extras including the documentary "Cary Grant: A Class Apart," and Richard Schickel's "The Men Who Made the Movies" documentary on Hawks. Print quality is a bit faded but, alas, the best available. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America. (Warner Bros.)

"Broadway: The American Musical" (2004)
How do you compress more than a century of musical comedy into six-hours? That's the daunting task producer Michael Kantor has had to face on this panoramic series, and he succeeds far better than anyone could have hoped in telescoping the history of such a bountiful period. Narrated and hosted by the ever-gracious Julie Andrews, the series offers an overview of this uniquely American art form, from the "Ziegfeld Follies" through Rodgers & Hammerstein, Sondheim, the British invasion of Andrew Lloyd Webber, right up to today, and from performers like Fanny Brice and Ethel Merman, through today's Nathan Lane and Kristin Chenoweth. The first three hours cover roughly 40 years, while the second half covers 60. Understandably, there were many unavoidable omissions when the series was broadcast on PBS, but this DVD version promises five hours of bonus footage, which may compensate. Kantor has structured the series to demonstrate how the Broadway musical mirrored societal and cultural changes, and the connections he draws are undeniably persuasive. There are marvelous film and video performances on display. Where clips didn't exist, there are striking montages from still photographs, and indeed much of the archival black-and-white photo material is presented in eye-catching 3-D relief. All the talking heads are insightful and well-chosen: Al Hirschfeld, Tommy Tune, Susan Stroman, Ben Vereen, Jerry Orbach, June Havoc, Tim Robbins, Jerry Herman and many others. The occasional missteps are rare. This is a beautifully constructed series that offers almost as much pleasure as the genre it so winningly celebrates. (The DVD edition includes a wealth of additional material: performances and interviews, and a special featurette: "Wicked: The Road to Broadway.") (Paramount/PBS)

"Broadway: The Golden Age" (2004)
A feast for theater lovers, as filmmaker Rick McKay set out to discover whether there really was a "golden age" on the Great White Way, by interviewing (over a five-year period) more than 100 stars who describe how they first fell in the love with theater, what it was like to come to New York during the 1940s and '50s, how they got their first breaks, the thrill of opening night, and their opinions on the great performers of the era like Marlon Brando and Kim Stanley, etc. Logically and brilliantly complied into themed sections, those interviewed are remarkably consistent in their recollections of the era, as when each in turn thrillingly recalls how Laurette Taylor's performance in "The Glass Menagerie" was the greatest they had ever seen. The gorgeous archival film clips of Broadway's theater district (most in color) are quite fascinating, as is the (truly) rare performance footage of landmark performances, such as "Cat on a Hot Tin Roof," "Bus Stop" and "Damn Yankees," which makes fascinating comparisons to their better known film versions. With Carol Burnett, Ben Gazzara, Fay Wray, Gwen Verdon, Angela Lansbury and dozens more. In addition to director's commentary, the DVD contains extensive footage of the New York and Los Angeles premieres of the documentary, more interviews and a generous chunk of footage from the proposed sequel, "Broadway: The Next Generation." (RCA Victor)

"Broadway's Lost Treasures Collection" (2003-2005)
Highly recommendable boxed set comprising three PBS specials, "Broadway's Lost Treasures I, II, and III," all culled from past Tony Awards shows, the annual event which honors the theater's best. How can you go wrong with Julie Andrews, Angela Lansbury, Carol Channing and the like? Many of the clips show the performers in their prime during the actual year their respective shows were on Broadway (and you'll be amazed at how long those segments were allowed to run in the old TV days!); clips include Patti LuPone and Mandy Patinkin in "Evita," Joel Grey in "Cabaret" and Jerry Orbach in "42nd Street." Other clips capture the stars in later years, re-creating their great moments, such as Robert Preston in "The Music Man," Julie Andrews in "My Fair Lady" and Alfred Drake in "Kiss Me, Kate." The three discs each come with generous bonus material, in some cases numbers less "popular" than the main items, but no less entertaining, among them a lengthy excerpt of Katharine Hepburn's improbable musical outing in "Coco," Robert Goulet and David Wayne in a terrific number from "The Happy Time," and an aging Desi Arnaz recalling his breakthrough role in Rodgers & Hart's "Too Many Girls." There's a bonus CD devoted to nonmusicals, featuring such gems as James Earl Jones in "The Great White Hope," Maggie Smith in "Lettice and Lovage," and Art Carney in "Lovers," along with choice bits of Annette Bening, John Lithgow, Kevin Kline and Gary Sinise showing what they can do in front of a live audience. (Acorn Media)

"Broken Flowers" (2005)
World-weary womanizer (Bill Murray), deserted by his latest amour (Julie Delpy), receives an anonymous letter from a long-ago flame informing him he has a 19-year-old son, leading his neighbor (Jeffrey Wright) to suggest he look up ex-girlfriends (Sharon Stone, Frances Conroy, Tilda Swinton, Jessica Lange) and determine which one might have sent the letter. Writer-director Jim Jarmusch's quirky film is a telling commentary on relationships and human interconnection, the performances are fine, and Murray is effortlessly luminous. Scattered uses of rough language, brief full-frontal female nudity, implied premarital sex, underage drinking and brief drug use. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Universal)

"Broken Trail" (2006)
A grizzled cowboy (Robert Duvall) and his estranged nephew (Thomas Haden Church), on a horse drive from Oregon to Wyoming, find purpose after rescuing five young Chinese women sold into prostitution. Greta Scacchi plays an older frontier prostitute who becomes a surrogate mother to the women and Chris Mulkey is a ruthless hired gun paid to bring them back. Director Walter Hill evokes the classic Westerns of John Ford with his sweeping cinematography and a production quality that can stand tall with feature films. The performances are first-rate -- especially Duvall, who delivers perhaps his finest work since "Lonesome Dove" -- and the textured script by Alan Geoffrion (based on his novel) has a strong redemptive undercurrent. The three-hour movie originally was an AMC miniseries. The two-disc anamorphic DVD also includes a "making-of" featurette. The film contains some bloody period violence, including shootings, beatings, a nongraphic hanging, and a scene where a horse is put down, a brutal rape, prostitution, a suicide, vigilante justice, fleeting partial nudity, some sexual banter and innuendo, and scattered crude language (Sony Home Entertainment).

"Brother Bear 2" (2006)
Sequel to the 2003 animated fable, based on native American folklore, which finds boy-turned-bear Kenai (voiced by Patrick Dempsey) traveling with his childhood love (Mandy Moore) to a sacred spot to destroy an amulet that will free her to marry a member of his former tribe. Old feelings are rekindled, forcing him to choose between remaining a bear and becoming human again, thus sacrificing his big-brother relationship with mischievous cub Koda (Jeremy Suarez). Rick Moranis and Dave Thomas once again provide laughs as daffy moose duo Rutt and Tuke. Directed by Ben Gluck, the visually lovely follow-up is funny and tender, with stirring songs by Melissa Etheridge. While some parents may have problems with the story's shamanistic elements, others will enjoy it as a fairy tale that warmly affirms family bonds, the wonder of creation and the permanence of love. The film contains some mild innuendo and minor peril. Bonus features include a behind-the-scenes look at scoring the movie. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted (Buena Vista Home Entertainment).

"The Brothers Grimm" (2005)
Visually inventive, highly atmospheric adult fantasy that presents the fairy-tale authors -- Wilhelm and Jacob Grimm (Matt Damon and Heath Ledger, with credible English accents) -- as con-artist characters in a story as fantastical as anything they might have written, incorporating familiar elements of many of their stories, as an autocratic French occupier (Jonathan Pryce) orders them to get to the bottom of strange happenings in a German forest involving missing children. Director Terry Gilliam gets high marks for creating an evocative, 19th-century world, and whipping up a good deal of excitement as the story races to its conclusion, but the film is marred by a slow start and an uneven screenplay by Ehren Krueger. Intense action violence, frightening images, many involving insects, torture scenes, scattered profanity and crude language, brief sexual situations and brief irreligiosity. The DVD version features informative commentary by the soft-spoken Gilliam; several deleted scenes for which he professes great fondness; and featurettes on the making of the film and the production design. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Buena Vista)

"Bruce Almighty" (2003)
Be-careful-what-you-wish-for comedy about a frustrated TV news correspondent (Jim Carrey) whose life is changed when God (Morgan Freeman) entrusts him with divine power after the reporter angrily accuses the Almighty of being asleep at the wheel. Despite its lighthearted irreverence, director Tom Shadyac uses humor to explore such issues as free will, and offers a positive image of personal faith rare in Hollywood flicks. An instance of rough language, minimal profanities, some crass humor and an implied sexual encounter. The USCCB Office for Film & Broadcasting classification is A-III --adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Universal Studios Home Video; also available on Blu-ray)

"The Bucket List" (Warner Bros.)
Rated "PG-13"
Unremarkable, formulaic, only mildly entertaining story of two cancer patients -- a wealthy, womanizing tycoon (Jack Nicholson) and a middle-class garage mechanic (Morgan Freeman) -- who decide to hit the road and experience all their wildest dreams in the time they have left, that is, until they "kick the bucket." We've seen all this before, and except for seeing the two stars in standard reliable form, director Rob Reiner's film is predictably routine, though some problematic elements aside, imparting a positive message about finding the joy in life and bringing joy to others. An instance of the f-word; some crude expletives, crass expressions and scattered profanity; a vulgar gesture; an implied nonmarital sexual encounter; sexual references and innuendo; and domestic discord. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

"Bug Rangers: Hairy Situation" (2006)
Formerly called "Roach Approach," the computer-animated series uses the zany cartoon adventures of a clan of cockroaches to teach Bible lessons. In "Hairy Situation" -- the fourth installment -- scrawny egghead Cosmo doesn't think he has what it takes to earn his Bug Rangers "Bulging Muscles Merit Badge," only to discover that underneath his thick glasses he's a physical dynamo. His newly realized prowess -- which he mistakenly attributes to a merit badge he happens upon -- makes him popular with a local jock, but leaves old pals Squiggz and Flutter in the cold, providing an opportunity for Grandpa Lou to recount the Old Testament story of long-locked strongman Samson. Created by Bruce Barry, the Christian-flavored series, with its vibrant animation, conveys positive faith-based messages -- including the moral that God is the source of all our talents and that we must use our gifts -- in a way that's fun for kids. Bonus features include a look at the episode's storyboard process and a drawing lesson with cartoonist Barry (Fox Home Entertainment).

"Bugtime Adventures: A Giant Problem" (2005)
Whimsical second video in what will be a 13-episode animated series (from the Christian based Lightning Bug Flix) which teaches Bible lessons through cartoon fun. Each episode follows the adventures of a group of likable bugs who learn important lessons at the feet (literally) of some of the Good Book's most beloved figures. The parallel plots of the insect and human characters sometimes intersect, allowing the zany insects to apply insights gained to solve their own dilemmas. In "A Giant Problem: The David Story," the creatures' village is threatened with total destruction when a water dam springs a leak. Above their tiny tragedy the army of the Israelites is in equally dire straits as it face off against the Philistines. Inspired by the heroics of the young shepherd boy David in overcoming seemingly impossible odds and slaying the Philistine's champion Goliath, an adorable ant named Meghan finds the courage and faith to save the day. TV-savvy kids probably won't be wowed by the rudimentary animation, but the series conveys positive moral messages while providing a fun and accessible way for young viewers to learn about the Bible. Narrated by Willie Aames. Bonus features include puzzles and games involving the bug characters. (CNI Distribution/Willowcreek Marketing, (905) 984-3168, ext. 224)

"Bullets Over Broadway" (1994)
Prohibition-era comedy in which a high-minded playwright (John Cusack) accepts backing for his latest work from a gangster (Joe Viterelli) who wants his showgirl mistress (Jennifer Tilly) in the cast, then during rehearsals falls for the play's fading star (Dianne Wiest) and rewrites his script in collaboration with the mistress' hard-boiled bodyguard (Chazz Palminteri). Directed by Woody Allen, the lightweight period proceedings are intermittently amusing and the exaggerated performances are fun for awhile but the theme's skewering of pretentiousness is heavy-handed and the philosophical asides lack wit and originality. Occasional stylized violence, some sexual situations and references as well as a few instances of profanity. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. (Buena Vista)

"Bullitt" (1968)
When an underworld informer is killed while in the protective custody of a San Francisco police detective (Steve McQueen), the detective sets up a ruse to smoke out those responsible. Under the direction of Peter Yates, the action thriller displays a convincing degree of realism thanks to close attention to details of police work, harrowing car chases through city streets and McQueen's tight-lipped performance. Some graphic violence and sexual references. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Warner Home Video)

"Bunny Lake Is Missing" (1965)
Suspenseful thriller about a child who appears to have been abducted but who, in fact, may never have existed. Otto Preminger directs Keir Dullea and Carol Lynley as a properly mysterious couple with Laurence Olivier as a quietly effective London policeman. Mature themes. The USCCB Office for Film & Broadcasting classification is A-III -- adults. Not rated by the Motion Picture Association of America. (Columbia/TriStar)

"Butch Cassidy and the Sundance Kid" (The Ultimate Collector's Edition) (1969)
Stylish seriocomic Western set at the end of the 19th century when a pair of outlaws, Butch (Paul Newman) and the Kid (Robert Redford), realizes that civilization has overtaken their profession and head for the Bolivian frontier. Director George Roy Hill brings off the action scenes with gusto and humor though there are enough realistic scenes to show that their criminal exploits have serious consequences. Much stylized violence and a sexually suggestive situation. The handsome DVD package contains bountiful features: two commentary tracks, one by screenwriter William Goldman, another by Hill, lyricist Hal David, documentary director Robert Crawford Jr., and cinematographer Conrad Hall; a 1994 "making of" documentary and others detailing the production and the true story; and interviews with the cast and production team. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children (Fox Home Entertainment).

"The Butterfly" (2003)
Entrancing French tale of a neglected 8-year-old Parisian (Claire Bouanich) who hides in the car of her crusty elderly neighbor (Michel Serrault) headed to the Alps in search of a rare butterfly, a trip which brings the lonely twosome unexpected emotional dividends. Writer-director Philippe Muyl delicately explores the discovery of nature through a child's eyes as the old man reluctantly, then with genuine caring, embraces the role of grandfather figure. Subtitles. Brief sexual references and occasional profanity. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (First Run Features)
C
"Cache" ("Hidden") (2005)
Superior allegorical French thriller -- with political underpinnings -- about a talk-show host (Daniel Auteuil) and his wife (Juliette Binoche) who receive ominous videotapes indicating that they are under surveillance. Director-writer Michael Haneke eschews melodramatics for understated suspense and psychological tension. Scattered rough and crude language; an instance of profanity; two violent, if dramatically valid, episodes including the beheading of a rooster, with images of blood; a suicide, with blood; brief shadowy nudity. The exceptionally sharp anamorphic DVD includes an illuminating 25-minute interview with Haneke, who underscores the film's theme as being about "guilt" though he demurs at explaining the film's ambiguous ending, and a half-hour "making of" documentary. Good, easy-to-read subtitling. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian (Sony Home Entertainment).

"Cadence" (1990)
An Army private (Charlie Sheen) confined in the post stockade infuriates his racist jailer (Martin Sheen) by bonding with the black prisoners and rejecting favored treatment. Director Martin Sheen turns out a subtle, understated film about bigotry, mixing humor with drama and fleshing out the characters without resorting to empty stereotypes. Brief violence, some racial epithets and a fleeting sexual reference. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13 (Republic Entertainment).

"The Camden 28" (2007)
Anthony Giacchino's sensitive and intriguing documentary follows the story that began in August 1971, at the height of the Vietnam War controversy, when 20 people were arrested in the Federal Office Building in Camden, N.J., as they attempted to destroy or carry off written records belonging to the local draft board. Within days, another eight people were arrested and charged with helping to organize the break-in. Their trial in early 1973 would mark a turning point in the struggle between the government -- in particular the FBI -- and the anti-war movement. All but one of those arrested were practicing Catholics who believed that their faith compelled them to oppose the war. Some footage of wounded soldiers and injured civilians, including a scene in which a naked soldier receives medical treatment, may preclude young viewers. Added features on the DVD include interviews with lawyers from both sides, a brief interview with anti-war movement historian Michael S. Foley, who places the Camden 28's role in the larger context of the Vietnam protests, and more footage of the group's 2002 reunion. (First Run Features)

"Can't Hardly Wait" (10th Anniversary Edition) (1998)
Failed coming-of-age comedy in which various couples at an unsupervised high school graduation party break up, make up or attempt to act wild and crazy. Co-directed by Harry Elfont and Deborah Kaplan, the tiresome proceedings feature stereotyped characters lurching uneasily between looniness and loneliness. An implied sexual encounter, some underage drinking and verbal crudity with minimal profanity and rough language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Sony Pictures Home Entertainment; also available in Blu-ray)

"Cape Fear" (1991)
Violent remake of the 1962 thriller has a Bible-spouting psychopath (Robert De Niro) imprisoned for viciously violating a woman returning to terrorize his former lawyer (Nick Nolte) and to rape the man's wife and teenage daughter (Jessica Lange and Juliette Lewis). Director Martin Scorsese loses the atmospheric terror of the original in favor of graphic brutality and a relentlessly ugly vision of the law as powerless to protect the innocent. Excessive violence, perverse sexual innuendo, adult endorsement of teen drug abuse and minimal rough language. The USCCB Office for Film & Broadcasting classification is O -- morally offensive. The Motion Picture Association of America rating is R -- restricted. (Universal)

"Capote" (2005)
Gripping chronicle of writer Truman Capote (a superb Philip Seymour Hoffman) getting the inspiration to write his acclaimed "nonfiction novel," "In Cold Blood," after a Kansas farm family is brutally murdered; his probing interviews with the townspeople and the killers walk a fine line between calculation and compassion. Director Bennett Miller's sobering film masterfully re-creates the early 1960s as Capote travels back and forth from the superficial New York social scene to the bleak aura of death row at Leavenworth, with fine performances by Catherine Keener, Clifton Collins Jr., Chris Cooper and Amy Ryan. Brief violent images, an implied homosexual relationship, scattered profanity and rough language, crude expressions, a vulgar anecdote, sexual reference and a hanging. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Columbia/TriStar)
 

"Captain January" (1936) Rated "G" Formula sudser with loveable orphan Shirley Temple cared for by lighthouse keeper Guy Kibbee until the loss of his job forces him to seek out the child's rich relatives. Director David Butler covers the bases with occasional song-and-dance numbers, some playful humor and a capable supporting cast (Slim Summerville, Buddy Ebsen and Jane Darwell). Easy-going, unpretentious family fare. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted (Fox Home Entertainment).

"Captain America: The First Avenger" (2011)
Rated "PG-13"
A complete absence of cynicism, a crackling undercurrent of dry wit and the classical purity of its golden-age Hollywood references distinguish this comic-book adaptation relating the origins story of the titular superhero (Chris Evans). Director Joe Johnston displays a warm affinity for America in the 1940s as he chronicles the muscular warrior's battle against a rogue Nazi (Hugo Weaving) and his restrained romance with a fetching scientist (Hayley Atwell). Despite some scenes of destruction, the result is, for the most part, full-on family entertainment of the old school. Much action violence, including gunplay. Spanish titles option. The Catholic News Service classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Paramount Studios Home Entertainment; also available on Blu-ray)

"Carandiru" (2004)
Raw and rambling prison drama about life in an explosively overcrowded Latin American penitentiary as seen through the eyes of a humanitarian-minded doctor (Luis Carlos Vasconcelos) brought in to implement an AIDS-prevention program. Based on actual events which occurred at Brazil's notorious Sao Paulo House of Detention, the film, directed by Hector Babenco, conveys an almost palpable sense of confinement and tinderbox volatility, but falls short of compelling, in large part due to an unfocused, episodic script, and, despite an underlying theme of redemption, the doctor's nonjudgmental acceptance of the inmates' aberrant behavior.         Strong bloody violence including an intense riot sequence, several sexual encounters with partial nudity, a casual attitude toward homosexuality, recurring drug content and much rough and crude language.    The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. (Columbia/TriStar)

"The Cardinal" (1963)
Sprawling melodrama from Henry Morton Robinson's novel about the ecclesiastical rise of an Irish-American priest (Tom Tryon) from 1917 Boston to a post in the Vatican in 1924, who then becomes a bishop after tangling with the Ku Klux Klan in 1934 Georgia and is made a cardinal after tangling with the Nazis in 1938 Austria. Directed by Otto Preminger, the movie makes good use of the religious backgrounds and clerical roles (dying pastor Burgess Meredith, Boston cardinal John Huston and Vatican prelate Raf Vallone), but the central figure is pure cardboard and his moral crises unconvincing. Stylized violence, racial epithets and such moral issues as saving the life of the infant rather than the mother in a troubled childbirth and the temptation to leave the priesthood for the love of a woman. The USCCB Office for Film & Broadcasting classification is A-III -- adults. Not rated by the Motion Picture Association of America. (Warner Bros.)

"The Care Bears Movie" (25th Anniversary Limited Edition) (1985)
The Care Bears are sweet little pastel-colored creatures who inhabit a gentle world called Care-a-Lot. Unless they teach the world to care, Care-a-Lot will fall into ruin. Very young children should appreciate this sentimental film with its catchy songs and admirable messages about love and compassion. The full-screen DVD looks very nice indeed, and features one of the first Care Bears television specials, "Professor Cold Heart and the Freeze Machine." More of the Care Bears TV series can be seen in "Care Bears: Care-a-Lot Adventures" and "Care Bears: Forest of Feelings," released simultaneously with the film. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted (MGM Home Entertainment).

"The Carol Burnett Show -- Let's Bump Up the Lights!" (2004)
The much-loved comic's TV special features a reunion with the series' original stars: Harvey Korman, Vicki Lawrence, Tim Conway and Lyle Waggoner, with an emphasis on the Q-and-A with the audience that opened each episode, including a slew of vintage clips. They're all here: the requests for Carol's Tarzan yell or ear-pulling, kissing Lyle, requests for the restrooms, and other humorously mundane matters, all testament to the comforting, just-folks environment Burnett fostered. There's an OK new song for Burnett by her longtime writers Ken and Mitzi Welch about how posterity will remember her only for that Tarzan impersonation. Good entertainment overall, some mildly risque quips notwithstanding. The only criticism is that at 42 minutes, it's a shame some extra material couldn't be added, but all in all this is a delightful trip down memory lane. (CBS DVD/Paramount Home Entertainment)

"Carrie" (1952)
Elaborate sudser from the Theodore Dreiser novel about a country girl (Jennifer Jones) who gets a job in turn-of-the-century Chicago, is seduced by a salesman (Eddie Albert), then runs off with a married man (Laurence Olivier) to New York where she leaves him flat while finding fame on the stage. Director William Wyler's studied period piece arouses little interest in the characters and their woes, though Olivier's descent into penury gains some sympathy. Mature theme and treatment. The USCCB Office for Film & Broadcasting classification is A-III -- adults. Not rated by the Motion Picture Association of America. (Paramount)

"Cars" (2006)
Delightful computer-animated movie set in a world of anthropomorphic autos about a cocky racecar (voiced by Owen Wilson) which, while en route cross-country to compete in a prestigious championship, is unexpectedly detained in a neglected desert town, where his growing friendship with the town's four-wheeled residents (Paul Newman and Bonnie Hunt, among them) effects a change of heart regarding fame in the fast lane. Co-directed by John Lasseter and Joe Ranft, the film has a full tank of humor and emotions -- not to mention bar-raising visuals -- while its solid storytelling imparts a charming message about taking the time to appreciate what really matters in life. The colorfully packaged DVD contains deleted scenes, two animated shorts and more. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted (Buena Vista Home Entertainment).

"Cars 2" (2011)
Rated "G"
In director John Lasseter's winsome -- and equally family-friendly -- sequel to 2006's "Cars," some of the anthropomorphic vehicles of the first feature depart Route 66 for an around-the-world adventure as a veteran racecar (voice of Owen Wilson) accepts a challenge to compete in the first-ever World Grand Prix across three countries. With his best friend, a hapless tow truck (voice of Larry the Cable Guy), in tow, he takes on his main rival, a cocky Italian Formula One speedster (voice of John Turturro). A case of mistaken identity, meanwhile, sees the amigos mixed up in James-Bond-style intrigue involving an Aston Martin (voice of Michael Caine) who is the superspy of British Intelligence. Amid the sight gags and belly laughs are good lessons about family, friendship, self-esteem, environmental stewardship and acceptance of others. Some of the action, however -- mainly the spy scenes showcasing explosions, gunfights, and car "torture" -- may be too intense for the littlest viewers. The Catholic News Service classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences, all ages admitted. (Walt Disney Studios Home Entertainment; also available on Blu-ray)

"Casablanca" (Ultimate Collector's Edition) (1942)
Classic romantic melodrama set in the refugee crossroads of French North Africa, where an American expatriate (Humphrey Bogart) helps the woman who broke his heart (Ingrid Bergman) and her husband (Paul Henreid), an underground leader, escape the Nazi dragnet. Directed by Michael Curtiz, the story is replete with World War II intrigue, sardonic humor, punchy dialogue ("Here's looking at you, kid!"), a great cast, including Claude Rains as a suave Vichy police officer, and Dooley Wilson's rendition of "As Time Goes By." Time stands still for this one, though the wartime atmosphere may be too menacing for the children. Spanish titles option. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Warner Home Video; also available on Blu-ray)

"Casanova" (2005)
Handsome but leisurely paced period piece about history's most famous lover (Heath Ledger), focusing on a fictitious "secret" episode in his life: his incognito love affair with an 18th-century Venetian beauty (Sienna Miller) who writes feminist tracts under a male nom de plume. On the plus side, Lasse Hallstrom's film is well-acted, farcical without overdoing the slapstick, remarkably restrained in sexual matters, and even has a reasonably moral ending, but there's a surfeit of troublesome Inquisition-era jibes at the Catholic Church (including a comically villainous bishop played by Jeremy Irons), and an episode involving the seduction of a novice. Brief sexual episodes without nudity, innuendo, some crude expressions, pervasive anti-clerical view and a mild torture scene. Hallstrom provides the leisurely commentary on the handsome anamorphic widescreen DVD, which also includes a making-of featurette, and additional ones on the costume and production design, and an "extended" sequence from the film. The baroque soundtrack sounds especially good. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Touchstone Home Entertainment)

"Case 39" (2010)
Rated "R"
Turgid self-parody of a horror film in which a social worker (Renee Zellweger) finds she has a demon-possessed child (Jodelle Ferland) on her hands. Director Christian Alvart and screenwriter Ray Wright scoop deeply from the cliches of demon-seed-children flicks to clumsy effect. Fleeting crude language, a scene of nonsexual child abuse, brief but intense bloody violence. Spanish language and titles options. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Paramount Home Entertainment; also available on Blu-ray)

"Casino Royale" (2-Disc Widescreen Edition) (2006)
Adrenaline-charged adaptation of Ian Fleming's first James Bond novel (spoofed in a 1967 film of the same title) in which the iconic British superspy (Daniel Craig in his 007 debut) must infiltrate a high-stakes card game organized by a banker (Mads Mikkelsen) to international terrorists. Director Martin Campbell's addition to the franchise (the 21st overall) jettisons the campy elements of past films for a grittier, more serious return to the harder-edged tone of the books -- especially with regard to the violence -- blending virtuoso action sequences and substantial character development to show the origins of the Bond mythology. Virile yet vulnerable, Craig's secret agent is less the sophisticated playboy -- though there is the usual womanizing -- and more a brash and brooding assassin. Recurring strong action violence, including an intense torture scene, adultery, partial nudity, sexual situations and some mildly crude language. The anamorphic DVD looks good with the film on disc one, and the extras -- featurettes on the stunt work and action sequences, Craig's assumption of the role, and the reminiscences of former "Bond girls" such as Halle Berry, Ursula Andress and Honor Blackman -- on disc two. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13 (Sony Pictures Home Entertainment).

"Cassandra's Dream" (2008)
Fairly interesting but ultimately unconvincing London-based drama about two financially needy brothers (Ewan McGregor and Colin Farrell) asked by their rich uncle (Tom Wilkinson) to kill a business associate for pay. The two leads are excellent, but writer-director Woody Allen's Hitchcockian script fails to avoid a sense of contrivance, and Allen's nihilistic worldview, as espoused here by McGregor's character, is beginning to grow tiresome. An off-screen murder, brief violence, much conversational profanity, drug references, some brief sexual banter and nonmarital relationships. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Genius Productions, Inc.)

"Catch and Release" (2007)
Dour, slow-moving romantic comedy about a woman (Jennifer Garner) whose fiancee is killed shortly before their wedding who learns that he fathered a child with an out-of-town massage therapist (Juliette Lewis) who eventually comes to town with the child in tow, moving in with her and her fiance's buddies (Kevin Smith, Sam Jaeger and Timothy Olyphant) with ensuing romantic complications. Writer-director Susannah Grant's formulaic chick flick strains for credibility, the acting is bland (especially Olyphant as her principal love interest), and is unredeemed by the overall message of forgiveness and a reasonably moral wrap-up. Permissive sexual mores, intimate encounters (one intense but fully clothed, the other gauzily photographed with no actual nudity), sexual banter and innuendo, some crude language and expressions and profanity, a suicide attempt and drug use. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13 (Sony Pictures Home Entertainment).

"Catch That Kid" (2004)
Cleverly conceived but morally misguided kiddie caper about a 12-year-old girl (Kristen Stewart) and her two best friends, rival suitors (Max Thieriot and Corbin Bleu) who decide to break into a high-security bank to steal enough money to pay for her dad's costly life-saving surgery. Despite a smart script and a fresh-faced cast that gives the flick's shopworn heist plot a youthful twist, director Bart Freundlich uses an end-justifies-the-means attitude to rationalize his improbable premise, which, though ultimately discredited, makes it difficult to wholeheartedly applaud this otherwise entertaining movie. An ambiguous attitude toward larceny, minimal mildly crude humor, some action violence. Spanish titles option. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (20th Century Fox Home Entertainment).

"Cats & Dogs" (2001)
Fitfully amusing action comedy in which a young pup (voiced by Tobey Maguire) and his canine crew must protect man from a frisky feline (voiced by Sean Hayes) who plans to destroy a new vaccine for dog allergies and dominate the world. Director Larry Guterman makes clever use of the age-old battle between cats and dogs, and the computer-generated effects are exceptional, but the soft narrative disappoints. Some mild action violence. Spanish language and titles options. The Catholic News Service classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG - parental guidance suggested. Some material may not be suitable for children. (Warner Home Video; also available on Blu-ray.)

"Cats and Dogs: The Revenge of Kitty Galore" (2010)
Entertaining and inventive 3-D spy adventure -- seamless blending live action, puppetry, and computer animation -- in which rogue feline agent Kitty Galore (voice of Bette Midler) threatens to make the world her "personal scratching post" by unleashing the "Call of the Wild," a screech that serves as a weapon of mass destruction. Led by Diggs (voice of James Marsden), a police K-9 German shepherd who hates cats, and Catherine (voice of Christina Applegate, a feline agent who puts her nine lives on the line, the covert pet intelligence agencies DOG and MEOWS must put differences aside and work together to bring Kitty down. Plenty of excitement, gizmos, and cute-as-a-button moments will charm and enthrall the youngsters, while their parents will enjoy the inside jokes referencing James Bond films. Spanish titles option. The Catholic News Service classification is A-I -- general patronage. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Warner Home Video)

"The Cave" (2005)
Schlocky horror action movie about a team of expert cave explorers (led by Cole Hauser and Eddie Cibrian) trapped miles beneath the surface, who, while struggling to find a way out, fall prey to an unknown subterranean species of ravenous creatures. Despite its creepy claustrophobic setting, Bruce Hunt's directorial debut provides few (even B-movie) jolts, resulting in a formulaic and forgettable group-peril flick that caves in under the weight of its illogical and hackneyed script. Recurring monster menace and bloody gore, as well as scattered crude language and profanity. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Columbia/TriStar)

"Cave of Forgotten Dreams" (2011)
Spellbinding 3-D documentary on the 32,000-year-old paintings in the Chauvet cave of southern France. Director Werner Herzog includes frank discussions of paintings and sculptures of nude women, making this better appreciated by mature adolescents, just as with any other visit to an art museum. Herzog uses the 3-D technology to expertly capture the paintings in the depth they were meant to convey when they were created in the Paleolithic Era. The Catholic News Service classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is G -- general audiences. All ages admitted. (MPI Home Video; also available on Blu-ray)

"The Celestine Prophecy" (2006)
Spiritual action-adventure based on James Redfield's best-seller about an American teacher (Matthew Settle) who journeys into the Peruvian jungles, where he becomes involved in a high-stakes search for nine ancient scrolls of unknown origin that contain "insights" revealing steps to a higher mystical self-awareness -- or "God experience" -- and that prophesy an imminent next phase in mankind's spiritual evolution that will supersede organized religion. He is aided by an international group of initiates working to translate the scrolls, including a schismatic Catholic priest (Joaquim De Almeida), while a shadowy archeologist (Jurgen Prochnow), the country's military brass, and a nervous Catholic prelate (Hector Elizondo) conspire to thwart their efforts and suppress the scrolls' message. While the concept of the interconnectedness of reality, the underlying beauty and mystery of creation and the soul-nourishing power of love are ostensibly good, this is just typical New Age mysticism packaged as a grade-B action film, clumsily directed by Armand Mastroianni. The DVD also contains a standard "making of" featurette. Some action violence and theological views are incompatible with the Catholic understanding of reality. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children (Sony Pictures Home Entertainment).

"Chandni Chowk to China" (2009)
In this flavorful yet prolix fusion of Bollywood cinema and Hong Kong martial arts, a clownish cook (Akshay Kumar) from Delhi travels to China to vanquish a gangster exploiting villagers near the Great Wall. He crosses paths with a set of female twins and is transformed into a fighter by their father, a kung fu master. Director Nikhil Advani blends music and melodrama, cartoonish humor and stylized action into a colorful spectacle that proves to be too much of too many things, destined to test the patience of uninitiated moviegoers as well as ardent fans of both genres. Frequent martial arts violence that is occasionally intense, and pervasive broad, if generally chaste, humor characteristic of the Bollywood idiom. In Hindi. English and Spanish titles options. The USCCB Office for Film & Broadcasting classification is A-III --adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Warner Home Video)

"Charlie Wilson's War" (2007)
Adept, sophisticated political drama, based on real events, recounting how an obscure, high-living Texas congressman (Tom Hanks) united with a wealthy, ostensibly pious political supporter (Julia Roberts) and a gifted but volatile CIA agent (Philip Seymour Hoffman) to defeat the Soviet invasion of Afghanistan. Director Mike Nichols' rollicking film revels in the comic divide between its central character's disreputable lifestyle, which is portrayed at times quite graphically, and his historic achievement, with perhaps an invitation to excuse or even celebrate the one in light of the other. Sustained upper female and rear nudity, implied nonmarital sex, drug use, sexual humor, irreverent dialogue, pervasive rough and some crude and crass language, and scenes of wounded children. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Universal Studios Home Entertainment)

"Cheaper By the Dozen 2" (2005)
Agreeably entertaining sequel to the 2003 comedy which finds the Baker brood -- mom (Bonnie Hunt, dad (Steve Martin) and their 12 children -- vacationing at a lakefront cabin where their summer holiday unravels into a battle for bragging rights against a rival clan headed by a hypercompetitive blowhard (Eugene Levy). Director Adam Shankman serves up a similar helping of mildly amusing slapstick and heart-tugging sentiment, slightly more satisfying this time around, while again affirming a strong family-values message. Much comic mayhem, and some mildly crude humor, language and innuendo. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Fox Home Entertainment)

"The Christmas Toy" (1986)
This is puppeteer par excellence Jim Henson's delightful hourlong fable, set on Christmas Eve, in which Rugby (voice of Dave Goelz), a self-centered stuffed tiger, leaves the safety of the playroom he shares with a collection of other toys and risks being "frozen" if spotted out of place to relive the glory of the previous Christmas when he was his young owner's favorite gift, forcing his underappreciated sidekick Mew (voice of Steve Whitmire), a cat toy, and sensible redheaded doll Apple (voice of Kathryn Mullen) to follow on a rescue mission. Directed by Eric Till, this children's musical television special -- targeted for 2- to 8-year-olds -- though inevitably somewhat dated looking, emphasizes the enduring values of hospitality, openheartedness and selfless friendship. Full-screen DVD. (Lionsgate/HIT Entertainment)

"Christmas at Maxwell's" (2005)
Ohio-based wine merchant (Andrew May) copes with the cancer-related illness of his wife (Jack Hourigan), while raising their two children (Charlie and Julia May), and struggling with profound guilt about the past, until an elderly nursing home resident (Angus May) changes their lives at Christmastime in this Ohio-set tale. Inspired by personal experience, director-writer William C. Laufer (who also plays a priest) has made a heartfelt film with admirable messages about God's forgiveness, the strength of family and being a good Samaritan, and features a touching conclusion, but the picturesque film is handicapped by languid pacing, an episodic script and mostly colorless performances, except for a reasonably convincing Hourigan. Mild profanity, crass expressions, mild sexual innuendo and mature thematic material. The DVD includes a behind-the-scenes featurette, a director-producer commentary track and one deleted scene. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Laufer Film) (www.lauferfilm.com)

"A Christmas Story" (1983)
Adapted from Jean Shepherd's nostalgic piece of whimsy, "In God We Trust, All Others Pay Cash," the movie re-creates what it was like to be a boy (Peter Billingsley) yearning for a genuine Red Ryder air rifle for Christmas in the Midwest of the 1940s. Director Bob Clark gets some good performances from Darren McGavin and Melinda Dillon as the understanding parents and the period atmosphere is nicely conveyed in what is essentially a warm celebration of a more innocent, less sophisticated America. A few vulgar syllables. Spanish titles option. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Warner Home Video)

"A Christmas Tale" ("Un Conte de Noel") (2008)
Three grown siblings (Anne Consigny, Mathieu Amalric and Melvil Poupaud) of a dysfunctional French family gather at their parents' (Catherine Deneuve and Jean-Paul Roussillon) home for Christmas after their mother is diagnosed with the same disease that killed their older brother in childhood. Though the angst-ridden proceedings, as written and directed by Arnaud Desplechin, inch toward reconciliation, uniformly fine acting from the ensemble cast only makes the discord along the way that much more uncomfortable to watch, while an ambivalent portrayal of faith and an indulgence of adultery add further complications. In French. Subtitles. Graphic adulterous sexual activity, partial upper female and brief rear nudity, cohabitation, occasional rough and crude language, and sexual references. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. Not rated by the Motion Picture Association of America. (Criterion; also available on Blu-Ray)

"The Christmas Toy" (1986)
This is puppeteer par excellence Jim Henson's delightful hourlong fable, set on Christmas Eve, in which Rugby (voice of Dave Goelz), a self-centered stuffed tiger, leaves the safety of the playroom he shares with a collection of other toys and risks being "frozen" if spotted out of place to relive the glory of the previous Christmas when he was his young owner's favorite gift, forcing his underappreciated sidekick Mew (voice of Steve Whitmire), a cat toy, and sensible redheaded doll Apple (voice of Kathryn Mullen) to follow on a rescue mission. Directed by Eric Till, this children's musical television special -- targeted for 2- to 8-year-olds -- though inevitably somewhat dated looking, emphasizes the enduring values of hospitality, openheartedness and selfless friendship. Full-screen DVD. (Lionsgate/HIT Entertainment)

"Christy" (The Complete Series) (1994-1995)
Four double-sided discs feature all 19 episodes of the CBS series based on Catherine Marshall's best-selling 1967 novel, in which a plucky girl of 19 decides to teach impoverished youngsters in 1912 Appalachia. Inspired by Quaker missionary Miss Alice (Tyne Daly), idealistic Christy Huddleston (Kellie Martin) leaves behind her comfortable urban family for remote Cutter Gap in the Great Smoky Mountains of east Tennessee, where in the one-room church-schoolhouse she is to teach children of all ages who are hungry, shoeless, bookless and, in the case of one little girl, mysteriously mute. Handsomely shot on location in the panoramic Great Smokies, the drama reflects Marshall's mother's real-life experiences teaching in just such a spot. Martin's expressive face conveys Christy's alternating determination to make a difference in the lives of her young charges as well as the frequent discouragement that tries her faith. With its above-average production values, "Christy" is quality family fare, and the title character is a potential role model for young viewers. DVD quality is fine (Fox Home Entertainment).

"The Chronicles of Narnia: The Lion, The Witch and The Wardrobe" (Special Two-Disc Collector's Edition) (2005)
Captivating live-action fantasy adventure based on C.S. Lewis' beloved children's classic set in World War II-era England about four siblings (Georgie Henley, Skandar Keynes, William Moseley and Anna Popplewell), who, having been evacuated from London to the home of an eccentric professor (Jim Broadbent), stumble through a magical wardrobe into the enchanted realm of Narnia, where they help the wise and noble lion Aslan (voiced by Liam Neeson) defeat the evil White Witch (Tilda Swinton), who holds the land under an icy spell of eternal winter. Seeded with Christian symbolism and subtext, director Andrew Adamson's faithful adaptation balances spectacle with storytelling while exploring themes of good and evil to capture the childlike wonder that underscores Lewis' tale. Some battlefield violence, intense scenes of child peril and menace, and several frightening sequences. The anamorphic widescreen DVD features two commentaries: a rollicking reminiscence with Adamson and the four kids, and another informative one with Adamson, the producer and production designer, plus a short blooper reel. If you choose, you can watch the film with on-screen "pop-up facts" about the magic land. The second disc includes background documentaries on the director and the children, a look at how the C.S. Lewis work finally made it to the screen, and further information on Narnia, its characters and creatures. Highly recommended family viewing. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Walt Disney Home Entertainment)

"The Chronicles of Narnia: The Voyage of the Dawn Treader" (2010)
Swashbuckling sequel, combining live action and animation, in which a brother and sister (Skandar Keynes and Georgie Henley) from World War II-era Britain are once again transported to the titular world, this time accompanied by their obnoxious, cynical cousin (Will Poulter). Reunited with their friend the king of Narnia (Ben Barnes), the siblings -- and, more reluctantly, their traveling companion -- join his quest to vanquish a menacing manifestation of evil by bringing together at the table of the noble lion Aslan (voice of Liam Neeson) seven magical swords empowered to protect the land from harm. As directed by Michael Apted, this screen version of the third in C.S. Lewis' classic series of Christian-themed allegorical novels keeps faith front and center as the good kids battle temptations ranging from envy to cowardice, while their initially nasty relative -- helped along by the wisdom of a plucky warrior mouse (voice of Simon Pegg) -- moves toward conversion. An enjoyable, mostly kid-friendly voyage, though somewhat less impressive dramatically than thematically. Considerable peril and bloodless violence, a couple of mild bathroom jokes. Spanish titles option. The Catholic News Service classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (20th Century Fox Home Entertainment; also available on Blu-ray)

"Cinderella III: A Twist in Time" (2007)
Remarkably good second sequel to the 1950 Disney animated classic has Cinderella's (voiced by Jennifer Hale) evil stepmother Lady Tremaine (Susanne Blakeslee) getting hold of the Fairy Godmother's magic wand one year after our heroine marries her prince (Christopher Daniel Barnes), and causing time to reverse so that the fateful slipper will fit her gawky daughter Anastasia (Tress MacNeille) instead. Cinderella must now -- with the help of her mouse friends Gus and Jac and those resourceful bluebirds -- get to the prince (under an amnesiac spell), convince him he's been duped and prevent a second wedding from taking place. Directed by Frank Nissen, the film -- replete with some pleasant (if contemporary-sounding) songs -- recreates the ambience of the original with remarkable fidelity, though Disney purists may argue otherwise, and the tightly plotted script includes some warmly sentimental stretches among the suspenseful and action-packed ones, imparting a solid message about the true meaning of love, and a touching conclusion involving sacrifice on the part of one character. The anamorphic DVD looks great, and features a music video with Hayden Panettiere, a game, and several DVD-ROM features with myriad activities. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted (Walt Disney Home Entertainment).

"City of Angels" (1998)
Wispy tale of an angel (Nicolas Cage) who longs to become human after falling in love with a Los Angeles heart surgeon (Meg Ryan). Director Brad Silberling explores the limitations of science and the mystery of faith within the framework of a visually striking but ultimately sappy love story. Minor violence, discreet sexual situations and fleeting nudity. Spanish titles option. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Warner Home Video)

"City of Ember" (2008)
Imaginative futuristic tale about a doomed underground city whose inhabitants know nothing of the world above, and a brave girl (Saoirse Ronan) and resourceful inventor's son (Harry Treadaway) who try to discover the secret way out before the city's failing generator breaks down completely. With an intricate and clever production design, and an interesting cast including Bill Murray, Tim Robbins, Martin Landau and Toby Jones, first-time feature director Gil Kenan's well-paced adaptation of Jeanne DuPrau's novel imparts good values and makes excellent family entertainment for all but the youngest viewers who might be frightened by a particularly scary monster and some other scenes of peril. The DVD has no extra material. Spanish language and titles options. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Twentieth Century Fox Home Entertainment)

"CJ7" (2008)
Generally enchanting though somewhat flawed comic fable about an impoverished, shunned Chinese schoolboy (Xu Jiao) whose life is transformed when his hardworking, widowed father (Stephen Chow) brings a toy home from the garbage dump that turns out to be a doglike alien critter with supernatural powers. Chow, who also wrote and directed, hits the mark both humorously and dramatically, and his film offers a telling critique of cutthroat materialism, though its positive message and humane, even specifically Christian, values are undercut by a few distasteful scenes focused on the alien's doggy poop. Occasional crude language, comic-book violence and scatological humor, though probably acceptable for older teens. Added features on the widescreen DVD include commentary by the cast and crew and two making-of featurettes. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Sony Pictures Home Entertainment)

"The Class" (2008)
Thoughtful docudrama re-creating the experiences of an idealistic French literature teacher (Francois Begaudeau) over the course of an academic year, as he tries to connect with a class of ethnically mixed students in a depressed Paris neighborhood. Director and co-writer Laurent Cantet's innovative approach -- using actual students, and combining their stories with incidents recounted in real-life instructor Begaudeau's fact-based novel to shape the script -- yields an engrossing meditation on social and class divisions and on the possibilities, and limits, of an educator's vocation. In French. Subtitles. Probably acceptable for older teens. Some rough and crude language, sexual references and at least one use of profanity. Spanish language and titles options. The USCCB Office for Film & Broadcasting classification is A-III --adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Sony Pictures Home Entertainment; also available on Blu-ray)

"Cleopatra" (1963)
Lumbering Hollywood epic of suds along the Nile as Egypt's queen (Elizabeth Taylor) makes a conquest of Julius Caesar (Rex Harrison), then after his assassination ensnares his avenger, Mark Antony (Richard Burton), but both commit suicide when cornered by the legions of Octavius (Roddy McDowall). Director Joseph L. Mankiewicz manages to hold interest for the first hour, chiefly in Harrison's portrayal of a man consumed by his ambitions, but the next three seem interminable as the gassy love story bogs down in tedium and the visual spectacle wears thin, save for the sea battle at Actium. Stylized violence, sexual situations and much sexual innuendo. The USCCB Office for Film & Broadcasting classification is A-III -- adults. Not rated by the Motion Picture Association of America. (20th Century Fox Home Entertainment)

"Click" (2006)
Fitfully compelling fantasy about a workaholic architect (Adam Sandler) who receives a remote-control device from a mysterious inventor (Christopher Walken) allowing him to fast-forward through life. Frank Coraci's uneven and predictable film begins as a comedy (and a fairly crude one at that), then turns almost tragic when the protagonist gets a chance to see into the future, leading him to regret his all-consuming work habits and coming to the profound realization that family comes first. Sandler's performance, too, is a mix of his old-style lowbrow antics and impressive growing maturity, but the script for this "It's a Wonderful Life" retread could have been better. Unneeded vulgar humor including flatulence, innuendo, and sexual sight gags, crude language and expressions, profanity, promiscuity, ethnic stereotyping, transgender character and drug references. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13 (Sony Pictures Home Entertainment).

"Cloverfield" (2008)
Skillful, effective horror exercise in which the amateur videotaping of a going-away party for a young executive (Michael Stahl-David) hosted by his brother (Mike Vogel) and attended by the girl who has awakened his interest (Odette Yustman), as well as a number of other friends (Lizzy Caplan, Jessica Lucas and T.J. Miller), is interrupted by the arrival in Manhattan of a rampaging monster. Director Matt Reeves' film cleverly contrasts the intimate feel of the ubiquitous camcorder with the vast scale of the havoc being unleashed and also benefits from believable characters and a script rich in deadpan humor. Some graphic images of the wounded, two uses of the f-word, pervasive crude and frequent profane language, and sexual references. The DVD includes commentary by Reeves, a making-of backgrounder and other featurettes, a few so-so deleted scenes and two moderately alternate endings. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Paramount Home Entertainment)

"The Color Honeymooners: Collection One" (1966-67)
This three-DVD boxed set represents the first season of Jackie Gleason's return to his role as bus driver Ralph Kramden, expanded to 60-minute length, in color and with full-fledged musical numbers inserted throughout. Art Carney was back to re-create his inimitable sewer worker Ed Norton, but the wives were different. Blonde Sheila MacRae made a likable Alice -- ditto Jane Kean as Ed's mate, Trixie -- but neither could quite erase memories of Audrey Meadows and Joyce Randolph in the 1950s' version. There are some pearly moments, and the results are enjoyable, but the magic of the original isn't quite there. The songs and some interesting guest stars like comedian Louis Nye, Christopher Hewitt ("Mr. Belvedere"), and legendary Gilbert & Sullivan star Martyn Green, among others. There's an interesting feature on the production's highly publicized move to Miami. Good family viewing (MPI).

"Country Strong" (2010)
This music-filled drama about a troubled country singer (Gwyneth Paltrow) wears its mawkish cliches proudly on its flannel sleeves. Writer-director Shana Feste creates four one-dimensional characters -- besides the alcohol- and drug-addicted troubadour, there's her manipulative promoter-husband (Tim McGraw), her on-again-off-again lover (Garrett Hedlund) and a young, neurotic beauty queen-turned-crooner (Leighton Meester) -- then sends the quartet spinning like pinballs in a twangy, shopworn tale of substance abuse, adultery and the grim lifestyle played out on a tour bus. Scenes of implied adulterous and premarital sex, pervasive crude language and fleeting profanity. Spanish language and titles options. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Sony Pictures Home Entertainment; also available on Blu-ray)

"Couples Retreat" (2009)
Mostly dull, sexually wayward comedy in which a suburban couple (Jason Bateman and Kristen Bell) on the verge of divorce convince a group of their friends (most prominently Vince Vaughn and Malin Akerman) to join them at a South Pacific resort whose founder (Jean Reno) specializes in marriage therapy. While Peter Billingsley's directorial debut ultimately affirms marital fidelity, viewers have to endure waves of constantly suggestive, occasionally smutty humor and a tide of New Age psychobabble -- an obviously inadequate substitute for faith as a basis for lifelong commitment -- before reaching that safe shore. Strong sexual content, including brief but aberrant adulterous activity, fleeting nongraphic sexual activity within marriage, a flash of rear nudity, many sexually themed jokes, and some crude and much crass language. Spanish language and titles options. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Universal Studios Home Video; also available on Blu-ray.)

"Cranford" (2008)
First-rate adaptation of three Elizabeth Gaskell novels -- "Cranford," "My Lady Ludlow" and "Mr. Harrison's Confessions" -- which aired recently on PBS's "Masterpiece" series. An all-star cast, including Dame Judi Dench, Sir Michael Gambon, Imelda Staunton, Eileen Atkins, Alex Jennings, Julia McKenzie and Francesca Annis, plays the residents of the small English town in the 1840s whose lives are about to change with the arrival of the railway and a handsome new doctor (Simon Woods). Simon Curtis directed the five-part series. The DVD includes a nice half-hour making-of featurette. (BBC Video)

"Crossing Ways" (2005)
Well-intentioned drama about a motor-cross racer (Tom Swaida) whose Catholic faith strengthens him to overcome a painful family secret and mend emotional fences with his embittered alcoholic father (Joe Valle). Written and directed by Swaida, the low-budget digital film is handicapped by flat performances, poor sound quality and an amateur look. Yet the its redemptive ending imparts a heartfelt Gospel message about the healing power of forgiveness and reconciliation. The two-disc set includes a movie trailer, behind the scenes footage, bloopers, interviews and a music video, among other bonus features. Scenes of alcohol abuse and some mild domestic violence, involving shoving and shouting. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (Christian Film Brotherhood) (www.christianfilmbrotherhood.org, or (508) 398-7344)

"Cry Wolf" (2005)
Modestly involving teen thriller set in a posh prep school where, following an off-campus murder, a group of students (including Lindy Booth and Jared Padalecki) initiate a new arrival (Julian Morris) into their clique and, as a prank, concoct a story about a masked killer only to find themselves menaced by a real stalker -- eerily echoing their fabrications -- with no one to believe them. Directed by Jeff Wadlow, the low-budget film's "Ten Little Indians" story line is reasonably suspenseful despite genre cliches, and its better-than-average script -- littered with red herrings and capped with a surprise twist -- emphasizes psychological tension over slasher gore. Some bloody violence, sexual humor and suggestiveness, and sporadic crude language. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Universal)

"Castle Keep" (1969)
Screen version of novelist William Eastlake's surrealistic satire on the absurdity of war is set in a Gothic chateau with its priceless art treasures where an American major (Burt Lancaster) and a company of infantrymen prepare to make a stand against the German army's offensive at Bastogne. Regrettably, director Sydney Pollack fails to incorporate a convincing human and moral dimension to counterbalance the senseless heroics and casual sexual relationships that result. The USCCB Office for Film & Broadcasting classification is O -- morally offensive. The Motion Picture Association of America rating is R -- restricted. (Columbia/TriStar)

"Catch That Kid"/"Like Mike"
"Catch That Kid "(2004). Cleverly conceived but morally misguided kiddie caper about a 12-year-old girl (Kristen Stewart) and her two best friends, rival suitors (Max Thieriot and Corbin Bleu), who decide to break into a high-security bank in order to steal enough money to pay for her dad's costly, life-saving surgery. Despite a smart script and a fresh-faced cast that gives the film's shopworn heist plot a youthful twist, director Bart Freundlich uses an end-justifies-the-means attitude to rationalize his improbable premise, which, though ultimately discredited, makes it difficult to wholeheartedly applaud this otherwise entertaining movie. An ambiguous attitude toward larceny, minimal mildly crude humor and some action violence. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. "Like Mike" (2002). Sweet story about an orphaned boy (Lil Bow Wow) with dreams of being a famous basketball player who dons an old pair of Michael Jordan's sneakers and is suddenly able to lead a struggling NBA team to victory with his amazing hoop skills. Although director John Schultz's fantasy flick is predictable, the endearing underdog-turned-hero plot and nifty special effects, as well as the idea that every child deserves a family, are a winning combination. Although likely suitable for preteens, there are a few menacing moments and brief crass language. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Fox)

"Catwoman" (2004)
Slick but soon-to-be-forgotten tale, loosely inspired by the comic-book character, about a mousy graphic artist (Halle Berry) working for a cosmetic conglomerate (headed by Lambert Wilson and Sharon Stone) who is killed for happening upon a corporate coverup, only to be reborn with superpowers, including catlike agility and stealth, which she uses to unleash her feline fury on her murderers. As directed by Pitof, neither slick visual effects nor Berry strutting her stuff in revealing skintight shredded leather can distract viewers from the film's shallow characterizations, clumsy dialogue and moral ambiguities. Recurring stylized violence and an implied sexual encounter. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Warner Bros.)

"Cellular" (2004)
Somewhat satisfying fast-paced thriller about a kidnapped woman (Kim Basinger) whose life -- along with that of her young son -- hangs on the tenuous connection to a stranger's (Chris Evans) cell phone. Giving the old damsel-in-distress formula a wireless twist, director David R. Ellis' slim story about a good Samaritan slacker trying to save a woman he has never met is full of predictable popcorn thrills -- including high-octane car chases -- which, taken as a whole, add up to more than the sum of its B-movie parts. Recurring violence, some gore and terror situations, an instance of rough language, a crude gesture and some sexual humor, as well as crass language and profanity. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (New Line)

"Champions of Faith: Baseball" (Special Edition) (2007)
Handsomely shot hourlong documentary featuring interviews with six outstanding practitioners of America's pastime -- catcher Mike Piazza, shortstop David Eckstein, pitcher Jeff Suppan, first baseman Mike Sweeney, manager Jack McKeon and coach Rich Donnelly -- during which they discuss the role the Catholic faith has played in shaping their lives and careers. Along with narration by sportscaster John Morales, director Tom Allen's film includes a host of briefer faith-based affirmations from other field and clubhouse figures. (TLA Releasing)

"Chaos Theory" (2008)
Passable, though somewhat far-fetched, romantic tale in which an uptight efficiency lecturer (Ryan Reynolds) uncovers a devastating secret about his wife (Emily Mortimer) and becomes recklessly adventurous, despite grave concerns by the wife and his best friend (Stuart Townsend). Director Marcos Siega's uneven film is part character study, part family melodrama, but its emphasis on loyalty, love and forgiveness compensates for some dramatic unsteadiness. The DVD includes both widescreen and full-screen formats and three unremarkable deleted scenes. Spanish titles option. Adultery, implied nonmarital and premarital sex, sexual humor, permissive reference to birth control, one use of the f-word, some crude language and a few profanities. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Warner Home Video)

"Charley's Aunt" (1941)
Rarely seen version of Brandon Thomas' classic with Jack Benny playing Lord Babberly, an Oxford student, who impersonates the aunt of one of his chums (Richard Haydn) in a scheme to help the friend woo the girl he loves (Anne Baxter), until the real aunt (Kay Francis) shows up and complications ensue. Director Archie Mayo's film takes some liberties with the original plot, and Benny, though amusing as the aunt, is too American for this very English story, but the handsome production and solid supporting cast including Edmund Gwenn, Laird Cregar and Reginald Owen counterbalance some overdone slapstick. The DVD includes lively, informative commentary by film historian Randy Skretvedt, and "Three of a Kind," a promotional short for the film from the period. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America (Fox Home Entertainment).

"Charlie and the Chocolate Factory" (2005)
Entertaining and stylish remake of 1971's "Willy Wonka and the Chocolate Factory," as sweet-natured young Charlie (Freddie Highmore), along with four bratty children, wins a visit to a mysterious emporium, run by the reclusive candy-maker Wonka (Johnny Depp). Tim Burton's take on the Roald Dahl tale is predictably darker than the bright Gene Wilder version, but it's hugely inventive, combining Dickensian atmospherics with mordant wit and featuring an understated, slyly humorous performance by Depp, who seems at times to be channeling Michael Jackson's Neverland persona. The plot contains positive messages about family, loyalty and unselfishness, and only a few scenes of tongue-in-cheek peril that might upset the very youngest viewers. The DVD print looks great, though there's no commentary. The second disc is filled with extras: a feature about the fabulous squirrel attack scene, a biography of Dahl, a look at actor Deep Roy's transformation into all the Oompa Loompas, and other background features, plus a host of activities for the kids. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Warner Bros.)

"Chicago" (2002)
Zesty musical set in Prohibition-era Chicago finds two rival song-and-dance gals (Renee Zellweger and Catherine Zeta-Jones) each jailed for murder using the same unscrupulous attorney (Richard Gere) to exploit their celebrity and get them off the hook. Adapted from Bob Fosse's 1975 Broadway show, director Rob Marshall's spirited black comedy weaves fantasy and reality together for a naughty, razzle-dazzle take on the corrupting power of greed and fame. Brief violence, a fleeting sexual encounter, double entendres, intermittent profanity and an instance of rough language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Buena Vista)

"Chicago: The Razzle Dazzle Edition" (2002)
Zesty musical set in Prohibition-era Chicago finds two rival song-and-dance gals (Renee Zellweger and Catherine Zeta-Jones), each jailed for murder, using the same unscrupulous attorney (Richard Gere) to exploit their celebrity and get them off the hook. Adapted from Bob Fosse's 1975 Broadway show, director Rob Marshall's spirited black comedy weaves fantasy and reality together for a naughty, razzle-dazzle take on the corrupting power of greed and fame. Brief violence, a fleeting sexual encounter, double entendres, intermittent profanity and an instance of rough language. The second DVD issue of the Oscar-winning film is a two-disc special edition, with far more extras than the no-frills first issue. The audio commentary by Marshall and writer Bill Condon is carried over from that version, along with the cut number, "Class" (but be warned the lyrics are vulgar, if satiric). The second disc includes extended versions of the musical numbers, though in some cases, this means only extra rehearsal footage, a look at a young Liza Minnelli reminiscing about her stint in the Broadway production, an interview with original star Chita Rivera and more. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Miramax)

"Chicken Run" (2000)
Delightful clay animation feature about a plucky chicken (voice of Julia Sawalha) and her hen pals cooped up in a British egg farm who, with the help of a flying Yankee rooster (voice of Mel Gibson), must escape the cruel clutches of the egg farmer (voice of Miranda Richardson) before she turns them into chicken pies. Though the story lags in parts and some jokes may go over children's heads, fantastic anthropomorphized features and the narrative's witty details make directors Peter Lord and Nick Park's first full-length feature both visually pleasing and cleverly amusing despite a few intense moments. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. (Universal)

"The Chronicles of Narnia: Prince Caspian" (Three-Disc Collector's Edition) (2008)
Exciting and well-crafted if less emotionally absorbing follow-up to 2005's "The Lion, the Witch and the Wardrobe" has the Pevensie siblings (William Moseley, Anna Popplewell, Skandar Keynes and Georgie Henley) returning to Narnia to help the title character (Ben Barnes) stage a revolt against his evil uncle. The bellicose nature of the proceedings and uneven attempts by director and co-writer Andrew Adamson to inject humor and romance don't prevent this faithful adaptation of the second volume in C.S. Lewis' classic series from being salubrious entertainment. Battlefield violence and deadly hand-to-hand combat, an implied decapitation, a brawl involving schoolchildren, some intense scenes of child peril and several frightening sequences. The generously packed DVD includes commentary by Adamson and the cast, 10 deleted scenes, bloopers, bounteous feature material and a digital copy of the film. Spanish language and titles options. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Walt Disney Studios Home Entertainment; also available on Blu-ray)

"The Chronicles of Riddick" (2004)
Bloated sci-fi tale in which an escaped convict (Vin Diesel) is called upon to save what's left of humanity from a ruthless megalomaniac (Colm Feore) and his virtually indestructible army of former-humans-turned-robots. Aside from an impressive production design, writer-director David Twohy's special-effects-laden action film remains grounded by its murky narrative, dull characters and leaden pacing. Recurring stylized violence, minimal profanity and an instance of rough language. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Universal)

"The Chorus (Les Choristes)" (2005)
Glossily sentimental and heart-tugging French film about a failed musician (Gerard Jugnot) who takes a teaching job at a boarding school for troubled boys in the late 1940s and helps them overcome their delinquent and violent ways by forming a choir, under the disapproving eye of the school's autocratic principal (Francois Berleand). Christophe Barratier's film about the healing power of music features first-rate performances, and heavenly singing by the boys -- once they get going -- making this a surefire audience pleaser even as the setup is transparently manipulative. Some crude language, a brief verbal suggestion of sexual impropriety and a few violent episodes. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children  under 13. (Buena Vista)

"Cinderella Man" (2005)
Moving true-life story of Depression-era boxer Jimmy Braddock (Russell Crowe in top form) who -- after several years out of the ring, working on the docks -- took up fighting again to support his loving wife (Renee Zellweger) and their three young children, and against all odds made a tremendous comeback, eventually going up against the notorious Max Baer (Craig Bierko). Director Ron Howard has made an absorbing film with first-rate performances (including that of Paul Giamatti as his manager) and authentic period flavor; though the boxing sequences are strong they're far less graphic than similarly themed films, and the human story of Jimmy's devotion to his family is paramount. Much period profanity, some crude language and ring violence with blood. The USCCB Office for Film & Broadcasting classification is A-III - adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Universal)

"A Cinderella Story" (2004)
Light but lackluster teen romantic comedy set in Southern California about a slaving high school senior (Hilary Duff) whose hopes of happily-ever-after with a quarterback Prince Charming (Chad Michael Murray) are stymied by her wicked stepmom (Jennifer Coolidge). Director Mark Rosman gives the familiar fairy tale a contemporary makeover, stripping its fantasy elements, while retaining its sweet sense of storybook romance. Some mildly crude language, humor and innuendo. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Warner Bros.)

"Cinderella III: A Twist in Time" (2007)
Remarkably good second sequel to the 1950 Disney animated classic has Cinderella's (voiced by Jennifer Hale) evil stepmother Lady Tremaine (Susanne Blakeslee) getting hold of the Fairy Godmother's magic wand one year after our heroine marries her prince (Christopher Daniel Barnes), and causing time to reverse so that the fateful slipper will fit her gawky daughter Anastasia (Tress MacNeille) instead. Cinderella must now -- with the help of her mouse friends Gus and Jac and those resourceful bluebirds -- get to the prince (under an amnesiac spell), convince him he's been duped and prevent a second wedding from taking place. Directed by Frank Nissen, the film -- replete with some pleasant (if contemporary-sounding) songs -- recreates the ambience of the original with remarkable fidelity, though Disney purists may argue otherwise, and the tightly plotted script includes some warmly sentimental stretches among the suspenseful and action-packed ones, imparting a solid message about the true meaning of love, and a touching conclusion involving sacrifice on the part of one character. The anamorphic DVD looks great, and features a music video with Hayden Panettiere, a game, and several DVD-ROM features with myriad activities. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted (Walt Disney Home Entertainment).

The anniversary version of 'Cinderella' on DVD: Try it on for size
By Harry Forbes Catholic News Service
NEW YORK (CNS) -- Leave it to Disney to throw a red-carpet premiere for an animated movie that's 55 years old!
   And the glittering event at New York's Ziegfeld Theatre Oct. 2 -- which brought out everyone from Star Jones Reynolds to Molly Shannon -- was not even to celebrate a theatrical reissue of a classic film, but rather to promote a DVD release.
   However, the film in question is one of Disney's most beloved: 1950's "Cinderella," and even though, yes, it was once available on VHS, and then again on laserdisc (does anyone remember laserdiscs?), its release in a handsomely packaged two-disc "platinum edition" DVD from Buena Vista Home Entertainment is something to get excited about. As it's from an era where children's entertainment had an innocence sadly lacking today, and Disney was the gold standard, it's a must for any home library.
   Though from an artistic perspective, the film is less detailed than the Disney films of a decade before, and there's too much of the mice and the mean cat Lucifer, these are quibbles. For most people, these iconic images are what makes "Cinderella." This is, moreover, a superb restoration, where picture and sound are all you could ask for. The film's dialogue and songs can be heard in French and Spanish. The two discs are loaded with nearly all of the essential material previously released on the jam-packed laserdisc, but with a good deal more as well.
   We could live without the perfectly awful disco-music video of "A Dream is a Wish Your Heart Makes" and the well-produced but utterly gratuitous Cinderella sports stories from ESPN, hosted by Joe Namath, but the second disc is loaded with the goodies that Disney fanatics and film buffs will crave: two never-used musical sequences re-created with storyboards, "The Work Song" and "Dancing on a Cloud"; seven demo recordings of songs that didn't make it; three radio segments with the delightful voice of Cinderella, Ilene Woods, then a young mother with a 3-year-old; and body double Helene Stanley's appearance on a Disney TV show.
   There are several interesting documentaries, including a 45-minute history of the film "From Rags to Riches" featuring cogent commentary by film historians such as John Canemaker and Christopher Finch, several of the animators, and voice stars Woods and Mike Douglas (the future talk show host who was the singing voice of the Prince); along with featurettes about earlier plans to film the fairy tale; the so-called "Nine Old Men," Disney's core animators; and artist Mary Blair, whose designs permeated the Disney films of that era. And did we mention a plethora of games and activities for the kids?
   The digital image on the screen of the Ziegfeld Theatre was amazingly sharp and the colors were richly saturated -- as they also are, it goes without saying, on the DVD. Along with the little princesses dressed to the nines, there was June Foray -- the voice of Lucifer the cat, and later Rocket J. Squirrel and Natasha from "Rocky & Bullwinkle" -- along with the Fairy Godmother from the TV musical version: Celeste Holm, looking radiant even without her wand.
   All in all, the event was as enchanting as a royal ball, and helped remind us that compared to this classic, much of today's family fare is a mere pumpkin!
   The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences.

"City of Angels" (1998)
Wispy tale of an angel (Nicolas Cage) who longs to become human after falling in love with a Los Angeles heart surgeon (Meg Ryan). Director Brad Silberling explores the limitations of science and the mystery of faith within the framework of a visually striking but ultimately sappy love story. Minor violence, discreet sexual situations and fleeting nudity. Spanish titles option. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Warner Home Video)

"Clash of the Titans" (2010)
Muddled mythological epic, set in ancient Greece, in which the demigod Perseus (Sam Worthington) embarks on a quest to defend humanity against the forces of Hades (Ralph Fiennes), the god of death, whom his brother Zeus (Liam Neeson), as king of the gods, has unleashed to punish humankind for their growing dissatisfaction with, and attempted rebellion against, the Olympian deities. Long action sequences and an emphasis on special effects leave little room for engaging drama in director Louis Leterrier's frequently violent 3-D remake of Desmond Davis' 1981 swords-and-sandals exercise, though undemanding viewers may be content enough with the proceedings not to notice the gifts of top-tier players such as Fiennes and Neeson being squandered on stilted dialogue. Complex, though undeveloped, religious themes; constant action violence, some of it bloody or gruesome; a bedroom encounter with implied sexual activity; at least one sexual reference; and a couple of mildly crass terms. Spanish language and titles options. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Warner Home Video; also available on Blu-ray.)

"Classic Musicals from the Dream Factory" (1945-1955)
Here's another outstanding boxed set gleaned from MGM's golden age of musicals, which besides "Summer Stock" (A-I -- general patronage), includes the all-star plotless revue "Ziegfeld Follies" (1945) (A-II -- adults and adolescents); Gene Kelly and Stanley Donan's "It's Always Fair Weather" (1955) (A-II -- adults and adolescents); and two musical bios, "Three Little Words" (songwriters Bert Kalmar and Harry Ruby) (1950) (A-I -- general patronage), and "Till the Clouds Roll By" (Jerome Kern) (1946) (A-I -- general patronage), all presented in superb print quality, and each coming with fun and informative extra material. The five films are available singly as well, and each comes with a newly produced featurette, contemporary short subjects, and cartoons. There's no audio commentary, but surviving stars such as Arlene Dahl and Gloria DeHaven; some of the creators; knowledgeable film experts like John Fricke, Hugh Fordin and Ray Faiola; and other pros like Broadway director Susan Stroman provide insightful remarks in the featurettes. "Fair Weather" includes three deleted numbers, "Clouds" has two, one of them with Judy Garland, and there are three audio-only songs from "Ziegfeld Follies." All are highly recommended family viewing, though "It's Always Fair Weather," with its somewhat downbeat story about a corroded friendship among Army buddies, may be less appropriate for kids.

"The Clearing" (2004)
Lukewarm thriller about a wealthy businessman (Robert Redford) kidnapped by a stranger (Willem Dafoe) and held for ransom, who, during a forced march to a secluded woodland cabin, begins to contemplate the mistakes he made, including cheating on his wife (Helen Mirren), during his rise to the top. Despite a first-rate cast and complex characters, director Pieter Jan Brugge's emotionally uninvolving film keeps the suspense thinly spread, but manages to impart a message that love is more important than worldly success. Brief violence and sporadic rough and crude language, as well as profanity. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. (Fox)

"Closer" (2004)
Talky, occasionally sluggish adaptation of Patrick Marber's stage hit about the shifting romantic entanglements among two couples (Jude Law and Natalie Portman, Julia Roberts and Clive Owen) in London. Over-the-years narrative explores how love evolves from the excitement to lies and betrayals, with first-rate performances and direction (by Mike Nichols) though none of the characters are particularly likable, and while there is virtually no sexual activity, except for risque gyrating by Portman's skimpily dressed character, the sex talk is graphic and shocking in its bluntness as it was onstage. Much gratuitously rough and sexually explicit language, a suggestive striptease, partial nudity, freewheeling attitude toward sex. The DVD release features a French track and a music video by Damien Rice. The USCCB Office for Film & Broadcasting classification is O -- morally offensive. The Motion Picture Association of America rating is R -- restricted. (Columbia/TriStar)

"Coach Carter" (2005)
Formulaic but interesting story of real-life basketball coach Ken Carter (Samuel L. Jackson), who accepts a job at a Richmond, Calif., high school with the stipulation that all the players sign contracts agreeing to uphold academic standards, and when some of them don't, he grounds the entire team, a controversial action that causes a great furor. The film directed by Thomas Carter (no relation) is reasonably absorbing, and Jackson gives a compellingly tough and unsentimental performance. Though parents may consider it important for inner-city kids to see this inspiring story with its message extolling academic achievement and teamwork, be warned that there's a good deal of crude language (unfortunately true-to-life) and an abortion subplot with questionable moral implications. Much crude language, drug dealing, some violence, abortion, suggestive dancing and sexual situations. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Paramount)

"Cocoon" (1985)
Three old Rover Boys, young at heart, become young in body as well when they take a dip in a swimming pool being used as a rejuvenating force by some genial extraterrestrials. Good acting from some veterans, especially Don Ameche, but the plot premise is weakly contrived and the view of rejuvenation banally condescending. Directed by Ron Howard, the movie reinforces the stereotypes of old age as sexless and of women as passive. Some locker-room humor and an emphasis upon the sexual aspect of rejuvenation. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Fox)

"Code Name: The Cleaner" (2007)
Forgettable comedy about a janitor (Cedric the Entertainer) who wakes up in a hotel room with total memory loss and, believing he's really a secret agent, sets out to piece together his past with the help of his waitress girlfriend (Lucy Liu). All the while, he's targeted by a siren (Nicollette Sheridan) who claims to be his wife but works for a high-tech company whose shady CEO (Mark Dacascos) thinks the amnesiac has proof of his criminal activities. Saddled with such vacuous material, Cedric provides only modest laughs, and director Les Mayfield's unfunny, at times lewd, shenanigans could have been cleaner. Crude and sexual humor, including erotic comic interplay, and recurring crass language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13 (Warner Home Video).

"Code 46" (2004)
Bleak futuristic story about a married insurance investigator (Tim Robbins) solving a case of forged passports and falling in love with the perpetrator (Samantha Morton), told with elements of film noir and sci-fi while grappling pretentiously with heavyweight issues such as human cloning and even Oedipal attraction. A morally muddled story line glamorizes the investigator's adulterous affair, and proves only fitfully interesting. An explicit extramarital sexual encounter with full frontal nudity and perverse undertones. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. (MGM)

"Coffee and Cigarettes" (2004)
Motley mosaic of 11 short films, each involving a pair of actors (including Bill Murray, Cate Blanchett, Roberto Benigni and Steve Buscemi) sitting around, drinking coffee and smoking cigarettes while conversing on such eclectic subjects as the use of nicotine as an insecticide and Elvis conspiracies.    Shot in black-and-white over the past 17 years by maverick director Jim Jarmusch, the smoky slice-of-life minimovies unspool, apart from a few clever vignettes, as exercises in artsy absurdity which, despite the amount of caffeine consumed, provide little stimulation and percolate less interest. Some rough and crude language.   The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. (MGM)

"Collateral" (2004)
Sleek and stylish crime thriller set in Los Angeles about a cab driver (Jamie Foxx) forced to drive a contract killer (Tom Cruise) on his appointed rounds to assassinate five federal witnesses in the span of one night. Returning to familiar genre terrain, director Michael Mann crafts a tautly paced, multilayered film oozing with L.A. noir moodiness and hardboiled menace, by turns violent and reflective in tone, featuring knockout performances by Cruise and Foxx. Recurring intense violence, autopsy gore and much rough language. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. (Universal)

"The Comebacks" (2007)
Absurd sports satire in which a perennially losing coach (David Koechner), at the request of a colleague (Carl Weathers), returns from retirement to try to lead a college football team to victory, even at the risk of alienating his wife (Melora Hardin), while two of his players (Matthew Lawrence and Jackie Long) compete for the affections of his daughter (Brooke Nevin). Director Tom Brady's broad, bawdy comedy is as much slapdash as slapstick, lurching incoherently from one gag to the next, scoring a few hits, but more often than not missing the ball. Pervasive sexual and scatological humor, nongraphic sexual activity, a same-sex kiss, some crude and crass language, five uses of profanity, adultery and drug references, and a transvestite character. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (20th Century Fox Home Entertainment)

"Coming To Say Goodbye: Stories of AIDS in Africa" (2002)
A heartrending overview of the AIDS pandemic on the African continent which contains fully three-quarters of the world's AIDS cases. Interviews with dedicated priests, AIDS educators, social workers and nurse practitioners offer first-hand testimony on a tragedy for whose victims there seems to be little hope, except for the comfort offered by those who minister to them. Focusing on two cities -- Nairobi, Kenya, and Dar es Salaam, Tanzania -- the film chronicles mothers and fathers, sick and helpless, too weak to work or take care of their children, most with death looming as a virtual certainty, and not even medicine to relieve their pain, sickly orphaned children, and rampant poverty most poignantly illustrated by stories of children who go to bed hungry. This is tough viewing to be sure. Time and again, the importance of AIDS education, the need for the drug companies to make their lifesaving medicine affordable, and the world at large to help Africa rebuild its economy are stressed. John Ankele and Anne Macksoud's film is supplemented with a "Give Me Hope" music video, a study guide, Internet links, and a list of organizations for more information on AIDS and Africa. This AFRUS-AIDS/Maryknoll Productions documentary is must-see viewing for anyone who wants to understand the terrible devastation there, and anyone indifferent to the crisis until now will find the film a real eye-opener. (www.maryknollmall.org or (800) 227-8523)

"Company" (2008)
Handsome filming of Stephen Sondheim's 1970 Broadway musical (book by George Furth), as seen in its acclaimed 2006-07 Tony Award-winning revival. Raul Esparza stars in the role of Bobby, a confirmed bachelor celebrating his 35th birthday with his 10 closest friends (who also happen to be five couples. The production was directed by John Doyle, whose unconventional approach includes the versatile actors doubling as orchestra musicians for such songs as "Another Hundred People," "The Ladies Who Lunch" and "Being Alive." Best for adults and older teens. (Image Entertainment)

"Confetti "(2006)
Three couples -- played by Martin Freeman and Jessica Stevenson, Stephen Mangan and Meredith MacNeill, and Robert Webb and Olivia Colman -- vie for "most original wedding in Britain" in a competition run by the executives at a British bridal magazine, and plan themes of Hollywood musicals, tennis and nudism for their ceremonies, respectively, under the guidance of a couple of campy wedding planners (Vincent Franklin and Jason Watkins). Director Debbie Isitt's largely improvised satire generates some laughs and contains truths about human relationships, but some may be put off by a fair amount of expletives and by the uninhibited -- if utterly nonsexual -- nudity of the naturalist pair. Conversational rough language and profanity, full male and female nudity, some innuendo, a brief hint of a gay marriage at end of film and a couple of rough brawls. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Fox Home Entertainment)

"Conspiracy of Silence" (2004)
Insipid thriller set in modern-day Ireland about a muckraking reporter who uncovers a secret incriminating those in the highest ranks of the church. Director John Deery uses the film's slim story line as a rod on which to hang his grievances, including the church's stands on homosexuality and celibacy, employing caricature and distortion to position the hierarchy as one-dimensionally corrupt. A manipulative and sinister portrayal of the institutional church, including anti-clerical characterizations, a suicide, a sexual encounter with shadowy nudity, a shower scene with rear nudity, brief violence, and recurring rough and crude language. The USCCB Office for Film & Broadcasting classification is O -- morally offensive. Not rated by the Motion Picture Association of America. (Pacific Media)

"The Conspirator" (2011)
Rated "PG-13"
Engrossing historical drama, set in the final days of the Civil War, in which a Union Army officer-turned-lawyer (James McAvoy) is called upon to defend Mary Surratt (Robin Wright), the pro-Confederate widow in whose Washington boardinghouse John Wilkes Booth and his co-conspirators -- including her own son John (Johnny Simmons) -- plotted to kill Abraham Lincoln. Initially convinced of his client's guilt, the attorney's views shift as he witnesses the ruthless maneuvering of the prosecution team (led by Danny Huston) at her military tribunal. His new outlook leads to friendship with Mary's daughter, Anna (Evan Rachel Wood), but alienates the powerful secretary of war (Kevin Kline) as well as the young barrister's socialite fiancee (Alexis Bledel). In recounting an episode with obvious implications for contemporary debates about the proper treatment of accused terrorists, director Robert Redford avoids heavy-handed politicking. Instead, his portrait of a protagonist admirably committed to the rule of law is made all the more effective by the fair assessment of those with other legitimate priorities. A similarly balanced approach characterizes the portrayal of Surratt's Catholic faith. Possibly acceptable for older teens. Some wartime gore, a realistic hanging, a couple of crude and crass terms. Spanish titles option. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Roadside Attractions; also available on Blu-ray)

"The Constant Gardener" (2005)
Complex political thriller about an African-based British diplomat (Ralph Fiennes, in top form) who sets out to uncover the mystery behind the murder of his apparently unfaithful activist wife (Rachel Weisz), and uncovers a web of intrigue involving conspiracies, government corruption and betrayal at the highest levels of power and the pharmaceutical industry. Director Fernando Meirelles' adaptation of a John le Carre novel is a long, but generally absorbing, suspense story and a condemnation of drug testing on unsuspecting Third World people, with solid performances and flavorful location shooting in Kenya. Brief rear and partial nudity, scattered profanity, rough language and crude expressions, a restrained premarital bedroom scene, quick blurry shots of violence including lynching, and a gruesome description of death. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Universal)

"Constantine" (2005)
Intensely violent action film about a world-weary, chain-smoking exorcist (Keanu Reeves) fighting lung cancer and demonic forces with the help of a police detective (Rachel Weisz), whose twin sister is now consigned to hell. Despite much religious mumbo jumbo, Francis Lawrence's film is basically another formulaic action film that's only fitfully interesting. Graphic violence with attendant gore, some rough and crude language, and some sacrilegious imagery. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. (Buena Vista)

"The Conversation" (Blu-ray Edition; 1974)
Rated "PG"
Intricate story about the world of electronic eavesdropping in which a colorless professional bugger (Gene Hackman) is hired to spy on a young couple but then finds himself being spied upon. Directed by Francis Ford Coppola, it is beautifully acted, meticulously paced and of interest because it looks at some of the ambiguities and shades of responsibility in the subterranean area of electronic snooping as practiced by anonymous professionals for hire. Some violence. Spanish titles option. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Lionsgate Home Entertainment)

"Conviction" (2010)
When her brother (Sam Rockwell) is convicted of a brutal murder and imprisoned for life, a working-class Massachusetts woman (Hilary Swank), who dropped out of high school, completes her undergraduate degree and struggles to finish law school and gain admission to the bar, all in an attempt to clear him. As her suspicions focus on one of the arresting officers (Melissa Leo), she gains the help of a fellow law student and newfound friend (Minnie Driver) as well as that of a famed attorney (Peter Gallagher). Gritty yet touching, director Tony Goldwyn's fact-based drama -- set in a hardscrabble environment, its dialogue studded with vulgarities -- celebrates its heroine's selfless dedication and endless determination. But it also shows the toll her crusade takes on her marriage and her relationship with her two young sons (Conor Donovan and Owen Campbell). Some gruesome crime scene images, brief rear nudity, a suicide theme, about a dozen uses of profanity, close to 60 instances of rough language, and frequent crude or crass terms. Spanish titles option. The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (20th Century Fox Home Entertainment; also available on Blu-ray)

"The Cookout" (2004)
Forgettable comedy about a young basketball player (Storm P) who, after striking it rich as the NBA's No. 1 draft pick, decides to throw a family barbecue at his palatial new home in an exclusive white suburban community, policed by an overzealous security guard (Queen Latifah). Mayhem ensues when the cookout turns into a tug-of-war between his eccentric relatives, who want to make sure that his newfound success doesn't go to his head, and his gold-digger girlfriend (Meagan Good), who's just after his money. While imparting a message that family is more important than fame, much of Lance Rivera's unfunny directorial debut only serves to reinforce many of the African-American stereotypes it purports to discredit. Some crass sexual and racial humor, drug content and recurring crude language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Lions Gate)

"Coraline" (2009)
Entrancing, though eerie, 3-D animated cautionary tale in which a bored girl (voice of Dakota Fanning) discovers an alternate world inhabited by more accommodating versions of her parents (voices of Teri Hatcher and John Hodgman) but finds herself imperiled when the doubles reveal sinister plans for her. Writer-director Henry Selick's vibrantly colorful stop-motion adaptation of Neil Gaiman's best-selling, award-winning 2002 young adult novel sees its heroine overcoming selfishness, learning to appreciate her blessings and drawing closer to family and friends. Brief partial nudity, frightening images and a few mildly bawdy lyrics. Spanish language and titles options. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Universal Studios Home Video; also available on Blu-ray)

"The Counterfeiters" ("Die Falscher") (2008)
Absorbing true story about the largest counterfeiting operation in history, as inmates of a German concentration camp are ordered to forge vast amounts of Allied currency to undermine England's and America's war effort, but courageously delay the production of American dollars that might have adversely altered World War II's outcome. Writer-director Stefan Ruzowitzky's frequent use of the hand-held camera technique and Marius Ruhland's score add contemporary touches to a suspenseful tale bolstered by good performances, including those of Karl Markovics as the expert criminal forger who's put in charge of the team and August Diehl as the inmate who repeatedly sabotages the operation with the former's grudging allowance. In German. Subtitles. Some violence including brutal shootings, brief upper-female and rear nudity, further brief shower nudity, brief nongraphic sexual encounters, a crass scene of urination, an irreverent joke, a few expletives including the f-word and racial epithets. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Sony Classics)

"The Counterfeit Traitor" (1962)
   Elaborate espionage tale in which a Swedish oil dealer (William Holden) supplies Allied agents (led by Hugh Griffith) with information from business trips to Nazi Germany, then falls in love with a German Catholic (Lilli Palmer) working against the regime whose capture puts his life in jeopardy. Writer-director George Seaton uses the fact-based story to generate plenty of suspense, including a Nazi pretending to be a priest hearing the woman's confession, but it also probes some troubling moral issues related to espionage. Stylized violence, some harrowing scenes of brutality and an illicit love affair.    The USCCB Office for Film & Broadcasting classification is A-III -- adults. Not rated by the Motion Picture Association of America. (Paramount)

"Country Boys" (2006)
Filmmaker David Sutherland's follow-up to his acclaimed "The Farmer's Wife" proves another compelling slice of Americana. The six-hour film -- shot over three years (1999-2002) -- focuses on two very different teenage boys in the hills of Appalachian eastern Kentucky, and resonates as both a vivid portrait of adolescence and a fascinating study of an often stereotyped region. Cody Perkins is an orphan living in a fairly affluent house with his stepgrandmother, Liz. Now, with ever-changing punk hairdos, a supportive girlfriend named Jessica, and a member of a heavy-metal gang with religious underpinnings, Cody's strong faith in God permeates every aspect of his life, while Jessica shares his fervor. Chris Johnson, on the other hand, lives with his hardworking mother and alcoholic father. Chris must cope with his own learning disability while supporting the family with his disability checks, cooking the meals and doing the household chores. Both attend an institution for troubled youths, which provides a nurturing environment with strong emphasis on mentoring. And despite Cody's and Chris' myriad problems, the kind but firm counsel of their teachers is consistently impressive. Sutherland catches multitudinous details with consummate skill. The result is as absorbing as anything you will see on television, and Sutherland's adept visual sense assures that every shot is painterly in its composition. There is some conversational crude language throughout and other adult thematic material making the film best for older viewers who should find the narrative (despite occasional sordidness) most inspiring. (PBS)

"The Country Girl" (1954)
      Uneven picture from Clifford Odets' play about an alcoholic singer-actor (Bing Crosby) trying for a Broadway comeback under a director (William Holden) who blames the former star's problems on his domineering wife (Grace Kelly), until he learns the truth.    Writer-director George Seaton gets a fine performance from Crosby and an Oscar-winning one from Kelly, despite a heavily contrived backstage story and all sorts of tangled motivations, especially the director's attempt to woo the wife.    A child's off-screen death, romantic complications and a sobering scene of inebriation. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. (Paramount)

"The Covenant" (2006)
Supernatural thriller set in a New England boarding prep school about four warlocks (Steven Strait, Taylor Kitsch, Toby Hemingway and Chase Crawford) -- all good-looking descendants of the infamous Salem witches -- who must battle a sinister student (Sebastian Stan) who wants their powers to augment his own magic, while navigating jealousies within their group. Director Renny Harlin keeps things dark and dank, but the moody atmospherics can't disguise a run-of-the-mill script which substitutes schlocky sorcery effects for story and suspense. Some supernatural violence, a few disturbing images, occult elements, rear nudity, sexually suggestive situations and humor, and recurring crude language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13 (Allumination FilmWorks).

"Crack in the World" (1965)
Doomsday scenario unleashes widening series of earthquakes caused when a scientist (Dana Andrews) explodes a nuclear bomb to tap the energy at the earth's core. Director Andrew Marton gets some frightening moments in an otherwise sluggish script ending with the earth's getting a second moon. Stylized violence and a menacing premise. The Catholic News Service classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (Olive Films)

"Crave" (2007)
Uneven, but mostly engaging collection of three short films directed by Kevin Sage, bracketed by commentary from Christian writer and pastor Erwin Raphael McManus. In "Midnight Clear" an ordinary family dinner shared by a husband and wife and their two children is interrupted by the intrusion of an escaped convict; "Pop Star" concerns a successful but selfish British singer who has a life-altering encounter with a young hospital patient after being slightly injured during a rehearsal; "Nameless Moment" focuses on an eccentric college student who finally gets the chance to speak to the woman of his dreams. The first two films are stronger than the brittle, almost incoherent third selection, which also includes a scene of implied nudity. (Lionsgate)

"Criminal " (2004)
Smartly crafted scam movie about a veteran con man (John C. Reilly) who takes a young street hustler (Diego Luna) under his wing to swindle a wealthy collector (Peter Mullan) into buying a forged, extremely rare currency note. Director Gregory Jacobs' beat-for-beat remake of the 2002 Argentinian film "Nine Queens" fails to match the sharpness of the original, but its clever shell-game narrative still provides enough double-dealing plot twists to keep viewers guessing. However, the movie follows the original's morally muddy lead in suggesting that duplicity pays off. An implied sexual encounter and recurring rough language. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. (Warner Bros.)

"The Agatha Christie Miss Marple Movie Collection" (1962-1964)
The great mystery writer's intrepid detective and her cases have been more accurately represented in British television adaptations seen here on PBS, but the cuddly Margaret Rutherford, who memorably played Miss Marple in the early 1960s, is pretty irresistible. Now, her four black-and-white films -- of varying quality -- have been released on DVD, in sharp letterboxed print. There are no significant extras, except for some trailers of these films and Christie's "Ten Little Indians." None of the films was rated by the Motion Picture Association of America. The USCCB Office for Film & Broadcasting classification for each is A-I -- general patronage. (Warner Home Video)

"Murder Ahoy" (1964)
Miss Marple finds the solution to a murder committed ashore by going on board a naval training ship where her snooping unsettles crew and captain (Lionel Jeffries). Directed by George Pollock, the mystery formula has been diluted with too much feeble comedy and even Rutherford seems bored by the lackluster proceedings. Minimal stylized violence.

"Murder at the Gallop" (1963)
When a wealthy old man dies, Miss Marple suspects murder and her investigation of the beneficiaries leads to a reclusive relative (Flora Robson) and some members of the local horse set, notably its blustering, autocratic leader (Robert Morley). Directed by Pollock, the horse club setting furnishes a number of sinister characters as well as some deliciously amusing horseplay between the rubbery-faced Rutherford and the grimacing Morley before the killer is finally exposed. Enjoyable mystery fare with some menacing moments.

"Murder Most Foul" (1964)
Miss Marple causes a hung jury in a murder trial and then tracks the real killer to a theatrical troupe headed by a ham actor (Ron Moody). Directed by Pollock, the film features the usual assortment of suspects and red herrings but the stage setting is rather fun and gives Rutherford the opportunity to recite "The Shooting of Dan McGrew." Enjoyable mystery fare and minimal violence.

"Murder She Said" (1962)
Dandy mystery in which Miss Marple sees a murder committed on a passing train but the police aren't interested and so she investigates on her own by taking a job as maid on the estate where she figures the body was ditched. Directed by Pollock, the suspects in the puzzling case include the estate's irascible owner (James Robertson Justice), his bickering relatives and a visiting doctor (Arthur Kennedy), with the resourceful Miss Marple getting out of some dangerous scrapes before trapping the killer. Menacing situations mixed with humor.

"Crossover" (2006)
Urban drama about lifelong Detroit friends Cruise and Tech -- a college-bound basketball prodigy (Wesley Jonathan) with med-school ambitions and a high-school dropout (Anthony Mackie) with dreams of his own -- who enter an underground "streetball" tournament run by a smooth-talking promoter (Wayne Brady) to dethrone the league's cocky star player (Phillip Champion), jeopardizing Cruise's promising future. Written and directed by Preston A. Whitmore II, the film is commendable in its endorsement of education and integrity over money and fame, but, some energetic hoop sequences aside, the effort is weighed down by a trite, tired and predictable script. Some sexual content, including a subplot involving an out-of-wedlock pregnancy, lewd dance and cheerleading moves, suggestive wardrobe, sporadic crude language and humor and an instance of profanity. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13 (Sony Pictures Home Entertainment).

"Crouching Tiger, Hidden Dragon" (2000)
Thrilling drama, set in 19th-century China during the Qing Dynasty, in which the precious sword of a famed warrior (Chow Yun-Fat), entrusted to a longtime friend (Michelle Yeoh), is stolen and must be recovered at all costs. Although melodramatic in part, director Ang Lee blends mesmerizing martial arts with stunning special effects into a script brimming with intrigue and suspense. Subtitles. Martial arts violence and an implied sexual encounter. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Sony Pictures Classics)

"Curious George" (2006)
Delightful and disarming animated adventure based on the beloved children's books by A.H. and Margaret Rey, about an inquisitive chimp -- George -- who befriends a museum curator (voiced by Will Ferrell) searching for a legendary idol for his failing museum, and who eventually stows away, leaving his jungle home for New York, where much monkey mischief ensues. Directed by Matthew O'Callaghan, the simply told but visually vibrant film stays faithful to the gentle tone of the books, imparting a warmhearted message about friendship which, though geared toward youngsters, adults will find charming. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted (Universal Studios Home Video).

"The Curious Case of Benjamin Button" (2008)
Overly long but imaginative expansion of an F. Scott Fitzgerald short story set in New Orleans about a man born old (Brad Pitt) who ages backward from World War I to the present and his bittersweet romance with a dancer (Cate Blanchett). Under David Fincher's direction, the leads give fine performances and outstanding digital effects make the forward and backward aging remarkably believable, and the unusual story -- presenting a unique, often profound perspective on the transience of human life and how we deal with the people we meet and the things we experience, including death -- is thought-provoking and poignant. Implied nonmarital situations including nongraphic encounters, some rough language and brief profanity, mild innuendo, out-of-wedlock pregnancy, adultery, brief rear nudity and wartime violence. Spanish language option. The USCCB Office for Film & Broadcasting classification is A-III --adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Paramount Home Entertainment; also available on Blu-ray)

"The Curse of the Jade Scorpion" (2001)
Enjoyable 1940s' romantic comedy in which an ace insurance investigator (Woody Allen) and the agency's newly hired efficiency expert (Helen Hunt) are used by a hypnotist in a jewel heist. Writer-director Allen's often funny film capitalizes on the era's fascination with hypnotism, though it runs into trouble wrapping up its otherwise entertaining narrative. Several sexual references and an extramarital affair. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Universal)

D
"D.A.R.Y.L." (1985)
Sci-fi version of Pinocchio in which government scientists experimenting with artificial intelligence develop a robot that is like a boy in almost every respect. Some nasty higher-ups decide to put an end to the project when the robot transforms into a living boy with loving foster parents. Predictable story line but director Simon Wincer maintains interest and, save for a few ill-considered vulgar expletives, it would have been quite suitable for young children. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Paramount)

"Daddy Day Camp" (2007)
A few years after the events of "Daddy Day Care," the two entrepreneurial fathers (now played by Cuba Gooding Jr. and Paul Rae) buy a rundown summer camp and take up a rivalry with the big, mean bully camp next door. Director Fred Savage, the former child star now making his feature-film debut, runs through the checklist of crass jokes and heavy-handed messages about life and teamwork that would have been a lot more resonant if they had been grounded in reality. A few instances of crass language, some children's brawls, bathroom humor, light cartoonlike violence and an offhand sexual remark. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Sony Pictures Home Entertainment)

Daddy Long Legs" (1955)
Enjoyable May-December romance in which an aging playboy (Fred Astaire) anonymously sponsors an 18-year-old French orphan (Leslie Caron) at an American college, then falls in love with her. Directed by Jean Negulesco, the musical -- based on an often-dramatized novel by Jean Webster, a staunch advocate for orphanage reform -- has long stretches of dialogue between its big production numbers and pleasant songs by Johnny Mercer, including "Something's Got to Give." The DVD offers a sharp if narrow anamorphic (offering maximum resolution) widescreen image; insightful commentary by Astaire's daughter, Ava Astaire McKenzie, and film historian Ken Barnes, and some archival comments from Mercer; and with black-and-white footage of the New York, Hollywood and London premieres, the last attended by Princess Margaret. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America. (Fox)

"Damnation Alley" (1977)
Rated "PG"
The survivors of a nuclear holocaust trek across a devastated America in search of a haven in this muddled and unexciting disaster film directed by Jack Smight and starring Jan-Michael Vincent, Dominique Sanda, and George Peppard. Some violence. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Shout Factory; also available on Blu-ray)

"Dance Flick" (2009)
Flat-footed genre satire with a minimal plot about the unlikely romance between a would-be ballerina (Shoshana Bush) and a street dancer (Damon Wayans Jr.). Stumbles far outnumber leaps in director and co-writer Damien Dante Wayans' rambling sendup, and a few of the gags are patently vulgar. Much sexual and some scatological humor, one use of the F-word, frequent crude and crass language, and occasional comic violence. Spanish language and titles options. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Paramount Home Entertainment; also available on Blu-ray)

"Dangerous Assignment" (1952)
Here are all 39 episodes of an early TV series with aging film star Brian Donlevy as secret agent Steve Mitchell going to a different country each week to deal with some manner of international intrigue. In the first episode of the first disc of this five-DVD set, he heads to Lisbon, Portugal, to trace a missing agent who was investigating an "alien smuggling racket." The black-and-white print quality is quite good, and the scripts and acting are strictly formulaic, with Donlevy a stolid hero. He actually played this character for four years (1949-1953) on NBC radio. Herb Butterfield plays the commissioner who sends Mitchell on his various assignments. Based on the first episode screened, violence would appear to be nongraphic throughout. Not great, but an interesting curiosity for vintage TV buffs. (Infinity Entertainment Group/Falcon Picture Group)

"Daltry Calhoun" (2005)
Modestly endearing tale set in small-town Tennessee about a reformed good-for-nothing (Johnny Knoxville) who, with his rags-to-riches story facing a reversal of fortune, seeks reconciliation with the daughter he abandoned as an infant -- now a precocious, musically gifted teenager (Sophie Traub) -- when the girl's mother (Elizabeth Banks) shows up on his doorstep with news that she is dying and asks him to take over the parenting reins after she is gone. Directed by Katrina Holden Bronson, the film has its narrative bumps but they are smoothed over by its heartfelt emotion and redemptive message about hope and second chances. An implied sexual encounter, some sexual discussions, underage drinking and smoking, a mildly irreverent scene, brief fisticuffs, and scattered crude language and profanity. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Buena Vista)

"Dan in Real Life" (2007)
Steve Carell shines as the widowed father of three girls who takes them to a family reunion, and while there falls in love with an empathetic woman (Juliette Binoche), only to learn she's the girlfriend of his younger brother (Dane Cook). Also on the plus side of director Peter Hedges' leisurely paced, likable film are the positive depiction of Carell's large, loving family, and the almost total lack of objectionable elements. Yet the basic setup seems contrived, and the central romance earthbound. Mild innuendo. The DVD includes 11 deleted scenes, outtakes, optional commentary by Hedges, and includes an interesting making-of documentary and another on the score by singer-songwriter Sondre Lerche. Spanish-language, subtitle options. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Touchstone Home Entertainment; also available on Blu-ray)

"Danny Deckchair" (2004)
Delightful Australian comedy/fantasy about a cement worker who, bored with his job and disillusioned with his opportunistic -- and unfaithful -- girlfriend, attaches giant helium balloons to a patio chair at a family barbecue and is carried far away, eventually crash-landing in another town where he falls in love and wins the affection of the townsfolk. Writer/director Jeff Balsmeyer's first feature-length film is a heartwarming, refreshingly wholesome and uplifting fable about possibility and overcoming one's imagined limitations. Implied sexual situations. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Artisan)

"Daredevil" (2003)
Gloomy, comic-book based tale of a blind attorney (Ben Affleck) who seeks to save his new girlfriend (Jennifer Garner) from a vicious killer (Colin Farrell) by using his sharpened remaining senses and gymnastic abilities as a masked, nighttime enforcer of vigilante justice. As written and directed by Mark Steven Johnson, superspeed stunts and special effects can't disguise the shallow characterizations, flat dialogue and muddled moral message. Sympathetic treatment of vigilante justice, some brutal but stylized violence, a discreet sexual encounter and an instance of profanity. The USCCB Office for Film & Broadcasting classification is A-IV -- adults, with reservations. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Fox)

"Darfur Now" (2007)
Well-crafted and informative documentary profiling six activists, actor Don Cheadle among them, who are grappling in various ways with the crisis in the titular region of Sudan, a conflict that the United Nations estimates has killed 200,000 and displaced 2.5 million. While sobering, writer-director Theodore Braun's film is also inspirational, demonstrating the difference that ordinary individuals can make, as in the case of Adam Sterling and Jason Miller, two amateur lobbyists who are shown shepherding a divestment bill through the California legislature. Additional features on the widescreen DVD include commentary by the director and 10 additional scenes. Spanish titles option. Images of war, torture and rape, and brief scatological humor. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Warner Home Video)

"Dark City" (1950)
Gritty crime thriller in which Chicago gamblers (Charlton Heston, Jack Webb and Ed Begley) fleece a visiting businessman (Dan DeFore) whose suicide brings his psycho older brother (Mike Mazurki) to hunt them down one by one. Directed by William Dieterle, the stark proceedings focus on Heston's cynical character as he gradually softens under the influence of a torch singer (Lizabeth Scott) and the dead man's widow (Viveca Lindfors). Stylized violence, menacing atmosphere and sexual innuendo. The Catholic News Service classification is A-III -- adults. Not rated by the Motion Picture Association of America. (Olive Films)

"Darkon" (2007)
Reasonably interesting documentary about Baltimore-area residents enamored of medieval role-playing. Taking sides as fictitious nations which negotiate, form alliances and frequently do battle, the participants are offered a chance for make-believe glory and even immortality, with one devotee troublingly suggesting this may be an alternate to religion. The overlong film, directed by Andrew Neel and Luke Meyer, offers an insight into an elaborately detailed subculture, complete with character biographies, national histories, color-coded weaponry and rules of warfare, but some of the real life detail, such as packing for a weekend of Darkon, or a player's small son brandishing a plastic sword on Halloween, are less compelling. The extra features of the widescreen DVD were unavailable for review. Two uses of the f-word, one use of the s-word, some crass language and pseudo-pagan worship. The USCCB Office for Film & Broadcasting classification is A-III -- adults. Not rated by the Motion Picture Association of America. (PorchLight Home Entertainment)

"The Dark Knight" (Two-Disc Special Edition) (2008)
Tumultuous, technically dazzling -- if overlong and excessively complex -- sequel to "Batman Begins" as the chiropteran crusader (Christian Bale) is challenged by the anarchic Joker (Heath Ledger) to reveal his true identity or else scores will die, while a romantic rival for his ex-girlfriend's (Maggie Gyllenhaal) affections -- the upstanding district attorney (Aaron Eckhart), working in tandem with the city's crime unit chief (Gary Oldman) -- strives to bring integrity to corrupt Gotham. Ledger is electrifying in his last completed performance, while director and co-writer Christopher Nolan brings consummate polish to the creation of a chaotic and brutal milieu, albeit one relieved by underlying decency. Bloodless but intense action violence including shootings, explosions and vehicular mayhem, but virtually no objectionable language or sexual elements. Extra features on the second disc include extensive background material on Hans Zimmer's score, the Bat-suit and the Bat-pod, the six specially shot Imax sequences with their original framing, six full broadcasts of fictional Gotham's news program, poster art and galleries. Spanish language and titles options. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Warner Home Video; also available on Blu-ray)

"Dark Water" (2005)
Smartly crafted and suspenseful psychological thriller about a recently separated single mom (Jennifer Connelly) -- locked in an ugly custody battle with her estranged husband -- struggling to keep hold of her fragile sanity and 5-year-old daughter (Ariel Gade) when they move into a dilapidated apartment with a creepy chronic ceiling leak and a dark past. Director Walter Salles' stylish and sophisticated ghost story (a remake of a Japanese horror film) takes a more subtle approach to maintaining its taut-nerve tension, keeping viewers' cold sweat on a slow drip rather than going for cheap jolts with lots of gore or computer-generated tricks. Mature thematic elements, recurring menace, some frightening moments, child peril, including a disturbing drowning sequence, a brief implied sexual situation, scattered crude language and profanity and an instance of rough language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Buena Vista)

"Darling Lili" (1969)
Uneven musical comedy set in World War I about a London music hall entertainer (Julie Andrews) who feigns romance with an Allied pilot (Rock Hudson) to ferret out military secrets for the Germans. Produced and directed by Blake Edwards. Andrews' charming performance and the lavish re-creation of the period's rickety automobiles and biplane aircraft are generally pleasing but some lovemaking scenes and a couple of striptease numbers place it in the adult category. The splendid-looking DVD features a so-called "director's cut" -- which, in this instance, means a shorter version than that released theatrically. The omitted material -- including some of Andrews' vocals -- shows up under the extensive "deleted scenes" feature. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is G -- general audiences. (Paramount)

"Das Boot" (Collector's Edition Blu-ray; 1982)
Authentic World War II picture of a German submarine's final tour in the North Atlantic where U-boats were the terror of Allied convoys. Director Wolfgang Petersen emphasizes the claustrophobic conditions and dangers of sub duty with creative camerawork and first-rate performances, especially that of Jurgen Prochnow whose haggard face as the captain is likely to haunt the viewer for some time. For all its virtues as a war movie, the moral dilemma of serving one of the worst causes in history is treated only indirectly. In German. Subtitles or dubbed. Sexual references and crude language abound in this all-male environment. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Sony Pictures Home Entertainment)

"David/Solomon: Expanding the Kingdom" (2006)
Ancient Israel's two greatest kings are profiled in this sixth installment of the 10-part "Footprints of God" series of videos hosted by Stephen Ray, a convert from the Baptist faith to the Catholic faith, whose animated zeal brings the Bible to life. Tracing David's rise from humble shepherd boy to God's anointed king, the program presents him in all his complexities: warrior, poet, hero, sinner; a man who united a divided people and forged a nation, but whose misdeeds -- including adultery and murder -- nearly destroyed his kingdom. Solomon gets sketchier treatment, focusing on his legendary wisdom, building of the first Temple of Jerusalem and his later fall into idolatry. Together their reigns marked ancient Israel's "golden age." Touring the actual Holy Land sites where the scriptural events may have occurred, the engaging video illuminates how both men prefigured Jesus, providing Catholic viewers with a deeper understanding of their faith by highlighting Christianity's Jewish roots and by linking the Old and New Testaments in the drama of salvation. The DVD also includes a "making-of" documentary and other behind-the-scenes material, as well as a short interview with Nigerian Cardinal Francis Arinze. (Ignatius Press)

"The Da Vinci Code" (2006)
Dan Brown's best-seller comes to the screen with most of its spurious historical, artistic and theological misstatements intact. The film follows the book's plot of a Harvard "symbologist" (Tom Hanks) on the run from French police after the murder of a curator from the Louvre museum, with the latter's granddaughter (Audrey Tautou) in tow, as they piece together the motives for the killing, implicating the Catholic Church in a centuries-old conspiracy to suppress an explosive secret. As expected, director Ron Howard has made a glossy, competent thriller, though perhaps a little confusing for those unfamiliar with the book. The performances, including that of Sir Ian McKellen as another scholar and Paul Bettany as the albino monk-assassin, are colorful; the underlying assertions -- particularly as they question Jesus' divinity -- and the obvious falsehoods about Opus Dei are deeply abhorrent. Partly subtitled. Violence including brutal murders, crude language, irreverent underpinning, rear male nudity, scenes of corporal mortification, fleeting hint of prostitution and a glimpse of ritualistic sex. The two-disc anamorphic DVD contains several behind-the-scenes featurettes that include interviews with Howard, Hanks and Brown about the making of the movie, steering clear for the most part of any discussion of the controversy surrounding the story's provocative claims, focusing instead on its appeal as a thriller and the rarified experiences of filming in famous locations like the Louvre. Curiously, there is no director's commentary. (Though categorizing the plot as "fictional," McKellen has the temerity to state that the theories involving Jesus, Mary Magdalene and early Christianity are "plausible.") Also, one segment that "decodes" the hidden visual clues Howard peppered throughout the movie advances fraudulent notions about the Priory of Sion by claiming falsely that painter Botticelli and novelist Victor Hugo were members. The USCCB Office for Film & Broadcasting classification is O -- morally offensive. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13 (Sony Pictures Home Entertainment).

"The Day After Tomorrow" (2004)
Visually spectacular doomsday drama about a scientist (Dennis Quaid) trying to reunite with his son (Jake Gyllenhaal) during a worldwide environmental catastrophe triggered by global warming which, in addition to unleashing monstrous hurricanes, killer tornadoes and biblical-proportion floods, threatens to rapidly plunge Earth into a new ice age. The film is brimming with eye-popping special-effects sequences; director Roland Emmerich plays fast and loose with scientific facts to craft a high-concept roller-coaster ride full of escapist thrills but without much of a story beyond its nature-gone-mad premise. Intense scenes of natural disasters. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Fox)

"Daylight" (1996)
A former medical emergency worker (Sylvester Stallone) singlehandedly attempts to rescue a dozen trapped survivors when a tunnel connecting Manhattan to New Jersey collapses at both ends following a fiery explosion. Director Rob Cohen's formula disaster movie works up considerable concern over the fate of the frightened victims as their peril mounts from fires, flooding and collapsing supports. Some charred corpses, accident-related fatalities and occasional profanity. Spanish titles option. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Universal Studios Home Entertainment; also available on Blu-ray)

"The Day the Earth Stood Still" (Special Edition) (1951)
Science fiction classic about a humane alien (Michael Rennie) landing a flying saucer in Washington on a mission to warn the world of self-annihilation if wars continue makes the point by demonstrating his superior powers and then, with some help from a widow (Patricia Neal) and her boy, departs in peace. Director Robert Wise treats the fantasy premise in sober, underplayed fashion, giving the anti-war theme unusual credibility by relying more on the viewer's imagination and intelligence than on the hokum of the special-effects department. Unsettling atmosphere of menace and some stylized violence. Spanish language and titles option. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is G -- general audiences. All ages admitted. (20th Century Fox Home Entertainment; also available on Blu-ray)

"The Doris Day Show Season 2" (1969-1970)
The high quality of the first-season DVD box carries over to the (again) beautifully packaged second-season box. These are the episodes where Doris' character left the farm and got a job working for "Today's World" magazine in San Francisco, becoming assistant to the editor, played by McLean Stevenson of "M*A*S*H." Once again, Day impresses with her talent and vivacity, and the show, which may have seemed unremarkable at the time, actually improves with age. The fourth disc in the set includes special network promos with an ingratiating Day; an amusing blooper reel (which may be the only time you'll ever hear the wholesome lady say the d-word); interviews with co-star Rose Marie, who played her office colleague, and Larry Storch, who guest-starred as a boxer. The former extols Day's virtues as an easygoing colleague, and how, with both recently widowed, they bonded. The series itself looks pristine, with its bright primary colors in tiptop shape. It's good, wholesome viewing. (MPI)

"The Doris Day Show" (Season 4) (1971-1972)
Another splendid packaging of the popular screen star and recording artist's remarkably long-lived TV series (five seasons in all), which holds up well in its remastered DVD form. Doris had a new boss (John Dehner) at Today's World magazine, and Hollywood star Peter Lawford became a regular playing Doris' boyfriend (the romance introducing some innuendo into a series that's still squeaky clean by today's standards). The 24 episodes spread over four discs are peppered with guest stars including Bob Crane, Van Johnson and Charles Nelson Reilly. Thoughtfully produced by Jim Pierson, the set's extras include a segment of "Golden Girl" Betty White's "The Pet Set Show" with Day, a tireless animal rights advocate, as guest; engaging interviews with co-stars Jackie Joseph (who played Dehner's secretary) and Kaye Ballard, who discuss their participation in the show and extol the star's qualities; a lengthy (over 30-minute) fashion sequence and more (MPI Home Video).

"The Complete James Dean Collection"
Since, incredibly, the iconic star made only three major films in his short life, Warner Bros. Home Video has gone all out to give us every extant scrap of extra footage of Dean, besides providing pristine prints of the movies themselves, in this outstanding boxed set.

"East of Eden" (1955)
Classic adaptation of the second part of the John Steinbeck novel set in 1919 northern California with Cain and Abel overtones, as an alienated young man (James Dean) poignantly tries to connect with his distant father (Raymond Massey) with the sympathetic support of the girlfriend (Julie Harris) of his brother (Richard Davalos), while tracking down the mother (Oscar-winning Jo Van Fleet) he thought had died long ago, but who now runs a house of ill repute. Director Elia Kazan did a masterful job, and elicited fine performances from Dean (his first major role), and the rest of the cast. The widescreen DVD looks smashing and features cogent commentary by film historian Richard Schickel, and the second disc has a plethora of extras, including a background documentary, a vintage Dean biography (a bit grainy but insightful), extensive footage of the New York premiere, wardrobe footage, a lengthy black-and-white screen test with Dean and Davalos, several alternate takes and a deleted scene. The USCCB Office for Film & Broadcasting classification is A-III -- adults. Not rated by the Motion Picture Association of America. (Warner Bros.)

"Giant" (1956)
Sentimental but stylish adaptation of Edna Ferber's sprawling family saga of life and love in Texas oil country from the turn of the century to the early 1950s, with Dennis Hopper as the clean-cut, intense son of Texas patriarchs Elizabeth Taylor and Rock Hudson, while James Dean gives his most moving performance as the inarticulate cowhand who strikes it rich. Directed by George Stevens, the plot is less important than its themes of changing times, the generation gap, racial prejudice, the waste of war and marital incompatibility. Lots of DVD extras for this "giant" of a film: commentary by critic Stephen Farber, screenwriter Ivan Moffat, and George Stevens Jr.; the documentary "George Stevens: Filmmakers Who Knew Him" (note some disturbing World War II concentration camp footage); two "making of" documentaries; and creaky New York and Hollywood premiere footage, all adding texture to a film shown at its best. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. (Warner Bros.)

"Rebel Without a Cause" (1955)
Director Nicholas Ray's now classic film of teenage angst among Los Angeles youths (James Dean, Natalie Wood and Sal Mineo) whose alienation from affluent parents propels them into dangerous scrapes that eventually end in tragedy was originally labeled "an unconvincing tale" by the Legion of Decency. Stylized violence. The DVD features a fine restored print, fact-filled commentary by author Douglas L. Rathgeb; a 1970s' television special on Dean hosted by Peter Lawford interviewing Wood, Mineo and "Rebel" composer Leonard Rosenman; a "Rebel" documentary; black-and-white screen and wardrobe tests; deleted scenes (black-and-white without sound); and Gig Young hosting a contemporary behind-the-scenes TV program with cast interviews and Dean's ironic comments about driving safely. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (Warner Bros.)

"Dead Silence" (2007)
Mechanical, relatively mayhem-free horror movie about a man (Jamie Ashen) who returns to his hometown seeking answers to his wife's murder. Director James Wan teases a bit of mystery out of an ordinary plot concerning the revenge of a female ventriloquist and her collection of dolls, but the film proves long on buildup and short on genuine frights. Some crass language, violence, bloody images and dead bodies. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian (Universal Home Video).

"Detective Story" (1951)
Powerful adaptation of Sidney Kingsley's play about a day in a New York City police station beginning with the arrest of a shoplifter (Lee Grant) and ending with a dying cop's act of contrition. At the center of events is an idealistic but overbearing detective (Kirk Douglas) who brings in a petty thief (Craig Hill), slaps around an abortionist (George Macready), breaks up with his wife (Eleanor Parker) and stops an escaping crook (Joseph Wiseman). Director William Wyler keeps the set piece humming with finely honed character types, including the weary precinct captain (Horace McMahon) and a sympathetic cop (William Bendix). Veiled references to abortion and stylized violence. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (Paramount Home Entertainment)

"Decision Before Dawn" (1951)
Fact-based World War II story of German POWs recruited by U.S. intelligence to gather information behind German lines but when one of them (Oskar Werner) is discovered, he risks his life to report what he learned to his U.S. contact (Richard Basehart). Directed by Anatole Litvak, the story's cat-and-mouse thrills are realistically portrayed but tempered with thoughtful musings about whether these German spies were traitors to their country or heroes trying to save it. Wartime violence and justice questions. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (Fox Home Entertainment)

"Deep Blue" (2005)
Visually spectacular nature documentary which explores earth's final frontier, the ocean, from its wave-tossed surface teeming with myriad marine life to its unfathomable depths, revealing both its sublime beauty and indiscriminate cruelty. Directed by Alastair Fothergill and Andy Byatt and narrated by Pierce Brosnan, this awe-inspiring tour through liquid space, with its breathtaking, up-close, underwater photography (culled from the BBC series "The Blue Planet"), is highly emotional and imparts a deeper appreciation for the wonders of God's creation. Some disturbing predatory images. The DVD, which includes an interesting 50-minute "making of" documentary, captures all the beauty of the film. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is G -- general audiences. All ages admitted. (Miramax)

"Deep Impact" (1998)
Low-voltage disaster movie focuses on a TV network anchor (Tea Leoni) and a teen astronomy buff (Elijah Wood) after the president (Morgan Freeman) announces that a manned spacecraft team (headed by Robert Duvall) has failed to deflect a huge comet from its deadly collision course with Earth. Directed by Mimi Leder, the spectacular special effects are brief and fleeting while the personal stories are contrived and schmaltzy. A massive natural catastrophe, suicidal and sexual references, occasional profanity and an instance of rough language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13.

"Dead End "(1937)
Gritty screen version of Sidney Kingsley's play about the cycle of poverty focuses on a fugitive gangster (Humphrey Bogart), an aspiring architect (Joel McCrea) and a union worker (Sylvia Sidney) worried over an adolescent brother (Billy Halop) who's hanging out with a gang of street toughs (Leo Gorcey, Huntz Hall, Gabriel Dell and others) in a New York City block of tenements next to a luxury apartment building. Directed by William Wyler, the story portrays a classic example of the slums as a breeding ground for crime but ends with some hope of change. Stylized violence. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (MGM)

"The Complete James Dean Collection"
Since incredibly, the iconic star made only three major films in his short life, Warner Bros. Home Video has gone all out to give us every extant scrap of extra footage of Dean, besides providing pristine prints of the movies themselves, in this outstanding boxed set.

"East of Eden" (1955)
Classic adaptation of the second part of John Steinbeck novel set in 1919 northern California with Cain and Abel overtones, as an alienated young man (James Dean) poignantly tries to connect with his distant father (Raymond Massey) with the sympathetic support of the girlfriend (Julie Harris) of his brother (Richard Davalos), while tracking down the mother (Oscar-winning Jo Van Fleet) he thought had died long ago, but who now runs a house of ill repute. Director Elia Kazan did a masterful job, and elicited fine performances from Dean (his first major role), and the rest of the cast. The widescreen DVD looks smashing and features cogent commentary by film historian Richard Schickel, and the second disc has a plethora of extras, including a background documentary, a vintage Dean biography (a bit grainy but insightful), extensive footage of the New York premiere, wardrobe footage, a lengthy black-and-white screen test with Dean and Davalos, several alternate takes and a deleted scene. The USCCB Office for Film & Broadcasting classification is A-III -- adults. Not rated by the Motion Picture Association of America. (Warner Bros.)

"Giant" (1956)
Sentimental but stylish adaptation of Edna Ferber's sprawling family saga of life and love in Texas oil country from the turn of the century to the early 1950s, with Dennis Hopper as the clean-cut, intense son of Texas patriarchs Elizabeth Taylor and Rock Hudson, while James Dean gives his most moving performance as the inarticulate cowhand who strikes it rich. Directed by George Stevens, the plot is less important than its themes of changing times, the generation gap, racial prejudice, the waste of war and marital incompatibility. Lots of DVD extras for this "giant" of a film: commentary by critic Stephen Farber, screenwriter Ivan Moffat, and George Stevens Jr.; the documentary "George Stevens: Filmmakers Who Knew Him" (note some disturbing World War II concentration camp footage); two "making of" documentaries; and creaky New York and Hollywood premiere footage, all adding texture to a film shown at its best. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. (Warner Bros.)

"Rebel Without a Cause" (1955)
Director Nicholas Ray's now classic film of teenage angst among Los Angeles youths (James Dean, Natalie Wood and Sal Mineo) whose alienation from affluent parents propels them into dangerous scrapes that eventually end in tragedy was originally labeled "an unconvincing tale" by the Legion of Decency. Stylized violence. The DVD features a fine restored print, fact-filled commentary by author Douglas L. Rathgeb; a 1970s television special on Dean hosted by Peter Lawford interviewing Wood, Mineo and "Rebel" composer Leonard Rosenman; a "Rebel" documentary; black-and-white screen and wardrobe tests; deleted scenes (black-and-white without sound); and Gig Young hosting a contemporary behind-the-scenes TV program with cast interviews and Dean's ironic comments about driving safely. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (Warner Bros.)

"Dead Poets Society: Special Edition" (1989)
A teacher (Robin Williams) returns in 1959 to the tony New England prep school for boys from which he had graduated, determined to turn his students on to poetry and into freethinkers, but his unorthodox methods inspire the impressionable youths to take personal risks not always in their best interests. Director Peter Weir's thought-provoking period drama raises more questions than it answers in exploring such issues as peer pressure, child rights, values clarification, teen suicide and the price of nonconformity. Mild locker room language and an unsettling, unresolved teen suicide. Fifteen years later, the DVD issue offers a crisp transfer and a generous array of extras. There's audio commentary by Weir, cinematographer John Seale and writer Tom Schulman; a new retrospective featuring interviews with Weir, stars Ethan Hawke and Robert Sean Leonard; a deleted scene; and more. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Touchstone)

"Dear John" (2010)
Frequently sentimental drama, set in South Carolina, charting the love-at-first-sight romance between a Special Forces sergeant (Channing Tatum) home on leave to visit his mildly autistic father (Richard Jenkins) and an affluent college student (Amanda Seyfried), their prolonged separation because of his reenlistment after the 9/11 terrorist attacks, and their efforts to maintain their bond by long-distance letter writing. Though the portrayal of the conflicted filial relationship is moving, director Lasse Hallstrom's adaptation of Catholic writer Nicholas Sparks' best-selling 2006 novel focuses mostly on the emotionally unrealistic evolution of the lovers' attachment, and endorses its premature consummation along the way. Nongraphic premarital sexual activity with partial nudity, a few uses of profanity, at least four instances of the S-word. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Sony Pictures Home Entertainment; also available on Blu-ray.)

"Deception" (2008)
Dull, sometimes obvious thriller about a lonely accountant (Ewan McGregor) who's befriended by a charismatic corporate lawyer (Hugh Jackman), who introduces him to a sex club offering "intimacy without intricacy" where he falls for one of the other members (Michelle Williams) and soon becomes a blackmail victim. Director Marcel Langenegger's feature debut -- nocturnal and claustrophobic -- glamorizes its main character's anonymous encounters before endorsing his more substantial relationship. Graphic nonmarital sexual activity, rear and upper-female nudity, scanty costuming, much rough and crude and some crass and profane language, sexual discussion and drug use. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (20th Century Fox Home Entertainment)

"Defiance" (2008)
Well-acted, too lengthy but ultimately worthy history lesson about the Bielski brothers (Daniel Craig, Liev Schreiber and Jamie Bell), Jewish farmers who chose not to be victimized by the Nazis, who sheltered hundreds of Jews, taking them to safety in the forests of Eastern Europe during World War II, and who violently fought off the Germans. Director and co-writer Edward Zwick keeps the episodic story moving reasonably well considering the three-year time span, and the script gives a different perspective than the typical Holocaust movie, but the brothers' heroism here is shown to be marred by several morally unacceptable instances of senseless slaughter. Strong sporadic violence, vigilante killing, rough language, mild sexuality and a rape reference. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Paramount Vantage; also available on Blu-ray)

"Definitely, Maybe" (2008)
Carefully wrought romantic comedy, albeit with some problematic material, in which an advertiser (Ryan Reynolds) on the verge of divorce recounts to his inquiring daughter (Abigail Breslin) how he chose her mother from among the three women (Elizabeth Banks, Rachel Weisz and Isla Fisher) he had once been dating. Writer-director Adam Brooks' generally well-written, often touching film is most suitable for mature viewers. Implied nonmarital sexual activity and cohabitation, some profanity, frank sexual talk and crass language, divorce theme, lesbian reference and political pro-choice allusion. The DVD has commentary by Brooks and Reynolds and includes a making-of documentary, a look at the production design, and some deleted scenes, which include a use of the f-word. Spanish language and titles option. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Universal Studios Home Entertainment)

"Deja Vu" (2006)
Action thriller about a federal agent (Denzel Washington) who, in investigating a deadly explosion on a New Orleans ferry, is recruited into a top-secret project whose members (including Val Kilmer) have found a way to peer into the past to solve crimes, and, while helping them track down the bomber (Jim Caviezel), falls in love with one of the blast's casualties (Paula Patton) and decides to travel back in time to prevent her death. Managing to keep the twisting plot mostly lucid, director Tony Scott grafts inventive action sequences onto the intriguing premise resulting in a sufficiently engaging sci-fi mystery, despite some holes in story logic. Some intense action violence, disturbing images of death, blurred shower nudity, brief rear nudity, and some mildly crude language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13 (Buena Vista Home Entertainment).

"Delgo" (2008)
Well-meaning but only average animated children's parable, set in a mythical land, about a part-human, part-reptile teenager (voice of Freddie Prinze Jr.) who falls for the winged, pixielike princess (voice of Jennifer Love Hewitt) of a rival nation and enlists the help of his bumbling best friend (voice of Chris Kattan) and a fearless general (Val Kilmer) to thwart the warmongering schemes of the princess' exiled aunt (voice of Anne Bancroft). This Romeo-and-Juliet tale, co-written and directed by Marc F. Adler and Jason F. Maurer, exalts peace, racial and ethnic harmony and the power of mercy to break a cycle of hatred, values which compensate for special effects well behind the vanguard and a sometimes unimpressive script. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (20th Century Fox Home Entertainment)

"The Dilemma" (2011)
Unappealing mix of comedy and drama as a Chicago businessman (Vince Vaughn) and reformed gambler discovers that his best friend and partner's (Kevin James) wife (Winona Ryder) is cheating with a younger man (Channing Tatum). Unable to bring himself to share the news, he undertakes a series of credulity-straining antics designed either to gain proof of the affair or end it. But his strange behavior convinces his live-in girlfriend (Jennifer Connelly) that he has returned to betting. Though fidelity, honesty and the value of marriage are affirmed in passing, and Vaughn's character even pauses to pray for guidance, the plot of director Ron Howard's mood-shifting mess primarily serves as an excuse for stringing together Vaughn's trademark manic riffs. And like them or not, they fail to offset the showcasing of wayward, sometimes seamy bedroom behavior. Brief graphic adulterous sexual activity with fleeting rear nudity, cohabitation, prostitution theme, much sexual humor, a half-dozen uses of profanity, at least one instance of the F-word, considerable crude and crass language, obscene gestures. Spanish titles option. The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Universal Studios Home Entertainment; also available on Blu-ray)

"Deliverance" (Deluxe Edition) (1972)
Challenging screen version of the James Dickey novel about four Atlanta businessmen (Burt Reynolds, Jon Voight, Ned Beatty and Ronny Cox) who decide to spend a weekend canoeing down a hazardous mountain river on a wilderness journey that turns into a nightmare. Director John Boorman's powerful and absorbing adventure piece tries fitfully to provide some insights on masculinity, civilization and nature. Those deciding to take the trip should be prepared for some harrowing violence and a brutal homosexual assault. The well-packed DVD includes commentary by Boorman, and several intelligent featurettes on the adaptation of the original novel, elements of the production, and the enduring impact of the film featuring new interviews with the cast and crew. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Warner Home Video)

"De-Lovely" (2004)
Disappointing musical biography about Broadway composer Cole Porter (Kevin Kline) and his wealthy wife, Linda (Ashley Judd), which traces their loving but mostly platonic relationship over the years, as it survives Porter's dalliances with men that strain but don't destroy the relationship. A well-acted, handsomely designed, sometimes affecting, alternately frenetic and slow-moving film, with mostly misguided musical numbers featuring ill-chosen contemporary pop and jazz singers. An unconventional marital relationship, implied promiscuity and discreetly presented sexual content. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (MGM)

"Delirious" (2007)
The unlikely friendship between a lowlife "paparazzo" (Steve Buscemi) and a sympathetic street kid (Michael Pitt) is put to the test when an even more unlikely romance develops between the photographer's recently homeless protege and a world-famous pop-music star (Alison Lohman). The tone of writer-director Tom DiCillo's film veers disconcertingly from bleak cynicism to sophomoric fantasy, so that in the end neither the often-witty script nor some genuinely impressive performances among the lead actors can save this story from degenerating into an unconvincing muddle. Relentless rough and crude language and some profanity, much crude humor, rear and partial nudity, some skimpy costuming, innuendo and implied unmarried sexual liaisons. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. Not rated by the Motion Picture Association of America. (Genius Productions)

"Delta Farce" (2007)
Stale, flat attempt at a military comedy starring Daniel Whitney in his guise of Larry the Cable Guy, supported by "Blue Collar TV" co-star Bill Engvall and the twitchy D.J. Qualls, playing amiable dumb-guy Army reservists called up to Fallujah, Iraq, but landing instead in a remote Mexican village, where they take on local bandits. Director D.B. Harding, evidently assuming a short attention span for the audience, chops the comedic scenes into annoyingly tiny bits, but is more successful turning Larry into a good-hearted, Southern-fried teddy bear. Some crude language, sexual innuendo, gay characters, a scatological sight gag and some ethnic slurs. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Lions Gate Home Entertainment)

"A Dennis the Menace Christmas" (2007)
Innocent but mostly unfunny holiday outing in which the titular terror (Maxwell Perry Cotton) wreaks havoc on his grouchy neighbor, Mr. Wilson (Robert Wagner), and his kindly wife (Louise Fletcher), thus causing damages that threaten to ruin his parents (Kim Schraner and George Newbern) financially, a problem that only the intervention of an angel (Godfrey) may be able to resolve. Director Ron Oliver's comedy, when not ripping off Dickens or Frank Capra, indulges in the most predictable kind of destructive slapstick, though along the way it does manage to promote some positive values. One mild oath and a sight gag involving a brassiere. Added features on the DVD include a behind-the-scenes look at the making of the film, brief blooper and outtake reels, an audio commentary with Oliver and Wagner, a picture-in-picture video commentary by Cotton, and Spanish and Portuguese dubbing and subtitle options. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted. (Warner Home Video)

"The Departed" (Two-Disc Special Edition) (2006)
Hard-hitting if overlong tale of two rookie cops in South Boston -- one (Matt Damon) an informant for the mob, the other (Leonardo DiCaprio) secretly assigned by senior officers (Martin Sheen and Mark Wahlberg) to infiltrate the crime ring run by a notorious mob boss (over-the-top Jack Nicholson) -- with both young cops pushed to the mental breaking point in their double-dealing roles, and frantic to uncover the other's identity. Director Martin Scorsese has lost none of his flair for the genre, and DiCaprio and Damon are extremely good, but the setup seems far-fetched, and there's predictably a high quotient of violence, with the nonstop barrage of expletives excessive even for the underworld environment. Pervasive rough language, racial epithets, profanity, extremely crude expressions, heavy violence, grisly images, nongraphic sexual situations and encounters, and irreverent remarks about the church. The anamorphic DVD includes nine interesting deleted scenes, introduced by Scorsese; the documentary "Scorsese on Scorsese" from Turner Classic Movies; "The Story of the Boston Mob," a look at the real gangster behind Nicholson's character; and "Crossing Criminal Cultures," exploring how Little Italy's crime and violence influence Scorsese's work. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian (Warner Home Video).

"Deuce Bigalow: European Gigolo" (2005)
Brainless and disastrously distasteful sequel to the 1999 comedy "Deuce Bigalow: Male Gigolo" which finds the doltish fish-tank cleaner turned male prostitute (Rob Schneider) in Amsterdam, Netherlands, where he must solve the murders of Europe's top gigolos to clear the name of his friend and former pimp (Eddie Griffin) implicated in the crimes. Directed by Mike Bigelow, the much raunchier follow-up wallows in juvenile sexual and scatological sight gags that succeed in lowering the already rock-bottom bar set by the original. Pervasive sexual and gross-out humor, some partial frontal nudity and comic violence, comical treatment of physical and mental disabilities, and drug content, as well as much rough and crude language and profanity. The USCCB Office for Film & Broadcasting classification is O -- morally offensive. The Motion Picture Association of America rating is R -- restricted. (Columbia/TriStar)

"Dial M for Murder" (1954)
Talky suspense thriller from Frederick Knott's play about a London cad (Ray Milland) whose plan to murder his wealthy wife (Grace Kelly) boomerangs, thanks partly to a shrewd police inspector (John Williams) and the wife's ardent friend (Robert Cummings).       Director Alfred Hitchcock handles the intricately plotted narrative deftly but without his usual flair for edge-of-the-seat tension. Intermittent menace and stylized treatment of a grisly murder.  The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (Warner Bros.)

"Diary of a Mad Black Woman (2005)
Uplifting if at times heavy-handed melodrama set in Atlanta about a grievously wronged woman (Kimberly Elise) who tries to pick up the pieces of her life after her successful but coldhearted husband of 18 years (Steve Harris) demands a divorce, and who struggles to start anew with the support of a colorful extended family, including a plus-size, pistol-packing grandmother figure (played in drag by screenwriter Tyler Perry) and a chivalrous new love interest (Shemar Moore). Based on the stage play by Perry and directed by Darren Grant, this woman-overcoming-adversity movie mixes emotional drama, zany dark-edged comedy, and rousing gospel music resulting in a moving, fitfully funny and occasionally spiritually soaring affirmation of faith and family that celebrates the healing power of forgiveness. Some violence, including domestic abuse, mature thematic elements, an implied sexual encounter, brief drug content, and crude sexual language and humor. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Lions Gate)

"Die Another Day" (2002)
Stripped of his official Agent 007 status, James Bond (Pierce Brosnan) teams with a strong, smart American agent (Halle Berry) in Iceland to uncover the identity of a traitor and thwart a pair of villains (Toby Stephens and Rick Yune) from provoking a nuclear confrontation. While the characters seem more superhuman than human, director Lee Tamahori orchestrates lightning-paced, nonstop action and intrigue with visually impressive imagery. Several brief sexual encounters, much stylized violence and mayhem and an instance of profanity. Spanish title option. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (20th Century Fox Home Entertainment; also available on Blu-ray)

"Dinner for Schmucks" (2010)
Rated "PG-13"
To score a promotion, a financial analyst (Paul Rudd) must bring a suitable guest to the titular meal organized by his boss (Bruce Greenwood) as a competition to see which corporate hotshot can produce the most amusing idiot as a target for secret ridicule. His accidental meeting with a bizarrely naive and nerdy IRS agent (Steve Carell) seems like a godsend until his victim's well-intentioned bumbling begins to ruin both his career and his relationship with his live-in girlfriend (Stephanie Szostak). Though its underlying message is one of sensitivity and respect, director Jay Roach's comedy, adapted from Francis Veber's 1998 French feature "Le Diner de Cons," showcases numerous wayward riffs on topics such as adultery, casual sex and venereal disease. Shadowy rear and partial nudity, cohabitation, much sexual and brief irreverent humor, a couple of uses of profanity, at least one use of the F-word and six crude terms. Spanish language and titles options. The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Dreamworks Video; also available on Blu-ray)

"A Dirty Shame" (2004)
Only fitfully funny sex comedy set in a Baltimore neighborhood where anyone who gets a concussion becomes a sex addict. John ("Hairspray") Waters' film features Tracey Ullman, Johnny Knoxville, Selma Blair and Chris Isaak who gamely go through the paces. But whatever Waters' satiric intent, the humor inherent in sex addicts squaring off against conservative anti-sex "neuters" is fairly childish and quickly wears thin, substituting puerile humor for genuine wit. Almost nonstop rough, crude and profane language, full frontal nudity, sexual imagery, obscene gestures, scatological humor, casual portrayal and descriptions of deviant sexual practices, a glorification of freewheeling sex and some sacrilegious imagery. The USCCB Office for Film & Broadcasting classification is O -- morally offensive. The Motion Picture Association of America rating is NC-17 -- no one 17 and under admitted. (New Line)

"Disney's A Christmas Carol" (2009)
Lavish, well-crafted but frequently eerie 3-D animated adaptation of Charles Dickens' classic 1843 novella in which miserly misanthrope Ebenezer Scrooge (voice of Jim Carrey) is urged to change his ways by the tortured specter of his late business partner (voice of Gary Oldman) and by the ghosts of Christmas Past, Present and Yet to Come (all voiced by Carrey). Though free of objectionable content, and unabashed about the Christian context of its conversion story, writer-director Robert Zemeckis' largely faithful retelling features images and special effects likely to disturb the most sensitive youngsters. Spanish language and titles options. The Catholic News Service classification is A-I -- general patronage. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Walt Disney Studio Home Entertainment; also available on Blu-ray)

"Doctor Doolittle" (1967)
Gentle musical fantasy about an eccentric animal doctor's adventures searching for the Great Pink Sea Snail. Rex Harrison stars as the doctor who can talk to animals in an attractive but slow-moving production directed by Richard Fleischer. The film is overly long, but the performances are good, and Leslie Bricusse's score has held up well. The DVD offers no extras, but the letterboxed print quality and sound are excellent, and a full French soundtrack makes an interesting comparison. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences.

"Dodgeball: A True Underdog Story" (2004)
Failed laugher about a bunch of scrappy misfits (led by Vince Vaughn) who form a dodgeball team to compete in a high-stakes tournament in Las Vegas in order to save their rundown neighborhood gym from being taken over by a state-of-the-art competitor (owned by Ben Stiller). As directed by Rawson Marshall Thurber, "Dodgeball" follows a tried-and-true David-versus-Goliath formula, but its love-yourself-for-who-you-are message is weighed down by its puerile brand of crass comedy. Recurring crude and sexual language and humor, an instance of rough language and profanity and same-sex kissing. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Fox)

"A Dog of Flanders" (1959)
In a turn-of-the-century suburb of Antwerp, Belgium, an old man (Donald Crisp) and his small grandson (David Ladd) rescue a dog left to die at the roadside. Produced by Robert B. Radnitz and directed by James B. Clark, the movie shows how unselfish love and understanding bring happiness even under conditions of dire poverty. Fine family fare. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America. (E1 Entertainment Distribution)

"DOA: Dead or Alive" (2007)
Mindless but bloodless action movie, based on a video-game series, which pits four bikini-clad young women (Devon Aoki, Jaime Pressly, Holly Valance and Sarah Carter) and others in an "ultimate fighter" tournament where athletes battle not to the death, but to the "knocked-out," while the master of ceremonies (Eric Roberts) has a secret agenda. Hong Kong action-movie director Corey Yuen fills the movie with wire-work stunts in which martial artists take superhuman leaps, and no one really gets hurt except for the bad guy. A few instances of crude language, frequent crass language, a couple instances of mild profanity, brief partial nudity, much skimpy costuming, crude humor, a morning-after bedroom scene and much action violence including explosions. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (The Weinstein Company)

"Dogpound Shuffle" (1975)
Tap-dancing vagrant (Ron Moody) teams up with an itinerant harmonica player (David Soul) to make enough money to retrieve his impounded dog. Director Jeffrey Bloom's frequently moving study of the interaction between the two has an affirmative, spunky quality marred by an unnecessarily bloody fight scene and a few expletives. The Catholic News Service classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Scorpion Entertainment)

"Don't Come Knocking" (2006)
Unsatisfying story of hard-living actor (Sam Shepard) who, post-meltdown, goes AWOL and abandons his location Western movie set, returns home to his mother (Eva Marie Saint) in Nevada, and learns he has a grown son (Gabriel Mann) by a waitress (Jessica Lange) with whom he was involved years ago, while a private eye (Tim Roth) hired by the film studio attempts to find him. Director Wim Wenders, working again from a Shepard script after their "Paris, Texas" teaming, adds his artful cinematic vision to Shepard's familiar themes of the myth versus reality of the American West, the pitfalls of fame, the human capacity for violence, broken families, loneliness and loss, but there's a stilted quality to the story and the performances never quite ring true. Profanity, rough and crude language, some domestic violence, adult thematic material, brief drug references, a crass gesture, dispersal of cremated remains, and brief nudity. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian (Sony Pictures Home Entertainment).

"Doogal" (2006)
Unobjectionable but bland computer-animated story of dog and his unlikely friends -- a rabbit, a snail, a cow and a train -- who set out on an adventurous journey to find three diamonds that will release the pooch's best friend from an icy imprisonment. Co-directors Jean Duval, Frank Passingham and Dave Borthwick's British film has been re-voiced with an American cast (including Whoopi Goldberg, Chevy Chase and William H. Macy), and there's a commendable message about "friendship being the best weapon," but toddlers and parents may find this a tired retread of many superior films. Some mild scenes of peril. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted. (Genius Productions, Inc.)

"Dorothy Day: Don't Call Me A Saint" (2006)
Intelligent and straightforward documentary biography of the co-founder of the Catholic Worker movement. A former bohemian and a gifted writer who counted Eugene O'Neill among her early friends, Day experienced a gradual but dramatic conversion from Marxism to Catholicism. Yet she remained a dedicated leftist, agitating for social and economic justice, as well as for peace. As the film shows, many of the fruits of her long career -- she died in 1980 at 83 -- endure. Prominent among these are the 185 "houses of hospitality" operated by her movement for the benefit of the needy around the world. Writer-director Claudia Larson became a filmmaker specifically to produce a cinematic account of Day's tumultuous early life, her unforeseen entrance into the church, and her years of dedicated service to workers and the poor. Larson's 55-minute film combines interviews with relatives, friends and colleagues (including Day's daughter Tamara) video and still images of Day in her varied milieus and, best of all, spoken excerpts from Day's terse, unflinching prose (read by Rosemary Forsyth). Overall, an engaging portrait of a woman who, despite the plea quoted in the title, may indeed one day be canonized. (www.dorothydaydoc.com) (One Lucky Dog Productions)

"Do the Right Thing" (20th Anniversary Edition) (1989)
Rated "R"
After 25 years of selling pizza in the same Bedford-Stuyvesant neighborhood, now black and Hispanic, Italian-American Sal (Danny Aiello) attempts to squash racial tensions before they destroy his family business. Writer-director-actor Spike Lee concocts a powerful look at racism with passionate characters, sharp satire, savvy musical counterpoints, theatricality and much humor. Its incendiary point of view -- that violence may be a potentially justified means to an end -- will unsettle many and force viewers to confront stereotypes. Heavy profanity, racial and ethnic slurs, intense climactic racial violence and a brief sexual scene with fleeting nudity. Spanish language and titles options. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Universal Studios Home Video; also available on Blu-ray)

"Dot the I" (2005)
Convoluted, kinky story set in London about a temperamental flamenco dancer (Natalia Verbeke) who, recovering from an abusive relationship, agrees to marry a gentlemanly Brit (James D'Arcy), but at her bachelorette party encounters a video camera-wielding Brazilian actor (Gael Garcia Bernal in his first English-speaking role), setting the scene for a romantic triangle. Writer-director Matthew Parkhill's story of seamy love is not quite what it seems to be, as there are some neat Hitchcockian twists along the way, but the plot is improbable in the extreme, and the execution -- despite some clever touches -- feels semiamateurish. Much rough and crude language, sexual situations, partial rear nudity, suicide with associated gore, murder without retribution. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. (Warner Bros.)

"The Double Life of Veronique" (1991)
Two young women, one Polish and one French, are strangely linked by identical looks, musical talents and frail hearts. Director Krzysztof Kieslowski's lyrical tale of unexplained spiritual bonding is given considerable emotional force by Irene Jacob's ethereal and haunting performance as the two Veroniques. Subtitles. A few restrained scenes of sexual encounters with some nudity. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian (Criterion Collection; also available on Blu-ray)

"Downhill Racer" (1969)
Robert Redford plays a surly American skier with enough recklessness and skill to challenge the best Europeans but unwilling to listen to his team's tough, long-suffering coach (admirably played by Gene Hackman) in preparing for the big skiing competition. Though the personal drama follows the formula of such sports movies, director Michael Ritchie concentrates on providing a vivid overview of a dangerous and photogenic sport and the fallible people who compete in it for the psychological rewards that some find worth all its rigors and traumatic nervous strain. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Criterion)

"Downfall" (2005)
Vividly authentic recreation of the last days of Adolf Hitler (Bruno Ganz) trapped in his Berlin-based underground hide-out with other officials of the Third Reich and their families, as the Russian army closes in for certain victory at the end of World War II in 1945, all seen through the eyes of Traudl Junge (Alexandra Maria Lara), his young personal secretary, who stayed with him through his suicide and that of his mistress, Eva Braun (Juliane Kohler), and managed to escape through enemy lines. Oliver Hirshbiegel's German-language film has impeccable production values, superb performances, and generates a good deal of suspense even though the outcome is known. Some crude language, multiple suicides and wartime violence, some with attendant gore, brief but brutal scenes of amputation, partial nudity, a brief sexual situation, heavy smoking and alcohol use. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. (Columbia/TriStar)

"Down in the Valley" (2006)
Offbeat but quite interesting story of easygoing South Dakota ranch hand (an impressive Edward Norton) who romances the much younger, rebellious teenage daughter (Evan Rachel Wood) of a San Fernando Valley police officer (David Morse), and befriends her painfully shy younger brother (Rory Culkin) against the father's wishes. Writer-director David Jacobson's initial "young lovers" romance shifts tone dramatically midway with a shocking twist, and becomes a suspenseful drama that pays homage to elements from the classic Westerns of John Ford and Howard Hawks. Considerable profanity, rough language and crude expressions, a couple of shootings, gun use by a minor, intense domestic discord, premarital sex and nongraphic sexual encounters, and drug use. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian (THINKFilm).

"Down to You" (2000)
Frivolous romantic comedy about college sweethearts (Freddie Prinze Jr. and Julia Stiles) who experience the thrills and disappointments of first love. Writer-director Kris Isacsson romanticizes the joy of first love in a cookie-cutter film that wraps up all the loose ends too predictably. Implied affairs, sexual references and an instance of rough language. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Echo Bridge Home Entertainment)

"Dreamer: Inspired by a True Story" (2005)
Warm and winning family film set in rural Kentucky about a dispirited racehorse trainer (Kurt Russell), his young daughter (Dakota Fanning) and estranged father (Kris Kristofferson), who nurse an injured Seabiscuit-like thoroughbred back to form and in the process mend their own broken relationships. Written and directed by John Gatins, the movie is a handsome and unapologetically sentimental old-fashioned crowd pleaser, with tender performances by Fanning and Russell and heartfelt themes of family, the healing power of love and the importance of holding on to one's dreams. A few mildly rude expressions and a racetrack accident that may disturb sensitive young children. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Universal)

"Drillbit Taylor" (2008)
Droll portrait of the unlikely friendship between a homeless veteran (Owen Wilson) and the three high school misfits (Nate Hartley, Troy Gentile and David Dorfman) who hire him as a bodyguard to protect them from a malevolent bully (Alex Frost) and his thuggish sidekick (Josh Peck). Director Steven Brill's film, produced by the prolific Judd Apatow, emphasizes its titular character's evolution from con man to caring mentor, and his young clients' search for courage and solidarity, but dialogue rife with vulgar terms and a problematic central love story make it appropriate fare only for the mature. Brief rear nudity, implied premarital sex, frequent crude and pervasive crass language, six uses of profanity, and drug and pornography references. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Paramount Home Entertainment)

"Dr. Seuss' Horton Hears a Who" (Special Edition) (2008)
Enchanting animated adaptation of the classic children's book about a warmhearted elephant (voice of Jim Carrey) who discovers that a speck of dust is home to the microscopic town of Who-ville, led by a slightly eccentric mayor (Steve Carell), and who must find the particle a safe resting place despite the opposition of a closed-minded kangaroo (Carol Burnett) and a wicked but dim eagle (Will Arnett). The film, co-directed by Jimmy Hayward and Steve Martino, promotes excellent values and the script, performances and animation all match the high quality of the original source material. Spanish language and title options. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted. (Warner Home Video; also available on Blu-ray)

"Drums Along the Mohawk " (1939)
Sparkling outdoor adventure saga of a Colonial couple (Claudette Colbert and Henry Fonda) who settle in New York's Mohawk Valley where they are beset by Indian attacks led by English officers during the Revolutionary War. Directed by John Ford, the picture alternates lovely sequences of bucolic farming life with stirring action scenes and plenty of rough frontier humor. Some stylized violence but in a meaningful context, holding appeal for all members of the family except preschoolers. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America. (Fox)

"Duck Season" (2006)
Slender drama about two 14-year-old friends (Daniel Miranda and Diego Catano), whose unsupervised Sunday playing video games is interrupted by a power outage, a 16-year-old neighbor's (Danny Perea) quest for an oven, and a depressed pizza delivery man (Enrique Arreola) who stays the afternoon. In creating an atmosphere of boredom, Mexican director Alfonso Cuaron puts the viewer to sleep, as this virtually plotless film -- shot in black and white and taking place almost entirely in an apartment -- is lethargically paced, while vacuous banter laced with expletives
undermines some occasional moments of charm and observations about friendship and loneliness. Subtitles. Recurring rough and crude language, some sexual references, a divorce theme, violent video game images and drug content. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian (Warner Home Video).

"The Dukes of Hazzard" (2005)
Sleazed-up film version of the popular television series about redneck rascals Luke and Bo Duke (Johnny Knoxville and Seann William Scott), who with the help of curvaceous cousin Daisy (Jessica Simpson) and moonshine-running Uncle Jesse (Willie Nelson) foil the shady land dealings of crooked local politician "Boss" Hogg (Burt Reynolds). Directed by Jay Chandrasekhar, the movie plays like an episode of the original TV show, capturing its rip-roaring spirit, but also introducing a raunchier brand of humor that pushes the envelope of its PG-13 rating. Recurring action violence, sexual situations and humor, drug references, Southern stereotypes, reckless behavior, flagrant if comical disregard for authority, as well as some crude language and gestures and profanity. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Warner Bros.)

"Duma" (2005)
First-rate coming-of-age adventure set in Africa about a headstrong young boy who embarks on a journey of self-discovery, trekking across hundreds of miles of treacherous terrain to return his pet cheetah -- which he raised since it was an orphaned cub -- to its rightful home in the wild. Beautifully crafted by director Carroll Ballard, the movie combines exceptional nature photography -- including some amazing shots of African wildlife -- with a warm and winning story about the bonds of family and friendship, resulting in a film that is sweetly charming without being overly sentimental. Despite skimping on the bonus features -- just a few extended scenes are included -- the widescreen DVD version looks as lovely as it did in the theater. Some scenes of peril, and brief wildlife violence which may be frightening to some young children. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Warner Home Video)

"Dumb and Dumber" (Two-Disc Special Edition) (1994)
Aptly named comedy follows two dimwits (Jim Carrey and Jeff Daniels) from Providence, R.I., to Aspen, Colo., as they blunder along trying to return an attache case stuffed with ransom money left by a beautiful woman (Lauren Holly) for kidnappers who, in turn, pursue the dopey duo. When not concentrating on scatological humor, director Peter Farrelly gets occasional laughs from this example of lowest-common-denominator comedy. Much vulgar toilet humor, exaggerated violence played for laughs and fleeting sexual innuendo. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Warner Bros.)

"Dumbo: Big Top Edition" (1941)
In this classic Disney animated feature, a baby elephant with oversized ears, the laughing stock of the circus troupe, is befriended by a sympathetic mouse. What happens to the diminutive pachyderm shows children how self-respect and self-confidence can be gained by making the most of one's imagination and inventive initiative. The latest DVD incarnation has many of the extras from the last edition, but the film is what matters, and it's a gem. There is a new rendition of "Baby Mine" performed by Jim Brickman and Kassie DePaiva; a couple of vintage shorts; top-level commentary by historian John Canemaker; Disney himself introducing the film from his old TV show; and more. As with all classic Disney films, this makes first-rate family viewing. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted (Walt Disney Home Entertainment).

"Duplex" (2003)
A young New York couple (Ben Stiller and Drew Barrymore) move into a picture-perfect townhouse, only to discover that it comes equipped with a chronically intrusive elderly tenant, whom they contemplate bumping off to prevent their dream home from turning into a nightmare. Though frequently funny, the film, directed by Danny DeVito, is fueled by an ugly brand of dark humor which treats cruelty as an occasion for laughter. A black-comedy murder plot, an implied sexual encounter, recurring vulgar humor and sporadic crude language. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Echo Bridge Home Entertainment)

"Duplicity" (2009)
Sophisticated romantic caper about two intelligence officers (Julia Roberts and Clive Owen) who turn to industrial espionage hoping to exploit the no-holds-barred feud between the CEOs (Tom Wilkinson and Paul Giamatti) of rival pharmaceutical companies. Writer-director Tony Gilroy's tartly clever globetrotting thriller, which boasts all the complexity of a master chess match, explores the paranoia produced by corporate greed and the redeeming potential of the love between its cynically untrusting lead characters, though their affection is expressed in an intense unwedded affair. Brief, nongraphic, premarital sexual activity, some sexual humor and references, occasional crude and crass language, and at least a dozen profanities. Spanish titles option on Blu-ray edition. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Universal Studios Home Video; also available on Blu-ray)

"The Drum Beats Twice" (2006)
Low-budget drama about a cop (Kenneth Del Vecchio who also directs) brutally assaulted by thugs and left without sight, hands or hope, until a determined young Catholic nun (played alternately by Julia Barnett and Amy Redford) renews his will to live and steers him off the path of vengeance. Despite earnest performances and direction, the film's well-intentioned message about forgiveness and overcoming personal tragedy is undercut by an inferior script, the perplexing decision to cast two different women in the nun's role and, more seriously, by a morally problematic ending that gravely misinterprets the Bible, seemingly, to justify murder. An intense beating and several other instances of fleeting violence, vigilantism, a brief drug reference, a suggested off-screen sexual encounter, and a mildly crude expression. The USCCB Office for Film & Broadcasting classification is A-III -- adults. Not rated by the Motion Picture Association of America (Echelon Entertainment, www.echelonent.com).

"Dune" (1984)
Dark, quirky adaptation of Frank Herbert's science-fiction trilogy about four factions struggling for control of a desert planet and its wondrous spices. Directed by David Lynch, much of the story is incomprehensible to anyone who has not read the original and the staging of the action sequences is absurd rather than imaginative. Some graphic violence and vulgarity. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Universal)

"D-War: Dragon Wars" (2007)
Hilariously silly but never dull throwback to the old Godzilla movies, with a Los Angeles reporter (Jason Behr) protecting a young woman (Amanda Brooks) whose life-force is sought by a good giant serpent and a bad giant serpent. Writer-director Hyung-rae Shim gives undiscriminating young teens and tongue-in-cheek genre fans some terrifically choreographed battle scenes between the U.S. military and dinosaur-sized armadillo-thingies, raptors with wings, and a mystical mean guy in a black-leather trench coat and short white hair who occasionally morphs into what looks like a medieval Darth Vader. A couple of instances of crude language and some crass language, one background-dialogue instance of mild sexual innuendo, much bloodless medieval and modern-day warfare, numerous explosions, crashed and crushed vehicles with unseen occupants, a leap from a cliff into the sea, and a woman who is chomped by a giant serpent and tossed away. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Sony Pictures Home Entertainment)

"Dying to Live: A Migrant's Journey" (2005)
Sensitive 33-minute documentary that examines the plight of the thousands of undocumented migrants who cross into the U.S. from Mexico each year. Using interviews with individual migrants, footage of nighttime border crossings and still images from an award-winning photo essay on the subject by journalist Don Bartletti, the film -- directed by Bill Groody -- seeks to show the human face of these poverty-stricken and socially marginalized people. It also introduces the viewer to some of those, on both sides of the border, who are trying to provide for the migrants' physical and spiritual needs. Given the Christian imperative to protect the vulnerable and assist the downtrodden, a number of persuasive speakers -- including U.S. Rep. Luis Gutierrez (D-Ill.) and Passionist Father Donald Senior -- argue that the problem of migration cannot be approached merely as a political or social phenomenon, but must be understood, first of all, as a moral challenge. The DVD includes seven brief additional interviews with some of those involved in making the documentary as they discuss their motivations and goals. Funded, in part, by the USCCB. (Groody River Films; www.dyingtolive.nd.edu)

E
"11 Harrowhouse" (1974)
Routine caper movie in which jewel thieves (Charles Grodin and Candice Bergen) get some inside help from a dissident employee (James Mason). Director Aram Avakian does make the most of his London setting and especially the metallic glint of the sophisticated detection devices in the basement of the diamond exchange. Scenes of intense action and some images of severed limbs. The Catholic News Service classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Shout! Factory)

"Earth" (2009)
Majestic and moving nature documentary chronicling a year in the lives of a variety of wild animals in different habitats, most prominently a polar bear, an elephant and a humpbacked whale. In this big-screen adaptation of their television series, "Planet Earth," co-directors Alastair Fothergill and Mark Linfield make the most of high definition technology to present a stunning portrait of creation and a subtle plea for environmental responsibility. A couple of bleeped exclamations. Spanish language option. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted. (Walt Disney Pictures Home Entertainment; also available on Blu-ray)

"Easter Parade" (1948)
Classic Irving Berlin musical about a vaudeville dancer (Fred Astaire) who loses one dancing partner (Ann Miller) and attempts to train a chorus girl (Judy Garland) to fill her shoes, until he realizes that her real talent is singing. Directed by Charles Walters, the story's lightweight but the stars are in top form and the songs and dance numbers are first-rate. Impeccable restored transfer with commentary by Astaire's daughter, Ava Astaire, and Garland expert John Fricke, Garland's cut number "Mr. Monotony" and the dailies for that number, and a radio version. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America. (Warner Bros.)

"Easy Rider" (1969)
Two drifters (Peter Fonda and Dennis Hopper), with a wad of cash from a drug transaction, motorcycle through the Southwest encountering a disparate variety of Americans (standout is Jack Nicholson as a small-town lawyer) on their way to a tragic end in New Orleans. Also directed by Hopper, the journey may lead nowhere, but the beauty of the natural landscape provides a lyrical context for this excursion through the troubled byways of contemporary American life. Thoughtful and provocative, it is marred by some graphic violence, a foggy mixture of sex and religion and a benign view of drugs. The USCCB Office for Film & Broadcasting classification is A-IV -- adults, with reservations. The Motion Picture Association of America rating is R -- restricted. (Columbia/TriStar)

"Easy Rider" (Anniversary Edition; 1969)
Two drifters (Peter Fonda and Dennis Hopper), with a wad of cash from a drug transaction, motorcycle through the Southwest encountering a disparate group of Americans (standout is Jack Nicholson as a small-town lawyer) on their way to a tragic end in New Orleans. Also directed by Hopper, the journey may lead nowhere but the beauty of the natural landscape provides a lyrical context for this excursion through the troubled byways of American life at the time. Thoughtful and provocative, it is marred by some graphic violence, a foggy mixture of sex and religion, and a benign view of drugs. Spanish titles option. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Sony Pictures Home Entertainment; this edition available on Blu-ray only)

"Echoes of Innocence" (2005)
Well-intentioned, Christian-flavored teen "romantic thriller" about a high school senior (Sara Simmonds) who is obsessed with St. Joan of Arc and whose childhood vow to remain a virgin until she can marry her long-disappeared first love attracts the curiosity -- and eventually affections -- of a reporter from the school paper (Jake McDorman), as well as the predatory interest of a menacingly mysterious student (Matt Vodvarka). Earnestly directed by Nathan Todd Sims, the film's positive portrayal of religious belief and admirable pro-chastity message is greatly handicapped by the uneven performances and clumsy story line, little of which makes sense. An implied teen sexual encounter and sexual thematic elements, minimal violence, scattered crude expressions, and a questionable -- but reverent -- treatment of the sacraments of penance and marriage, making it suitable for older adolescents and up. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13 (Lifesize Entertainment).

"Edge of Darkness" (2010)
After his adult daughter (Bojana Novakovic) is brutally murdered, a Boston police detective (Mel Gibson) investigates her secretive work for a nuclear research firm (led by Danny Huston), aided by her fearful boyfriend and co-worker (Shawn Roberts) and by a shadowy fixer (Ray Winstone) whose loyalties are ambiguous. In a reasonably absorbing but gritty adaptation of the acclaimed 1985 BBC miniseries of the same title, director Martin Campbell mixes sometimes shocking violence into a stark tale of loss and corruption, and skirts the dark edges of vigilantism. Complex moral issues, considerable and sometimes bloody violence, an implied premarital relationship, a few uses of profanity, much rough and some crude language. Spanish language and titles options. The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Warner Home Video; also available on Blu-ray.)

"Ed Wood" (1994)
Romanticized story of the untalented but enterprising Wood (Johnny Depp), considered Hollywood's all-time worst director, in which he befriends aging has-been actor Bela Lugosi (Martin Landau) to star in his pathetic, shoestring-budget sci-fi fantasies. Director Tim Burton casts a comic and madly affectionate eye on transvestite Wood, but it is Landau's canny portrayal as the 1930s' horror great reduced to an impoverished morphine addict which gives the movie some heart in an otherwise campy black-and-white restaging of Wood's schlock 1950s' moviemaking. An implied live-in relationship, some crude remarks and occasional rough language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. (Buena Vista)

"Elektra" (2005)
Low-wattage action movie based on the titular Marvel Comics character (played by a buff Jennifer Garner in hellcat mode), a blade-wielding femme fatale who runs afoul of a superpowered crime syndicate when she decides to turn from her assassin ways and protect the two targets -- a young girl (newcomer Kirsten Prout) and her father (Goran Visnjic) -- whom she has been contracted to kill. Directed by Rob Bowman, this slick but stale "Daredevil" spinoff is little more than a series of frenetic death duels sloppily strung together in a hackneyed attempt to distract viewers from the lame dialogue and muddled plot, resulting in a viewing experience which is anything but "Elektra"-fying. Recurring strong stylized violence, including several impalings and an implied decapitation, thematic moral ambiguities, a gratuitously erotic same-sex kiss, sporadic crude language and an instance of profanity. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Fox)

"El Cid" (Two-Disc Deluxe Edition) (1961)
This impressive release of the revered Charlton Heston-Sophia Loren epic, the first in a new Weinstein Company DVD line called the Miriam Collection, received special commendation by the Catholic Film Office on its initial release: "Based on historical fact and legend, this dramatically exciting motion picture emphasizes the personal integrity, outstanding leadership and heroic deeds of its principal protagonist in bringing peace to 11th-century Spain. Furthermore, its impeccable color photography of authentic locations and settings makes this film also a stunning visual experience which the National Legion of Decency highly recommends to every moviegoer." The jam-packed two-DVD set includes astute commentary by Bill Bronston, son of producer Samuel Bronston, and Bronston biographer Neal M. Rosendorf, who also put the story in historical context; vintage radio interviews with Heston and Loren; an excellent 23-minute making-of documentary in which film historian Jeanine Basinger praises the movie's savvy mix of the epic and personal drama; and other documentaries on Bronston, director Anthony Mann, composer Miklos Rozsa and the film's preservation. Includes reproductions of the original souvenir program and a tie-in comic book. Spanish subtitles. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America. (Genius Products)

"Elizabethtown" (2005)
Sentimental, if not completely satisfying, romantic comedy drama about a disgraced sneaker designer (Orlando Bloom) who, after nearly sinking his employer's footwear empire and contemplating suicide, is dispatched by his mom (Susan Sarandon) to retrieve the remains of his father -- who died unexpectedly -- in rural Kentucky. There he reconnects with his roots and, while en route, encounters a sunny, free-spirited flight attendant (Kirsten Dunst) who brightens his view and appreciation of the world. Despite a miscast Bloom and a baggy script, director Cameron Crowe's film celebrates family and love, imparting a warm and welcome message that, though full of risk, life is ultimately worth living. An implied sexual encounter, an attempted suicide, a questionable (for Catholics) dispersal of ashes, and some rough and crude language. The widescreen DVD has no commentary but includes behind-the-scenes and "meet the crew" music videos, instead of the usual documentary featurettes, and a couple of not-so-hot extended scenes. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Paramount)

"Eight Below" (2006)
Winning family-friendly adventure inspired by real events about a team of sled dogs left behind during an evacuation of an Antarctic research station who struggle to survive in the inhospitable environment, while their devoted handler (Paul Walker) races to mount a rescue mission. Director Frank Marshall balances action and emotion in telling a captivating tale of friendship and canine courage. Some human and animal peril, predatory violence and a few sad scenes that may upset the youngest children. The anamorphic DVD contains five deleted scenes, a "making of" featurette, and two commentary tracks, one with Marshall and producer Pat Crowley, the other with Marshall, Walker and cinematographer Don Burgess. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children (Walt Disney Home Entertainment).

"Einstein's Big Idea" (2005)
The most famous equation of the 20th century revolutionized the way we look at the natural universe, from the largest star to the tiniest atom, and is the subject of this illuminating docudrama, originally part of PBS's "Nova" series. The "big idea," of course, is Einstein's theory of relativity: E=mc2 in mathematical shorthand. This film focuses on the men and women whose discoveries during the preceding two centuries paved the way for Einstein's 1905 breakthrough. Narrated by John Lithgow, historical re-creations are interspersed with interviews with leading physicists and other noted     experts, including author David Bodanis, on whose best-seller the program is based. More than a history or science lecture, the docudrama is, at its heart, a romance about Einstein's love affair with light, the component that eventually proved key to his formula. The opening narration reminds viewers that, though the most iconic image of Einstein is that of an old man with wild, white hair, the theory that won him fame was formulated while he was still young and vigorous. Written and directed by Gary Johnstone, the film elucidates, in a way remarkably accessible to those with even a minimal understanding of physics, how, according to the narration, Einstein took "four familiar notes in the scale of nature" and "composed a totally fresh melody" -- a melody that seems to echo Genesis' "Let there be light." (WGBH)

"El Dorado" (Centennial Collection) (1967)
When a band of cutthroats terrorize the town, an aging sheriff (Robert Mitchum) who drinks too much fights them off with the help of his old partner (John Wayne), who suffers occasional spinal spasms. Producer-director Howard Hawks mixes the action formula with farcical situations and unconventional characters in this tribute to the old cowboy heroes of screen legend. Stylized violence. The USCCB Office for Film & Broadcasting classification is A-III -- adults. Not rated by the Motion Picture Association of America. (Paramount Home Entertainment)

"Elephant Walk" (1954)
Heavy goings-on in Ceylon when a tea plantation owner (Peter Finch) brings home an English bride (Elizabeth Taylor) who can't understand his obsession with the colonial past and turns for sympathy to the plantation's manager (Dana Andrews). Directed by William Dieterle, the glossy romantic melodrama goes in circles until nature takes its revenge through drought, plague and an elephant rampage razing the planter's mansion and bringing him to his senses. Mild romantic triangle and stylized violence. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (Paramount)

"Elf" (2003)
Warmhearted yuletide comedy about a foundling (Will Ferrell) raised by elves in Santa's workshop who travels from the North Pole to New York City to reconnect with his long-lost father (James Caan), a workaholic scrooge bereft of Christmas cheer. Full of goofy candy-cane humor, director Jon Favreau's holiday film imparts a strong family-friendly message, but uses a secular sieve to filter out any religious references about the true meaning of Christmas. Minimal mildly crude language and humor. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. (New Line)

"Elizabeth: The Golden Age" (2007)
Sweeping but historically slipshod biography in which England's "Virgin Queen" (Cate Blanchett), with the help of a wise counselor (Geoffrey Rush), prepares to fend off the Armada, sent against her by King Philip of Spain (Jordi Molla), and defeat the intrigues of the captive Mary, Queen of Scots (Samantha Morton), while also contending with one of her ladies-in-waiting (Abbie Cornish) for the affections of Sir Walter Raleigh (Clive Owen). The film, as directed by Shekhar Kapur, is rich in spectacle, yet it whitewashes its subject, even as it darkly caricatures the cause of Spain and of Catholicism. Rear and partial upper female nudity, scenes of torture, blood with gore and occasional crass language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Universal Studios Home Video)

"El Topo" (1971)
Argentinian director Alexandro Jodorowsky presents the story of a man's spiritual journey through life and the contradictions that arise between physical and moral power. The form is the time-honored Western with its gunfighters, open landscapes, and frontier towns. But in addition to using the Western conventions, the film also employs religious imagery, and sections of the Bible serve as its ideological frame of reference. Some will find its images of violence, sexuality and venality to be unsettling, if not offensive. The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling. Not rated by the Motion Picture Association of America. (Anchor Bay; also available on Blu-ray)

"The Empire Strikes Back" (1980)
Gallant intergalactic rebels led by Luke Skywalker (Mark Hamill), Han Solo (Harrison Ford) and Princess Leia (Carrie Fisher) and lovable android companions continue the fight against the evil Empire aided by Yoda, a remarkable creature who safeguards the Force and teaches moderation in all things.      Some intense fight sequences punctuate director Irvin Kershner's sci-fi fantasy action.  The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Fox)

"The Emperor's New Groove" (New Groove Special Edition) (2000)
Wonderful animated feature in which the cocky emperor (voice of David Spade) of a mythical South American kingdom is turned into a lowly llama by his wicked adviser (voice of Eartha Kitt) and must rely on a good-hearted peasant (voice of John Goodman) to regain his empire. With its simple message that kindness is best, director Mark Dindal's sprightly film tickles with crisp animation, bouncy music and an excellent ensemble cast of voices. The handsome letterboxed DVD features perceptive audio commentary by Dindal, along with producer Randy Fullmer, art director Colin Stimpson, and several animators. There are two cut scenes; one, fully animated, was eventually deemed too serious, and the other is in black-and-white story reel form. Other extras include Sting's music video of an Oscar-nominated song from the movie, a game and more. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. (Disney)

"Employee of the Month" (2006)
Lightweight comedy about a slacker stock clerk (Dane Cook) at a Costco-style superstore where he tries to dethrone a cocky rival co-worker (Dax Shepard) -- who has nabbed "employee of the month" honors for 17 months straight -- to win the affections of a pretty new cashier (Jessica Simpson), sparking a madcap competition. Director Greg Coolidge blends slapstick, broad comedy and satire to uneven effect, and while the gamesmanship is intermittently amusing, the general vulgarity undermines the story's sweet center. Much crude and sexual humor, gay innuendo, a racial joke, a use of the f-word, as well as recurring crude language and profanity. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13 (Lionsgate Home Entertainment).

"Enchanted" (Widescreen) (2007)
Delightful musical romance follows a maiden (the sparkling Amy Adams) from the world of animated fairy tales into contemporary, live-action Manhattan where she falls in love with a lawyer (Patrick Dempsey), despite the entreaties of her princely suitor (James Marsden) and the meddling of an evil queen (Susan Sarandon). With affection and wit, director Kevin Lima and his team gently spoof the cartoon fairy-tale genre on which Disney built its reputation, never losing sight of its traditional values and perennial charms. A few scary images, some sexual innuendo and a brief instance of scatological humor. The DVD includes three interesting behind-the-scenes features, six alternate or deleted scenes, bloopers, and a pop-up-book-styled adventure featuring the cute chipmunk Pip. Spanish language and title options. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Buena Vista Home Entertainment; also available in Blu-ray)

"The End of the Affair" (1999)
London-based, World War II-era romantic triangle involves an unfaithful wife (Julianne Moore), her dullard husband (Stephen Rea) and the adoring lover (Ralph Fiennes) she leaves without explanation as part of her vow to God when his life is spared after an apparently fatal bombing injury. Adapted from the 1951 Graham Greene novel, and written and directed by Neil Jordan, the very adult drama is a thoughtful character study about sexual jealousy, spirituality, forgiveness and redemption. Several extramarital encounters with extended nudity. (Deluxe DVD set also includes the 1955 Deborah Kerr-Van Johnson version.) The USCCB Office for Film & Broadcasting classification is A-IV -- adults, with reservations. The Motion Picture Association of America rating is R -- restricted.

"End of the Spear" (2006)
Inspiring true story about a group of American missionaries in the Amazon and the native tribe with whom they are trying to make contact, whose lives are changed by tragedy when tribal warriors kill five of the foreigners in 1956, told through the eyes of the son of one of the martyred men (Chad Allen) and a volatile tribesman (Louie Leonardo) who took part in the massacre. Director Jim Hanon's visually lovely if tepid film is a testament to the power of faith and forgiveness to heal. Some scenes of violence, including several spearings, limiting its suitability to older adolescents and up. The DVD can be viewed in either full-screen or anamorphic widescreen formats, but contains no extras. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13 (Fox Home Entertainment).

"The Endless Summer" (Director's Special Edition; 1966)
Two young experts (Robert August and Mike Hynson) travel to Africa, New Zealand, Tahiti and Hawaii in search of the perfect wave. Producer-director Bruce Brown pictures the pleasures of surfing with enthusiasm and humor. The Catholic News Service classification is A-I -- general patronage. Not rated by the Motion Picture Association of America. (Monterey Video)

Endurin Love" (2004)
Superbly acted and crafted but ultimately disappointing story about a university professor increasingly racked by guilt that he might have saved a man involved in a freak accident, while another participant in the failed rescue attempt stalks him and seems to offer to provide the key to what really happened. Roger Michell directed this adaptation of Ian McEwan's acclaimed 1998 novel, which keeps you absorbed with its tense moral ambiguity even as it turns into a more prosaic tale of a stalker. Adult themes, some implied sexuality, some rough language and violence with associated blood. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. (Paramount)

"The Englishman Who Went Up a Hill but Came Down a Mountain" (1995)
Quaint but long-winded tale set in 1917 Wales where a sharp innkeeper (Colm Meaney) goads his fellow villagers into hauling mounds of dirt to add some 16 feet to their local mountain in order to keep English surveyors (Hugh Grant and Ian McNeice) from downgrading it officially to a hill. Writer-director Christopher Monger gives epic treatment to a fact-based bit of whimsy, piling on scenes of picturesque Welsh landscapes, eccentric characters, hectic community action and a bit of romance, with uneven results. An implied sexual relationship, some sexual innuendo and a couple of rude expressions. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Echo Bridge Home Entertainment)

"Enron: Smartest Guys in The Room" (2005)
Absorbing documentary chronicling the rise and fall of the now-infamous energy giant, Enron, analyzing the Darwinian mind-set that dominated its upper echelons and created a moral vacuum which precipitated one of the greatest corporate corruption scandals in U.S. history. Directed by Alex Gibney and based on the best-selling expose of the same name, the film combines standard interviews with journalists, former employees and Wall Street insiders, archival news footage and re-enactments to craft a sobering portrait of hubris and blind greed. Strip-club images involving nudity, a dramatized suicide and sporadic rough and crude language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. Not rated by the Motion Picture Association of America. (Magnolia)

"Entrapment" (Special Edition) (1999)
Mindless escapist caper in which a wily insurance investigator (Catherine Zeta-Jones) joins forces with the world's craftiest art thief (Sean Connery) to nail him red-handed. Jon Amiel's sluggish direction and the bogus emotions on display limit suspense in this glossy fantasy of double-crossing daredevils defying the odds and each other. A romanticized view of crime, fleeting violence and a few instances of rough language and profanity. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13 (20th Century Fox Home Entertainment).

"Envy" (2004)
Relentlessly unfunny comedy about a pragmatic working stiff (Ben Stiller) who, after passing up the opportunity to invest in the harebrained invention that nets his best buddy (Jack Black) a fortune, becomes consumed with envy, costing him his job and perhaps his friendship, not to mention his sanity. Though one would expect more from a director of Barry Levinson's caliber and the talented tag team of Stiller and Black, there is not much to covet in this stale study of jealousy; in fact, viewers may find themselves tempted toward another of the deadly sins -- anger -- for having paid money to sit through 90 minutes of uninterrupted forced humor. An instance of rough language and recurring crude sexual language and potty humor. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (DreamWorks)

"Errol Flynn: The Signature Collection" Lavish DVD packaging of some of the swashbuckling star's greatest films, including "The Private Lives of Elizabeth and Essex" (1939), generally all good family entertainment. The prints are of the excellent quality we've come to expect from Warner Home Video's classic film releases, with only "Captain Blood" showing discernible flaws. Each film has a "making-of" featurette, and a Leonard Maltin-hosted "Warner Night at the Movies," including a newsreel, a cartoon short, a live-action musical short and trailers. "Blood" also includes a radio adaptation of the film. (Warner Bros.)

"Errol Flynn: The Signature Collection" (2005)
Lavish DVD packaging of some of the swashbuckling star's greatest films, including "The Private Lives of Elizabeth and Essex" (1939), generally all good family entertainment. The prints are of the excellent quality we've come to expect from Warner Home Video's classic film releases, with only "Captain Blood" showing discernible flaws. Each film has a "making-of" featurette, and a Leonard Maltin-hosted "Warner Night at the Movies," including a newsreel, a cartoon short, a live-action musical short and trailers. "Blood" also includes a radio adaptation of the film. (Warner Bros.)

"The Adventures of Errol Flynn" (2005)
This is a superb documentary that demonstrates how Flynn's pre-Hollywood life was as adventurous as any of his Warner Bros. movies. With very little acting experience, he won the plum role of "Captain Blood" and became a star virtually overnight. Co-star Olivia de Havilland has quite a bit of screen time in David Heeley and Joan Kramer's revelatory documentary. The film doesn't whitewash Flynn but many of the most heinous charges against him are debunked. Drinking and drugs would eventually take their toll, and he died of a heart attack at 50. This fascinating film is a portrait of a man with greater depth than the image suggests. And admiring comments from Joanne Woodward, Burt Reynolds and Richard Dreyfuss are eloquent advocates of his abilities as an actor. Adult thematic material, some partial nudity in documentary footage of New Guinea natives, and a few crude expressions in the interviews.

"Captain Blood" (1935)
Swashbuckling adventure begins in 1685 England as an Irish doctor (Flynn) is unjustly arrested with a band of rebels against King James II, then condemned to slavery in Jamaica under a brutal commander (Lionel Atwill) until the plucky doctor organizes their escape by sea to become pirates. Directed by Michael Curtiz, the lively proceedings include well-staged sea battles, the doctor's romance with the commander's niece (de Havilland) after rescuing her from a French buccaneer (Basil Rathbone), and justice for the rebels from the new English monarch, William of Orange. Assorted period violence. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America.

"Dodge City" (1939)
Ex-Confederate officer (Flynn) heads a cattle drive to the railhead in Dodge, becomes sheriff of the lawless town and takes on the entire gang of its worst badman (Bruce Cabot). Director Curtiz's action-packed Western includes a cattle stampede, an epic barroom brawl and shoot-outs galore, given some pace by romantic misunderstandings (de Havilland) and rough frontier humor (Alan Hale, Frank McHugh and Guinn Williams). Stylized violence. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America.

"The Sea Hawk" (1940)
Classic Hollywood swashbuckler about an Elizabethan privateer whose raids on the Spanish Main end when its crew is captured and chained to the oars of an enemy galleon until their dashing captain (Flynn) leads them to take over the ship and sail to London to warn the Queen (Flora Robson) of the impending attack by the Spanish Armada. Action director Curtiz handles the swordplay and sea battles with gusto, aided by a colorful host of Warner Bros. character actors (Hale, Donald Crisp, Henry Daniell and Una O'Connor, among others) and a sweeping musical score by Erich Wolfgang Korngold. First-class entertainment for action fans but its romanticized version of history with anti-Spanish stereotypes and sanitized violence needs to be clarified for young viewers. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America.

"They Died With Their Boots On" (1941)
Sprawling spectacle follows the career of George Armstrong Custer (Flynn) from West Point to the battlefields of the Civil War, marriage to a financier's daughter (de Havilland) and into legend fighting the Indians of the Western plains. Director Raoul Walsh holds the episodic picture together with an ingratiating performance by Flynn and picturesque action sequences, notably at the Little Big Horn. Though this version of the Custer myth makes grand entertainment, it should not be mistaken for history. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America.

"Eternal Sunshine of the Spotless Mind" (2004)
Cleverly conceived and executed love story about an introverted loner (Jim Carrey) who has all his memories of his former girlfriend (Kate Winslet) erased from his brain after learning that she had recently undergone the same procedure, only to discover midway through the operation that he still loves her and ends up fighting to retain precious recollections of their relationship. Despite an intentionally convoluted script, director Michel Gondry crafts an ingenious and emotionally resonant film -- buttressed by a subdued, against-type performance by Carrey -- about regret and the value of memories in defining our personality. Implied sexual encounters, fleeting rear nudity, some drug content and recurring rough and crude sexual language, as well as profanity. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. (Universal)

"Evan Almighty" (Widescreen, Full Screen & HD DVD) (2007)
Delightful contemporary spin on the Noah story, as a TV anchorman turned congressman (Steve Carell) is instructed by God (Morgan Freeman) to build an ark in light of an impending flood, much to the skeptical consternation of his colleagues on Capitol Hill (John Michael Higgins, Wanda Sykes and John Goodman), his wife (Lauren Graham) and three young sons. Imparting an overall message about how one act of random kindness can change the world, director Tom Shadyac and screenwriter Steve Oedekerk skillfully combine slapstick, sentiment and surprising reverence -- these elements beautifully embodied in Carell's seriocomic central performance -- while the paired animals and the flood effects are wonderfully done. A smattering of mildly crass language, humor, irreverence and innuendo. The good-looking DVD includes 12 minutes of deleted scenes (including a sweet one where the kids say their prayers and a funny extended version of Carell's self-grooming in the mirror) and bloopers, and various behind-the-scenes looks at the building of the ark, Carell's hair and makeup preparation, the handling of the animals, the visual effects and so on. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Universal Studios Home Entertainment)

"Even Money" (2007)
The smart money will steer clear of this trite ensemble drama about various troubled and indebted souls -- including characters played by Kim Basinger, Forest Whitaker and Danny DeVito -- seeking redemption from the sins of gambling. Armed with mushy dialogue masquerading as hard-boiled jargon, veteran director Mark Rydell establishes an implausibly gritty atmosphere and allows proven actors to do subpar work. Pervasive rough and crude language, some graphic violence and gunplay, a sex act between a married couple and sexual banter. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Fox Home Entertainment)

"Everyone's Hero" (2006)
Charming Depression-era animated tale about a young boy (voiced by Jake T. Austin) who sets out -- with the help of a magical talking baseball (Rob Reiner) -- to recover the stolen lucky bat (Whoopi Goldberg) of his idol Babe Ruth (Brian Dennehy) during the 1932 World Series. Directors Daniel St. Pierre and Colin Brady -- building on work started by Christopher Reeve before his 2004 death -- hit a home run with this visually delightful fable that has heart and a simple but winning message about familial love and perseverance. A mildly gross sight gag. The DVD is presented in both widescreen and full-screen versions, and features commentary from St. Pierre and Brady (along with writers Jeff Hand and Rob Kurtz). There are nice featurettes on the making of the film (25 minutes), and a touching 10-minute tribute to Reeve. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted (Fox Home Entertainment).

"Every Time We Say Goodbye" (1986)
Iowa minister's son (Tom Hanks) joins the British Royal Air Force during World War II, meets a Jewish girl -- whose family originally came from Spain -- living in Palestine and convinces her to wait for him to return after the war. The overdone, glossy romance has some positive value in exploring the meaning of full commitment required for marriage. Bedroom scene and some violence. The anamorphic widescreen DVD looks good, but has no significant extras. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Sony Home Entertainment)

"Expelled: No Intelligence Allowed" (2008)
Provocative documentary intended to show that academics and research scientists are penalized for merely suggesting that there might be flaws in the prevailing theory of neo-Darwinian evolution and that purported scientific evidence for the alternate theory of intelligent design is being systematically ignored. Director Nathan Frankowski's unabashedly partisan film -- using old movie clips to humorously underscore the film's themes of suppression and duplicity, and with at least some of the interviewees seemingly caught off guard by the line of questioning -- is impishly hosted and co-written by former presidential speechwriter, economist and sometime actor Ben Stein. Holocaust imagery and mature philosophical issues. The DVD has some modest extras in keeping with the tenor of the main feature. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Vivendi/EMI Distribution)

"Exodus Decoded" (2006)
Did Moses really part the Red Sea like it says in the Old Testament? What about the plagues? Did those things actually happen? These are among the questions which filmmaker Simcha Jacobovici attempts to answer in this History Channel documentary. Challenging opinions that dismiss those events as myth, Jacobovici uses investigative journalism aided by modern science to separate historical fact from fiction and build his case that the archaeological and geological evidence supports the Bible. His arguments are based on a rethinking of the events as described in the Book of Exodus, which he claims can be explained by a chain reaction of natural phenomena, triggered by a massive volcanic eruption in the Mediterranean. The filmmaker does not try to take "God out of the equation" but merely makes the case that in miraculously intervening in human history, God chose to use, rather than suspend, his laws of nature to achieve his divine plan. However, in trying to find a "plausible scientific explanation" for biblical events, the film misses a very important point: The Bible is a testament of faith, not a history or science book. Also, while some of his speculations are intriguing, there is a noticeable absence of critical voices. Executive produced by Oscar-winning director James Cameron, the program combines the treasure-hunt elements of a real-life "Raiders of the Lost Ark" with 3-D computer graphics, including a flashy virtual-reality set (A&E Home Video).

"Exorcist: The Beginning" (2004)
Underwhelming prequel to the 1973 horror classic set in 1949 Africa where the priest-exorcist (Stellan Skarsgard), having lost his faith after witnessing Nazi atrocities, battles satanic forces released by the discovery of a mysterious Byzantine Christian church unearthed after centuries. While not without some cheap chills, director Renny Harlin has exorcised any real eeriness out the film, substituting more-silly-than-scary supernatural special effects for genuine suspense. Grisly scenes of demonic possession, two graphic suicides, some battlefield violence and associated gore, strong sexual references and rough language, and some instances of defiled religious symbols. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. (Warner Bros.)

"The Exorcism of Emily Rose" (2005)
Sober, theologically oriented thriller based, in part, on true events surrounding a Catholic priest (Tom Wilkinson) on trial for negligent homicide in connection with an exorcism which he performed on a young woman (Jennifer Carpenter) believed to be possessed that resulted in her death. Thoughtfully directed by Scott Derrickson and with a solid performance by Laura Linney as the priest's skeptical attorney, the film eschews horror-movie cliches (though not entirely) in favor of serious reflection on faith and the mystery of evil. Disturbing scenes of demonic possession, a brief but violent vehicular homicide, a grisly death image, as well as minimal crude language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Columbia/TriStar)

"The Express" (2008)
Inspiring fact-based sports drama, set against the background of the civil rights movement of the late 1950s and early '60s, in which a hard-driving Syracuse University coach (Dennis Quaid) hones the skills of a gifted African-American football player (Rob Brown) while he, in turn, challenges the coach's conservative reaction to changing times. Director Gary Fleder's rousing tribute to the first African-American recipient of the Heisman Trophy, which also features Omar Benson Miller as the star's best friend, highlights the role faith played in shaping his values while effectively personalizing the problems and lessons of the era. Possibly acceptable for older teens. Brief nongraphic premarital sexual activity, occasional crude and crass language, some uses of profanity and racial slurs. Spanish language and titles options. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Universal Studios Home Video; also available on Blu-ray)

"Extraordinary Measures" (2010)
Engaging medical drama, based on actual events, about the often prickly partnership between a successful pharmaceuticals executive (Brendan Fraser) -- two of whose children (Meredith Droeger and Diego Velazquez) are afflicted by the same rare and fatal disease -- and the eccentric scientist (Harrison Ford) whose pioneering but underfunded research may offer the only hope of saving the kids. Director Tom Vaughan's adaptation of Geeta Anand's 2004 book "The Cure," which also features Keri Russell as the businessman's rock-solid spouse, makes no mention of the Catholic faith that helped to sustain the real-life dad but does chart his relentless, against-the-odds struggle to overcome the illness, a battle that initially seemed likely to derail his career and deprive him of what little time he might have left to spend with his son and daughter. Brief nongraphic marital lovemaking, at least five uses of profanity and about a dozen crude and a half-dozen crass terms. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Sony Pictures Home Entertainment; also available on Blu-ray)

"The Eye" (2008)
Reasonably effective suspense yarn about a blind concert violinist (a believable Jessica Alba) who, after receiving corneal transplants, begins to envision harrowing scenes of devastation and spectral spirits for reasons she connects with her anonymous eye donor, while she tries to convince her doctor (Alessandro Nivola), sister (Parker Posey) and conductor (Rade Serbedzija) that she's not hallucinating. Co-directors David Moreau and Xavier Palud's remake of a 2002 Taiwanese film delivers the requisite scary jolts, despite plot improbabilities, and is devoid of sex and language concerns. Some brief and nongraphic but disturbing violent images, including fires and explosions, and a suicide flashback. Acceptable for older teens. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Lions Gate Home Entertainment)

F
"1408" (2007)
Adaptation of a Stephen King short story has Mike Enslin (John Cusack), the writer of guides to occult phenomena, spending a genuinely frightening night in a haunted Manhattan hotel room during which he must confront a past tragedy and his skepticism about God, the afterlife and anything remotely otherworldly. Swedish director Mikael Hafstrom assaults the senses with a barrage of well-executed special effects, but this elaborate, discomfiting ghost tale -- part horror story and part supernatural thriller -- exploits the suffering of a child and ultimately undercuts itself with too many twists. Countless violent and morbid images and references, including many to suicide, frequent crude and profane language, and some sexual references. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (The Weinstein Company)

"The 40-Year-Old Virgin" (2005)
Relentlessly vulgar story of shy electronics store clerk (likable Steve Carell, who, alas, co-wrote the execrable screenplay) whose rowdy co-workers (Paul Rudd, Romany Malco and Seth Rogen) set out to help him, finally, lose his virginity, and he falls in love with a single mother (Catherine Keener) who works across the street. Director and co-writer Judd Apatow's film has many good ingredients, including an appealing cast and classic comic setup, but the nonstop expletives and raunchy sexual talk and situations make for an embarrassingly tasteless two hours, unredeemed even by its morally sound ending. Profanity, rough and crude language, racial epithets, rear and partial nudity, heavy sexual content including strongly permissive view of premarital sex, condom use, characters displaying demeaning view of women, crass gay and bathroom humor, drug use and drinking. The USCCB Office for Film & Broadcasting classification is O -- morally offensive. The Motion Picture Association of America rating is R -- restricted. (Universal)

"49 Up" (2005)
In 1964, the groundbreaking British television series "World in Action" commissioned a documentary called "Seven Up!" that brought together 21 children, all of them 7 years old. The children, who came from a wide spectrum of socioeconomic backgrounds, were interviewed and shown at play with each other. Over the decades since then, a film has been made every seven years tracing the personal, educational and professional fate of 14 of these children. The most recent installment of the series, director Michael Apted's "49 Up," provides, like its predecessors, a unique perspective on human development, following the now middle-age participants as they face a range of marital and professional struggles. One of the first examples of reality programming thus continues to be among the best. Added features on the DVD include a wide-ranging and insightful half-hour interview with Apted and film critic Roger Ebert, during which they discuss the details of producing the "Up" films, the shift in focus from British class divisions to the life story of each individual, as well as the future possibilities of the series. (First Run Features)

"Facing the Giants" (2006)
Evangelical sports drama about a losing football coach (Alex Kendrick, who also directs) at a Christian high school in Georgia who, experiencing personal and professional adversity, revives his team's season by turning to his faith. The earnest performances from the nonprofessional cast are surprisingly competent and the movie's look is reasonably polished, but while the film's heart is in the right place, its positive message about putting one's trust in God is undermined by a prosaic script that tends toward the preachy. Some mature thematic elements, including discussions about infertility. The anamorphic DVD also contains deleted scenes, a "making-of" documentary, director's commentary and more. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG - parental guidance suggested. Some material may not be suitable for children (Sony Pictures).
 

"Factory Girl" (2007) The sad, sordid rise and fall of socialite Edie Sedgwick (Sienna Miller), who shone briefly in the spotlight as part of Andy Warhol's (Guy Pearce) artistic center, the Factory, in the 1960s, appearing in his underground movies until the pop artist tired of her, shows how the over-the-top lifestyle led to her eventual burnout despite a nurturing interlude with a legendary singer (Hayden Christensen). Director George Hickenlooper's film takes an episodic approach in telling the story as Sedgwick, near the end of her short life (which ended at 28 from a drug overdose), relates her experiences to a psychiatrist. The milieu is downbeat and often seamy, but presented with relative restraint, and Miller is immensely appealing in her sensitive portrait of the trusting, vulnerable waif. Nongraphic premarital sexual encounters, upper female and partial nudity, brief sexual banter and innuendo, drug use, some rough and crude language, gay references, references to child abuse and suicide. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian (Weinstein Company).

"Failure to Launch" (2006)
Uneven but oddly likable comedy about a consultant (Sarah Jessica Parker) hired by the parents (Kathy Bates and Terry Bradshaw) of a 35-year-old, still-living-at-home jock (Matthew McConaughey) to make him independent enough to move out. Director Tom Dey maintains a spirited pace, and the ending is morally sound, outweighing too many conversational expletives and a permissive view of premarital sex. Profanity, rough and crude language and expressions, implied sexual situations and banter, and a comic instance of rear male nudity. The anamorphic DVD includes five lightweight featurettes, including a couple on contemporary dating and the phenomenon of the extended adolescence of some adults, dubbed "adultescence." The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13 (Paramount Home Entertainment).

"Fahrenheit 9/11" (2004)
Scathing indictment of President Bush's domestic and international policies leading up to and following the terrorist attacks on Sept. 11, 2001, which attempts to link his family with prominent Saudi moneymen, including members of the bin Laden clan, and which contends that his administration capitalized on the climate of fear following the World Trade Center tragedy to hoodwink the American public into an immoral war with Iraq. Director Michael Moore walks a perilous line between documentary filmmaking and partisan propaganda, which, though by turns compellingly sobering and engagingly entertaining, presents an unfairly one-sided blame-Bush-for-everything case that fails to take into account wider geopolitical realities, resulting in a manipulative and at times misleading interpretation of facts. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. (Columbia/TriStar)

"The Films of Faith Collection"
Once upon a time, faith-based stories were a staple of Hollywood, knowing there was a ready market for touching tales of miracles, spiritual conviction in the face of disbelieving authority figures, and ultimate redemption, as well as those epics that had the intriguing backdrop of the highest powers of the church. The three films in this new set cover all these themes. They are also available singly. "The Nun's Story" is the true gem here, but the other two are not without interest. The print quality on all three is excellent, but there are no extras except for a vintage featurette on "Fishermen." (Warner Home Video)

"The Miracle of Our Lady of Fatima" (1952)
When a young girl reports seeing a vision of the Blessed Mother in 1917 Portugal, she is harassed, then arrested by atheistic government officials but nothing can stop the crowds of faithful from coming to the site in expectation of a miracle. Directed by John Brahm, the religious story is treated with reverence yet is dramatically interesting with such characters as the good-hearted thief (Gilbert Roland) who helps her. Inspirational fare. Full screen image. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America.

"The Nun's Story" (1959)
Sent by her religious community to be a nurse in the Belgian Congo, a young nun (Audrey Hepburn) resists her feelings of love for the doctor (Peter Finch) with whom she works, returns to Belgium and, after struggling with the routine of convent life, leaves for the world beyond the wall. Sensitively directed by Fred Zinnemann, the fact-based story focuses on the interior conflict between the nun's idealism and her growing sense of her own needs as an individual. Convincing portrayal of religious life as a vocation requiring more than good intentions. Particularly rich-looking anamorphic widescreen image. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America.

"The Shoes of the Fisherman" (1968)
Uneven screen version of the Morris L. West novel about a Russian bishop (Anthony Quinn) who becomes pope and decides that the Vatican's wealth be given to the world's poor. As directed by Michael Anderson, the point of the story gets lost in a series of murky subplots involving international intrigue. The religious pageantry is eye-catching but conveyed largely on a superficial level. Anamorphic widescreen image. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted.

"The Fall" (2008)
Exceedingly strange but fitfully affecting tale set in a Los Angeles hospital circa 1915 about the unlikely relationship between two patients: a spunky 5-year-old girl (adorable Catinca Untaru with, alas, an often impenetrable accent), and an embittered movie stuntman (Lee Pace) who keeps her enthralled with a story of bandits mirroring his devastating real-life breakup with his girlfriend. Director Tarsem Singh's film -- imaginative in many ways -- goes on far too long and its elaborate fantasy sequences (alternately sophomoric and serious) are more wearying than illuminating, while the redemptive ending fails to compensate for a pervasively heavy and lachrymose tone. Action violence with bloodshed, a suicide attempt and a couple of instances of profanity. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Sony Pictures Home Entertainment)

"Family Affair: Season One" (1966-67)
The series once called "the gentlest sitcom in TV history" comes to DVD in a five-disc set. Popular all over the world, it concerned an engineering consultant bachelor (Brian Keith) and his valet (Sebastian Cabot) who inherit three orphaned kids (Kathy Garver, Anissa Jones and Johnnie Whitaker). The 30-minute "making of" feature is really an extended interview with Garver, who relates some interesting facts, such as actors Glenn Ford and Terry Thomas being the original choices for the leads; how being shot in color was critical to the program's success; and how Keith's active movie career necessitated a cumbersome shooting schedule. She speaks glowingly of the warm rapport among the cast members, and the feature's narrator rightly attributes the show's popularity to its "warmhearted comedy" and "tenderly executed drama," always showing the "best in human behavior" (MPI).

"Fantastic Four" (2005)
Occasionally fun, but mostly unfantastic, superhero movie based on the Marvel comic-book series about four scientists endowed by cosmic rays with superpowers -- the elastic Mr. Fantastic (Ioan Gruffudd), Invisible Woman (Jessica Alba), self-combustible Human Torch (Chris Evans) and superstrong rocklike Thing (Michael Chiklis) -- who come together to stop the villainous Dr. Doom (Julian McMahon). Despite ham-fisted dialogue, bad acting, chintzy sets and, at times, cheesy special effects, director Tim Story's film has a goofy campiness but doesn't take itself too seriously, and manages to impart a positive message about teamwork and accepting those who are different. Intense comic-book action violence, some sexual innuendo and brief mildly crude language. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Fox)

"Fantastic Four: Rise of the Silver Surfer" (2007)
The wedding of Mister Fantastic (Ioan Gruffudd) and Invisible Woman (Jessica Alba) is interrupted by a cosmic force set to destroy the planet, and the pair must join with the Human Torch (Chris Evans) and the Thing (Michael Chiklis) to avert disaster, trying to dissuade the evil force's emissary, a silver man (voice of Laurence Fishburne) on a flying surf board, from his dastardly mission, while contending with an overbearing Army general (Andre Braugher) and duplicitous Dr. Doom (Julian McMahon). Apart from the elements listed below, director Tim Story's superior sequel -- with its personable leads, above-average special effects, and not-taking-itself-too-seriously tone -- makes for an engaging B-level adventure with a commendable message about making the right choices in life. Some mild innuendo and crass expressions, moderate action violence and implied nudity. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (20th Century Fox Home Entertainment)

"Fargo" (1996)
A debt-ridden Minnesota car dealer (William H. Macy) hires two thugs to kidnap his wife and split the hefty ransom her wealthy father would pay, but all goes horribly awry, resulting in several murders doggedly investigated by a small-town chief of police (Frances McDormand). Finding black comedy in this loosely fact-based tragedy, filmmakers Joel and Ethan Coen chillingly depict earnest small-town residents caught up in shocking violence, although justice eventually prevails in the unlikely form of a folksy, very pregnant police officer. Recurring gory violence and much rough language. Spanish titles option. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (20th Century Fox Home Entertainment; also available on Blu-ray)

"The Farmer's Wife" (1998)
Fine documentary follows three arduous years in the lives of a Nebraska couple, with three daughters, whose marriage is strained by crop failures and financial pressures as they struggle to avoid losing their farm. Director David Sutherland paints a moving portrait of rural Americans' love of the land as well as this Catholic family's faith as they endure hard times. For older adolescents and up. (PBS)

"FARMkids: Hair, Wool, Feathers and Fur" (2007)
Six episodes of an Australian CG-animated children's television series about an ensemble of perky barnyard animals presided over by a wise old rooster named Drumstick. Aimed at an audience of six- to 11-year-olds, the show uses reasonably imaginative storylines to convey age-appropriate lessons. In one installment, the discovery of an old television set transforms the Farm Kids into lazy couch potatoes; in another, the youngest member of the community, an overly inquisitive, accident-prone chick named Bean, is shunned as a "walking disaster" until he disappears one day. These constructive messages are undercut by some scatological humor and potentially frightening imagery. The DVD also features a music video by the young American singing group "Girl Authority." (PorchLight Home Entertainment)

"Fast and Furious" (2009)
Overheated, morally swerving action sequel in which an ex-con (Vin Diesel) pursuing a vendetta and an undercover FBI agent (Paul Walker) renew their rivalry as they both use their driving skills to infiltrate a cross-border drug-smuggling ring and identify its secretive leader. As directed by Justin Lin, the thin story is no more than an excuse for long sequences of reckless racing, while the characters move from one side of the law to the other as it suits them. Vigilantism, brief nongraphic sexual activity, partial nudity, cohabitation, occasional rough language and profanity. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Universal Studios Home Video; also available on Blu-ray)

"The Fast and the Furious: Tokyo Drift "(2006)
In this loud and ludicrous third installment of the adrenaline-charged series, a drag-racing rebel (Lucas Black) is sent to live with his estranged father in Japan, where he befriends a fellow American (rap artist Bow Wow) who introduces him to Tokyo's underground racing scene, running afoul of its mob-connected champ (Brian Tee) when he falls for the gangster's girlfriend (Nathalie Kelley). Director Justin Lin delivers more of the same requisite high-octane race sequences but, as before, there's little plot under the film's flashy hood, and its glamorization of reckless driving is troubling. Much hazardous and illegal behavior involving teens, some violence, objectification of women, several implied sexual situations including same-sex kissing, suggestive wardrobe and dancing, and scattered crude language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13 (Universal Home Video).

"Fast Food Nation" (2006)
Absorbing albeit bleak multiple-plotted expose excoriating the fast food industry for its dangerous, unsanitary and exploitative working conditions, from the perspective of a fictitious burger franchise's marketing executive (Greg Kinnear) who goes to Colorado to investigate conditions at the company's plant; a young cashier (Ashley Johnson) whose uncle (Ethan Hawke) urges her to improve her life, despite the complacency of her unmotivated mother (Patricia Arquette); and a young Mexican immigrant couple (Catalina Sandino Moreno and Wilmer Valderrama) struggling to build a better life. Director Richard Linklater's skillful dramatization of Eric Schlosser's nonfiction book (they co-wrote the script) is sometimes preachy and the ending intentionally inconclusive, but the issues raised are timely ones, while the cast (including Bruce Willis, Bobby Cannavale and Kris Kristofferson) offers solid, selfless performances. Partly subtitled. Rough and crude language, a couple of briefly intense, if nongraphic, sexual encounters, fleeting partial nudity, innuendo, some gruesome slaughterhouse shots and drug references. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Fox Home Entertainment)

"Fear Strikes Out" (1957)
Fact-based story of Boston Red Sox baseball player Jimmy Piersall (Anthony Perkins) whose father (Karl Malden) raises him to be a star outfielder, but the pressure of making good brings on a nervous breakdown requiring psychiatric treatment before he's able to return to the club. Directed by Robert Mulligan, the movie presents a realistic picture of a youth trying to measure up to the high expectations of a well-meaning but ambitious father, with convincing performances from both Malden and Perkins. Brief but intense scenes of emotional instability. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America. (Paramount Home Entertainment)

"Feel the Noise" (2007)
Pleasant if naive musical in which an aspiring rapper (Omarion Grandberry) must leave his Harlem home and the single mother who raised him (Kellita Smith) after attempting to steal the wrong person's hubcaps, and goes to stay with his father (Giancarlo Esposito) and stepmother (Rosa Arredando) in Puerto Rico, where he befriends his musically inclined stepbrother (Victor Rasuk), falls in love with a local dancer (Zulay Henao), discovers the pop music genre called reggaeton, and manages to impress a New York-based music producer (James McCaffrey). Director Alejandro Chomski's film is mostly just a showcase for the singing and dancing, but fans of world music, and of reggaeton in particular, will no doubt enjoy what they hear. Sexual activity without nudity, drug use, skimpy clothing, suggestive dancing, one use of the f-word, two uses of the n-word, and occasional crass and crude language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Sony Pictures Home Entertainment)

"Fighting" (2009)
Intermittently violent, but otherwise engaging boxing drama about a failed street salesman (Channing Tatum) who turns to underground fighting to survive, and bonds with his manager (Terrence Howard) while romancing a waitress (Zulay Henao). Scenes of punishing brutality and approval of premature sexual relations mar director and co-writer Dito Montiel's mostly moving portrait of a friendship between two down-on-their-luck New Yorkers. Graphic beatings, a premarital sexual encounter, and some crude and crass language. Spanish language and titles options. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Universal Studios Home Video; also available on Blu-ray)

"The Final Inquiry" ("L'Inchiesta") (2006)
Well-meaning but stilted and historically improbable drama in which a Roman tribune (Daniele Liotti), accompanied by his barbarian slave and bodyguard (Dolph Lundgren), sets off for Jerusalem at the behest of Emperor Tiberius (Max von Sydow) to verify the veracity of rumors concerning the resurrection of Jesus after his crucifixion, his initial cynicism eroding as he falls in love with a young Christian (Monica Cruz), daughter of an influential Jewish leader (F. Murray Abraham). Director Giulio Base's film works best as the story of an individual pagan's encounter with the revolutionary values of the Gospel, since its portrayal of the larger political context is mostly naive caricature. Moderate battlefield and harsh though nongraphic domestic violence, and mild sexual references. The widescreen DVD features Spanish titles option. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (20th Century Fox Home Entertainment)

"Finding Neverland" (2004)
Beautifully crafted and affecting -- if occasionally somber -- fictionalized story about the fondness of playwright J.M. Barrie (Johnny Depp) for a widow (Kate Winslet) and her four young sons who inspire him to write his greatest success, "Peter Pan." Marc Forster deftly captures the 1903 period ambience, and has drawn fine performances from Depp (in one of his finest roles), Winslet, Julie Christie and Freddie Highmore as the boy who became the inspiration for Peter Pan. Some thematic material -- marital discord and the mother's tragic illness -- and some mildly coarse language. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Buena Vista)

"Find Me Guilty" (2006)
Fact-based drama from veteran director Sidney Lumet concerning one of the longest criminal trials in U.S. history (it lasted 21 months in 1987-88), during which New Jersey's Lucchese family mobster Giacomo "Jackie Dee" DiNorscio (Vin Diesel in a credible change of pace from his usual action films) defends himself in court, providing disruption and comic relief, but also scoring points against dogged prosecuting attorney Sean Kierney (Linus Roache). Lumet's assured guidance, and some excellent supporting performances (Roache, Ron Silver, Raul Esparza, Peter Dinklage) provide some interest but, the historical record aside, it's difficult to care about the travails of this lowlife wise guy. Nonstop rough language and crude expressions, instances of profanity, ethnic slurs, some violence including a shooting, a steamy sexual encounter, sexual banter and innuendo, and drug use. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian (20th Century Fox Home Entertainment).

"A Fine Romance" (1992)
Middle-aged engineer (Marcello Mastroianni) and a doctor's wife (Julie Andrews) living in Paris meet to discuss the fact that their mates are having an affair and end up becoming romantically involved with each other. Director Gene Saks' slight comedy depends upon a frail sense of humor about marital infidelity and human weakness. Uncritical attitude toward extramarital affairs. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Bayside Entertainment)

"Finian's Rainbow" (1968)
Enjoyable screen version of groundbreaking 1940s' Broadway musical about an Irish father (Fred Astaire) and daughter (Petula Clark), a lovelorn leprechaun (Tommy Steele), a racially bigoted judge (Keenan Wynn), and a stolen pot of gold, all set in the American South. Burton Lane and Yip Harburg's songs are the real gold. Director Francis Ford Coppola, pre-"Godfather" fame, strove to make a traditional musical, with some innovative 1960s' flourishes, and the cast is first-rate. The DVD release features a French soundtrack, with Clark dubbing her own songs and dialogue, commentary by Coppola himself, and a special about the original New York film premiere. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. (Warner Bros.)

"Fishers of Men" (2006)
Dynamic, compelling 18-minute vocations documentary that uses interviews with priests, reenactments of historic and contemporary events and images from Christian art to celebrate life in the Catholic priesthood -- an often sacrificial, but also fundamentally joyous, calling. A project of the U.S. Conference of Catholic Bishops' Secretariat for of the Secretariat of Clergy, Consecrated Life and Vocations, the film offers an uplifting introduction to the mission of those Christ has summoned to be his representatives at the altar, in the confessional and at key moments in the lives of the faithful. Spanish language and titles options. (Grassroots Films, www.grassrootsfilms.com)

"First Love" (1970)
Romanticized German tale of fantasy and imagination in which a young lad falls in love with a slightly older flirt who has moved in next door, only to find out that his father (Maximilian Schell) is sleeping with the girl. Also directed by Schell, the movie concentrates on atmosphere and mood with bucolic settings and lush photography, but its lack of plot and shallow substance will leave most viewers yawning. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (VCI Video)

"First Sunday" (Screen Gems)
Rated "PG-13"
Lively ensemble comic drama in which two friends, one (Ice Cube) desperate for money to keep his ex-girlfriend (Regina Hall) from leaving town with his son (C.J. Sanders) and the other (Tracy Morgan) in debt to Jamaican gangsters, break into a church and end up holding hostage the pastor (Chi McBride), his daughter (Malinda Williams), a deacon (Michael Beach), the church secretary (Loretta Devine), the choir director (Katt Williams) and various prominent members of the congregation. Writer-director David E. Talbert's film serves up a serious message about bad decisions and second chances with more than a dollop of enjoyable humor. Occasional crude and profane language, pervasive crass language, some irreverent and sexual humor, implied nonmarital sex and an obscene gesture. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

"Flash of Genius" (2008)
Greg Kinnear gives an excellent performance as Robert Kearns, the real-life Detroit inventor of the intermittent windshield wiper who, with the support of his wife (Lauren Graham) and six children, obsessively persevered in taking Ford Motor Co. to court for the infringement of his patent. Though director Marc Abraham's absorbing film is formulaic in its basic structure, with the "bad guys" too obvious from the get-go and the "quality film" trappings a bit heavy-handed, the story of an individual standing up for his rights against impossible odds is irresistible and beautifully underscores the importance of family and human dignity. Some crude words, one instance of the F-word and intermittent profanity. Spanish language and titles options. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Universal Studios Home Video)

"Flawless" (2008)
Stylish heist film set in 1960 London as an executive (Demi Moore) in a diamond corporation and the soon-to-be-retired night cleaning man (Michael Caine) join forces to steal gems from the firm's high-security vault, after she learns she will be dismissed from her position. Director Michael Radford, working from a first-time script by Edward Anderson, captures the milieu of the corporation and the era well and builds taut suspense, with Moore, Caine and Lambert Wilson as the detective assigned to investigate the robbery all in top form, while objectionable elements -- apart from some language and the robbery itself, of course -- are practically nil. Brief profanity, a single use of the f-word and some crass language; acceptable for older teens. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Magnolia Home Entertainment)

"Flicka" (2006)
Warmhearted story set in contemporary Wyoming about a strong-willed teen (Alison Lohman) who, defying her tough but loving dad (country music star Tim McGraw), determines to tame a spirited wild mustang, ultimately bringing father and daughter closer together, even as the former contemplates selling the financially strapped family ranch. In adapting Mary O'Hara's book, director Michael Mayer makes some changes but remains faithful in spirit, imparting a sentimental message about family bonds, youthful ambition and the passing of the American West. Minimal mildly crass expressions and some minor peril involving a marauding mountain lion that may upset very young viewers. The DVD offers both wide- and full-screen versions of the film. Bonus features include deleted scenes, a blooper reel, director's commentary and the music video of McGraw's "My Little Girl." The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children (Fox Home Entertainment).

"Flower Drum Song" (1961)
Rodgers and Hammerstein musical about a mail-order bride (Miyoshi Umeki) from Hong Kong who arrives illegally in San Francisco, but instead of marrying a nightclub owner (James Soo) as arranged, she falls for a college grad (James Shigeta) who's hooked on a singer (Nancy Kwan). Directed by Henry Koster, the plot is formulaic but the Chinatown settings are of interest and there's a strong Asian-American cast. Romantic complications. The musical makes its first DVD appearance in a handsome anamorphic print with commentary by Kwan and film historian Nick Redman; entertaining featurettes about the property's evolution from book to stage to screen to recent Broadway revival; the then-groundbreaking casting of Asian actors in a major musical; the timeless songs; Richard Rodgers and Oscar Hammerstein; and the colorful sets and costumes. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America (Universal Studios Home Entertainment).

"Flushed Away" (2006)
Frolicsome computer-animated tale about an urbane pet mouse (voiced by Hugh Jackman) whose cushy lifestyle is turned topsy-turvy when he's flushed down a toilet and into the bustling underground world of London's sewer system. Co-directors David Bowers and Sam Fell combine zippy animation, a smartly entertaining script and top-notch voice talent to delightful effect, while imparting a message about the importance of friendship and family. Some mildly rude humor and language and cartoon action violence. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children (Paramount Home Video).

"The Fountain" (2006)
Love story weaving together three interrelated tales set in the past, present and far future, with the couples in each ably played by Hugh Jackman and Rachel Weisz: a medical researcher racing to find a cure to save his terminally ill wife; the characters in a novel she's writing about a 16th-century conquistador questing after the fabled Fountain of Youth for his lover, the queen of Spain; and the same scientist, who hasn't aged a bit, traveling to a distant star in the 26th century, still searching for the secret of eternal life. Written and directed by Darren Aronofsky, the script is by turns poignant and confusing but the visuals are striking and the film's unifying themes of love and mortality provide for some thoughtful reflection on the way death helps delineate our humanity and gives our lives meaning. Some violence, a suggested marital sexual encounter, a bloody scene of self-mortification, brief torture images and an instance of rough language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13 (Warner Home Video).

"The Frisco Kid "(1979)
A rabbi (Gene Wilder), sent on horseback during the gold rush to head a congregation in San Francisco, endures many misadventures that are potentially hilarious but prove only mildly funny under Robert Aldrich's direction. Harrison Ford, as the badman who brings him cross-country unscathed, makes the long journey as enjoyable as the material allows. Contains some hard-edged violence and profanity. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Warner Bros.)

"Fish Without a Bicycle" (2004)
Mostly unappealing story of a Los Angeles-based actress (Jenna Mattison, who also wrote and produced) and her all-important quest to "find herself," as she dumps her fireman boyfriend for a self-absorbed director (Bryan Callen), ignoring her decent-guy acting partner (Brian A. Green, who also directed), who seems the ideal mate for her, while her sardonic best friend (Jennifer Blanc) suddenly reveals a lesbian attraction to her. Occasional flashes of wit and some good supporting performances fail to balance the low-budget production values, gratuitously frank sex talk and implied activity that tries to outdo "Sex and the City," and a leading lady with a fatal case of the cutes, relegating the film squarely to the category of a sappy vanity production. Much rough and profane language, sexual situations, vulgarity and a questionable worldview. The USCCB Office for Film & Broadcasting classification is O -- morally offensive. The Motion Picture Association of America rating is R -- restricted. (Starlight)

"The First Daughter" (2004)
Fluffy and formulaic romantic comedy about a presidential daughter (Katie Holmes) trying to fit in when she goes away to college and whose attempts at a "normal" student life are complicated by a knotty campus romance. Though targeting 'tweeners, this lightweight love story, directed by Forest Whitaker, contains some behavior inappropriate for a PG-rated movie. Underage drinking and implied sexual situations, as well as some crude language and humor. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Fox)

"The Five Pennies" (1959)
Dour screen bio of cornet player Red Nichols (Danny Kaye), whose Dixieland quintet became famous in the 1920s, but who quit the music business when his daughter contracted polio in the 1930s, then made a comeback after she recovered in the 1940s. Directed by Melville Shavelson, Kaye's acerbic performance as Nichols is mellowed somewhat by the interaction of wife Barbara Bel Geddes, pal Harry Guardino and jazz king Louis Armstrong, but the characters prove less interesting than the era's music. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America. (Paramount)

"Flags of Our Fathers" (2006)
Compelling World War II drama that tells the story behind the iconic photograph of six U.S. servicemen raising the flag on Iwo Jima, recounting both the battle to capture the Pacific island from the Japanese and the home-front experiences of the three surviving flag-raisers (Jesse Bradford, Adam Beach and Ryan Phillippe) recruited into using their new celebrity to help sell war bonds and boost national morale. In adapting the book by James Bradley (the son of one of the men in the photo) and Ron Powers, director Clint Eastwood combines intense battle re-enactments -- horrifying in their realism -- with outstanding performances to explore themes of heroism and the power of images to exploit and inspire. Graphic images of combat violence and gore, as well as recurring rough and crude language and profanity. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian (Paramount Home Entertainment).

"The Flight of the Phoenix" (2004)
Underwhelming remake of the 1966 James Stewart action-adventure involving a cargo plane full of oil-rig workers that crashes off course in a remote region of the Gobi desert, leaving the survivors -- including the gruff pilot (Dennis Quaid, in the Stewart role) and an enigmatic, last-minute passenger (Giovanni Ribisi) -- without a radio and with dwindling rations. With hope of rescue fading, the castaways decide to build a makeshift plane from the wreckage while battling killer sandstorms, hostile marauding nomads and internecine frictions. Directed by John Moore, the film boasts some nice desert photography and manages to take off in the final half-hour, but most of this flight is grounded by bland performances (Ribisi excluded), corny dialogue and an undernourished script. Some violence, including a murder and an intense plane crash, an anti-religious comment and intermittent crude language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (20th Century Fox)

"Flightplan" (2005)
Smartly crafted Hitchcockian thriller set aboard a jumbo jet en route from Berlin to New York in which a recently widowed passenger (Jodie Foster) questions her sanity as she desperately searches for her young daughter who mysteriously disappeared midflight, leaving no trace she was ever on board. Directed by Robert Schwentke with a top-flight performance by Foster, the tautly paced nail-biter maintains a high-suspense altitude, though the script experiences increasing turbulence in its story logic and plausibility leading to a more conventional action climax. Several intense sequences, some violence including the bad guy meeting a fiery end, minimal crude language and profanity. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Buena Vista)

"Flicka" (2006)
Warmhearted story set in contemporary Wyoming about a strong-willed teen (Alison Lohman) who, defying her tough but loving dad (country music star Tim McGraw), determines to tame a spirited wild mustang, ultimately bringing father and daughter closer together, even as the former contemplates selling the financially strapped family ranch. In adapting Mary O'Hara's book, director Michael Mayer makes some changes but remains faithful in spirit, imparting a sentimental message about family bonds, youthful ambition and the passing of the American West. Minimal mildly crass expressions and some minor peril involving a marauding mountain lion that may upset very young viewers. The DVD offers both wide- and full-screen versions of the film. Bonus features include deleted scenes, a blooper reel, director's commentary and the music video of McGraw's "My Little Girl." The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children (Fox Home Entertainment).

"Fly Me to the Moon" (2008)
Good-natured animated 3-D children's adventure in which a thrill-seeking young fly (voice of Trevor Gagnon), inspired by his grandfather's (voice of Christopher Lloyd) oft-told exploits, convinces two friends to join him in stowing away on the 1969 Apollo 11 mission to the moon. Director Ben Stassen's film provides a painless history lesson via some of those startling 3-D special effects, though the story line and central characters are less impressive. Spanish language option. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted. (Summit Entertainment; also available on Blu-ray)

"The Flying Nun: The Complete Second Season" (1968-1969)
The latest boxed set contains 26 more episodes of the engaging series which featured an appealing do-gooder heroine. The young Sally Field played Sister Bertrille, whose cornet headdress allowed her to fly high above the windswept Convent San Tanco in Puerto Rico. Series regulars Madeleine Sherwood, Shelley Morrison, Marge Redmond and Alejandro Rey are back, with the episodes spread over three discs though no extras are included. The scripts are generally good, and the portrayal of the nuns is unobjectionable. As before, the print quality is excellent, and there are some interesting guest stars in this batch; they include Dwayne Hickman, Rich Little, Paul Lynde, Jamie Farr and Gavin MacLeod. Pleasant family viewing (Sony Home Entertainment).

"The Flying Nun: The Complete First Season" (1967-1968)
Long before her Oscar win for "Places in the Heart," Sally Field scored, or rather soared, as Sister Bertrille, the airborne 90-pound nun whose coronet headdress allowed her to fly high above her windswept convent in San Juan, Puerto Rico. This improbable premise proved quite appealing to 1960s audiences, and in an era when singing nuns were the rage and "The Sound of Music" was tops at the box office, this series with its good-natured heroine (who sometimes sang), and its carefully reverent approach, made congenial viewing. Other characters included the stern but kind Mother Superior (Madeleine Sherwood), Sister Jacqueline (Marge Redmond), and Sister Sixto (Shelly Morrison), and there's playboy disco owner Carlos Ramirez (the late Alejandro Ray) reformed, of course, by Sister Bertrille. The first season of 29 half-hour episodes and the one-hour pilot -- packaged on a commendably streamlined four discs -- holds up surprisingly well, and the color print quality is excellent. Series creator Bernard Slade went on to become a successful playwright. The fourth disc includes a candid interview with Sally Field, who talks about her transformation from her earlier TV role of Gidget to Sister Bertrille, why she first turned down the role, how Sherwood became her acting mentor, and the still-impressive flying techniques. The compelling interview has a passing drug reference (as she describes the 1960s milieu), but otherwise, the set makes excellent family entertainment. (Sony)

"Gidget: The Complete Series" (1965-1966)
Before her three-season run as TV's "The Flying Nun," Sally Field played the 15-year-old surfer enthusiast with a yen for the boys. Unlike the 1959 film with Sandra Dee, the emphasis here was less on romance and more on the dynamic between Gidget and her widower father (Don Porter). Other characters include her best friend Larue (Lynette Winter), and her older sister (Betty Conner) and brother-in-law (Peter Deuel). Field is effortlessly likable in her first professional gig, and as for the undemanding story ideas -- e.g. Gidget taking a job with a florist as a delivery gal when she really doesn't know how to drive -- they're never less than pleasantly amusing, and compared to most of today's small screen fare, squeaky clean. The four-DVD set, containing all 32 color episodes (looking pristine), also has a present-day interview with Field, who talks about how she came to play the part, and the kindness of Porter who became a surrogate father to her. The series seems to hold a special place for her, even all these years later. At one point, in discussing Deuel, she utters a profanity, but quickly explains her anger stems from frustration that the actor later committed suicide. (Sony)

"The Flowers of St. Francis" (1950)
Remarkable Italian production about the beginnings of the Franciscan order as its founder sets the example of humility, simplicity and obedience for his first followers at Portiuncula, a little chapel near Assisi, from which they depart into the world to preach peace. Directed by Roberto Rossellini from a script co-written with Federico Fellini, the movie's form is as simple and sincere as the subject of the narrative which relates a series of little incidents realistically yet marvelously conveyed with an infectious sense of joy by an anonymous cast of monks from a Roman monastery. In Italian (except for a lengthy spoken English prologue prepared for the film's original release) with optional English subtitles. The handsomely packaged DVD, which comes with a 32-page booklet, features three interviews of 10-15 minutes in length, each taped in 2004. In one, Isabella Rossellini speaks with extraordinary eloquence about her father's work, and the intentional simplicity of this film with its artful use of nonactors; she says the film helped recreate a postwar image of Italy that had been "the enemy for America, loved again." Her father chose St. Francis because he was loved by everyone even if they weren't Catholic. Another is an Italian-language talk with film historian Adriano Apra, who believes Rossellini made the film as an "oasis of peace and serenity" at the time of his scandalous liaison with Ingrid Bergman, which had caused such an enormous furor, and asserts the episodic nature of the film led to its being a commercial disaster when first released. The final interview is with Father Virgilio Fantuzzi, a film critic who recollects his interviews with Rossellini in the filmmaker's last years, and opines that Rossellini "abolished iconography" with this film by presenting St. Francis as an ordinary man who walked the streets. He relates that when the future Pope John XXIII saw the film he remarked, "Poor man, you don't know what you've done," while stroking Rossellini's arm. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America. (Criterion)

"The Fog" (2005)
Schlocky remake of John Carpenter's 1980 horror film about a cursed island community off Oregon enveloped by a sinister shroud of fog that brings with it the ghostly crew of an ill-fated ship returning to exact revenge on the locals (including Tom Welling, Maggie Grace and Selma Blair) for murderous crimes committed by the town's founding fathers. Directed by Rupert Wainwright, the new version pretty much follows the original's soggy B-movie lead, but, despite slicker effects and a bigger budget, it is mist-ifyingly less suspenseful this time around. Strong violence and gore, including flaming bodies, and an impaling with shards of glass, a sexual encounter, horror effects, and minimal crude language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Columbia/TriStar)

"Fool's Gold" (2008)
A sparring treasure hunter (Matthew McConaughey and ex-spouse (Kate Hudson) join forces with a billionaire (Donald Sutherland) and his pampered daughter (Alexis Dziena) to seek ancient treasure in the waters off a Caribbean island before a gangster (Kevin Hart) and the hunter's former mentor (Ray Winstone) get to it first. The amiable stars, eye-filling location shooting and moral wrap-up are pluses, but the routine script co-authored by director Andy Tennant is generally witless and is bogged down by exposition, while the action sequences are lively but unexciting. Some uses of the s-word and brief profanity, a few crass expressions, moderate action violence, an implied sexual encounter in an abandoned church and some light sexual banter. The DVD featurette focuses on the chemistry between the stars, and there's a standard gag reel. Spanish language and title options. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Warner Home Video)

"Footloose" (1984)
A city boy (Kevin Bacon), brought to live in a small Bible Belt town which has an ordinance against dancing in public places, promptly gets in trouble with the local preacher (John Lithgow) over seeing his daughter (Lori Singer), but eventually wins over the town. Director Herbert Ross tries to give the story line as much weight as the dazzling scenes of acrobatic dancing, but the simplistic script's treatment of issues is woefully inadequate. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Paramount)

"Forbidden Planet" (1956)
Engaging sci-fi outing with a space expedition (led by Leslie Nielsen) fighting unseen monsters of the Id on a planet where the powers of a superior, long-extinct civilization are being harnessed by a maverick scientist (Walter Pidgeon) with the help of his daughter (Anne Francis) and a very personable robot named Robby. Directed by Fred M. Wilcox, the premise echoes Shakespeare's "The Tempest," but the movie has its own suspenseful plot developments, intriguing gadgetry and colorful sets, flawed only by some clunky dialogue and desultory action. Occasional stylized violence and much menace. Spanish language and titles options. The Catholic News Service classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (Warner Home Video; also available on Blu-ray)

"For All Mankind" (1990)
Original footage and audio from NASA's nine manned lunar flights (1968-72) are edited together to create a composite lunar mission from liftoff to landing. Filmmaker Al Reinert provides glorious visuals and new astronaut interviews but viewers will be confounded by his unidentified mix and melding of Apollo astronauts and launches into one mission. With clarifying introductory remarks, it may benefit young students of space exploration as well as interest veteran space buffs. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America. (Image Entertainment, Inc.; also available on Blu-ray)

"Fort Apache, The Bronx" (1981)
Paul Newman stars as a tough but compassionate police officer striving to do his job in a precinct that has the highest crime rate in New York City. Director Dan Petrie's standard urban melodrama is marked by excellent acting and fine cinematography but, though it has occasional insights, it tends to exploit a serious and tragic subject. Some tough scenes involving sex and violence. Spanish titles option. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (HBO Home Video)

"The Fountain" (2006)
Love story weaving together three interrelated tales set in the past, present and far future, with the couples in each ably played by Hugh Jackman and Rachel Weisz: a medical researcher racing to find a cure to save his terminally ill wife; the characters in a novel she's writing about a 16th-century conquistador questing after the fabled Fountain of Youth for his lover, the queen of Spain; and the same scientist, who hasn't aged a bit, traveling to a distant star in the 26th century, still searching for the secret of eternal life. Written and directed by Darren Aronofsky, the script is by turns poignant and confusing but the visuals are striking and the film's unifying themes of love and mortality provide for some thoughtful reflection on the way death helps delineate our humanity and gives our lives meaning. Some violence, a suggested marital sexual encounter, a bloody scene of self-mortification, brief torture images and an instance of rough language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13 (Warner Home Video).

"Four Weddings and a Funeral" (Deluxe Edition) (1994)
Offbeat British comedy in which a genial but dim London bachelor (Hugh Grant) falls in love with a self-assured American visitor (Andie MacDowell) who proceeds to marry another, then turns up months later at his wedding with the news that she's left her husband. Under Mike Newell's bright direction, Richard Curtis' clever script delivers much verbal wit and visual gags, especially at the expense of British manners and eccentricities, but its scatterbrained treatment of love and marriage fails to gain any depth by tacking on the somber funeral of a monogamous homosexual. Several stylized bedroom scenes, discussion of sexual affairs and comically intended rough language. The anamorphic widescreen DVD features freewheeling commentary by writer Richard Curtis, producer Duncan Kenworthy, and Newell; five brief deleted scenes set up by an on-camera Kenworthy, including a slightly irreligious one with Rowan Atkinson as a bumbling Anglican priest; and two newly produced behind-the-scenes featurettes. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Sony Pictures Home Entertainment)

"The Forgotten" (2004)
Absorbing, if not quite top-drawer, thriller about a mother (Julianne Moore) grieving for the son killed in a plane crash, who is told that the boy never existed in the first place, prompting her to join forces with a retired hockey player (Dominic West), whose daughter allegedly perished with her son, to solve the mystery. Good performances, some genuine chills and tight -- if formulaic -- direction by Joseph Ruben in the M. Night Shyamalan mode. Some rough language and profanity, and a few intensely jolting moments. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Columbia/TriStar)

"Foul Play" (1978)
Goldie Hawn and Chevy Chase are teamed in this comic melodrama about a feisty librarian and a police detective who foil a plot to assassinate the pope during a visit to San Francisco. Colin Higgins directs an above-average comedy that is frequently very funny but maintains enough tension to be enjoyable as a thriller too. Some crude language and a casual attitude toward premarital sex. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Paramount)

"Four Brothers" (2005)
Excessively violent revenge drama directed by John Singleton about four street toughs -- two white (Mark Wahlberg and Garrett Hedlund) and two black (Andre Benjamin and Tyrese Gibson) -- raised as foster brothers who return home to Detroit to avenge the brutal murder of their saintly adoptive mother. Despite believable performances and chemistry, the quartet is wholly unsympathetic (save for Benjamin) and their thuggish eye-for-an-eye tactics have little to do with true justice and undermine the shaky narrative's emotional drama. Recurring strong violence and gore, vengeful killings, vigilantism, a sexual encounter, some crass sexual humor, fleeting rear shower nudity, pervasive raw language and profanity. The USCCB Office for Film & Broadcasting classification is O -- morally offensive. The Motion Picture Association of America rating is R -- restricted. (Paramount)

"The Fox and the Child" (2007)
Delicate fable in which a woman (voice of narrator Kate Winslet) recalls how, as a 10 year old (Bertille Noel-Bruneau), she became fascinated by a wild fox and, after a long and adventurous pursuit, managed to win the animal's trust and companionship. Captivating visuals compensate for a leisurely pace in director Luc Jacquet's loving and lustrous portrait of his native Ain region in eastern France, which rates as excellent family viewing, though scenes of peril may frighten the most sensitive youngsters. Spanish titles option. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted. (Warner Home Video)

"The Fox and the Hound: 25th Anniversary Edition" (1981)
Tod the fox and Copper the hound, raised as friends, have to confront the consequences of the roles assigned to them by humans and nature in this Disney animated feature directed by Art Stevens, Ted Berman and Richard Rich. Based on the book by Daniel P. Mannix, it should make pleasant entertainment for the young, though its sentimentality and cloying cuteness will put off older and more demanding viewers. The nicely packaged DVD release features an attractive full-screen transfer, with French and Spanish audio options. There's a singalong, a "Forest Friendship" game, a read-along story featuring Tod and Copper, a making-of featurette on Disney's 24th animated film, and a couple of shorts. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted (Walt Disney Home Entertainment).

"Fracture" (2007)
Generally effective mystery thriller about a wealthy man (Anthony Hopkins) who shoots his unfaithful wife and afterward baits the career-minded young prosecuting attorney (Ryan Gosling) who can't nail him unless the murder weapon is found. Director Gregory Hoblit's detached style and the stylishly cold production design prove a bit distancing, but the protagonists are compelling, the mostly literate script tries hard to avoid the predictable, and several ethical issues (satisfactorily resolved) add further texture to the whole. Brief shots of the shooting, suicide, murder, rough language and vulgar expressions and profanity, innuendo, adultery and implied premarital encounters. The USCCB Office for Film & Broadcasting classification is A-III --adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian.

"Franz Jagerstatter: A Man of Conscience" (2008)
Inspiring half-hour profile of Franz Jagerstatter (1907-43) a devout Austrian Catholic and third order Franciscan beheaded by the Nazi regime for refusing military service during World War II, and beatified as a martyr in 2007. Filmmakers Jason A. Schmidt and Ron Schmidt, S.J., use archival footage, interviews with Jagerstatter's widow and two of his four children as well as his own writings -- poignantly read by narrator Martin Sheen -- to chart the life and explore the legacy of this courageous resister. Retired Auxiliary Bishop Thomas J. Gumbleton of Detroit reflects on Jagerstatter's significance as a role model for pacifists. Additional features on the widescreen DVD include a 10-minute introduction to Catholic just-war theory from Bishop Gumbleton and brief scenes of Jagerstatter's family and hometown of St. Radegund as they are today. (Maryknoll Productions) (www.maryknollsocietymall.org)

"Fred Claus" (2007)
Generally funny yet bittersweet tale of a sad-sack Chicago repo man (Vince Vaughn) who travels to the North Pole to help his younger, more popular brother, St. Nicholas (Paul Giamatti), at Christmas, while a devious efficiency expert (Kevin Spacey) threatens to shut down the elves' toy factory. Underneath the laughs, Director David Dobkin's film is a surprisingly resonant take on sibling rivalry, with lots of heart-tugging sentiment, and solid messages about family, self-esteem, forgiveness and ultimately redemption. Mild innuendo, an implied premarital living arrangement, a suggestive costume, and some crass humor and expressions. The double-sided DVD, featuring both the widescreen and full-screen versions, includes commentary by Dobkin, and nearly half an hour of generally amusing deleted scenes. Spanish language and titles options. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Warner Home Video) (Also available on Blu-ray with additional features)

"Freedomland" (2006)
Overheated and grim melodrama about an emotionally fragile woman (Julianne Moore) who says she was carjacked near a predominantly black housing project, with her assailant taking off in the car with her son in the back seat, and the police detective (Samuel L. Jackson) who attempts to uncover the truth while keeping racial tensions at bay. Joe Roth's film, based on Richard Price's best-seller, is finely acted by its two leads and by Edie Falco as the head of a missing-children advocacy group, but despite a worthy premise, a redemptive ending and a central character imbued with a strong faith the movie is undermined by plot contrivances. Much profanity and rough language, racial epithets, riot violence, some blood, drug references, an intense emotional breakdown, an unwed mother, adultery, domestic and child abuse and a fall from a window. The anamorphic, good-looking DVD offers widescreen or fullscreen viewing options but no extras at all. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Sony Pictures Home Entertainment)

"Freedom Writers" (2007)
Classroom drama about the efforts of an idealistic, novice high school English teacher (Hilary Swank) to transform a racially divided class of troubled teens into model students by inspiring them to believe in themselves and break the cycle of gang violence in which they feel trapped. As a way of empowering them, she has them record their personal stories, experiences and feelings in journals, which they eventually get published. Director Richard LaGravenese overcomes a predictable and, at times, message-heavy script with emotionally powerful performances by the young ensemble and redemptive themes of self-worth, the efficacy of education and empathy to overcome intolerance, and the ability of one person to make a difference. Some graphic violence, including shootings, beatings and brief but disturbing images of domestic abuse, a divorce subplot, one instance of the f-word, recurring crude language and a few racial slurs, limiting its appropriateness to older adolescents and up. The anamorphic DVD includes commentary by LaGravenese and Swank, some excellent deleted scenes, and making-of and other assorted featurettes. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13 (Paramount Home Entertainment).

"Friday Night Lights" (2004)
Hard-hitting drama about a season in the life of a small-town high school football team (coached by Billy Bob Thornton) as it struggles to make it to the Texas state championship. Based on the nonfiction best seller by H.G. Bissinger and directed by Peter Berg, the film is an engrossing, at times unsettling, portrait of the lives and fragile dreams of young athletes that exposes the unhealthy pressure-cooker environment where teenagers are asked to shoulder the expectations of an entire community. Much football violence, some underage drinking, two sexual situations, one with partial nudity, an abusive father-son relationship and some crude language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Universal)

"From Jesus to Christ: The First Christians'' (1998)
Originally broadcast on the PBS "Frontline" series, the documentary looks back 2,000 years to the historical world of Jesus as well as that of his persecuted followers over the next three centuries . Ever since the 1947 discovery of the Dead Sea Scrolls, biblical scholarship has been busy with archaeological digs, comparison of manuscripts and speculation over texts. Drawing on the input of 12 New Testament scholars, this four-hour series tries to avoid the oversimplifications and slippery generalizations that have generated controversy. In exploring the historical context of the Gospels, these scholars confine themselves to the archaeological evidence and textual analysis. The first two hours provide a rich introduction to the Jewish world into which Jesus was born. Produced by Marilyn Mellowes and directed by William Cran, the documentary presents a secular account of the rise of Christianity without directly taking up the question of Christ's divinity, which is a matter of faith and beyond the scope of the series. The series may antagonize those who take a strictly literal view of the Gospel accounts and surely irritate most historians by using the clunky B.C.E. (before the Common Era) to replace the commonly used and historically correct B.C. (before Christ). (PBS Home Video)

"Frozen River" (2008)
Two cash-strapped women in upstate New York -- one (Misty Upham) a widowed Mohawk, the other (Melissa Leo) a white working-class mother of two sons (Charlie McDermott and James Reilly) abandoned by her gambling-addicted husband -- are driven to smuggle undocumented aliens from Canada across the ice-bound St. Lawrence River into the United States for pay. Writer-director Courtney Hunt's somber, understated but dramatically effective feature debut is an unflinching study of hard times, racial divisions, the plight of migrants and the lure of fast money, though it also ultimately celebrates barrier-transcending friendship, rediscovered decency and quiet, self-sacrificing heroism. Human trafficking theme, some rough and crude language, and a brief strip club scene without nudity. The DVD includes commentary by Hunt and producer Heather Rae. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Sony Pictures Home Entertainment; also available on Blu-ray)

"Funny Face" (Centennial Collection; 1957)
Elegant musical romance in which an American gamin (Audrey Hepburn) is turned into a top Paris model by a love-smitten photographer (Fred Astaire) in cahoots with his fashion magazine editor (Kay Thompson). Director Stanley Donen fleshes out the thin narrative with lovely musical numbers by George and Ira Gershwin as well as lots of gorgeous Paris scenery and a rainbow palette of color photography. Pleasant escapist fare for all but unromantic youngsters. Spanish language and titles options. The nicely-packaged two-disc DVD includes excellent new features (the film has been on DVD twice before), including ones on Thompson, the VistaVision process and fashion photographers, plus several holdovers from the film's last issue and an eight-page booklet. Spanish language and titles options. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America. (Paramount Home Entertainment)

"Funny Games" (2008)
Bleak, horrifying thriller about a vacationing couple (Naomi Watts and Tim Roth) and their young son whose house is invaded by two sadistic young men who hold them hostage. Director Michael Haneke's shot-by-shot remake of his 1997 German film is purportedly a critique of violence and the media, but despite excellent performances, Haneke's undeniable craftsmanship and most of the appalling violence occurring off-camera, many will find the unrelenting brutality unbearably disturbing. Extreme violence including torture and murder, blood, some crude language and profanity, skimpy female attire and a drug reference. The DVD has no extras, but includes both the widescreen and full-screen versions, with a Spanish-titles option. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Warner Home Video)

"Funky Valley" (2008)
British cartoon series, created and directed by Simon and Sara Bor, about a community of eccentric farm animals, presided over by sagacious Hoot the Owl. The likable 13 five-minute episodes offer preschoolers examples of logical problem solving, with initial dilemmas ranging from Fergus the Fox being stuck in a well to Daphne the Duck getting caught in a bale of hay and being mistaken for an alien. (PorchLight Home Entertainment)

"Funny Girl/Funny Lady" set: "Funny Girl" (1968)/"Funny Lady" (1975)
"Funny Girl," a big, glossy musical, gives the sentimental treatment to the rise to fame of comic singer Fanny Brice (Barbra Streisand) as the Ziegfeld Follies queen whose marriage to a gambler (Omar Sharif) fails in spite of their love. Director William Wyler turns Streisand's movie debut into a personal triumph for the popular singer. "Funny Lady" is the Barbara Streisand musical comedy in which she brings some depth to her portrayal of the maturing Fanny Brice trapped by her love for a professional gambler (Omar Sharif) and her attraction to a Broadway producer (James Caan) without losing any of her zest in interpreting the Billy Rose songs and elaborate dance routines. Directed by Herbert Ross, the serious moments tend to drag, but the comic ones are hilarious, and the verve and nostalgia of the revue help to conceal a flawed plot. Both films now come in a DVD repackaging in two handsome slim-line cases. Print quality is excellent on both films. Each disc allows you to access a handful of musical numbers separate from the film itself, and "Funny Girl" gives you two period behind-the-scenes featurettes. For "Funny Girl," the USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is G -- general audiences. For "Funny Lady," the USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Columbia/TriStar)

"Funny Face" (50th Anniversary Edition) (1957)
Elegant musical romance in which an American gamin (Audrey Hepburn) is turned into a top Paris model by a love-smitten photographer (Fred Astaire) in cahoots with his fashion magazine editor (Kay Thompson). Director Stanley Donen fleshes out the thin narrative with lovely musical numbers by George and Ira Gershwin as well as lots of gorgeous Paris scenery and a rainbow palette of color photography. Pleasant escapist fare for all but unromantic youngsters. The DVD does full justice to an always striking-looking film, with extra features on Hepburn's close relationship with designer Hubert de Givenchy, the city of Paris as a backdrop in so many memorable films, an overview of Paramount's 1950s films, and a stills photo gallery. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America. (Paramount Home Entertainment)

"Fur" (2007)
Cinematically inventive fictional take on photographer Diane Arbus (a luminous Nicole Kidman), circa 1958, on the verge of transformation from being her photographer husband's (Ty Burrell) stylist and becoming a trendsetting pictorial chronicler of societal pariahs and those with physical abnormalities. The catalyst for her transformation is her upstairs neighbor (Robert Downey Jr.), a mysterious figure covered with voluminous hair from head to toe, who unleashes her inhibitions and her artistic vision, and with whom she enters into a mostly platonic, but sensually charged, relationship. Director Steven Shainberg uses elements of "Beauty and the Beast" and "Alice in Wonderland" for this absorbing allegory which, if viewed in that light, tempers some of the undeniably problematic elements which will severely limit its appeal to Catholic audiences, and necessitate the restrictive classification. Full-frontal nudity, a sexual encounter along with several highly suggestive if nongraphic encounters, adultery, suicide, some instances of profanity, rough language and crude expressions, mortuary image of dead woman, alcohol and fleeting drug use. The handsome DVD, with articulate commentary by Shainberg, has an HBO-produced making-of documentary, as well as two brief deleted scenes. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian (New Line Home Entertainment).
 

G
"Clark Gable: The Signature Collection" (1933-53)
Hollywood's ultimate he-man of the 1930s, '40s and '50s gets his first boxed set with six of his films new to DVD, all in pristine prints, and most featuring extra content, including shorts and cartoons. Two of the films -- 1935's "China Seas" (in which he co-stars with Jean Harlow and Rosalind Russell) and 1933's "Dancing Lady" (a semimusical featuring Joan Crawford) -- were not classified by the Legion of Decency in those years, but are, in any case, tame by today's standards. 1940's "Boom Town" (with Spencer Tracy, Claudette Colbert and Hedy Lamarr) and 1936's "Wife vs. Secretary" (with Myrna Loy) are both A-II -- adults and adolescents, while 1953's "Mogambo" (with Ava Gardner and Grace Kelly) is A-III -- adults. And 1936's "San Francisco" (with Tracy, singer Jeanette MacDonald and a spectacular re-creation of the great earthquake) is A-I -- general patronage. This one contains a recent documentary on the star, "Clark Gable: Tall, Dark & Handsome" narrated by Liam Neeson. The films are all available singly as well. None were rated by the Motion Picture Association of America. (Warner Home Video)

"The Game Plan" (2007)
Endearing, though slightly implausible story of an egotistical football star (Dwayne "The Rock" Johnson, proving a surprisingly congenial comic) whose party-oriented lifestyle is disrupted by the arrival on his doorstep of the 7-year-old daughter he never knew he had (a remarkably self-assured Madison Pettis). This event complicates his pursuit of the championship and his relationship with his agent (Kyra Sedgwick), as well as with some of his teammates and friends (Morris Chestnut, Hayes MacArthur and Brian White), but may also lead to romance with his daughter's no-nonsense ballet teacher (Roselyn Sanchez). Director Andy Fickman's film has great appeal for kids, though parents may be grateful for the presence of Sedgwick, whose tart character helps to keep the sweetness level from inducing diabetes. One instance of scatological humor and two mildly crass words may combine with scenes of a lost child and an allergic reaction to preclude very young children. The well-packed DVD includes nine deleted scenes, bloopers with sportscaster Marv Albert, a behind-the-scenes featurette and much more. Spanish-language track and titles option. Also available on Blu-ray Disc. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Walt Disney Studios Home Entertainment)

"Garden State" (2004)
Offbeat comedy about a struggling, emotionally autistic L.A. actor (Zach Braff) deadpanning it in a lithium-induced daze, who returns to his New Jersey home after 10 years in order to attend his mother's funeral and, through a series of chance encounters with old slacker friends and an eccentric girl (Natalie Portman), begins to reclaim his life, including his relationship with his estranged father (Ian Holm). Well written and acted, the visually quirky film (Braff's directorial debut) offers witty observations on family, loss and America's fascination with pharmaceutical solutions to life's problems. However, the movie's hope-affirming message is weighed down by its catatonic talkiness. Recurring drug content, sexual encounters with partial nudity, and some rough and crude language and humor. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. (Fox)
 

"Garfield: A Tail of Two Kitties" (2006) Trivial, if innocuously entertaining, sequel to the 2004 comedy based on the Jim Davis comic strip, in which the wisecracking, lazy orange housecat (once again computer animated and lethargically voiced by Bill Murray) travels to England, where he inadvertently switches places with a pampered blueblood feline (voiced by Tim Curry) who has just inherited a castle, finding himself in the cross hairs of the estate's kitty-hating, next-in-line human heir (Billy Connolly) while enjoying the royal treatment from the manor's barnyard staff of talking animals (voiced by the likes of Bob Hoskins, Vinnie Jones and Rhys Ifans). Directed by Tim Hill, the follow-up improves on the first film, but the bland script once again relies heavily on the kind of screwball sight gags and slapstick that the kiddies may find amusing, but -- even at a mere 75 minutes -- may induce accompanying adults to take a catnap. Some mildly crude humor. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children (20th Century Fox Home Entertainment).

"The Gate" (1987)
Modern fairy tale for the younger set about the dangers of toying with the darker side. Preteens accidentally unleash suburban demons while parents are away and need a heavy-metal album, courage and pure hearts to chase them back through the "gate" from which they escaped. Director Tibor Takacs provides some mild scares in a simple good-vs.-evil tale. Spanish titles option. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Lionsgate)

"The Genius Club" (2006)
A crazed revolutionary (Tom Sizemore) threatens to nuke Washington unless the president (Jack Scalia) and a motley collection of intellectuals from various walks of life (Stephen Baldwin, Tricia Helfer and Philip Moon among others) can answer big philosophical questions, such as the meaning of life. Though well-intentioned and almost entirely free of objectionable material, writer-director Tim Chey's bombastic thriller drives home its unoriginal points on faith and morality with a heavy hand. Mature themes and a brief scatological remark. Additional features on the DVD include commentary by Chey, a making-of featurette, and nine unremarkable deleted scenes. Spanish-language option. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Cloud Ten/Koch Entertainment)

"Georgia Rule" (2007)
Uneven drama (with some comic moments) about a San Francisco mother (Felicity Huffman) who leaves her deeply troubled 17-year-old daughter (an impressive Lindsay Lohan) in the care of a stern but loving, God-fearing grandmother (Jane Fonda) in small-town Idaho. Director Garry Marshall's glossy soap opera is well acted, and ultimately delivers a pro-family message, along with other positive themes of intergenerational bonding and forgiveness, but the formulaic plot, insufficiently defined characters and tawdry elements like the granddaughter's blatant sexuality and gutter language, a major sexual abuse theme and patronizing view of the pious Mormon townspeople are detriments. Strong sexual material, though no nudity, implied underage encounters, innuendo, rough and crude language and profanity, domestic violence, blackmail, heavy alcohol use and drug references. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Universal Studios Home Video)

"Get Smart" (Two-Disc Special Edition) (2008)
Good-natured update of 1960s TV series with secret agent Maxwell Smart (a perfectly cast Steve Carell), alternately bungling and clever, and his partner, Agent 99 (Anne Hathaway), dispatched to Russia by their chief (Alan Arkin) to battle the evil KAOS crime syndicate boss (Terence Stamp). Director Peter Segal deftly balances action, comedy and sentiment, with quite a few pearly moments, but though the action sequences are never gory or the comedy gross or mean-spirited, the elements listed below are arguably still strong enough to preclude the youngest viewers. Much comic action violence including killings, light sexual references and innuendo, some crude language and crass expressions, a vulgar gesture and brief rear-male nudity; acceptable for older teens. The DVD has an unusual feature whereby about 20 minutes of deleted scenes and alternate gags can be accessed by pressing the "enter" control at appropriate moments. The humor -- like that in the final cut -- is sometimes rude, but often funny. The second disc has a gag reel, plus several featurettes and offers the capability to download a digital copy. Spanish language and titles options. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Warner Home Video; also available in Blu-ray)

Gettysburg" (1993)
Long but compelling historical re-creation of the Civil War battle focuses on the decisive action of Union Gen. Buford (Sam Elliott) in seizing the high ground at the start, the role of Union Col. Chamberlain (Jeff Daniels) in holding the Little Round Top and the disastrous charge led by Confederate Gen. Pickett (Stephen Lang) which ended the battle. Adapted by director Ronald F. Maxwell from Michael Shaara's novel, "The Killer Angels," the military actions are depicted on an epic scale that succeeds as spectacle but only occasionally as human drama. Much battlefield carnage. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Warner Bros.)

"Gandhi" (25th Anniversary Edition) (1982)
Superb portrait of India's great political and spiritual leader comes to life in Ben Kingsley's authoritative, yet sensitive performance. Director Richard Attenborough's epic-scale production re-creates Gandhi's life and times, especially his use of nonviolence and hunger strikes to bring together the diverse peoples of India and unify them as a nation. Though its scenes of violence are not for children, the movie's vision of justice and peace is for everyone else, especially young people. Attenborough provides a feature-length informative commentary on this splendid two-disc, anamorphic set, while the packed second disc contains nine well-produced featurettes, interviews with Attenborough and Kingsley, the latter discussing the role that made him a star, and vintage newsreel footage. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children (Sony Pictures Home Entertainment).

"Ghost" (Special Collectors Edition) (1990)
The ghost of a murdered young banker (Patrick Swayze) uses a phony spiritualist (Whoopi Goldberg) to warn his lover (Demi Moore) that she, too, is in deadly peril until he can discover why he was killed and stop those responsible. Director Jerry Zucker's offbeat but uneven blend of fantasy, horror and comedy is an engagingly sentimental thriller plump with quirky characters and edgy performances. Some grisly violence, acceptance of premarital sex and occasional profanity. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13 (Paramount Home Entertainment).

"Ghost Town" (2008)
Bittersweet romantic comedy set in New York in which a misanthropic dentist (Ricky Gervais) finds he has acquired the ability to see ghosts after he is clinically dead for seven minutes during a routine medical procedure and is persuaded by the spirit of a recently deceased husband (Greg Kinnear) to break up the engagement of his widow (Tea Leoni), falling for her himself. A melancholy tone pervades director and co-writer David Koepp's cross between "A Christmas Carol" and "Topper," but the laughs are there, along with an overriding message about living life in service to others, and ultimately "letting go" of our deceased loved ones. Some rough language and brief profanity, sexual humor, partial male nudity and drug references; acceptable for older teens. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (DreamWorks Paramount; also available on Blu-ray)

"The Girl-Getters" (aka "The System") (1966)
British look at contemporary society through the eyes of young rebels (notably Oliver Reed) without goals. Michael Winner's direction of Peter Draper's episodic script captures something of the cynical innocence of its subject. The Catholic News Service classification is A-III -- adults. Not rated by the Motion Picture Association of America. (VCI Entertainment)

"G.I. Joe: The Rise of Cobra" (2009)
Futuristic combat fantasy in which two soldier buddies (Channing Tatum and Marlon Wayans) join an elite international force (led by Dennis Quaid) to thwart an evil arms dealer (Christopher Eccleston) bent on world domination. Special effects are expensive and the lives of the extras are cheap in director Stephen Sommers' slick but uninvolving action excursion, developed from a line of Hasbro toys. Pervasive action violence, brief gore, at least two uses of profanity and about a dozen crude or crass terms. Spanish titles option. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Paramount Home Entertainment; also available on Blu-ray)

"Glory" (1989)
The story of the 54th Regiment of Massachusetts Volunteer Infantry, the first black fighting unit raised during the Civil War, focuses on its enlightened white commander (Matthew Broderick) who molded field hands and runaway slaves into proud, heroic Union soldiers. Director Edward Zwick raises consciousness about the little-known regiment and re-creates some harrowing battle scenes but, unfortunately, gives shallow attention to the themes of racism and the obscenity of war. Stereotyping of key black characters, much grisly wartime violence and some profanity. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Sony Pictures Home Entertainment; also available on Blu-ray)

"Glory Road" (2006)
True story of small-town basketball coach Don Haskins (Josh Lucas), hired to turn around a Texas college's losing streak, who recruits African-American athletes (including Derek Luke), molding them into a unified team and leading them to compete against a top-seeded, all-white Kentucky squad. Directed by James Gartner, the feel-good, if formulaic, film has a winning message about teamwork and racial equality. An instance of violence, some racial slurs and minimal crude language. The DVD contains two commentary tracks, one with Gartner and producer Jerry Bruckheimer, another with the writers; four deleted scenes; three featurettes extolling Haskins; and a music video. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children (Buena Vista Home Entertainment).

"Gnomeo and Juliet" (2011)
William Shakespeare's classic tragedy about star-crossed lovers morphs into a clever animated comedy as rival families of garden gnomes face off in a battle for backyard supremacy. It's love at first ceramic clink for Juliet Capulet (voice of Emily Blunt) and Gnomeo Montague (voice of James McAvoy), but differences in clan allegiance threaten to drive them apart. Until, that is, a wise pink flamingo (voice of Jim Cummings) assures them that love conquers all -- including, in this case, the Bard's original ending. Director Kelly Asbury's slightly warped but ultimately winning film offers good, clean, wholesome fun for the entire family. Spanish titles option. The Catholic News Service classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted. (Touchstone Home Entertainment; also available on Blu-ray)

"Goal! The Dream Begins" (2006)
Familiar but satisfying sports drama about an undocumented Mexican migrant (Kuno Becker) who is given an opportunity to escape his father's (Tony Plana) hardscrabble fate and fulfill his dream of playing professional soccer when a former British scout (Stephen Dillane) visiting Los Angeles offers him a tryout with a top-tier English soccer team. Directed by Danny Cannon, the film's feel-good underdog theme coupled with Becker's appealing performance scores, despite a formulaic script, underdeveloped characters and an overlong length. A few crude expressions, suggested drunkenness and carousing, implied sexual situations and some sports roughness, limiting its appropriateness to older adolescents and up. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children (Buena Vista Home Entertainment).

"God or the Girl" (2006)
Reality program about four young men who must decide whether to enter the seminary or serve God as laymen. Darryl Silver, Stephen David and David Eilenberg's series (executive-produced by Silver and Mark Wolper) offers a surprisingly reverential treatment of a profound life passage. The four include infuriatingly indecisive Joe Adair, a 28-year-old procrastinator who has already been in the seminary twice; emotional Steve Horvath, whose quivering sensitivity comes to the fore when he goes to Guatemala for mission work; 24-year-old Mike Lechniak, who would have to give up his sympathetic girlfriend, Aly; and Dan DeMatte, a 21-year-old student with a talent for youth ministry. The sincerity of all four is never in doubt even if their worldviews sometimes border on the naive. An occasional crass expression and a few sexually related words and innuendo are the only flags in otherwise unobjectionable content. The DVD includes a fifth subject cut from the series: 23-year-old Tom Stroka, who overcomes his indecision, in part, by skydiving; an excellent 14-minute sequence with Father Mark De Battista, who straightforwardly elucidates the discernment process, and makes the sacrifice of celibacy comprehensible; and finally, 35 minutes of deleted scenes. These include Steve's battle with celibacy as he tries to keep his impure thoughts in check, Joe tortuously trying to decide which ice-cream flavor to order, and Mike's poignant tears as he speaks of the poverty he witnessed on a trip to Haiti and how God lifted him out of his subsequent depression. (A&E/New Video)

"God, Country, Notre Dame: The Story of Father Ted Hesburgh, CSC" (2004)
Handsome biographical tribute to Holy Cross Father Theodore Hesburgh, president emeritus of the University of Notre Dame, which celebrates both his influence as a towering figure in higher education and lifelong commitment to public service. Narrated by Sean Astin, Clarence Gilyard and Regis Philbin, the 56-minute documentary chronicles his life, from his Catholic upbringing, during which he felt an early call to the priesthood, to his seminary days, his joining the faculty of Notre Dame in 1945 and his being named its youngest president two years later, a position he would hold until 1987. Though most associated with his role as head of Notre Dame, the program glowingly details Father Hesburgh's legacy beyond South Bend, Ind., highlighting his unwavering dedication to world peace, ecumenism and civil rights. Yet while his impressive career included serving four popes, advising six U.S. presidents and being appointed to 16 presidential commissions, Father Hesburgh maintains that his most cherished role is that of priest, "the center of my existence." Personal anecdotes are fondly offered by Presidents Gerald R. Ford, Jimmy Carter and George H.W. Bush, Secretary of State Condoleezza Rice, who has a master's degree from Notre Dame, and Cardinal Theodore E. McCarrick of Washington. Father Hesburgh himself weighs in on topics ranging from academic freedom to his love of flying. Bonus features include a group discussion with students to whom he imparts words of advice. The video is not only for those with ties to Notre Dame but anyone interested in the American Catholic experience. (Family Theater Productions, www.Hesburgh.org or (800) 404-8350)

"Godsend" (2004)
 A-III (PG-13)
Cautionary psychological thriller about a grief-stricken couple (Rebecca Romijn-Stamos and Greg Kinnear) who agree to an offer made by a brilliant but shadowy scientist (Robert De Niro) to clone their 8-year-old son after the boy is killed in a tragic accident, only to find out later the chilling unforeseen consequences of their Faustian bargain. While the film, directed by Nick Hamm, raises thought-provoking questions involving bioethics and the morality of artificially creating human life, the story's philosophical pretensions quickly give way to spooky atmospherics and standard ghost-story devices which detract from the central moral dilemma posed. A sexual encounter, a problematic theme of cloning, recurring profanity, sporadic crude language and some scary sequences.  The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Lions Gate)

"The Godfather" (1972)
Blockbuster screen version of the Mario Puzo novel about a Mafia family's rise, decline and resurgence in the murderous world of New York racketeering. Marlon Brando plays the aging but indomitable Don with James Caan and Al Pacino as leading family members. Francis Ford Coppola's direction is a study in control and pacing with all the right touches in establishing the proper 1940's ambience. The murders are plentiful and gruesome, with little spared in detailing the intricacies of mob life. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Paramount Home Entertainment)

"Gone Baby Gone" (2007)
Thought-provoking mystery about a private investigator (a superlative Casey Affleck) and his girlfriend-partner (Michelle Monaghan) hired to investigate the disappearance of the 4-year-old daughter of a drug addict (Amy Ryan) in the Boston area, with the reluctant cooperation of the police (Morgan Freeman and Ed Harris). Ben Affleck makes an auspicious directorial debut in this adaptation of Dennis Lehane's novel, and though the seedy environment, pervasive expletives and sporadic but graphic violence will not be to everyone's taste, mature viewers will find those elements and some morally troublesome actions handled with gravity and intelligence. Pervasive rough language, profanity, violence with blood, corpses, an impulsive vigilante-style killing, drug use, implied nonmarital relationships, and child-abuse references. The DVD, with low-key, informative commentary by director Affleck and writer Aaron Stockard, includes short featurettes on the director and the casting process, five deleted scenes (including a nongraphic bedroom scene with Casey Affeck and Monaghan), and a slightly different ending. Spanish title and language options. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Buena Vista Home Entertainment)

"Gone With the Wind" (1939)
Epic romance spanning 20 years in the troubled lives of its ambitious Southern heroine (Vivian Leigh), the man she loves (Leslie Howard) and the man she finally marries (Clark Gable). Produced by David O. Selznick and directed by Victor Fleming, the movie re-creates not the history but the myth of the Old South and its destruction in the Civil War and Reconstruction. Though blacks are treated in the stereotyped fashion of the time, the picture is sympathetic toward its main black characters, particularly Hattie McDaniel who received an Academy Award for her performance. Wartime violence, romantic complications and black stereotyping. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is G -- general audiences. (Warner Bros.)

"Gone With the Wind: 2-Disc Special Edition " (1939)
Epic romance spanning 20 years in the troubled lives of its ambitious southern heroine (Vivian Leigh), the man she loves (Leslie Howard) and the man she finally marries (Clark Gable). Produced by David O. Selznick and directed by Victor Fleming, the movie re-creates not the history but the myth of the Old South and its destruction in the Civil War and Reconstruction. Though blacks are treated in the stereotyped fashion of its time, the picture is sympathetic toward its main black characters, particularly Hattie McDaniel, who received an Academy Award for her performance. Wartime violence, romantic complications and black stereotyping. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Warner Bros.)

"Goodfellas" (1990)
    The heady rise -- and eventual downfall -- of three Brooklyn hoods (Ray Liotta, Robert De Niro and Joe Pesci) are shown from one gangster's warped point of view in this fact-based story spanning 30 years. Director Martin Scorsese synthesizes flowing cinematography, an eye for details and commanding performances into a chilling re-creation of the empty glamour, endless greed and sick violence that characterizes mob life. Much graphic violence and rough language.   The USCCB Office for Film & Broadcasting classification is A-IV -- adults, with reservations. The Motion Picture Association of America rating is R -- restricted. (Warner Bros.)

"The Good German" (2006)
Compelling, well-acted, if somewhat contrived, story of a U.S. war correspondent (George Clooney) who comes to Berlin to cover the Potsdam peace conference after World War II, and finds the German woman with whom he once had an affair (Cate Blanchett), who is now desperate to leave the country, as he attempts to solve the mystery of the murder of the opportunistic young corporal (Tobey Maguire) assigned to be his driver, eventually leading him to the woman's scientist-husband whose expertise is sought by both the American and Russian occupiers. Director Steven Soderbergh has filmed this adaptation of Joseph Kanon's novel with the black-and-white trappings of postwar-era films, a distracting stunt that is nonetheless more successful than not, though the adult themes, sexual content and language are very much in the contemporary vein. Rough language and profanity, crude expressions, racial epithets, prostitution, a shadowy sexual encounter without nudity, adultery, rape discussion, violence, murder and a mild striptease. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian (Warner Home Video).

"Good Morning, Vietnam "(1987)
Robin Williams stars as a wacky U.S. Armed Forces Radio disc jockey brought in to boost troop morale in 1965 Vietnam but his unmilitary sense of humor brings him into conflict with those in charge of the station. Directed by Barry Levinson, the seriocomic movie has some hilarious routines but also considerable raunchy sexual humor, rough language and irreverence, only somewhat redeemed by being placed within the context of the obscenity of war. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Buena Vista)

"Good Neighbor Sam" (1964)
Rated "NR"
Uneven romantic comedy with a married advertising executive (Jack Lemmon) working on a wholesome ad campaign for a fussy new client (Edward G. Robinson) while pretending to be the husband of a divorced neighbor (Romy Schneider) who will lose an inheritance if she's unmarried. Directed by David Swift, the frantic proceedings are playe Romantic complications and sexual innuendo. The Catholic News Service classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (Sony Pictures Home Entertainment) d for slapstick effect, leaving little room for wit or clever plot developments.

"The Good Night" (2007)
Meandering New York-based tale of a commercial-jingle writer (Martin Freeman), whose relationship with his live-in girlfriend (Gwyneth Paltrow) has soured, so he begins to fantasize about an idealized woman (Penelope Cruz), and with the help of a New Age dream expert (Danny DeVito), works to conjure her in his sleep (even during the day) to escape his increasing doldrums. Despite decent performances, viewers of writer-director Jake Paltrow's feature-film debut may find refuge in sleep themselves. Pervasive rough language and casual profanity, crude expressions and sexual references, a nonmarital living arrangement, brief upper female nudity, sexual groping and implied masturbation. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Sony Pictures Home Entertainment)

“Good Night and Good Luck." (2005)
Stylish black-and-white recreation of 1950s television era as crusading broadcast journalist Edward R. Murrow (an uncannily evocative David Strathairn) and his colleagues Fred Friendly (George Clooney), Joe Wershba (Robert Downey Jr.), and "Sig" Mickelson (Jeff Daniels) take on Sen. Joseph McCarthy in his crusade against communism, under the watchful eye of CBS President William Paley (Frank Langella) and brace for repercussions. Clooney directed this well-deserved tribute to a television golden-age legend, streamlining events, but basically dramatizing the facts as known, and skillfully interweaving the footage with actual TV programs and commercials of the time. A couple of instances of profanity, a suicide and much tobacco use. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Warner Bros.)

"A Good Year" (2006)
Picturesque, leisurely paced comedy about a career-driven British bond trader (Russell Crowe) who inherits a dilapidated chateau and vineyard in France where as a child he had spent time with his raffish uncle (Albert Finney). He decides to sell the property, only to fall for the charms of the locale and a pretty cafe owner (Marion Cottilard), while a young American (Abbie Cornish) shows up and announces she's the uncle's illegitimate daughter. The film represents a laid-back change of pace for both Crowe and director Ridley Scott, but though old-fashioned romantic comedy is all too rare, the often lame humor and workaday script, adapted from Peter Mayle's book, make for indifferent viewing. Frequent conversational expletives and some profanity, a nongraphic premarital encounter, some crass humor and innuendo. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13 (20th Century Fox Home Entertainment).

"The Gospel" (2005)
Elevating if melodramatic redemption drama about a preacher's son (Boris Kodjoe) who returns home after 15 years -- putting his temptation-filled success as a chart-topping hip-hop artist on hold -- to mend fences with his estranged father (Clifton Powell), who is terminally ill, and his childhood friend (Idris Elba), who's been named his father's successor at the church, and to make peace with himself and his past. Despite an undernourished script padded with roof-raising gospel music numbers, director Rob Hardy's contemporary re-imagining of the prodigal son parable movingly explores themes of family, faith, forgiveness, flawed humanity and God's unconditional love. An implied sexual encounter, mature themes, brief fisticuffs, a bump-and-grind dance sequence and some mildly crude language, making it better suited for older adolescents. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Columbia/TriStar)

"The Grace Card" (2011)
Rated "PG-13"
Idealistic drama -- set in Memphis, Tenn. -- about the transformative relationship between a troubled, borderline-racist police officer (Michael Joiner) and the black patrol partner (Michael Higgenbottom) with whom he finds himself unwillingly teamed. Haunted by the long-ago death of his toddler son, the white cop is disconnected both from his loving wife (Joy Moore) and from the deceased lad's younger brother (Robert Erickson), now an adrift teen. Though repeatedly rebuffed, his new cohort, a happily married part-time minister, is confident the solution can be found in Gospel values. While not especially subtle, director David Evans' warmhearted, unobjectionable message movie -- which also features Louis Gossett Jr. as the preacher's inspirational grandfather -- winningly celebrates familial forgiveness and racial reconciliation. Drug-use theme and brief action violence with some blood. Spanish titles option. The Catholic News Service classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Sony Pictures Home Entertainment)

"The Graduate" (1968)
Fresh out of college, an aimless middle-class youth (Dustin Hoffman) is seduced by a suburban housewife (Anne Bancroft) but redeemed by his love for her daughter (Katharine Ross). Directed by Mike Nichols, this satiric tale of an innocent in a corrupt world harpoons the emptiness of materialistic values but offers little in its place. Questionable treatment of adultery and some strong language. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG -- parental guidance suggested. (MGM/UA)

"The Cary Grant Box Set" (1937-1942)
Welcome collection showing the suave star at his very best in four comedies and a drama. All but one contain a featurette about the film itself with pithy remarks from experts like director Peter Bogdonavich, author David Thomson and critic Molly Haskell, and some other features, too. Excellent print quality in all, with "Holiday" making its home video debut. Some collectible postcards are included as a pleasing bonus. None of the films were rated by the Motion Picture Association of America. (Sony)

"The Awful Truth" (1937)
After suspicion of infidelity, a New York couple (Cary Grant and Irene Dunne) are granted an interlocutory divorce, and while waiting for the final decree the wife reluctantly takes up with an Oklahoma oil man (Ralph Bellamy) and the husband with an heiress, though each tries to sabotage the other's relationships because, at heart, they still love each other. Leo McCarey's classic comedy showcases the two stars at their peak, working with a witty script with the kind of serious subtext that anchors the best comedies, and overall provides a ringing affirmation of marriage. Implied infidelity, sophisticated banter, mildly suggestive nightclub number. The DVD includes a featurette, "In Love With Cary Grant," with Grant biographer Marc Eliot and others. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents.

"His Girl Friday" (1940)
Classic comedy from the Hecht-MacArthur play, "The Front Page," turns star reporter Hildy Johnson into the ex-wife (Rosalind Russell) of the Chicago paper's devious editor (Cary Grant) who tricks her into covering the politically sensitive execution of a blue-collar worker (John Qualen) to keep her from marrying an insurance agent (Ralph Bellamy). While maintaining the original's antic, frantic pace, director Howard Hawks pulls off the gender switch flawlessly, adding fresh dimension to the cynical attitudes of reporters, the hypocrisy of officials and the value of a free, if wildly imperfect, press. Some off-screen violence, including a suicide, questions of social justice and romantic byplay. The sharp DVD print features commentary by film critic Todd McCarthy, and besides the "making of" short feature has additional material on Hawks, Russell and "The Front Page." The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents.

"Holiday" (1938)
Sophisticated romantic comedy in which an honest go-getter (Cary Grant) becomes engaged to a millionaire's glamorous but materialistic daughter (Doris Nolan) only to discover he's really in love with her more intelligent and winningly down-to-earth sister (Katharine Hepburn). George Cukor directs the Philip Barry play in high style and the fine cast (including Lew Ayres, Edward Everett Horton and Ruth Donnelly) easily ridicules the emptiness of upper-class pomposity in favor of the more substantive values of ordinary people. Entertaining, meaningful fare for all but the very young. The DVD contains a short piece on a deleted scene disliked by Cukor using still photographs, but there is a short entitled "Cary at Columbia," which includes some background on "Holiday." The USCCB Office for Film & Broadcasting classification is A-I -- general patronage.

"Only Angels Have Wings" (1939)
A stranded American entertainer (Jean Arthur) gets stuck on the leader (Cary Grant) of a bunch of daring aviators trying to win a government contract flying the mail over a dangerous South American route. Director Howard Hawks' classic picture of men whose bond of camaraderie transcends the dangers of their profession is conveyed by a fine cast including Noah Beery Jr. and Allyn Joselyn as devil-may-care pilots, Thomas Mitchell as the flier with failing eyesight and Richard Barthlemess as a disgraced pilot trying to prove himself. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents.

"The Talk of the Town" (1942)
Egalitarian romantic comedy in which a schoolteacher (Jean Arthur) rents her house to a stuffy legal scholar (Ronald Colman) who discovers a suspected arsonist (Cary Grant) hiding in the attic, then decides to help the fugitive prove his innocence in court. Directed by George Stevens, the comedy has some delicious madcap moments as the teacher finds herself emotionally caught between the two men, but the picture's patriotic themes for World War II audiences have worn less well. Stylized violence and romantic complications. George Stevens Jr. appears in the DVD background featurette. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents.

"The Grapes of Wrath" (1940)
Outstanding adaptation of John Steinbeck's novel about Okie family members who lose their farm and join other Dust Bowl refugees on the road to exploitation as migrant workers. Told with gritty realism but with a compassion that still engages viewers, director John Ford's definitive portrait of uprooted and dispossessed Americans during the Depression features compelling performances by a superior cast, including Henry Fonda as young Tom Joad, perplexed and angry that people are starving in a land of plenty, and Jane Darwell as the formidable Ma Joad, whose perseverance and optimism keep the family together. Brutalizing conditions of poverty and some violence. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (20th Century Fox Home Entertainment)

"The Great Buck Howard" (2009)
Charming show biz comedy about a law school dropout (Colin Hanks) who takes a job as road manager for a once-famed but now washed-up mentalist (John Malkovich), eventually bonding with him, despite the performer's egotistical delusions, and falling for his much put-upon publicist (Emily Blunt). Sustained by Malkovich's masterly characterization, writer-director Sean McGinly's gentle spoof offers a valentine to perseverance along with a sendup of celebrity culture, though the central romance becomes sexual after mere acquaintance. A premarital relationship and some mildly sexual humor. Spanish titles option. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Magnolia Home Entertainment; also available on Blu-ray)

"The Great Debaters" (Two-Disc Collector's Edition) (2007)
Inspiring tale, based on true events, about a gifted and demanding debate coach (Denzel Washington) at a small African-American college in 1930s Texas who guides his forensics team of three male students (Denzel Whitaker, Nate Parker and Jermaine Williams) and one female student (Jurnee Smollett) to unprecedented nationwide success. Washington, who also directed, creates an intimate character study that transcends the formulaic and presents an uplifting message in a thoroughly enjoyable way. Scenes of violence, including a lynched corpse, brief nongraphic and nonmarital sexual activity, and four uses of the s-word and two profanities. Possibly acceptable for older teens. The DVD includes deleted scenes, commentary by Washington, a documentary with the original debaters and other background material on co-star Forest Whitaker, the music, production design, costumes and more. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Weinstein Company Home Entertainment/Genius Products)

"The Greatest Game Ever Played" (2005)
Absorbing and inspiring true-life story of a young amateur working-class golfer, Francis Ouimet (Shia LeBeouf), who played against British golf champion Harry Vardon (Stephen Dillane) in the 1913 U.S. Open. Director Bill Paxton's film is filled with excellent period detail, and though the pace is leisurely, the color palette muted and the dialogue low-key, the themes of class conflict, achievement against improbable odds, loyalty and good sportsmanship are vividly drawn, and the golf sequences are grippingly suspenseful. This film contains minimal mild language. The handsome anamorphic widescreen DVD of one of 2005's Ten Best includes two full commentaries by Paxton and screenwriter Mark Frost. There are good "making-of" and historical featurettes, as well as a rare black-and-white TV profile from 1963 with the elderly Ouimet. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Walt Disney Home Entertainment)

"The Great Muppet Caper" (Anniversary Edition) (1981)
Jim Henson directs his incomparable cast of Muppets as wisecracking Kermit and song-and-dance lady Miss Piggy lead the troupe off to England to thwart Charles Grodin's plan to rob fashion queen Diana Rigg of her jewels. Great silly fun for adults and children. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. (Buena Vista)

"The Greatest Story Ever Told" (1965)
While not the greatest movie ever made, director George Stevens' vision of the Gospel story presents a consistent, traditional view of Christ as God incarnate. The movie, despite its epic Hollywood scale, is well-acted, tastefully and realistically written, beautifully photographed and Max von Sydow's believable portrayal of Christ is the most essential element in its success. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. (MGM/UA)

"The Great Raid" (2005)
Stirring World War II drama set in the Philippines which tells the real-life story of the daring mission to rescue 500 American POWs from a Japanese prison camp by a vastly outnumbered joint team of Army rangers (led by Benjamin Bratt and James Franco) and Filipino resistance fighters. Directed by John Dahl, the movie has an old-fashioned patriotic feel, and while the acting and writing are less than stellar, it hardly detracts from what is a tremendous tale of heroism and sacrifice. Intense wartime violence, including torture, executions and scenes of burning bodies, some vulgar language, profanity and ethnic slurs. The movie's been given a lavish two-disc presentation, including informative commentary by Dahl, producer Marty Katz, technical adviser Capt. Dale Dye, editor Scott Chestnut and author Hampton Sides, many deleted scenes, and a making-of documentary on the first disc. The second platter includes an hour-long documentary, "The Ghosts of Bataan," along with reminiscences of World War II veterans and more historical and behind-the-scenes features. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. But the DVD features an "unrated director's cut." (Miramax)

"The Green Hornet" (2011)
Rancid comedic remake of the masked crimefighter franchise that began as a Golden Age radio drama in the 1930s. Director Michel Gondry combines unlikable, potty-mouthed characters, occasional racist outbursts and a numbing procession of car crashes as he updates the familiar story of a respectable newspaper publisher by day (Seth Rogen) who becomes, by night, a disguised vigilante working outside the law. Much gun and martial-arts violence, vigilantism theme, one scene of implied premarital sex, occasional profanity, pervasive crude and crass language. Spanish titles option. The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Sony Pictures Home Entertainment; also available on Blu-ray)

"The Green Mile: Two-Disc Special Edition" (1999)
Prison drama set in 1935 Louisiana where a death-row head guard (Tom Hanks) comes to believe in the innocence of a huge, gentle black man (Michael Clarke Duncan) whose miraculous healing powers affect those around him in startling ways. As adapted by director Frank Darabont from the serialized 1996 Stephen King novel, the movie is unduly long but presents affecting character studies of good and evil men with spiritual undertones and a sobering depiction of capital punishment. Some violence including a horrific electrocution, occasional profanity and intermittent rough language. The anamorphic DVD includes a couple of deleted scenes, including an incredibly touching one where Hanks prays with Duncan; commentary by Darabont; and an extensive six-part documentary. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian (Warner Home Video).

"Green Zone" (2010)
Idealistic but raw combat drama, set in the early days of the U.S. invasion of Iraq, as a dedicated Army officer (Matt Damon) tries to discover why his unit's search for the Saddam regime's weapons of mass destruction continually comes up empty, and he finds himself caught in a power struggle between a Defense Department intelligence agent (Greg Kinnear) who's indifferent to the justification for American intervention and a rogue CIA station chief (Brendan Gleeson) who believes the whole operation rests on a foundation of lies and fabrications. Director Paul Greengrass' uneasy mix of political conspiracy yarn and action adventure, loosely inspired by journalist Rajiv Chandrasekaran's 2007 best-seller "Imperial Life in the Emerald City," increasingly takes on the qualities of a personal crusade by its hero, thus blunting its ability to dissect larger questions of real-life morality. Considerable action violence, some of it bloody, torture, several uses of profanity, frequent rough and crude language. Spanish language and titles options. The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Universal Studios Home Video; also available on Blu-ray.)

"Gridiron Gang" (2006)
Inspiring truth-based sports drama about a juvenile detention camp probation officer (Dwayne "The Rock" Johnson) who organizes a football team from among the teen inmates (including Jade Yorker and David Thomas) to teach them discipline and teamwork, and through his tough-love determination succeeds in instilling self-esteem and turning their lives in a positive direction, while competing for the regional high school championship. Despite formulaic plot elements, director Phil Joanou's uplifting movie shows the heart of a winner, with emotional performances and a surprisingly strong redemptive theme of second chances. Pervasive crude language, scattered profanity, an instance of the f-word, intense street violence, brief sexual humor, football roughness and a few racial slurs. Some parents may feel the worthy message makes it acceptable for older adolescents. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13 (Sony Pictures Home Entertainment).

"Grind" (2003)
Utterly forgettable tale of four teens (Mike Vogel, Vince Vieluf, Adam Brody and Joey Kern) with aspirations of becoming professional skateboarders who follow a professional boarder (Jason London) across the country hoping to catch their big break. With foolish characters and an unfocused plot, director Casey La Scala's story creeps along, objectifying women and occasionally providing routine skateboarding stunts that don't do justice to the skill the sport demands. An implied sexual encounter, rear nudity, intermittent toilet humor, sporadic crude gestures, sexual references, coarse language and an instance of profanity. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Warner Home Video)

"Grizzly Man" (2005)
Fascinating profile of grizzly bear preservationist Timothy Treadwell, who filmed himself alone in the wilderness over a five-year period as he tried to "make friends" with wild bears and protect them, fully aware of the dangers, until he was killed by a bear in 2003. German director Werner Herzog explores the life and death of a man by turns passionate, eccentric and childlike -- using much of Treadwell's own footage -- to which he added the recollections of Treadwell's parents, colleagues and girlfriends. The result is a compulsively absorbing psychological study of an obsessed man, alternately admired and disparaged by those who knew him, as much as a nature documentary. Profanity, much rough language including repeated use of the f-word, some sexual musings, irreligious grumblings, animal violence and gruesome description of his death (not shown).The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. (Artisan)

"Grizzly Tales: Dr. Moribundus" (2000)
Clever, award-winning British animated adaptation of a series of cautionary tales by writer Jamie Rix, targeted to children ages 6-12 and narrated by Nigel Planer. Playing on children's love of being safely scared, each of six 10-minute episodes features one or more obstreperous characters receiving fitting but frightful comeuppances, all played for laughs, as when "cheeky" school kids have the insolent parts of their tongues (painlessly) removed or when an unprepared student asks a ghost to take an exam for her, with unfortunate results. (PorchLight Home Entertainment)

"The Grudge" (2004)
Stylish and spooky supernatural thriller set in Japan about a young American student (Sarah Michelle Gellar), who becomes entangled in the strange goings-on at a cursed house haunted by the vengeful spirits of its murdered former residents. In this remake of his hugely popular 2003 Japanese horror movie, director Takashi Shimizu wisely resists the temptation to indulge in a special-effects orgy, avoiding gory excess in favor of more muted psychological chills, which offer viewers some spine-tingling moments. Scary scenes, a suicide and some violence. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Columbia/TriStar)

"Grumpy Old Men" (1993)
A half-century rivalry between two old pranksters (Walter Matthau and Jack Lemmon) escalates when an attractive widow (Ann-Margret) moves in across the street from them. Director Donald Petrie's contrived romantic comedy benefits greatly from the veteran actors' crusty portrayals despite the formula script and a feel-good finish. An implied sexual encounter, some crude sexual references, mild menace and a few instances of profanity. Spanish titles option. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Warner Home Video; also available on Blu-ray)

"Guess Who" (2005)
Loosely based updating of the 1967 classic "Guess Who's Coming to Dinner," with a race-reversing twist in which an African-American girl (Zoe Saldana) brings home her white fiance (Ashton Kutcher) to meet her pigment-conscious parents, only to be met with resistance by her overprotective father (Bernie Mac). Directed by Kevin Rodney Sullivan, the film, with its love-is-colorblind message, has its moments thanks to a solid turn by Mac, but most of its broad comedy falls flat and in playing it strictly for laughs lacks the eyebrow-raising original's now-dated sense of daring and social import. Some crude and profane language and sex-related humor. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Columbia/TriStar)

"A Guide to Recognizing Your Saints" (2006)
Adaptation of writer-director Dito Montiel's gritty memoir about his turbulent adolescence (where he's played by Shia LaBeouf) in Queens, N.Y., with its street violence, casual sex and drugs, his longing for his dad's (Chazz Palminteri) love, and ultimately his flight from and eventual return to the neighborhood as an adult (Robert Downey Jr.). Despite its redemptive message about parent-child reconciliation, the brutal milieu and street patois, however accurate, are extremely rough going. Nonstop rough and crude language and general vulgarity, racial slurs, sexual banter and situations with partial nudity, innuendo, drug use, violence, murder, suicide and much domestic discord. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian (First Look).

"Gunga Din" (1939)
Classic adventure yarn loosely based on the Rudyard Kipling poem about a water carrier (Sam Jaffe) in Queen Victoria's India who here dies a hero with a bugle warning British forces of an ambush. Director George Stevens focuses the action on three seasoned sergeants (Victor McLaglen, Cary Grant and Douglas Fairbanks Jr.) whose bickering comradeship provides some hardy fun while fighting Thugs, a long-suppressed murderous cult led by a formidable foe (Eduardo Ciannelli). Old-fashioned "manly" celebration of such virtues as loyalty, courage and steadfastness, though with plenty of stylized violence. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America. (Warner Bros.)

"Gunner Palace" (2005)
Raw and unfocused but affecting anti-war documentary chronicling the daily lives, fears and frustrations of soldiers serving in a U.S. Army unit known as the "Gunners" and stationed in Iraq, traveling with them on hazardous night patrols and raids of houses of suspected insurgents, as well as showing them relaxing at the former palace of Uday Hussein, now converted into barracks -- from which the film derives its title. Directed by Michael Tucker and Petra Epperlein -- from footage Tucker spent two months collecting -- the (mostly) apolitical movie, shot in no-frills verite style, is by turns sobering and surreal, resulting in snapshots of combat drudgery which add up to a war-is-hell message that will resonate with all viewers. The film contains much strong language and recurring images of wartime violence. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Palm Pictures)

"Guys & Dolls" (1955)
 Overstuffed screen version of Jo Swerling and Abe Burrows' stage musical based on Damon Runyon's colorful 1920s' Broadway types in the story of a bet by a two-bit gambler (Frank Sinatra) that leads ultimately to the reformation of a big-time gangster (Marlon Brando) by a Salvation Army lass (Jean Simmons). Directed by Joseph L. Mankiewicz, the result is an uneven mix of Hollywood and Broadway styles, with some bright production numbers and Frank Loesser tunes, notably Stubby Kaye's "Sit Down, You're Rocking the Boat," but the parts never quite jell into a satisfying whole. Considerable sexual innuendo. The USCCB Office for Film & Broadcasting classification is A-III -- adults. Not rated by the Motion Picture Association of America. (MGM/UA)

"Gypsy" (Deluxe Edition; 1963)
Bittersweet musical in which an obsessive stage mom (Rosalind Russell) tries to make a vaudeville star out of her young daughter (Ann Jillian) but fails, then turns to her older daughter (Natalie Wood), who instead makes it on her own as burlesque stripper Gyspy Rose Lee. Director Mervyn LeRoy gets an effectively aggressive performance from Russell, whose egomaniacal mother furnishes considerable sympathy for Wood's escape into a disreputable career, but what succeeds best are the Jule Styne-Stephen Sondheim songs, notably "Let Me Entertain You" and "Everything's Coming Up Roses." Parental exploitation of youngsters and some heavy sexual innuendo. The Catholic News Service classification is A-III -- adults. Not rated by the Motion Picture Association of America. (Warner Home Video)

H
"Hairspray" (2-Disc Special Edition) (2007)
Highly enjoyable adaptation of the hit Broadway musical based on a 1988 film of the same title about an overweight 1960s Baltimore girl (Nikki Blonsky) whose parents (Christopher Walken and John Travolta, the latter in a cross-dressing role) support her dreams of competing on a racially segregated local dance program which the girl helps integrate. Director Adam Shankman keeps the pace moving and strikes a sensible balance between heightened realism and more fanciful elements. There are entertaining performances from a well-chosen cast, including Michelle Pfeiffer, Queen Latifah, Zac Efron and James Marsden, and strong messages about racial tolerance and self-respect. Some crass expressions, innuendo, mild sexual banter and irreverence, and a brief shot of teen smoking make this best for older adolescents. The DVD includes commentary from Shankman, the producers and Blonsky; deleted scenes; featurettes on the making of the film; the history of "Hairspray" from John Waters' original film to Broadway hit to musical movie; and much more. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Warner Home Video)

"Hamlet" (2000)
Pretentious adaptation of the Bard's masterpiece set in the greedy, consumerist world of 21st-century New York City in which the country of Denmark is replaced by the Denmark Corp. and the story's hero (Ethan Hawke) is a mopey, aspiring filmmaker. Director Michael Almereyda ambitiously fuses the contemporary world with classic Shakespearean dialogue and cuts the piece to a lean two hours, but the edgy feel of the modern world is lost in crowded staging and poor performances. Some violence. The USCCB Office for Film & Broadcasting classification is A-III - adults. The Motion Picture Association of America rating is R -- restricted. (Buena Vista)

"Hancock" (2008)
Ultimately muddled action film in which a dyspeptic, alcoholic Los Angeles superhero (Will Smith), whose good deeds often lead to mayhem, finds the road to reform laid out for him by an idealistic PR executive (Jason Bateman) made bumpy by his deep attraction to his new friend's wife (Charlize Theron). With its clever premise and dizzying special effects, the first part of director Peter Berg's film works well enough but after one snappy plot twist bogs down in the murky mythology of its back story. Moderately intense fantasy action, partial rear nudity, some vulgar humor, occasional rough and much crude language, a profanity and an obscene gesture. The one-disc theatrical edition features a making of, and other featurettes. Spanish language and titles option. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Sony Pictures Home Entertainment) (Also available on Blu-ray and in two-disc theatrical and unrated editions)

"A Hand of Peace: Pope Pius XII and the Holocaust" (2009)
Well-crafted historical documentary refuting the "black legend" of Pope Pius XII's supposed indifference toward the fate of the Jewish people under Nazism's genocidal oppression. Filmmaker David Naglieri uses archival footage and interviews with Jesuit Father Peter Gumpel, the postulator of Pope Pius' cause for canonization; scholar Sister Margherita Marchione, a member of the Religious Teachers Filippini order; and, most significantly, famed British-Jewish historian Sir Martin Gilbert to vindicate the pope's policy, which emphasized concrete, behind-the-scenes actions over public denunciations which, as the pontiff had good reason to believe, might only have resulted in intensified persecution. (Ignatius Press; www.ignatius.com; (800) 651-1531)

"Hannah Montana the Movie" (2009)
Breezy romance with music in which a teen singer (Miley Cyrus), who has gained fame under the pseudonym Hannah Montana, is forced by her concerned father (Billy Ray Cyrus) to retreat temporarily from her hectic career and spend time with him and her grandmother (Margo Martindale) on the Tennessee farm where she grew up. There she falls for a local farmhand (Lucas Till) while fending off a British paparazzo (Peter Gunn) out to reveal the secret of her persona. Director Peter Chelsom's delightfully innocent country idyll emphasizes humility, simplicity and the primacy of family obligations over professional goals. Multidisc versions have Spanish language and titles options. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted. (Walt Disney Pictures; also available on Blu-ray)

"Happy Feet" (Widescreen Edition) (2006)
Computer-animated fable set in the Antarctic about a young emperor penguin (voiced by Elijah Wood) whose inability to carry a tune and propensity for tap dancing gets him banished by the puritanical elders who blame him for the colony's dwindling fish supply, prompting the misfit to prove them wrong, get to the bottom of the food shortage, and hopefully discover his "heartsong," the mating call unique to each penguin that will help him find true love. Director George Miller combines terrific animation and voice talent (that also includes Robin Williams, Hugh Jackman and Nicole Kidman) but packs too many themes -- tolerance, conformity, environmental responsibility -- into the sweet yet slender story. There are some dark and intense moments laced throughout and an unflattering view of religious authority, but the broader themes of love and self-worth should melt most objections. Some mildly rude humor and innuendo, as well as some menace and two frightening sequences that may upset very young viewers, but that are probably OK for older children. The DVD includes two new sequences -- "Mumble Meets a Blue Whale" and "A Happy Feet Moment" -- a "Dance Like a Penguin" lesson with Savion Glover, two music videos and the delightful vintage cartoon, "I Love to Singa." The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Warner Home Video)

"Harmony in Faith" (2004)
Asian and Pacific Catholics are the fastest growing immigrant group, and this informative 45-minute documentary -- hosted and narrated by Broadway's Lea Salonga, the original star of "Miss Saigon" -- convincingly demonstrates the richness and diversity offered by the Korean, Vietnamese, Laotian, Japanese, Chinese, Tongan and Asian-Indian peoples whose deep faith has brought unique qualities to their Catholic devotions through their music and rituals. The film -- shot in Los Angeles, Washington, San Francisco, Chicago, St. Louis and Carthage, Mo. -- also addresses some of the difficulties of ministering to them, such as the problem of not having enough priests who speak the language. The moving and inspiring documentary's title derives from the U.S. bishops' pastoral letter, "Asian and Pacific Presence: Harmony in Faith," which acknowledged the contributions of these peoples, especially their creative initiatives: "By being authentically Christian and truly Asian in the footsteps of Christ, they have brought to us a more profound understanding of what it means to be truly Catholic." Produced by Oblate Media and Communication Corp. with a grant from the Catholic Communication Campaign. (Video with Values: (800) 233-4629)

"Harold & Kumar Go To White Castle" (2004)
Mindless buddy comedy about two roommates (John Cho and Kal Penn), who as the self-summarizing title suggests embark on a marijuana-induced quest for fast-food nirvana through the wilds of New Jersey, experiencing many mishaps along the way. Chuck full of gross-out gags and vulgar frat-house humor, director Danny Leiner's road picture makes pretensions of social commentary concerning race and identity, but the only race it seems to care about is a race to the bottom, shamelessly finding humor in a story built around getting high while behind the wheel of a car. Recurring drug use, two instances of frontal nudity, much rough and crude language, as well as strong sexual and bathroom humor. The USCCB Office for Film & Broadcasting classification is O -- morally offensive. The Motion Picture Association of America rating is R -- restricted. (Warner Bros.)

"The Harold Lloyd Comedy Collection" (1919-1936)
The silent film giant Harold Lloyd, perhaps not today as well known or lionized as Charlie Chaplin or Buster Keaton, finally gets his due in a lavish seven-disc collection that gives full measure to the towering talent of the tremendously appealing and very funny comic actor whose bespectacled, preppy persona is best known today for the iconic image of him dangling precariously from the hands of a giant clock in his classic, "Safety Last." That film is, of course, included along with 14 other feature films (not all of them silent), 13 shorts, and plentiful extras from home movies to photo galleries to celebrity (e.g. Debbie Reynolds, Robert Wagner) testimonials. Lloyd was apparently as kind and amusing off screen as he appears on screen as commentary -- from his descendents, critic Leonard Maltin, and other Lloyd experts -- further attests. Of special interest is the delightful "Speedy," which was actually shot on location in New York, unusual for that time, and makes fascinating historical viewing. (Other scenes, incidentally, were shot in the Westwood section of Los Angeles, site of today's St. Paul's Church and school.) But his hits, "The Freshman," "Why Worry?" and "Kid Brother," and the rest all have their own special pleasures. The films are mostly in terrific shape, thanks to Lloyd's own sense of preservation. Though the silent films predated the Catholic Legion of Decency and the Motion Picture Association, they are all comfortably within A-I (general patronage) parameters. (New Line)

"Harry and the Hendersons" (Special Edition) (1987)
Fantasy tale directed by William Dear in which John Lithgow and family try to protect a Bigfoot-type primal creature they name Harry from the media, the police and a French-Canadian hunter while learning, along the way, a bit about the human links to the animal kingdom. Violent auto chases in an otherwise mild-mannered picture of family values and the virtues of teamwork. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children (Universal Studios Home Video).

"Harry Potter and the Prisoner of Azkaban" (2004)
Richly textured fantasy in which the young wizard (Daniel Radcliffe), aided by his two best friends (Emma Watson and Rupert Grint), seeks out a violent escapee (Gary Oldman) accused of killing his parents -- who also is suspected of plotting to murder Harry. Director Alfonso Cuaron's adaptation of J.K. Rowling's third Harry Potter novel covers darker emotional territory in masterful cinematic fashion, blending fantastical images with Harry's need to reconcile past familial tragedy and a mounting desire for vengeance. Some frightening images and scenes of intense menace. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Warner Bros.)

"Harry Potter and the Goblet of Fire" (2005)
Fourth film in the series based on J.K. Rowling's fantasy novels, in which Harry (Daniel Radcliffe) competes against students from two rival schools in a perilous wizard's tournament that ends up being sabotaged by the evil Lord Voldemort (Ralph Fiennes), who uses it to ensnare Potter. Director Mike Newell continues the darker tone set by 2004's "Harry Potter and the Prisoner of Azkaban," and though this go-round feels a tad long it still conjures enough movie magic to cast a satisfying spell over audiences. Frightening images, scenes of intense menace and some sexual innuendo. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Warner Brothers)

"Harry Potter and the Half-Blood Prince" (2009)
At the behest of his mentor (Michael Gambon), the now-teenage wizard (Daniel Radcliffe) ingratiates himself with a returning Hogwarts instructor (Jim Broadbent) who once taught his archenemy Lord Voldemort and whose memories may hold the key to defeating the villain, while adolescent romantic tensions complicate the lad's relationship with his two closest friends (Rupert Grint and Emma Watson). As directed by David Yates, this sixth adaptation of J.K. Rowling's hugely popular fantasy novel series is a richly textured, though at times overcrowded, adventure narrative in which good and evil are clearly delineated, but characters present a range of moral shading. Moderate action violence, occasional peril, a couple of crass expressions, and a few vaguely sexual references. Spanish language and titles options. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Warner Home Video; also available on Blu-ray)

"Harry Potter and the Order of the Phoenix" (Two-Disc Special Edition) (2007)
Teenage wizard Harry (Daniel Radcliffe) and his intrepid Hogwarts chums (Emma Watson and Rupert Grint) face an unexpected obstacle in their ongoing struggle with the malevolent Lord Voldemort (Ralph Fiennes): a repressive teacher (Imelda Staunton) from the Ministry of Magic who won't allow the practice of hocus-pocus that they need to defend themselves against the evil forces. With director David Yates at the helm, this fifth installment is arguably the best yet with its excellent performances, superior special effects, coherent narrative and sensible balance between action sequences and human drama, not to mention a meaningful subtext about the power of love and personal choice in doing good versus evil. Some scenes of peril, moderate fantasy violence and scary imagery may preclude very young viewers. The well-packed DVD includes several deleted scenes, a tour of the set, a look at the editing process, the A&E documentary "The Hidden Secrets of Harry Potter," and more. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Warner Home Video; also available in HD/DVD and Blu-ray editions with additional features)

"Harry Potter and the Deathly Hallows: Part 1" (2010)
The penultimate film in the wildly successful franchise based on J.K. Rowling's fantasy novels finds the Hogwarts trio -- Harry (Daniel Radcliffe, of course), Hermione (Emma Watson) and Ron (Rupert Grint) -- on the run, jumping all over Britain to escape the clutches of evil Lord Voldemort (Ralph Fiennes) and his Death Eaters. As the "Chosen One," Harry is on a mission to destroy evil by locating the paraphernalia which sustains Voldemort, including the three items that constitute the "Deathly Hallows." Director David Yates' adventure mirrors the darker and more violent tone of Rowling's final volume, making this unsuitable for younger viewers. Much action violence with frequent peril, brief partial nudity in a sexual context, scenes of murder and torture, a few vaguely sexual references. Spanish language and titles options. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Warner Home Video; also available on Blu-ray)

"The Haunting in Connecticut" (2009)
Reasonably effective, allegedly fact-based chiller about a Catholic couple (Virginia Madsen and Martin Donovan) who rent a former funeral home near the hospital where their teenage son (Kyle Gallner) is being treated for cancer, only to find themselves in a specter-ridden maelstrom, eventually turning for help to a clergyman (Elias Koteas) versed in the occult. While its efforts to place these supernatural goings-on within a larger spiritual and religious context may draw mixed reactions, director Peter Cornwell's old-fashioned spook story is understated and, though at times unsettling, largely free of bloodletting. Disturbing images, including charred and gory corpses, and a couple of profanities. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Lions Gate Home Entertainment; also available on Blu-ray)

"The Haunting of Molly Hartley" (2008)
Tedious horror tale about a teenage girl (Haley Bennett) trying to recover from her mother's (Marin Hinkle) inexplicable attempt to kill her with support from her weak-willed father (Jake Weber) and some of her classmates (Chace Crawford, Shannon Marie Woodward and Shanna Collins). Though there's relatively little violence in first-time director Mickey Liddell's inept chiller, its twisted portrayal of evangelical Christianity and implicit denial of free will and divine providence make it entirely unsuitable for young viewers and demand careful interpretation by adults. Troubling thematic elements, underage drinking, one use of the F-word, occasional crude language and brief skimpy costuming. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (20th Century Fox Home Entertainment)

"Have No Fear: The Life of John Paul II" (2005)
This reverent film, starring German-born Thomas Kretschmann as the 264th pope, chronicles Pope John Paul II's life from childhood to his death at age 84. Originally broadcast on ABC in 2005, the movie telescopes events into two hours, resulting in a less than fully drawn portrait of a towering religious and political figure. Director Jeff Bleckner paints John Paul as a man of profound faith: traditionalist, revolutionary, poet and mystic. Filmed on location in Lithuania and Rome with fine performances from its international cast, the handsome biopic races through John Paul's experiences in Poland under Nazi occupation and later communist oppression. His rise through church ranks is treated in similar snapshot manner, as is his participation in the Second Vatican Council. Touchstones of his papacy -- globe-trotting travels, involvement with the Solidarity movement in Poland, role in the fall of the Soviet Union and attempted assassination -- unfold, likewise, in flip-book fashion. Yet despite the broad-stroke approach, a beautiful and moving mosaic of courage, conviction and compassion emerges in its overwhelmingly positive presentation of John Paul as a flesh-and-blood messenger of God's love and champion of human dignity.

"The Healing Prophet: Solanus Casey" (2006)
Solid documentary examining the life of Father Solanus Casey (1870-1957), a Wisconsin-born Capuchin priest, and potentially the first U.S.-born male to become a saint, who served for more than 40 years as the porter at various Franciscan monasteries. He was declared venerable in 1995 by the late Pope John Paul II. A former streetcar conductor and prison worker, Father Casey (born Bernard) may have contributed to the reform of one of the members of the Jesse James gang. Rejected for the diocesan priesthood in Milwaukee because of poor grades, he turned to the Capuchins and, though eventually ordained, was still restricted in his priestly duties. Yet, through his quiet and positive spirituality -- one of his mottoes was "Thank God ahead of time" -- he attracted and influenced thousands of visitors. The film, directed by Audrey Geyer and Kevin Lindenmuth, relates instances of prophecy and healing attributed to Father Casey, the cures coming both during his lifetime and after his death. Interviews with those involved in the effort to have Father Casey canonized include reminiscences by some who knew him personally. Photographs and footage of the widely beloved friar are also featured. (GL Productions; www.geyerlindenmuth.com)

"The Heart is a Lonely Hunter" (1968)
Sensitive adaptation of a Carson McCullers story about the frustrated attempts of a deaf-mute (Alan Arkin) to help others, yet his friendship with a teenager (Sondra Locke) proves not enough to compensate for his isolation in a world of utter silence. Director Robert Ellis Miller successfully treads the line between sentiment and sentimentality. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is G -- general audiences. All ages admitted. (Warner Home Video)

"Heights" (2005)
Reasonably absorbing story of New York creative types -- including an actress (Glenn Close), her photographer-daughter (Elizabeth Banks) and fiance (James Marsden), an aspiring actor (Jesse Bradford) and a journalist (John Light) -- whose lives intersect during a 24-hour period. Director Chris Terrio's adaptation of a play by Amy Fox is well-acted, but the setup is contrived. Profanity, rough language, some sexual banter and foreplay, gay themes, premarital relationships, a same-sex kiss, a violent episode, some voyeuristic activity. The good-looking DVD -- which offers commentary by Close and Terrio -- has, for a film of this scale, a surprisingly plentiful array of special features, including an interesting look at the real New York locations used in the film, the creators' efforts to create a specific look for "MacBeth," the fictional Broadway production seen within the film, and a closer look at some of the photographs only fleetingly seen in the film itself. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. (Columbia/TriStar)

"Helen Mirren at the BBC" (1974-1982)
The opening of the BBC television archives of fascinating early performances, grouped by playwright or performer, continues with this tribute to last year's Oscar winner for her sterling work as Elizabeth II in "The Queen." Here, the versatile actress shows what she can do in both period and modern pieces. The earliest play is Thomas Middleton's "The Changeling" (1974; co-starring Brian Cox), and showcases the actress in her youthful prime. In addition, there are such classic works as George Bernard Shaw's "The Apple Cart" (1975), J.M. Barrie's "The Little Minister" (1975), best known for its Katharine Hepburn movie version, William Wycherley's "The Country Wife" (1977), and more contemporary work like Jack Russell's "Caesar and Claretta" (1975), Christopher Hampton's "The Philanthropist" (1975), "Blue Remembered Hills (1979) by Dennis Potter ("Pennies from Heaven"), Stephen Poliakoff's "Mrs. Reinhardt" (1981), and Edna O'Brien's "Soft Targets" (1982). A fascinating overview of a superlative actress. Besides a written overview of her career, extras include a 1975 interview with the BBC's veteran interviewer Michael Parkinson and a newly recorded interview. Quality adult viewing. (BBC Video)

"Hello Down There" (1969)
An Ivan Tors production with plenty of marine life to entertain the kiddies, the adventure yarn situates a family with three teenagers complete with guitars in an experimental undersea house to sample living on the ocean floor and save their father's job. Plot centers on how the youngsters will get their music published while down under. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted. (Paramount Home Entertainment)

"Henry Poole Is Here" (2008)
Moving little fable of a depressed loner (Luke Wilson) whose life is changed when a warmhearted Latina busybody (Adriana Barraza) discerns a miraculous image of Christ's face on his stucco wall, after which he slowly opens up to her and the other neighbors: an empathetic widow (Radha Mitchell, her sad child (Morgan Lily), a nearsighted grocery clerk (Rachel Seiferth) and the local priest (George Lopez). Despite some formulaic turns and occasional platitudinous dialogue, director Mark Pellington sustains a suspenseful, sometimes poetic, generally unsentimental mood, not without humor, solidly anchored by Wilson whose transformation from spiritual emptiness to redemption is fully believable, with themes of faith and community strong plusses for the Catholic viewer. Two instances of profanity and a few crass words. Spanish titles option. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Anchor Bay Entertainment; also available on Blu-ray)

"He's Just Not That Into You" (2009)
A gaggle of Baltimore yuppies portrayed by Ben Affleck, Jennifer Aniston, Drew Barrymore, Jennifer Connelly, Kevin Connolly, Bradley Cooper, Ginnifer Goodwin, Scarlett Johansson and Justin Long is schooled in the rules allegedly governing modern-day romance in this glossy ensemble comedy-drama. Director Ken Kwapis bathes his cast in a pleasing golden light but the stilted material, taken from a book penned by two "Sex and the City" writers, is too often unflattering. While traditional values are affirmed eventually, the characters regularly act in morally dubious ways that are contrary to their better natures. Frequent sexual references, some nonexplicit sexual encounters, including the adulterous and out-of-wedlock variety, a story line centered on cohabitation, frequent crude language, an instance of rough language, and a few scatological references. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (New Line Home Video; also available on Blu-ray)

Hazel: The Complete First Season" (1961-62)
Shirley Booth was a remarkable talent, adept at comedy, drama, and Broadway musicals. She won as Oscar for her performance in "Come Back, Little Sheba," and she would win two Emmys for her role as feisty housekeeper Hazel Burke to corporate lawyer George Baxter (Don DeFore), wife Dorothy (Whitney Blake) and son Harold (Bobby Buntrock). The 35 black-and-white episodes still elicit wholesome chuckles, and Booth's turn as a lady never shy about speaking her mind holds up. No extras on the four-set DVD, but still recommendable family viewing. (Sony Home Entertainment)

"Her Majesty" (2001)
Sweet coming-of-age drama set in 1953 New Zealand about a young girl (Sally Andrews) who confronts local prejudice when she befriends an elderly Maori woman (Vicky Haughton) who is ostracized by the community, as the small town prepares for a much anticipated royal visit by the newly-crowned Queen Elizabeth II of England, whom the girl idolizes. Written and directed by Mark J. Gordon, the modest tale imparts a tenderhearted message about courage in overcoming bigotry, as well as the value of tradition. The plucky Andrews is charming. Solid entertainment for older children and their parents. A few mildly crude expressions, vandalism, mature thematic elements, including a briefly implied affair and a past murder, as well as some references to tribal beliefs and customs. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children (Image Entertainment, www.image-entertainment.com, (818) 407-9100).

"Here Come the Brides: The Complete First Season" (1968-1969)
Here's a curiosity -- but a worthy one -- that we never imagined would be resurrected for DVD. The series, which critics at the time compared to the musical "Seven Brides for Seven Brothers," was an amiable drama about three rugged brothers who own a mountain in 19th-century Seattle, and import some eligible young ladies from New England to satisfy the love-hungry workers, but if the Bolt siblings can't keep them there for a year, the local mill owner who loaned them the money for the ladies' transit will take over the mountain. Robert Brown played eldest brother Jason, with pre-"Starsky and Hutch" David Soul and pop singer Bobby Sherman as siblings Jeremy and Joshua, respectively. Playing a warm-hearted saloon owner is 1930s film star Joan Blondell. The series, which holds up well except for the ladies 1960s-style makeup and hairdos, is refreshingly free of overt violence, and writer N. Richard Nash ("The Rainmaker") penned many of the above-average scripts. Picture quality is decent, but there are no extras at all in the three-disc set. (Sony Home Entertainment)

"Hidalgo" (2004)
Fact-based crowd-pleaser set in the late 19th century about a guilt-ridden cowboy (Viggo Mortensen), who enters a grueling 3,000-mile race across the Arabian Desert, during which he and his underdog horse, Hidalgo, must endure sandstorms, brain-baking heat and desert raiders. Part old-fashioned adventure, part redemption parable, director Joe Johnston's film weds sweeping visuals and a strong narrative to craft a winning tale of friendship, fate, forgiveness and the indomitable spirit of man. Recurring adventure violence and some mild sexual innuendo. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Buena Vista Home Entertainment)

"Highlander" (Director's Cut; 1986)
Action adventure fable of good conquering evil offers a positive hero (Christopher Lambert) as one of a group of immortals who must battle to the death throughout history until only one survives. Director Russell Mulcahy's mix of action and diverse period settings lift the movie somewhat above the average for this kind of escapist fantasy. Some foul language, brief nudity and several less-than-realistic decapitations. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Lionsgate Home Entertainment)

"High School Musical 3: Senior Year" (2-Disc DVD Extended Edition) (2008)
Breezy musical romance in which a high school basketball star (Zac Efron) and his academically gifted girlfriend (Vanessa Hudgens) join their classmates (Lucas Grabeel, Corbin Bleu and Monique Coleman among others) to rehearse a play based on their own lives, while a pampered prima donna (Ashley Tisdale) schemes to oust the girlfriend from her leading role. Director Kenny Ortega's big screen sequel to the popular made-for-television films offers energetic, family-friendly entertainment while encouraging viewers to resist divisive stereotypes. The two-disc DVD includes deleted scenes introduced by Ortega; bloopers; a singalong; and myriad other features. Spanish language option. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted. (Walt Disney Studios Home Entertainment; also available on Blu-ray)

"Hijacked" (2006)
A straightforward but relevant documentary, which originally aired on PBS, covering the three days in 1970 when armed members of the Popular Front for the Liberation of Palestine -- a guerrilla group -- boarded five planes at three European airports and seized control. The film uses archival news footage and interviews with surviving flight personnel, passengers and the captors themselves to reconstruct what was long held as the blackest day in aviation history, despite all the hostages making it through alive. The terrorists had intended only to redirect the planes to a remote airstrip in the Jordanian desert and use the hostages as barter for the release of Palestinian militants imprisoned in Europe and Israel. Of the five, only three were successfully rerouted. A fourth was foiled midair, and the fifth was diverted to Cairo, Egypt, where it exploded after everyone was evacuated. There is some extraordinary footage, including shots of the empty planes being blown up by the hijackers. Written, produced and directed by Ilan Ziv.

"Hillboy" (2004)
Unconventional superhero story about a cigar-chomping demon (Ron Perlman), who uses his hell-spawned powers for good by trying to stop a necromancer from opening a portal that will unleash dark forces upon the world. Despite moody Gothic atmospherics and a devilishly droll performance by its Luciferian lead, director Guillermo del Toro's film, based on the popular comic-book series, leaves a lot to be desired in the way of plot, which, for the most part, doesn't make much sense. Abundant comic-book violence, recurring occult elements and some crude language. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Columbia/TriStar)

"HIT Favorites: Playtime Pals" (2009)
An hourlong collection of individual episodes from six animated and live-action TV series aimed at preschoolers: "Thomas & Friends," "Barney," "Fifi and the Flowertots," "Bob the Builder," "Fireman Sam" and "Kipper." While the tone ranges from the British restraint of "Thomas" to the extroverted cheerfulness of "Barney," the lighthearted stories promote responsibility, outdoor exercise, water conservation and even the use of sunscreen lotion. Diverting children's fare. The full-screen DVD includes an episode of "Roary the Racing Car."(Lionsgate/HIT)

"The History Boys" (2006)
Faithful adaptation of Alan Bennett's award-winning London and Broadway play, with the excellent original cast (including Frances de la Tour, Samuel Barnett and Dominic Cooper) intact, about 1980s northern England public school boys (age 18) trying out for Oxford and Cambridge under the rival tutelage of a wise if unconventional teacher (Richard Griffiths) and a young recent graduate (Stephen Campbell Moore) with more pragmatic methods. Director Nicholas Hytner has opened up the play intelligently for the screen, though it can't avoid a certain talkiness, and Bennett's themes of what we can truly know of history, the apparent randomness of life's events and how we are shaped by education are thought-provoking, while certain elements -- like the older teacher's penchant for inappropriately touching the students, which results in his dismissal, and the other's latent homosexuality -- will limit the film's appeal for many Catholics. Some rough language, innuendo and other sexual elements, implied premarital couplings and some lightly irreverent remarks. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian (20th Century Fox Home Entertainment).

"A History of Violence" (2005)
Intensely suspenseful film about an upstanding family man, Tom Stall (Viggo Mortensen), who becomes a local hero after he stands up to vicious killers who hold up his diner, but then becomes the target of a threatening underworld kingpin (Ed Harris) who insists Stall had once been a gangster who scarred him years before. Director David Cronenberg's masterfully crafted film, based on a graphic novel, has overtones of those classic Westerns in which the peaceable hero is forced to resort to violence against implacable evil, features first-rate performances (including William Hurt and Ashton Holmes), but despite a redemptive ending, the violence quotient won't be to every taste. Much profanity, rough and crude language, violence with gore, including several murders, two graphic husband-wife sexual encounters, one quite brutal, drug use, and full frontal female and rear male nudity. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (New Line)

"Hitch" (2005)
Entertaining romance about a successful "date doctor," Alex ("Hitch") Hitchens (Will Smith), who helps shy men woo women, and then falls for a gossip columnist (Eva Mendes) who's on the trail of an heiress (Amber Valletta) dating one of Hitch's clients, the bumbling Albert (Kevin James), leading to complications. Andy Tennant's film is a refreshing throwback to the lighthearted fare that Hollywood used to produce, nicely devoid of gratuitous sexual situations, possesses a good moral tone, and contains appealing performances, but the script just misses being a total success, while the broadness of some of the gags undermines the realistic foundation essential to the best comedies. The handsome DVD transfer contains most of the usual extras, including some deleted scenes (pleasant but wisely excised from the film) and a silly blooper reel, which both contain -- like the film itself -- profanity and crude language, some of which is bleeped. A few instances of profanity, rough, and crude language, one brief sexual situation, adult thematic elements. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Columbia/TriStar)

"The Hitchhiker's Guide to the Galaxy" (2005)
Wacky and whimsical sci-fi comedy about the space travels of an ordinary guy (Martin Freeman) who escapes Earth moments before it is destroyed and travels aboard a starship to the farthest reaches of the galaxy with an extraterrestrial researcher (Mos Def) for the guidebook of the title; the buffoonish galactic president; a depressed robot; and the sole other remaining earthling. Based on the popular 1979 sci-fi novel and BBC radio play by the late Douglas Adams, the adaptation is an entertaining, if disjointed, surrealistically silly potpourri of space adventure, absurdist philosophy and rib-tickling satire. Some irreligious humor, comic violence and mildly crude language. Handsome DVD presentation loaded with brief extras: a 10-minute "making of" featurette, some unremarkable deleted scenes and outtakes, a singalong, and a choice of two audio commentaries, one with director Garth Jennings, producer Nick Goldsmith, Freeman, and actor Bill Nighy, the other with exec producer Robbie Stamp and Sean Solle, a colleague of Adams. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Touchstone)

"History vs. Hollywood: Kingdom of Heaven" -- which examines the historical accuracy of the film, as well as four original behind-the-scenes minidocumentaries and theatrical trailers. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. (Fox)

"The Holiday" (2006)
Generally appealing romantic comedy about a wedding columnist (Kate Winslet) in the English countryside and a movie-trailer producer (Cameron Diaz) in Los Angeles whose failed romances find them swapping homes and continents over Christmas, leading to the former falling in love with a film composer (Jack Black) and the latter with the columnist's brother (Jude Law). Writer-director Nancy Meyers elicits heartfelt performances from all, and there's a strong affirmation of family and concern for the elderly, though some of today's permissive attitude, but not overt sexual content, is inherent in the script. Some rough and crude words, implied premarital relationships, light innuendo and banter, a chaste bedroom scene and mild domestic violence. The anamorphic DVD includes commentary by Meyers (along with the film's composer, editor and production designer), as well as a 17-minute making-of featurette. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13 (Sony Pictures Home Entertainment).

"Holy Land Slides" (2008)
A series of still photographs taken on a 2007 pilgrimage to Jerusalem and other important New Testament locations, such as Cana, Nazareth and Bethany, are set to sacred music and introduced by a narrator. Although, by their very nature, somewhat static, the two montages -- one focused on the early life and ministry of Jesus, the other on his passion -- offer a pleasant overview, both of famous sites like the Church of the Holy Sepulcher and of lesser known destinations like the Church of the Primacy of St. Peter on the shore of the Sea of Galilee. (www.holylandslides.com)

"A Home at the End of the World" (2004)
Bland adaptation of Michael Cunningham's novel about an unconventional triangular romance about a bisexual (Colin Farrell) who is in love with both his gay best friend (Dallas Roberts) and their bohemian female roommate (Robin Wright Penn). Directed by Michael Mayer and laced with homoerotic images, the tenderly told film explores the human heart's need for love; however, in doing so, it promotes a radical redefining of traditional ideas concerning family and sexuality. An ambiguous view of human sexuality, including a sympathetic portrayal of homosexual and bisexual relationships, several sexual encounters with nudity, recurring drug content involving minors, a few instances of same-sex kissing, and much rough and crude language. The USCCB Office for Film & Broadcasting classification is O -- morally offensive. The Motion Picture Association of America rating is R -- restricted. (Warner Bros.)

"Home on the Range" (2004)
Family-friendly animated adventure about a trio of cows (voiced by Roseanne Barr, Jennifer Tilly and Judi Dench) who decide to capture a notorious desperado for the reward money to save their beloved dairy farm from the auction block. Writer-directors Will Finn and John Sanford turn the traditional Western on its horns in telling a rip-roaring cowboy yarn about teamwork and camaraderie, resulting in a barnyard full of fun for moo-viegoers of all ages. Some brief mild rude humor and innuendo, as well as some cartoon violence. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Buena Vista)

"Homicide" (1991)
Powerful drama centering on an inner-city cop (Joe Mantegna) who belatedly identifies with his Jewish heritage when investigating a murder with possible anti-Semitic overtones. Writer-director David Mamet's riveting action thriller resonates with added layers of depth as the cop faces a moral dilemma that threatens to destroy all that he has steadfastly believed in. Intermittent brutal violence and much rough language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Criterion Collection)

"The Color Honeymooners" (Collection Two) (1966-67)
For many, the saga of iconic New York bus driver Ralph Kramden, his long-suffering wife, Alice, his sewer-working buddy, Ed Norton, and Ed's wife, Trixie, are, along with "I Love Lucy," the zenith of 1950s sitcoms. And so it was that in the mid-1960s, star Jackie Gleason decided to do periodic one-hour "Honeymooners" specials as part of his weekly variety show. This time, they'd be in color, a full hour in length (minus commercials) and feature Broadway-style musical numbers. At the time, these were viewed as a pleasant retread of the golden original episodes, but viewed in hindsight, they are quite fun, with Gleason and co-star Art Carney in still-pearly form, and if Sheila MacRae and Jane Kean are a bit slicker than their more "real" predecessors, Audrey Meadows and Joyce Randolph, they're better than remembered. The very first Alice, Pert Kelton (who played the role before Meadows), guest stars in the "Rififi, Brooklyn Style" show. All in all, this new collection of eight episodes makes good family viewing. (MPI Home Video)

"Hondo" (Special Collector's Edition) (1954)
Lean Western about a hard-riding, straight-shooting cowboy (John Wayne) who gives up his independent ways to stand by a woman (Geraldine Page) whose husband has abandoned her and their young son during an Apache uprising. Directed by John Farrow, the obligatory action scenes of fistfights, cavalry patrols and Indian battles are less interesting than Wayne's strong title performance as the mythic Western hero who respects women, children and the Indian way of life. Frontier violence. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America. (Paramount)

"The Honeymooners" (2005)
Ho-hum updating of the classic Jackie Gleason 1950s television series with Cedric the Entertainer as Ralph Kramden, the New York bus driver, Mike Epps as Ed Norton, his sewer-working friend, and Gabrielle Union and Regina Hall as their long-suffering wives, in a contrived story about Ralph and Ed entering a mutt in a dog race. John Schultz's film bears little resemblance to the much-loved series in either tone or laugh quotient, and without Gleason or sidekick Art Carney, there's little point to the endeavor. Some mild profanity, crass expressions, fleeting irreverence, crude humor and innuendo. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Paramount)

"Hoodwinked" (2005)
Intermittently amusing computer-animated comedy directed by Cory Edwards that sets out to reveal the "real story" behind the well-known nursery tale of Little Red Riding Hood. Each character -- including the scarlet-clad heroine (voiced by Anne Hathaway), her extreme sports-loving granny (voiced by Glenn Close), the wolf (voiced by Patrick Warburton) and a brawny woodsman (voiced by Jim Belushi) -- is grilled by police responding to a domestic disturbance call. Despite sporadic bursts of wit and a clever "Rashomon"-style structure, the wacky proceedings are handicapped by a laugh-lean script and unimpressive animation. Cartoon action violence and mildly crude humor. Spanish titles option. The Catholic News Service classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Weinstein Company Home Entertainment; also available on Blu-ray)

"HoopDogz: Stealing's Uncool" (2005)
Lively computer-animated series which brings the Ten Commandments to life in a way that is fun, fresh and accessible to young viewers. Each episode is designed around one of the Commandments and involves a group of hoop-shooting, Bible-quoting pooches who use God's truths to resolve moral dilemmas. By the end of each story, the characters -- along with the viewers -- find out how the particular Commandment applies to their daily lives. In "Stealing's Uncool," one of the pups learns a lesson in right and wrong when he is tempted to swipe his friend's prize Ultra Dunkinator 3000 basketball. The message is reinforced by a subplot involving the wacky hosts of a family-values TV show who face their own Eighth Commandment conundrum involving taking home office supplies. Created by David Campbell and Jim Jinkins ("Doug," "Stanley," "PB&J Otter" and "JoJo's Circus"), the Christian-flavored series helps makes morality relevant in a kid-friendly way. The DVD bonus features include a catchy music video which translates the Ten Commandments into age-appropriate language. (Cartoon Pizza, (212) 875-7300)

"Hoosiers" (1987)
Dedicated but dictatorial coach (Gene Hackman) leads a small-town high school basketball team to the 1952 Indiana state championship while effecting some attitude adjustments in the community and rebuilding his self-esteem along the way. Director David Anspaugh's film recalls and celebrates a vanishing American rural ethic where integrity is everything and winning is the spice of life. Brief instances of mildly vulgar language and a courtside scuffle. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is PG -- parental guidance suggested. (MGM)

"Hoot" (2006)
Amiable family-friendly drama about an eighth-grader (Logan Lerman) who moves with his parents to small-town Florida, where he is caught up in the crusade of an enigmatic boy and his stepsister to save a colony of owls threatened by a real-estate developer. Directed by Wil Shriner from Carl Hiaasen's award-winning children's book, the film's warm message about friendship, respect for nature and taking a stand for what's right is handicapped by a weak script and a slow-starting plot. Some schoolyard bullying and a few mildly crass expressions. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children.

"Hostage" (2005)
Taut -- if frequently violent -- thriller about former hostage negotiator Jeff Talley (Bruce Willis), who relocates to another town and becomes a police chief after a hostage rescue attempt goes tragically awry, but then finds himself back in action when the affluent Walter Smith (Kevin Pollak) and his children are taken hostage by three teenage hoodlums. But the twist is Smith himself turns out to have criminal ties and Talley's own family is soon taken captive by unknown forces out to get Smith. Director Florent Siri keeps up the unrelenting tension, which helps obscure some plot improbabilities. Willis gives a convincingly anguished performance, Ben Foster is scarily effective as the worst of the teens, and Alexandre Desplat has supplied a pulsating background score. Much rough and crude language, gunfire, violence with attendant blood, a raging fire and flaming bodies, a sadistic villain, some suggestive gestures and drug use. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. (Buena Vista)

"Hostel" (Lions Gate)
Rated "R"
Nauseatingly vile horror film about a trio of lustful backpackers (Jay Hernandez, Derek Richardson and Eythor Gudjonsson) traveling through Europe, lured off the beaten path by promises of carnal pleasures to a hostel in Slovakia, where they fall easy prey to a pair of temptresses and wind up in a chamber of horrors where wealthy sadists pay top dollar for the most depraved thrills. Packaging dehumanizing brutality as entertainment, director Eli Roth serves up a steady stream of soft-core sex and shock-value gore, as pornographically gratuitous as it is mindless. Excessive grisly violence, including bloody scenes of torture and dismemberment, strong sexual situations with nudity, lurid and erotic images, drug content, a suicide, debasement of women, pervasive rough and crude language, as well as lewd humor. The USCCB Office for Film & Broadcasting classification is O -- morally offensive.

"Hotel Rwanda" (2004)
Inspiring real-life story of Paul Rusesabagina (Don Cheadle), a hotel manager in Rwanda who, at great personal risk, saved the lives of thousands of refugees marked for death during the nightmarish days of the Rwandan genocide. He sheltered them from the slaughter occurring outside his hotel compound. Well-written, directed and acted, the emotionally riveting and profoundly moral movie deals with an extremely dark chapter of history, but it is a powerful testament to hope, courage and the nobility of the human spirit, as well as the unsung heroism of "ordinary" people. Disturbing violence and images of mass slaughter, fleeting shadowy background nudity and some brief rough language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (MGM)

"House of Flying Daggers" (2004)
Visually dazzling martial arts love story set in ancient China about a lawman (Takeshi Kaneshiro) who finds himself entangled in a web of desire and deception when his superior (Andy Lau) assigns him to infiltrate a gang of anti-imperial insurgents by escorting a beautiful blind courtesan (Ziyi Zhang) with ties to the group to the rebels' secret forest stronghold. Part action adventure, part triangular romance, director Zhang Yimou's melodramatic sword saga of passion, betrayal and the conflict between love and duty is full of eye-popping fight sequences, but its story sometimes gets drowned out by the artistic swirl of silk and steel. Subtitles. Much stylized action violence and associated gore, attempted rape and a sexual encounter. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Columbia/TriStar)

"House on Haunted Hill" (1958)
At the suggestion of his wife (Carol Ohmart), a sardonic millionaire (Vincent Price) holds a party in an isolated mansion with a history of grisly murders, promising to reward any of his guests (including Richard Long, Alan Marshall and Elisha Cook Jr.) who spend the night. Director William Castle has some fun in the low-budget fright department, ranging from spooky effects to bizarre deaths, but the tangled plot is full of holes. Menacing atmosphere and a few scares. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (Legend)

"How Do You Know" (2010)
Cheerless romantic comedy in which a champion softball player (Reese Witherspoon), who has recently been cut from her team, worries about her future. She is also trying to decide whether she loves the good-natured but philandering major league baseball player (Owen Wilson), with whom she has been living, or a neurotic businessman (Paul Rudd) whose indictment for stock fraud threatens to land him in jail and ruin the company founded by his hard-driving dad (Jack Nicholson). With its oddly unsympathetic characters endlessly analyzing their every emotion and reaction, the few laughs and insights provided by writer-director James L. Brooks' script hardly seem worthwhile, all the more so given that subjects like womanizing and single motherhood are played for laughs. Brief nongraphic sexual activity, a nonmarital situation, promiscuity theme, an out-of-wedlock pregnancy, a birth-control reference, at least one use of profanity, a couple of rough and a few crude words. Spanish language and titles options. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Sony Pictures Home Entertainment; also available on Blu-ray)

"How She Move" (2008)
Buoyant musical film chronicling the struggles of a young Caribbean immigrant (Rutina Wesley) who, in the wake of her sister's death and the financial ruin of her parents (Conrad Coates and Melanie Nicholls-King), seeks comfort in "stepping," a traditional style of African-American dance and, despite the opposition of a former friend (Tre Armstrong), joins an all-male crew led by a charismatic step veteran (Dwain Murphy) to compete for prize money she hopes to use for tuition. While sequences of tightly choreographed stomping provide the entertainment high points of director Ian Iqbal Rashid's movie, the drama is also effective and the emphasis on education welcome. The film is possibly acceptable for older teens. Two uses of the f-word (one only mouthed), much crude and crass language, one use of profanity, one obscene gesture, drug references and suggestive dancing. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Paramount Home Entertainment)

"How Stella Got Her Groove Back" (1998)
Glossy romance from Terry McMillan's novel about a 40-year-old, career-driven single mom (Angela Bassett) who ultimately finds happiness with a man (Taye Diggs) half her age while vacationing in Jamaica. Director Kevin Rodney Sullivan delivers an idealized, comic romantic fantasy in which a one-night stand matures into a committed relationship. Benign treatment of premarital sex, fleeting nudity and some rough language. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (20th Century Fox Home Entertainment)

"How To Eat Fried Worms" (2006)
Loose adaptation of Thomas Rockwell's children's book about a weak-stomached boy (Luke Benward) who, desperate to fit in as the new kid at school, agrees to eat 10 worms within the span of a Saturday afternoon. With a yuck factor that may disturb some parents, director Bob Dolman's film sends a misguided message about peer pressure that undermines charming performances and themes of friendship, honesty and standing up for oneself. Scattered mildly crude language and humor, some bullying and gross-out images and a scene of breaking into a shop. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children (New Line).

"How to Lose a Guy in 10 Days" (Deluxe Edition) (2003)
Drawn-out romantic comedy in which an ad exec (Matthew McConaughey) boasts he can make a magazine columnist (Kate Hudson) fall for him in 10 days, unaware that for her next advice column she intends to make him dump her in the same time frame. Donald Petrie directs a contrived and unconvincing battle-of-the-sexes comedy that lacks sparkling dialogue. Sexual references, fleeting violence, some rude slang expressions and occasional profanity. Spanish language and titles options. The USCCB Office for Film & Broadcasting classification is A-III --adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Paramount Home Entertainment; also available on Blu-ray)

"Howards End" (1992)
Exquisitely done drama based on E.M. Forster's novel about an aristocratic widower (Anthony Hopkins) in turn-of-the-century England who cheats a young woman (Emma Thompson) out of property left her by his wife (Vanessa Redgrave) but then falls in love with her, much to the dismay of her egalitarian younger sister (Helena Bonham Carter). Enhanced by the ensemble cast's splendid performances, the sensitive collaboration of director James Ivory, producer Ismail Merchant and screenwriter Ruth Prawer Jhabvala does justice to Forster's ironic and witty story of class distinctions and their sometimes tragic outcomes. Discreet sexual innuendo and fleeting violence. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Home Vision)

"Husbands" (1970)
Long Island commuters (John Cassavetes, Ben Gazzara and Peter Falk) attend the burial of a mutual friend suddenly carried off by a coronary, and their own sense of mortality becomes both the catalyst and context for the drunken antics, middle-aged frustrations and inarticulate revelations that follow. For all of its excesses, from a lavatory vomiting scene to a crude sex romp in a London hotel, director John Cassavetes injects a compassion for his male misfits that redeems many of the glaring faults in his treatment of the proceedings. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Sony Pictures Home Entertainment)

"Hush" (1998)
Rated "PG-13"
Inept thriller in which a possessive mom (Jessica Lange) tries to get her son (Johnathon Schaech) back by murdering his pregnant wife (Gwyneth Paltrow). Directed by Jonathan Darby, the trashy plot is too predictable to hold interest and the schemes of the evil mother are too obvious to sustain credibility, with ludicrous results. Menacing situations, an attempted rape, a difficult childbirth sequence, fleeting nudity and profanity. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Image Entertainment; also available on Blu-ray)

I
"I Am David "(2004)
Life-affirming family adventure set in 1952 about a young Bulgarian boy (Ben Tibber) who escapes confinement in a brutal communist labor camp and must make his way across Europe to find refuge in Denmark. As directed by Paul Feig, the well-told, visually handsome tale is both engaging and edifying, and its simple, gentle message -- that life is a gift -- is full of hope. Mature themes and some brief violence. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Lions Gate)

"I Am Legend" (Two-Disc Special Edition) (2007)
Grim but effective thriller has a brave scientist (Will Smith) as the last surviving person in New York battling ferocious animal and human mutants as he struggles to find a cure for the virus that has eliminated most of the world's population. Director Francis Lawrence's remake of Richard Matheson's 1954 novel has some eerie scenes of a decimated New York, and the computer-generated images of mutants attacking are scary enough when they come, but though Smith is a compelling presence and there are some pointed and admirable spiritual elements, the basic setup ultimately grows tiresome and more depressing than exciting. Intense if isolated violent sequences, including the killing of the creatures, and scantily clad mutants. Might be acceptable for older teens. The second of the two discs contains an unrated alternate version of the film (with a more crowd-pleasing ending) and four animated comics that are not rated and "may contain material unsuitable for minors." Spanish language and title options. The USCCB Office for Film & Broadcasting classification is A-III --adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Warner Home Video; also available in HD DVD)

"I Am Number Four" (2011)
Occasionally moving teen drama about a human-looking alien (Alex Pettyfer) who has come to earth to prevent its colonization by the race of evil creatures (led by Kevin Durand) who took over his home planet, slaughtering the native population in the process. Perpetually on the run, he's protected by a guardian (Timothy Olyphant) from his own world, but his love for a fellow high school student (Dianna Agron) in his latest hometown proves a potentially dangerous distraction. With its main character's sense of isolation and desire to rebel against his seemingly overzealous caretaker paralleling more mundane adolescent angst, director D.J. Caruso's adaptation of a novel by Pittacus Lore may appeal to targeted younger viewers. But, while the innocent central relationship is perfectly acceptable for them, the same cannot be said of the hyper-violent, though generally bloodless, climax toward which the proceedings build. Much intense but largely gore-free combat, a few uses of profanity, a bit of vaguely scatological humor, at least a dozen instances of crude language, about half that many crass terms. Spanish titles option. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Touchstone Home Entertainment; also available on Blu-ray)

"I Heart Huckabees" (2004)
Quirky comedy about an angst-ridden environmental activist (Jason Schwartzman) who hires a married team of existential detectives (Dustin Hoffman and Lily Tomlin) to unravel the mystery behind the meaning of life. Eccentrically directed by David O. Russell, the film is a madcap mix of philosophy and slapstick, resulting in a brainy farce which, while intellectually loaded, is emotionally empty. A sexual encounter and much rough and crude language. The USCCB Office for Film & Broadcasting classification is A-III - adults. The Motion Picture Association of America rating is R -- restricted. (Fox)

"The Illusionist" (2006)
Grippingly atmospheric romantic tale set in turn-of-the-last-century Vienna about a mysterious stage magician (Edward Norton) who loves a noblewoman (Jessica Biel) unwillingly betrothed to the crown prince (Rufus Sewell) who demands that the chief inspector (Paul Giamatti) prove the magician a fraud. Writer-director Neil Burger's sepia-toned adaptation of Steven Millhauser's short story, with a haunting score by Philip Glass and excellent performances, brilliantly captures the period, and beneath the compelling story such themes as popular superstition, the rise of scientific thought and the decline of the aristocracy are unobtrusively woven. A brief sexual encounter with suggested nudity, some domestic violence, a suicide and a few crass expressions. The USCCB Office for Film & Broadcasting classification is A-III --adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13 (Fox Home Entertainment).

"I Love Lucy" (The Final Seasons: 7, 8 & 9) (1957-1960)
The final superlative boxed set of the benchmark of all TV sitcoms contains the 13 episodes of the "Lucy-Desi Comedy Hour," which were shown as specials over a three-year period. These are the rarest of all, in terms of TV exposure, and all the more welcome on DVD where they've been beautifully restored. Featuring great guest stars such as Ann Sothern, Tallulah Bankhead, Maurice Chevalier, Fernando Lamas, Red Skelton, Danny Thomas and more, these slickly filmed episodes brought the Ricardos and Mertzes to new locations, and together with the new format, gave a facelift to the series, though the final episode (with guest Ernie Kovacs) coincided with the regrettable end of stars Lucille Ball and Desi Arnaz's real-life marriage. The four DVDs have been beautifully produced by Thomas J. Watson, and incorporate all the fun and historically valuable extras of the earlier boxes, including original opening credits, commercials with the series' stars, deleted material and, most tantalizingly, some home-movie color footage of an "I Love Lucy" episode. Other pluses include the full-length version of "Lucy Takes a Cruise to Havana," drastically cut on its occasional TV airings, and a 40-minute Desilu sponsor presentation. The set is a rousing affirmation of a time when much of prime-time fare was true family entertainment (CBS DVD/Paramount Home Entertainment).

"I Love Lucy -- The Complete Fourth Season" (1954-55)
The latest repackaging of the classic television series, featuring the peerless comedy of Lucille Ball and her cohorts, then-husband Desi Arnaz, Vivian Vance and William Frawley. The fourth season was a memorable one, including episodes involving the Ricardos' and Mertzes' trip to Hollywood when Ricky is signed for a movie. Attractively packaged in slim-line cases, each multi-episode disc includes generous indexing, restored scenes, original series openings (the famous heart logo was done for syndication), radio episodes of Ball's "My Favorite Husband," the precursor for the "Lucy" series, and much more. Ideal family entertainment. (CBS DVD and Paramount Home Entertainment)

"I Love Lucy: The Complete Fifth Season" (1955)
The comprehensive release of every episode of the granddaddy of television sitcoms continues onward with this issue of 26 episodes from the Lucille Ball-Desi Arnaz show's fifth season. These are the ones that finished up the Ricardos' and the Mertzes' trip to Hollywood and their tour of Europe. In addition to such classic episodes as "Lucy Visits Grauman's" (where she steals John Wayne's footprints) and "Lucy's Italian Movie" (which includes the famous grape-stomping sequence), the great-looking discs include several interesting extras, not seen since the original broadcast, and restored from a 16mm print: plugs for the movie "Guys & Dolls" and the Ball-Arnaz "Forever Darling," the couple making an appeal for the American Heart Association, and saying "goodbye" to viewers till the new fall season. There are also some interesting flubs, such as co-star Vivian Vance nearly getting seriously hurt by Arnaz's foot as he and Lucy are hoisted upward by a helicopter. In addition, there are episodes of the pre-"I Love Lucy" radio show, "My Favorite Husband," restorations of the original stick-figure openings that were replaced by the familiar animated heart, and revelatory audio-only comments about Ball and the series from creator Jess Oppenheimer. Ideal family viewing. (CBS)

"I Love Lucy: The Complete Sixth Season" (1956-57)
So what if the final season of arguably the champ of all TV sitcoms was less than the very best? What's here is still head and shoulders above most contemporary TV fare, and like the other issues in this series has been given the superdeluxe treatment. Beautifully produced by Gregg Oppenheimer and Thomas J. Watson, with 27 episodes of Lucy, Ricky, Fred and Ethel spread over four discs, each show is generously indexed, and (where applicable) comes with flubs, restored material, original commercials that featured cast members (like Keith "Little Ricky" Thibodeaux), episodes of Lucille Ball's radio series "My Favorite Husband," and audio commentary from surviving cast members or creators on four episodes. The print quality is pristine. This was the season where the Ricardos and Mertzes moved from New York to Connecticut, and also includes episodes with guests Orson Welles, Bob Hope and George ("Superman") Reeves. Of special interest is the rarely seen Christmas show, which was never included when the series was in syndication, and can be viewed in a quite impressive colorized version. Recommendable family viewing. (CBS DVD/Paramount)

"I Remember Mama" (1948)
Engaging, warm-hearted version of the John Van Druten play in which a daughter (Barbara Bel Geddes) recalls the nurturing influence of her mother (Irene Dunne) on her Norwegian-American brood in San Francisco circa 1910. Produced and directed by George Stevens, the interplay of family life is richly depicted through good times and bad, convincingly portrayed by a cast including Oskar Homolka as the family patriarch, Ellen Corby as the spinster aunt and Edgar Bergen as her mousy beau. Sincere, affecting and universal in theme and appeal. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America. (Warner Bros.)

"I, Robot" (2004)
Science fiction thriller set in 2035 about a technophobic Chicago cop (Will Smith) whose investigation into the apparent suicide of a renowned scientist leads him to suspect that the dead visionary was actually murdered by a member of the swelling robot population he helped create and which is supposed to be programmed to serve and protect mankind. Inspired by the short works of Isaac Asimov, director Alex Proyas underpins dazzling special-effects sequences with philosophical musings about artificial intelligence, our relationship to technology and what constitutes a soul. Intense action violence, two brief shower scenes with shadowy profile nudity and recurring crass language. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Fox)

"Ice Age: The Meltdown" (2006)
Inferior, but still highly entertaining, sequel to the 2002 computer-animated hit which finds the prehistoric trio -- cranky mammoth Manny (voiced by Ray Romano), sarcastic saber-toothed tiger Diego (voiced by Denis Leary) and wise-cracking sloth Sid (voiced by John Leguizamo) -- joined by a confused she-mammoth (voiced by Queen Latifah) and a tag team of prankster possums (voiced by Seann William Scott and Josh Peck) as they race to escape an impending cataclysmic flood triggered by the warming climate. Directed by Carlos Saldanha, the story and characters have thinned along with the ice, but in the thawing process the laughs and zany charm remain intact along with a gentle message about family and friendship. Some scenes of menace that may be too intense for very young children, a few crass expressions, some innuendo and a mildly crude sight-gag. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (20th Century Fox Home Entertainment)

"Ice Princess" (2005)
Standard but not uninteresting tale of student (Michelle Trachtenberg) whose heart is set on skating, and decides to train for the championships with former champion Tina (Kim Cattrall), over the objections of her mother (Joan Cusack). Tim Fywell's modest film is reasonably absorbing for all its plot predictability, the skating sequences are enjoyable, and the performances are good, making this unobjectionable family entertainment, especially for young girls. The DVD features teen-friendly audio commentary by Trachtenberg and three of the other young actors, two music videos, and some pleasant deleted scenes. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. (Warner Bros.)

"Illegal Tender" (2007)
The sins of a father (Manny Perez), who's been dead for 20 years, are visited on his widow (Wanda De Jesus), his son (Rick Gonzalez) and even his son's young stepbrother (Antonio Ortiz) as the gangster who once employed him (Gary Perez) pursues an apparently endless vendetta. This exhaustingly overacted and dreary melodrama, written and directed by Franc Reyes, features characters who spew platitudes and bullets with equal aplomb. Frequent rough and crude language, rear and partial upper female nudity, adulterous sexual activity, highly suggestive costuming and dancing, and graphic violence with gore and suicide. Spanish language and titles options. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Universal Studios Home Video)

"The Illusionist" (2006)
Grippingly atmospheric romantic tale set in turn-of-the-last-century Vienna, Austria, about a mysterious stage magician (Edward Norton) who loves a noblewoman (Jessica Biel) unwillingly betrothed to the crown prince (Rufus Sewell) who demands the chief inspector (Paul Giamatti) prove the magician a fraud. Writer-director Neil Burger's sepia-toned adaptation of Steven Millhauser's short story, with a haunting score by Philip Glass and excellent performances, brilliantly captures the period, and beneath the compelling story, such themes as popular superstition, the rise of scientific thought and the decline of the aristocracy are unobtrusively woven. A brief sexual encounter with suggested nudity, some domestic violence, a suicide and a few crass expressions. Spanish language and titles options. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (20th Century Fox Home Entertainment; also available on Blu-ray.)

"I'll Sleep When I'm Dead " (2004)
Atmospheric suspense film set in the seedy London underworld in which a reformed underworld killer (Clive Owen) sets out to uncover the reasons behind his younger brother's (Jonathan Rhys Meyers) unaccountable suicide. Top-flight British cast and skillful direction by Mike Hodges make this an absorbing film, even if the script ultimately turns banal. A discreetly brief rape scene, fleeting rear nudity, some recreational drug abuse, a crass scene involving urination and some rough language. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. (Paramount)

"I'm Not Scared" (2004)
Enthralling thriller about a 10-year-old boy (Giuseppe Cristiano) living in a remote Sicilian village whose innocence is shattered when he makes a shocking discovery in an abandoned farmhouse and learns that the terrible truth behind it leads him closer to home than he ever would imagine. Director Gabriele Salvatores combines suspenseful storytelling, masterfully told through the eyes of a child, with hauntingly beautiful visuals of sprawling, sun-baked Italian vistas to craft an intimate coming-of-age tale of courage and compassion. Subtitles. Some violence and recurring rough and crude language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted.

"Imaginary Heroes" (2005)
Earnest, if uneven, domestic dysfunction drama about an upscale suburban couple (Sigourney Weaver and Jeff Daniels) trying to come to terms with the sudden suicide of their eldest child (Kip Pardue), causing marital disintegration and sending them, along with their younger teenage son (Emile Hirsch), down separate but similarly self-destructive paths of despair. As directed by Dan Harris, this somber yet ultimately redemptive meditation on guilt, grief, and forgiveness is buttressed by good performances across the board, and explores the interconnectedness of human relations and how the ripple effects of our mistakes affect the lives of others. Recurring substance abuse, including several scenes involving underage teenagers, sexual situations among minors, one involving partial nudity, an intimate encounter between two boys, a suicide, some violence, as well as repeated rough and crude language and profanity. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. (Columbia/TriStar)

"Impact: The Passion of the Christ" (2005)
Well-intentioned documentary which examines the global impact of Mel Gibson's film on moviegoers. While the globe-trotting mileage logged by filmmaker Tim Chey is impressive for such a modest production, the resulting documentary consists mostly of clumsily assembled interviews, tangential anecdotes and a surplus of footage of opening-day crowds from around the world -- including Dallas, Tokyo, Bombay and London -- capturing audience reactions, pro and con. Discussions focus on the effect "The Passion of the Christ" had on their lives and personal faith, though the questioning is leading at times. The Christian-angled documentary (a portion of the proceeds goes to an evangelical outreach organization called Campus Crusade for Christ) also explores the film's cultural fallout and addresses charges of its alleged anti-Semitism with representatives of the Catholic League for Religious and Civil Rights and Anti-Defamation League. Standout segments include two stirring conversion stories, both involving men who claim they voluntarily confessed to violent (unrelated) crimes, in part, as a result of viewing Gibson's movie. While Chey's passion is evident, the earnest, if disjointed, documentary takes a late detour, unraveling into a referendum about the tragedy at Columbine, some of it in questionable taste, including disturbing surveillance video of the shootings. (Fallen World Productions, www.impactthemovie.com)

"The Importance of Being Earnest" (2002)
Bland adaptation of Oscar Wilde's witty play about two English gents (Rupert Everett and Colin Firth) each pretending to be named Ernest to their flighty fiancees (Reese Witherspoon and Frances O'Connor). Sluggishly directed by Oliver Parker, the male leads prove charmless and Wilde's satire of frivolous upper-class mores is reduced to a toothless drawing-room comedy. Romantic complications and a flash of rear nudity. Spanish titles option. The Catholic News Service classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Miramax Home Entertainment)

"In Bruges" (2008)
Playwright Martin McDonagh is writer and director of this film about a mobster (Ralph Fiennes) who, after a heinous murder, orders his two Irish hit men (Colin Farrell and Brendan Gleeson) to go into hiding in the medieval Belgian city -- an experience that proves transformative for both of them. Though the finely acted tragicomedy has several extremely violent sequences and myriad other sordid elements, necessitating the film's highly restrictive classification, McDonagh's theme of the futility of cyclical violence is powerfully conveyed, while the intermittent conversations between the two criminals about the meaning of life and other spiritual matters provide further texture. Pervasive rough language and some profanity, violence with bloodshed, murder and suicide, killing of a priest, drug use, prostitution, frank sexual talk, a nongraphic sexual encounter, ethnic slurs. Spanish titles option. The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Universal Studios Home Video; also available on Blu-ray.)

"Incantato" (2004)
Handsomely designed and filmed but dramatically inert period piece about a shy, awkward 35-year-old schoolteacher falling in love for the first time with a beautiful young woman -- an incorrigible femme fatale who has recently been blinded. Set in 1920s Italy, Pupi Avati's film has the added interest of the hero's father being tailor to the pope, and indeed the film's climax takes place within the hallowed walls of Vatican City. But the main story is so ludicrous and torpidly paced that, in spite of some touching moments, the intended romantic sweep is simply not there. Subtitles. Some mild sexual episodes and rear nudity. The USCCB Office for Film & Broadcasting classification is A-III -- adults. Not rated by the Motion Picture Association of America. (Wellspring)

"Inception" (2010)
Ingenious sci-fi brainteaser in which, at the behest of a powerful CEO (Ken Watanabe), a corporate spy (Leonardo DiCaprio) who uses "shared dreaming" to extract secrets from the minds of sleeping executives leads a team of skilled collaborators (Joseph Gordon-Levitt, Ellen Page, Tom Hardy and Dileep Rao) on a raid into the subconscious of the heir (Cillian Murphy) to a rival business. Writer-director Christopher Nolan achieves a tour de force of spectacle and suspense that eventually involves four adventures unfolding simultaneously at different levels of consciousness, though his crafty action tale is rife with explosions and gunplay and engages the imagination more than the heart. Much violence, some of it bloody, several uses of profanity, a few crude and crass terms. Spanish language and titles options. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Warner Home Video; also available on Blu-ray)

"Insidious" (2011)
Rated "PG-13"
This mash-up of a horror homage -- which borrows liberally from older films in the genre such as "Poltergeist" and "The Amityville Horror" -- has a young boy (Ty Simpkins) trapped in a hellish netherworld known as The Further, with his feckless father (Patrick Wilson) and a medium (Lin Shaye) out to rescue him. Director James Wan and screenwriter Leigh Whannell break no new ground, relying instead on garish zombies popping out of windows, closets and walls, a fog machine, and a cackling old lady or two. Still, the use of 1960s pop phenom Tiny Tim's falsetto warbling of "Tiptoe Through the Tulips" does lend the proceedings a sort of geeky charm. Along the way, a Catholic priest (John Henry Binder) makes a brief appearance, but to no discernable purpose. Fleeting crude and profane language and intense, but nonviolent, scenes involving children. Spanish titles option. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Sony Pictures Home Entertainment; also available on Blu-ray)

"The Incredibles" (2004)
Amusing animated adventure about a family of superheroes -- headed by strongman Mr. Incredible (voiced by Craig T. Nelson) and his stretchable wife (voiced by Holly Hunter) -- living a "normal" suburban life as part of a witness-protection program, when they are forced out of early retirement to save the world from an evil genius. Much edgier than past Pixar films, director Brad Bird's comic-book confection blurs the line between kids' and adult entertainment, and despite amazing visuals and a sharp-witted script falls slightly short of its title. Some action violence, including gunplay, a foiled suicide attempt and mature thematic elements. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Buena Vista)

"The Incredible Hulk" (2008) (Special Edition)
Intense live-action adventure about a fugitive scientist (Edward Norton) searching for a cure to the gamma poisoning that transforms him, when provoked, into a rampaging behemoth, with the help of his girlfriend and former colleague (Liv Tyler) and despite the efforts of her Army general father (William Hurt) and a British officer (Tim Roth) to capture him and exploit his powers. In between breathless chases and effective battle scenes, this latest adaptation of the popular comic, directed by Louis Leterrier, touches on serious moral issues about the use of force and the manipulation of human biology, though it squanders the initial innocence of its main characters' romance. Nongraphic premarital sexual activity, partial rear nudity, stylized violence, painful medical scenes, brief scatological humor, and occasional crude and crass language; it's possibly acceptable for older teens. Spanish language option. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Universal Studios Home Video; also available on Blu-ray)

"Independence Day" (1996)
Compelling sci-fi thriller in which huge alien spaceships level three American cities before the president (Bill Pullman), a computer whiz (Jeff Goldblum) and a Marine pilot (Will Smith) mount a last-ditch effort to disable the spacecraft's impenetrable shields. Director Roland Emmerich's patriotic-themed disaster flick is powered by an action-packed story line, spectacular special effects and sympathetic characters that provide some human dimension to the proceedings. Intense depiction of massive destruction but little gore, brief sexual innuendo and minimal profanity. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (20th Century Fox Home Entertainment)

"Infernal Affairs" (2004)
Arresting crime thriller set in Hong Kong about two double agents -- one a gangland mole (Andy Lau) embedded in the police force and the other an undercover cop (Tony Leung) who has infiltrated a crime ring, posing as a member of its inner circle -- locked in a game of cat-and-mouse to smoke each other out. As directed by Andrew Lau and Alan Mak, the stylish and intelligent film keeps its hard-boiled tension on a high flame, downplaying action sequences in favor of narrative suspense and character development. Some graphic violence, drug content and moral ambiguity. Subtitles. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. (Buena Vista)

"In Good Company" (2004)
Sharp and perceptive -- if somewhat formulaic -- comedy-drama about a sports magazine sales executive (Dennis Quaid) who finds himself working for a man almost half his age (Topher Grace) when the magazine's parent company is sold to a global conglomerate, and later learns his new boss is having an affair with his college-age daughter (Scarlett Johansson). Director/writer Paul Weitz's film is convincingly on-target about the heartlessness of the contemporary business world, and Quaid gives a particularly fine performance, but the daughter's oddly bold seduction of her father's boss in her dorm room is morally problematic and somehow rings false from a dramatic standpoint. The widescreen DVD includes some amusing, if superfluous, deleted scenes, running commentary by Weitz and Grace, and behind-the-scenes features. Some crude language, fleeting rear nudity and a permissive view of premarital sex. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Universal)

"In Her Shoes" (2005)
Emotionally wounded sisters -- one a dowdy, inhibited lawyer (Toni Collette), the other a flashy, promiscuous alcoholic (Cameron Diaz) -- come to terms with the scars of the past when they reconnect with the grandmother they never knew (Shirley MacLaine), who is now living in a Florida retirement home. If the Jewish milieu isn't entirely convincing, Curtis Hanson's unabashedly sentimental film ultimately imparts good messages about forgiveness and reconciliation, with a touching, morally sound, feel-good conclusion. Sexual banter and situations including one rough encounter in a restroom, an irreligious remark, permissive view of premarital sex, partial nudity, suicide theme, scattered profanity, and crude language and expressions. There's no commentary on the anamorphic widescreen DVD, but there are three featurettes: the 15-minute behind-the-scenes "The People in the Shoes"; the 10-minute "A Retirement Community for Active Seniors," a cute piece about the real-life oldsters that took part in the filming; and the seven-minute "From Death Row to the Red Carpet: The Casting of Honey Bun," outlining the casting of the film's dog, intentionally picking a mutt to encourage viewers to adopt a dog from a shelter. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Fox)

"In the Valley of Elah" (2007)
Inspired by true events, this is a powerfully understated drama about a patriotic ex-military man (Tommy Lee Jones) who, leaving his worried wife (Susan Sarandon) at home, searches for their missing son just back from duty in Iraq, and who joins forces with a police detective (Charlize Theron) to break through the military's red tape, as they begin to suspect foul play. Writer-director Paul Haggis' script ultimately delivers a strong anti-war message, and cast members -- who also include Jason Patric, James Franco and Josh Brolin -- give sensitive, nuanced performances. Rough language and profanity, rear shower nudity, upper female nudity, brief gruesome war and morgue imagery and verbal descriptions, suicide, drug references and violent scuffle. The DVD contains a half-hour making-of documentary and a powerfully understated eight-minute deleted scene in which Jones' character visits his son's girlfriend -- now an amputee -- in the hospital. Spanish language and titles option. (Also available in HD-DVD combo and Blu-ray formats.) The USCCB Office for Film & Broadcasting classification is A-III --adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Warner Home Video)

"Innocent Voices" ("Voces Inocentes") (2005)
Gripping true-life story of an 11-year-old boy -- who together with his mother and siblings -- is caught up in the horrors of the civil war in El Salvador in the 1980s, including a subplot involving a brave priest who tries to stand up to the brutal government troops. Luis Mandoki's film is intensely moving, though there are lighter and even humorous moments to leaven the tragedy. The performances, especially that of Carlos Padilla as the young boy, are beautifully natural, and the overall message of the effects of war on youngsters -- with its present-day resonance -- is palpable. In Spanish, with subtitles. Some rough and crude language and expressions, wartime violence and bloody bodies make this best for older adolescents and adults. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Warner Home Video)

"The Innocents" (1961)
Powerful adaptation of Henry James' "The Turn of the Screw" centers on the new governess (Deborah Kerr) hired to care for two young children on an isolated English estate where she comes to fear her charges are in grave danger from the dead spirits of their former governess and her evil lover. Directed by Jack Clayton, the moody visuals and eerie soundtrack evoke a marvelous sense of the supernatural, though events can also be construed as the dark product of a Victorian woman's troubled imagination. Menacing situations and youngsters in physical as well as moral peril. The DVD features both full- and (vastly superior) widescreen versions of the black-and-white film, but no significant extras. The USCCB Office for Film & Broadcasting classification is A-III -- adults. Not rated by the Motion Picture Association of America. (Fox)

"Into the West" (1993)
When a magnificent white horse wanders into their Dublin slum, two motherless waifs (Ruaidhri Conroy and Ciaran Fitzgerald) ride off into the countryside, pretending to be Wild West cowboys with their sobered father (Gabriel Byrne) and the police in hot pursuit. Director Mike Newell presents a sensitive yet rousing tale of emotionally neglected children whose fertile imaginations help them transcend an impoverished home. Fleeting violence, children in jeopardy and a few profanities. The Catholic News Service classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Echo Bridge Home Entertainment)

"Inside Darkness" (2008)
Intense, sometimes overheated 37-minute political drama in which the incumbent U.S. president (Karen Landry), a committed evangelical Christian, and two of her rivals for office -- a Catholic Marine colonel turned senator (Russell Andrews) and an agnostic religious studies professor running as a third-party candidate (Scott Alan Smith) -- find themselves inexplicably trapped in a dark cell and struggle to overcome their mutual mistrust and cooperate in freeing themselves. Writer and director Father Dominic DeLay, a Dominican friar, has created a parable that weighs spiritual aspirations and good will against the darker impulses of human nature but, though the characters are vivid, the shifts in mood and behavior are too sudden and extreme, perhaps as a result of the short running time. The widescreen DVD includes five brief additional scenes and interviews with the producer, director and cast. Some grittiness in the content makes this best for adults and older teens. (Mud Puddle Films; free Web viewing and ordering online at: www.insidedarkness.com)

"Insomnia" (2002)
Grim tale of a sleep-deprived LA police detective (Al Pacino) on assignment in Alaska who is conflicted by his desire to nail a vicious killer (Robin Williams) while covering up his own shameful secrets. Pacino's performance as the morally flawed lawman carries director Christopher Nolan's atmospheric thriller with a strong assist from Hilary Swank as a rookie cop. Some violence, fleeting corpse nudity, much rough language and brief profanity. Spanish language and titles options. The Catholic News Service classification is A-III --adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Warner Home Video; also available on Blu-ray.)

"Into the Wild" (2007)
Episodic but absorbing road movie, based on Jon Krakauer's 1998 biography of idealistic 22-year-old Christopher McCandless (Emile Hirsch) who abandoned his home, troubled parents (Marcia Gay Harden and William Hurt) and sister (Jena Malone) after college graduation to avoid the "poison" of civilization and get back to nature, embarking on an epic two-year road trip from Atlanta to Alaska. Actor Sean Penn directed, wrote and produced the film, which gains in emotional power as it progresses, fueled by excellent performances, including those of Catherine Keener, Vince Vaughn, nonactor (one of several in the cast) Brian Dierker and especially Hal Holbrook, playing colorful characters Chris encounters on his journey, with underlying themes of family connection, individualism versus community and the primal pull of the wilderness, leading toward a moving climax of forgiveness, redemption and intense spirituality. Some rough language and profanity, upper female and brief full-frontal male nudity, the killing and then cutting up of an animal carcass, a beating, implied premarital situations and reference to a bigamous relationship. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Paramount Home Entertainment)

"Introducing the Dwights" (2007)
Heartfelt but overly explicit Australian coming-of-age drama about an off-color comedienne (Brenda Blethyn) trying desperately to retain control of her emotionally repressed younger son (Khan Chittenden) and prevent him from romancing the girl for whom he's fallen (Emma Booth), while caring for her brain-damaged older son (Richard Wilson) and struggling to revive her long-faded career. Director Cherie Nowlan's film lacks subtlety, especially in its presentation of monster mom Blethyn, but Chittenden's character is sympathetically awkward, and the script illuminates the handicapped brother's full humanity without mawkishness. Graphic premarital sexual activity, upper female and rear nudity, frequent obscenities and profanities, sexual humor, gay references and condom reference. The DVD features full-screen, widescreen and Spanish titles options. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Warner Home Video)

"Inside Man" (2006)
Crime drama about a New York City police detective (Denzel Washington) who matches wits with a cunning armed robber (Clive Owen) holding hostages captive in a Wall Street bank, while a politically connected power broker (Jodie Foster) hired by the bank's owner (Christopher Plummer) muddies negotiations in trying to keep an incriminating secret buried in the bank's vault. Smartly written with nods to "Dog Day Afternoon" and just the right amount of humor, director Spike Lee's film puts an interesting spin on the heist genre while exploring themes of race and corruption, resulting in an intelligent caper that can be enjoyed on several levels, despite a morally ambiguous ending. Some discreet violence, violent video game images, pervasive rough and crude language, and a disturbing execution image, as well as some sexual humor, innuendo and racial epithets. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian (Universal Home Video).

"The Interpreter" (2005)
Glossy, reasonably suspenseful tale about a Secret Service agent (Sean Penn) who investigates the claim that an African-born interpreter at the United Nations (Nicole Kidman) has overheard a plot against an African dignitary accused of genocide, and though the agent begins to suspect the interpreter may in fact be part of the plot, he finds himself falling in love with her. Director Sydney Pollack's international political thriller is much too complex and improbable, and even with intelligent performances and sharp U.N. location shooting, this is several notches below similarly themed films. Some profanity and crude language, several instances of brief but strong violence, thematic suicide material, a scantily clad lap dancer, and a glimpse of massacred bodies. The DVD features a crisp letterboxed image, and has a plethora of features, including an interesting alternate ending, a few deleted scenes (a cut above typical DVDs' throw-ins), a featurette on Pollack, the United Nations, interpreters and Pollack's return to a widescreen format after years of shooting in nonwide formats. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Universal)

"In the Land of Women" (2007)
Well-intentioned, sometimes touching, drama about a sensitive screenwriter (Adam Brody) of "adult" films, who takes time off to care for his dying grandmother (Olympia Dukakis) and finds himself drawn into the lives of her unhappy neighbor (Meg Ryan) and the latter's daughter (Kristen Stewart). Writer-director Jon Kasdan's directorial debut is a gently paced version of the old formula of a big-city guy finding the real meaning of life around "ordinary people." Crude language, an instance of the f-word, a couple of crass expressions, some chemotherapy-related sickness, a brief violent scuffle, and pornography and adultery references. There are no extras on the DVD, but image quality is fine. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Warner Home Video)

"Intimate Strangers" (2004)
Talky but compelling film about a woman who enters into a doctor-patient relationship with a tax accountant whom she mistakes for a psychiatrist. An impeccably acted character study of two misfits -- a lonely bureaucrat and an unhappy wife -- reaching out to each other becomes a little tedious toward the end. A few nongratuitous instances of crude language, an air of perversity in the central relationship, a couple of implied instances of voyeurism, and a casual depiction of an unconventional marriage. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. (Paramount)

"Into Great Silence" (2007)
Poetically filmed documentary about a Carthusian monastery in the French Alps, which follows the cloistered monks in their daily -- mostly silent and solitary -- routines. German filmmaker Philip Groning's respectful no-frills approach utilizes no narration or background music, but by combining alternately a painterly formality and a verite intimacy, skillfully captures the textures and rhythms of their highly structured existence, resulting in a rewarding -- and, due to the film's austerity and nearly three-hour length -- somewhat demanding cinematic and spiritual experience. In French and Latin. Subtitles. The anamorphic two-disc DVD offers a pristine image for appreciating the beauties of the unusual film. The second disc includes a wealth of extras, including an hour comprised of four additional scenes, including a piece on the Chartreuse liqueur made there, 53 minutes of highlights from the monks' nightly psalms, lauds and matins, a guide to their monasteries worldwide, a shooting diary, a video statement from French Cardinal Paul Poupard, president of the Pontifical Council for Culture at the Vatican, and more. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America. (Zeitgeist Video)

"Into the Blue" (2005)
Good-looking but empty-headed underwater action film set in the Bahamas about a diving instructor (Paul Walker) and his bikini-clad girlfriend (Jessica Alba) who wind up in deep trouble when they discover a downed plane full of cocaine while searching for a storied shipwreck loaded with pirate treasure. Despite an attractive cast, director John Stockwell's flick is sunk by a flimsy plot and a B-movie script waterlogged with bad dialogue. Action violence, including shark-attack gore, some sexual situations and humor, suggested partial nudity, and recurring crude language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Columbia/TriStar)

"The Invasion" (2007)
Effective, frequently exciting remake of the 1950s science fiction classic "Invasion of the Body Snatchers," centers on a Washington-based psychiatrist (a tense Nicole Kidman) who, aided by her doctor boyfriend (Daniel Craig), must rescue her young son (Jackson Bond) from her ex-husband (Jeremy Northam), whose body -- like that of much of the populace -- has been taken over by alien forces. Director Oliver Hirschbiegel's film -- underrated by most critics -- generates considerable suspense, and the pace rarely flags, despite some continuity flaws and a rather muddled political agenda that fails to better the "red scare" McCarthy subtext of the original. A few instances of crude words and profanity, intense action violence with some blood, killings, a vicious attack by a dog on a child, and brief female disrobing, but no nudity. It's acceptable for older adolescents. The DVD includes a serious-minded documentary about the story's underlying social and political themes, and three very brief featurettes about the updating of the film's plot, the Washington location shooting, and the "invasion from within" dramatized here. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Warner Home Video)

"Invictus" (2009)
Uplifting sports drama, based on actual events, about the campaign of South African President Nelson Mandela (Morgan Freeman) to unite his country behind the national rugby team (led by Matt Damon), once a widely hated symbol of white privilege under apartheid, as it became an unlikely contender in the 1995 World Cup competition. Adapted from John Carlin's book, "Playing the Enemy," director Clint Eastwood's account effectively chronicles how Mandela transformed the race for the championship into an opportunity to break down lingering racial prejudice and to demonstrate the generosity and openness to reconciliation of the newly empowered black majority, a salutary tale whose moral and artistic merits counterbalance the elements listed below, making it probably acceptable for mature teens. Brief scenes of violence, at least one use of the F-word, a few instances of crude and crass language and some mild sexual references. Spanish language and titles options. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Warner Home Video; also available on Blu-ray)

"Iron Man" (Ultimate 2-Disc Edition) (2008)
Sleekly effective science-fiction tale about a devil-may-care playboy weapons manufacturer (Robert Downey Jr.) who, after being captured by an ambitious Afghanistan-based warlord (Faran Tahir) and ordered to build a replica of his most advanced product, with the help of another captive and scientist (Shaun Toub) instead constructs an impregnable suit of armor, escapes and begins to re-evaluate his life, with the support of his loyal girl Friday (Gwyneth Paltrow) and despite the doubts of his junior partner (Jeff Bridges) and military liaison (Terrence Howard). In between the impressive special effects, director Jon Favreau's screen adaptation of the popular comic-book series charts its main character's conversion from callous genius to dedicated defender. Nongraphic sexual activity, torture, a graphic medical procedure, sci-fi and wartime violence, occasional crude language, a brief profanity, sexual humor and innuendo. The well-packed DVD includes some nonessential but substantial deleted and extended scenes (with more action violence and nongraphic sexuality, though there's one scene of implied group sex), a seven-part making-of documentary, a six-part "History of the Hero," and features on the visual effects and Downey's prepping for the role. Spanish language and title options. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Paramount Home Entertainment; also available on single-disc DVD and on Blu-ray, the latter offering several extra features)

"Ironweed" (1987)
Story set in 1936 Albany, N.Y., about a hobo (Jack Nicholson) who visits the wife (Carroll Baker) and family he deserted 22 years before after having drunkenly caused the death of his infant son. Scripted by William Kennedy from his own novel and directed by Hector Babenco, the result is less the story of a few days in the life of a Depression-era bum than it is a challenging meditation on the quality of lost souls. Some adults will be repelled by its depiction of the brutalizing conditions in which derelicts live as well as several needlessly explicit sex scenes. Spanish titles option. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Lions Gate Home Entertainment)

"Islam: Empire of Faith" (2001)
The spread of Islam during its first thousand years is vividly covered in the three-part series, which originally aired on PBS. With top-notch production values, location filming in seven countries and extensive historical re-enactments, the documentary is engrossing from start to finish. Narrated by Ben Kingsley with commentary from scholars, the program examines a cultural history that is not all that familiar to Western audiences. In fact, producer-director Robert Gardner was the first American filmmaker allowed to work in Iran since the 1979 Islamic revolution. The series covers the period from the birth of the prophet Mohammed around 570 to the death of Suleiman the Magnificent in 1566. "The Messenger" details Mohammed's life and his message that there is but one God, and the major battles fought by Mohammed and his followers to establish the new religion. "The Awakening" presents the flowering of Islam as resulting in one of the great civilizations in history, with achievements in science, architecture, medicine and commerce. "The Ottomans" chronicles how Islam was transformed when nomads, enlisted by Muslims to fight the Mongols, staked their own claims, eventually creating a new empire that expanded westward into Christian territories. Gardner presents Islam as a culture often more advanced and sophisticated than that of Europe, citing areas where Islamic scientific discoveries predated ones usually attributed to Westerners. It is stressed that Mohammed and his followers spurned revenge on conquered peoples, and that Islam is closely associated with positive themes of religious tolerance and social justice. As the second-largest religion in the world, Islam's history and culture warrant this illuminating treatment. And, with their same roots in the fertile crescent, appreciation of ancient Greek culture and the monotheism of Christians and Jews, viewers may conclude that they are in many respects kindred spirits, despite differences in culture. (PBS Home Video)

"The Island" (2005)
Suspenseful, thought-provoking sci-fi thriller about two clones (Ewan McGregor and Scarlett Johansson) on the run from a private detective (Djimon Hounsou) hired by their ruthless creator (Sean Bean) who manufactures "product" for rich people needing spare body parts. Director Michael Bay's thriller has the usual mind-numbing explosions and car crashes but, together with production designer Nigel Phelps, succeeds in creating a convincing futuristic environment while conveying a positive overall message about the sanctity of life and censure of cloning. Much action violence, scattered profanity, rough and crude language, mild sexual encounter and innuendo, an irreligious comment, a birth scene and nonexplicit urination scenes. The USCCB Office for Film & Broadcasting classification is A-III - adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Universal)

"Islands in the Stream" (1977)
George C. Scott stars as an expatriate American living in the Bahamas who is jolted out of his self-pitying sense of failure as a man and as an artist by the demands of World War II. Franklin Schaffner has directed this adaptation of the posthumous Ernest Hemingway novel with considerable success in focusing upon the interior world of the central character, the prototypical Hemingway hero acting with style under pressure. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Monterey)

"Island of Lost Souls" (1932)
Rated "NR"
Horror classic from H.G. Wells' story of a shipwrecked sailor (Richard Arlen) turning up on an uncharted South Sea island where a mad doctor (Charles Laughton) is hard at work trying to turn wild beasts into humans. Director Erle C. Kenton makes the grisly situation effectively menacing, though the misshapen refugees from the House of Pain are treated with some sympathy. Very stylized violence but the thematic implications of animal vivisection are not for children. The Catholic News Service classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (Criterion Collection; also available on Blu-ray)

"It Happened One Night" (1934)
Delightful romantic comedy in which a just-fired reporter (Clark Gable) sees a scoop in helping a runaway heiress (Claudette Colbert) escape her father (Walter Connolly), detectives and the press by roughing it from Miami to New York via buses, roadside tourist cabins and even on foot. Director Frank Capra's screwball Depression road show has the charm of matching opposites in Gable's hard-boiled working man and Colbert's spoiled rich girl whose unsentimental journey ends with the falling "Walls of Jericho," a running gag that finally brings them together. Memorable romantic classic with plenty of fun as well as social and personal values. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (Sony Pictures Home Entertainment)

"It Happened to Jane" (1959)
Enjoyable comedy in which a widow (Doris Day) with two children and a lobster business gets her lawyer friend (Jack Lemmon) to sue the railroad for ruining one of her shipments, but the company's mean-spirited representative (Ernie Kovacs) escalates the case into a national media circus. Directed by Richard Quine, it's a predictable underdog story of small-town widow and lawyer persevering until they win the case and each other, with plenty of comic confusions along the way. The DVD displays excellent print quality for one of Day's lesser-known vehicles, but no significant extras. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America. (Columbia/TriStar)

"It's a Wonderful Life" (60th Anniversary Edition) (1946)
Seasonal favorite about the joys and trials of a good man (James Stewart) who, facing financial ruin on the eve of Christmas, contemplates suicide until his guardian angel (Henry Travers) shows him how meaningful his life has been to those around him. Director Frank Capra's unabashedly sentimental picture of mainstream American life is bolstered by a superb cast (including Lionel Barrymore as a conniving banker) and a wealth of good feelings about such commonplace virtues as hard work and helping one's neighbor. Young children may find the story's dark moments unsettling. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America (Paramount Home Video).

"It's Complicated" (2009)
Rated "R"
A decade after their divorce, a couple (Meryl Streep and Alec Baldwin) reconnect and have an affair, despite his second marriage to a much younger wife (Lake Bell) and her budding romance with an architect (Steve Martin). Though it highlights the lasting emotional toll exacted on children when their parents split, writer-director Nancy Meyers' aesthetically smooth-running romantic comedy is aptly titled from a Catholic moral perspective, since -- assuming their union was valid to begin with -- the pair's seeming adultery, presented as a daring feminist adventure for Streep's well-delineated character, would in fact be marital lovemaking, yet the breach of trust with the new "spouse" can hardly be excused, and adds a further twist to an ethically tangled story demanding careful evaluation by mature viewers. Complex moral issues, skewed values, implied sexual activity, some of it adulterous, off-screen masturbation, fleeting rear nudity, considerable drug use, some sexual references and humor; and a half-dozen crude or crass terms. Spanish titles option. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Universal Studios Home Video; also available on Blu-ray.)

"I've Loved You So Long" (2008)
Moving drama about a broken woman (Kristin Scott Thomas) who has been released from prison after many years for having inexplicably murdered her 6-year-old child. She is taken in by her younger sister (Elsa Zylberstein) and wary brother-in-law (Serge Hazanavicius), where gradually, embraced by the loving atmosphere of the household, including two adopted Vietnamese nieces and a stroke-victim grandfather, she has a rebirth, coming to terms with her past and slowly learning to reconnect with the outside world. Novelist turned director Philippe Claudel's compassionate story demonstrates profound respect for human dignity, anchored by Thomas' extraordinary performance, beautifully matched by that of Zylberstein, as the pair re-establish a sisterly bond thought lost. In French. Subtitles. An implied nonmarital encounter, suicide and a couple of crude expressions. The DVD includes several deleted scenes with commentary by Claudel. English language option (with Thomas' voice). The USCCB Office for Film & Broadcasting classification is A-III -- adults. Not rated by the Motion Picture Association of America. (Sony Pictures Home Entertainment; also available on Blu-ray)

J
"Jamboree" (1957)
Negligible plot is the excuse for a cavalcade of 1950s' pop stars to strut their stuff in this low-budget black-and-white film. The DVD has a pristine print, however, and depending on your interest in the performers, who include Jerry Lee Lewis, Carol Perkins, Frankie Avalon, Count Basie and Fats Domino, this could be your cup of tea. Director Roy Lockwood's lightweight film also features Kay Medford, who would go on to play Barbra Streisand's mother in "Funny Girl" a decade later, in a rock-manager role. No significant extras. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America. (Warner Bros.)

"The Jane Austen Book Club" (2007)
Genteel, nicely acted "chick flick" about friends (Kathy Baker, Maria Bello and Emily Blunt) who start a book-discussion group on Jane Austen as a catharsis for their friend (Amy Brenneman) whose husband (Jimmy Smits) has announced he's leaving her, and who hope she'll fall for the young man (Hugh Dancy) who's joined the group. Writer-director Robin Swicord moves the action at too leisurely a pace, and though the story is for the most part resolved on moral lines -- with most of the characters doing the right thing, thanks to the lessons they've learned in the Austen novels -- and there are several poignant moments, the premise seems contrived, and a relatively minor lesbian subplot is morally questionable. Casual acceptance of premarital sex and divorce, nongraphic sexual encounters, an inappropriate teacher-student flirtation, same-sex attraction, adultery theme, some rough and crude words, and drug use. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Sony Pictures Home Entertainment)

"Jane Eyre" (2011)
Rated "PG-13"
Director Cary Joji Fukunaga's adaptation of Charlotte Bronte's classic novel, though faithful, nonetheless ramps up the gothic and scary elements of the plot. The orphan Jane (Mia Wasikowska) survives a childhood of abuse and religious fundamentalism to become governess at Thornfield Hall, home of the enigmatic Edward Rochester (Michael Fassbender). Jane focuses on her work, teaching a young French girl (Romy Settbon Moore) in Rochester's care, while trying to understand the eccentricities of her spiritually tormented employer. Her guide and confidante is the manse's busybody housekeeper (a scene-stealing Judi Dench). Soon Rochester's bedroom is on fire, and Jane saves his life -- and melts his heart. They make plans to marry, but fate, of course, has other things in store for these star-crossed lovers. Possibly acceptable for mature teens. Adult themes, some intense scenes of nonsexual child abuse, an artistic nude image. Spanish titles option. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Universal Studios Home Entertainment; also available on Blu-ray)

"Jason and the Argonauts" (1963)
Plodding fantasy from classical mythology follows Jason (Todd Armstrong) and his heroic crew as they sail the Argo from Thessaly to the ends of the earth in quest of the Golden Fleece. Director Don Chaffey does little more than string together Jason's adventures in confronting the Olympian gods (Niall MacGinnis as Zeus and Honor Blackman as Hera), a bronze giant, winged harpies, mountain slides, a seven-headed hydra, skeleton warriors and other special effects created by Ray Harryhausen. Exciting but rather empty spectacle. The Catholic News Service classification is A-I -- general patronage. Not rated by the Motion Picture Association of America. (Sony Pictures Home Entertainment; also available on Blu-ray.)

"Jaws" (1975)
Solid thriller about a killer shark first establishes the monster's reality by the effect of its attacks on the tourist trade of a seaside community and then becomes the all-out battle of three men (Roy Scheider, Robert Shaw and Richard Dreyfuss) against a malignant force of nature. Aided by good acting and superior special effects, Steven Spielberg directs the hunt and killing of the monster with sustained and riveting dramatic intensity. Graphic scenes of the shark attacks may be far too strong for younger viewers. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Universal)

"The Jazz Singer" (30th Anniversary Edition; 1980)
Neil Diamond stars as the cantor's son who pursues a career in show business, with Laurence Olivier as his grieving father and Lucie Arnaz as the woman who promotes the son's career. Director Richard Fleischer's dim, sentimental tearjerker has more cliches than either the 1927 or 1953 versions. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Starz/Anchor Bay)
 

"Jersey Girl" (2004)
Generally appealing relationship comedy in which a celibate widower (Ben Affleck) living with his crusty dad (George Carlin) and winsome little daughter (Raquel Castro) meets a sexually aggressive female (Liv Tyler) and must choose between family life or a workaholic career.       Writer-director Kevin Smith's sweet-natured tale of family values triumphing over materialism and selfish interests is marred by one character's glib embrace of porn videos and sexual permissiveness. Recurring profanity, an instance of rough language, a few crass expressions and sexual references.   The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Buena Vista)

"Jesus Camp" (2006)
Fascinating and frightening documentary about an evangelical summer camp where children are trained to lead the fight in "reclaiming America for Christ" through a militant Christianity which critics claim has little to do with the Gospel. Co-directors Heidi Ewing and Rachel Grady give voice to both those who charge that what is being done is harmful indoctrination and those who see it as instilling passionately held religious values. While it's understandable that many of the evangelicals interviewed earnestly feel alienated by the increasingly secular, materialistic and immoral culture -- and many of those same concerns may resonate with Catholics -- the picture painted is nevertheless sobering. Some emotionally intense images and mature discussions. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

"Jesus of Montreal" (1990)
Challenging French-Canadian drama about a young actor (Lothaire Bluteau) who takes seriously an invitation to modernize a traditional Passion play staged annually at a local shrine. Though his new version is a dramatic success, its unorthodoxy causes the shrine's religious authorities to withdraw permission for future performances, resulting in a crisis for all concerned. Written and directed by Denys Arcand, this provocative movie places the Gospel story in the midst of the contemporary world, suggesting parallels to events in the life of Christ with what happens to the dedicated young actor. While some viewers may be dismayed by the work's critical attitude toward the institutional church and its intermingling of the historical Jesus with unseemly aspects of modern life, others may gain some refreshing insights and perspectives on Christianity's continuing relevance in our own times. The USCCB Office for Film & Broadcasting classification is A-IV -- adults, with reservations. The Motion Picture Association of America rating is R -- restricted. (Koch)

"Jesus: The Lost Years" (2007)
Every reader of the New Testament is confronted with the mystery of what has been called Jesus' "hidden life," the period from shortly after his birth until the beginning of his public ministry nearly three decades later about which the canonical Gospels are largely silent. This enjoyable, though highly speculative documentary seeks to fill in the details of a part of those lost years that is only briefly referred to in the Gospel of Matthew, namely the Holy Family's journey into Egypt as refugees from the murderous jealousy of King Herod. Based on Paul Perry's 2003 book, "Jesus in Egypt," the film follows Perry as he tries to uncover the path that Joseph, Mary and their infant son might have taken, from the Holy Land into lower Egypt (the area close to the Mediterranean) and then down the Nile. Relying on the oral tradition of the indigenous Coptic Church, a group of "infancy gospels" that were not included in the Bible and the mystical vision of an early Coptic leader, Pope Theophilus, Perry posits a five-year stay in Egypt for the Holy Family and a circuitous journey of several hundred miles. Considered in strictly historical terms, his elaborate conclusions seem flimsy, and some of the stories told about the child Jesus -- including his spontaneous destruction of all the pagan idols in an ancient city -- border on the outlandish. On the other hand, as an opportunity to hear the thoughts of the Christians of contemporary Egypt, and as a picturesque pilgrimage to many of their most sacred shrines and monasteries, director-cinematographer Marlin Darrah's 90-minute film holds some interest. (PureFlix/Ben Pyramid Productions)

"Jet Li's Fearless" (2006)
Action drama loosely based on the life of Chinese cultural hero Huo Yuanjia (Jet Li), an arrogant martial artist whose pursuit of street-fighting fame ends in tragedy, prompting a spiritual awakening that leads him to found a school to promote self-improvement and national pride during the foreign occupation of China at the turn of the 20th century. Director Ronny Yu's artful film delivers balletic fight choreography, elegant visuals and a solid story buttressed by Li's poignant performance and a redemptive theme about the futility of violence and revenge. Subtitles. Much stylized action violence and an instance of mildly crude language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13 (Rogue Pictures).

"Jimmy Carter Man From Plains" (Widescreen) (2007)
Thoughtful, though unabashedly adulatory and overlong, documentary portrait of the 39th president as he takes a cross-country book tour to promote his controversial 2006 volume on the Israeli-Palestinian conflict, with some reflections on his early life and presidential administration. Versatile director Jonathan Demme's film makes the most of its subject's genuine virtues while also examining the frenzy-prone contemporary media and the ongoing search for Middle East peace. Scenes of people wounded and killed in a bombing. The DVD features commentary by Demme and producer Neda Armian, 10 additional scenes (one treating sex education), and a featurette about the recording of the soundtrack. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Sony Pictures Home Entertainment)

"Jimmy Hollywood" (1994)
Angered by the constant crime committed on the once glamorous, now seedy streets of Hollywood, a cocky would-be actor (Joe Pesci), aided by a dense sidekick (Christian Slater), finds fame as a masked vigilante, a role he is unwilling to give up even if it means losing his girlfriend (Victoria Abril) or his life. Director Barry Levinson's fuzzy, seriocomic look at two losers who round up criminals with incredible ease is simplistic at best and increasingly unamusing as the narrative bogs down in the title character's dangerous obsession with playacting. Ambiguous treatment of vigilante methods, brief violence, a live-in relationship and recurring rough language. Spanish titles option. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Lionsgate Home Entertainment; also available on Blu-ray.)

"Jindabyne" (2007)
Meaty morality play, based on a Raymond Carver short story, reset in the visually stunning Australian Smoky Mountains about a weekend fisherman (Gabriel Byrne) and his three buddies who find the body of a murdered young women but fail to report the discovery immediately, leading to ostracism by his wife (Laura Linney) and community, forcing him to re-evaluate his good Samaritan duties. Beautifully realistic performances allow director Ray Lawrence to grittily explore the divide between the sexes, and unflinchingly examine the responsibility owed those outside one's own nuclear, religious and ethnic families. Murder (not shown), several disturbing images of a female cadaver with upper nudity, realistic fistfight with blood, a dead pet, rough and crude language and profanity, sexual language and groping, breast-feeding, discussion of abortion, discreetly depicted urination, alcohol use and domestic discord. The DVD has an interesting 30-minute making-of feature with the cast and crew offering their perspectives on the film, and three worthy deleted scenes, including an extended campfire scene where the men ruminate on their grisly discovery. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Sony Pictures Home Entertainment)

"Joan of Arc: Child of War, Soldier of God" (2005)
Small-scale but informative documentary about one of the most intriguing figures of the Middle Ages. As director Pamela Mason Wagner's hour-long film makes clear, Joan had to overcome almost insurmountable odds to win a series of spectacular military victories for her feckless king, Charles VII. But her fall was as swift as her ascent. This retelling of the familiar story makes use of interviews with scholars as well as classic artwork and historical re-creations filmed in the Czech Republic. The film concentrates especially on the psychological ordeal of Joan's trial, as she was forced to choose between accepting death or denying the vision that had guided her. Alfred Molina provides mellow narration in the persona of one of Joan's 15th-century countrymen, while Anna Paquin supplies the saint's own earnest voice. Modest special features promised on the DVD include a biography, timeline and directory of significant people and events in Joan's life. (Faith & Values Media/Lightworks)

"Johnny Reno" (1966)
Low-budget Western ineptly directed by R.G. Springsteen about a sheriff (Dana Andrews) trying to keep a prisoner from being lynched by the townspeople. Stylized violence. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (Paramount)

"John Paul II: The Millennial Pope" (1998)
This journalistic report, which originally aired on PBS, looks at the life and times of Karol Wojtyla mainly from a secular perspective, though religious views are occasionally expressed by Catholics, former Catholics and those of other faiths. As might be expected, the documentary succeeds best with Wojtyla's formative years in Poland. Also handled well is the segment on Pope John Paul's role in fostering the Solidarity labor movement which ultimately caused the fall of Poland's communist government. The documentary stumbles in its simplistic treatment of the pope's concerns about the liberation theology movement in Latin America. The least satisfying section deals with the pope's stand against women's ordination as well as issues of birth control and abortion. The film provides a series of interviews with people searching for a spiritual meaning to their own lives. Produced by veteran filmmaker Helen Whitney, the film is well-constructed, though some of the commentators are quite critical of the late pope. On balance, however, the program presents a portrait of a strong and appealing religious leader. The open-minded viewer will come away with a good deal of respect for this man and his example of faith. (Paramount)

"John Paul the Great: A Pope Who Made History" (2005)
Concise, reverent biography of the indefatigable Pope John Paul II (1920-2005), recounting his early life, his ultimately victorious struggle against Soviet communism, his often record-breaking pontificate and the drama of his final illness and death. In addition to archival photographs and news footage, the documentary features brief interviews with childhood friends, high-ranking church colleagues and the current U.S. ambassador to the Holy See, Mary Ann Glendon. Others with a more unusual perspective on the pontiff are also heard from; they include an anesthetist who tended to him after the 1981 attempt on his life and a member of the Vatican staff who served as one of his pallbearers. A few errors in English translation slightly mar this otherwise solid introduction to the life of a spiritual giant. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America. (Janson Media; www.janson.com)

"Johnson Family Vacation" (2004)
Tiresome comedy in which a family patriarch (Cedric the Entertainer) piles his wife (Vanessa Williams) and kids (Bow Wow, Solange Knowles and Gabby Soleil) into a souped-up Lincoln Navigator and travels cross-country from California to Missouri for a family reunion, on the way sidelined by several obstacles. Director Christopher Erskin's film runs out of gas before it backs out of the driveway with contrived scenarios, jokes about as funny as a flat tire and an underused cast lost on the uneven script's road. A few sexual references, some scatological humor and fleeting drug content. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Fox)

"The Jonas Brothers: The 3-D Concert Experience" (2009)
Rated "G"
Upbeat concert film capturing performances during the popular boy band's 2008 "Burnin' Up" tour, interspersed with some behind-the-scenes footage of real-life siblings Kevin, Joe and Nick Jonas' life on the road and a lavish music video set in New York's Central Park. While the target audience of tween girls may be in danger of hyperventilating, accompanying adults will find director Bruce Hendricks' energetic bubblegum-rock documentary, like the group itself, reassuringly wholesome and family-friendly. Spanish language and titles options. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted. (Buena Vista Home Entertainment)

"Jonah: A Veggie Tales Movie" (2002)
Whimsical, computer-animated retelling of the biblical story of Jonah and the whale, featuring a salad bar of Christian vegetables who sing and dance their way through this parable of God's unconditional love. Written and directed by Mike Nawrocki and Phil Vischer and based on the popular "Veggie Tales" video series, the movie's strong positive message is effective in reducing complex moral concepts into child-sized bites making it an appealing alternative to the glut of merchandise-driven flicks geared to younger audiences. The Catholic News Service classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted. (Lionsgate Home Entertainment; also available on Blu-ray)

"Julie & Julia" (2009)
Charming, frequently funny dramatization of passages in the lives of master chef Julia Child (a marvelous Meryl Streep) and Internet blogger Julie Powell (Amy Adams), who, 40 years after the publication of Child's 1961 blockbuster, "Mastering the Art of French Cooking," sets out to prepare every recipe in the extensive volume over the course of a year, aided by her supportive husband (Chris Messina) -- whose solicitude parallels that of Child's own spouse (Stanley Tucci) decades earlier. Writer-director Nora Ephron whips up a delicious melange of the two women's memoirs and, more significantly, details the ingredients, ranging from passion to patience, requisite for a successful marriage. Fleeting nongraphic sexual activity, a few sexual references, a suicide reference, at least one use of the F-word and about a dozen crude or crass terms. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Sony Pictures Home Entertainment; also available on Blu-ray)

"Journey to the Center of the Earth" (2008)
Enjoyable update of Jules Verne's classic 1864 novel with a present-day geology research professor (Brendan Fraser), his late explorer brother's son (Josh Hutcherson) and their Icelandic guide (Anita Briem) finding themselves deep below the earth's surface, reliving most of the incidents from the book. Though not as memorable as the Hollywoodized 1959 version, this retread, from director Eric Brevig, provides plenty of nifty special effects -- especially effective in the 3-D presentation used in some theaters -- which, together with personable leads and squeaky clean content, make this wholesome family viewing for all but the very youngest viewers who might be frightened by some of the intense, though bloodless, action sequences. The two-sided DVD includes both standard and 3-D versions of the film (3-D glasses included); amiable commentary by Fraser and Brevig; and features on various "hollow earth" theories; young Hutcherson; and the special effects. Spanish language and title options. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Warner Home Video; also available in Blu-ray)

"The July Garland Show: Volume One" (1963)
The first in a series of 13 DVDs, each containing two hourlong episodes of Judy Garland's critically lauded but short-lived variety TV show, which aired on the CBS network for one season, beginning in the fall of 1963. Performing less than six years before her untimely death at age 47, Garland already shows signs of weariness, and flubs the occasional lyric. But her inimitable voice and passionate delivery shine through, both in her solo pieces and in collaboration with top-flight musical guests such as Count Basie and Mel Torme. The comic material, delivered principally by Jerry Van Dyke, has not aged especially well. However, slick production numbers -- including an unconsciously ironic dance to Quincy Jones' "Soul Bossa Nova," which 35 years later would become the theme song of the "Austin Powers" films -- evoke nostalgia for a genre of programming that has long since disappeared. As the series struggled, a few later episodes left the variety format behind to become essentially taped concerts of Garland performing alone. (Infinity Entertainment Group)

"Jumanji" (1995)
Eye-popping fantasy adventure about a jungle wildlife board game which springs to life, threatening to destroy a whole town unless its players (notably Robin Williams) successfully complete the game. Director Joe Johnston provides some frightening thrills as spectacular special effects put humans at the mercy of rampaging animals and a deadly hunter. Frequent life-threatening menace and intermittent gunfire. Spanish titles option. The Catholic News Service classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Sony Pictures Home Entertainment; also available on Blu-ray)

"The Jungle Book" (40th Anniversary Platinum Edition) (1967)
Disney classic based on Rudyard Kipling's adventure-filled story of Mowgli, a boy-child reared by obliging wolves in the jungles of India, freely adapted for the screen. Using genial humor and the voices of Phil Harris as Baloo, a lovable bear, George Sanders as Shere Khan, a suave, menacing tiger and Sterling Holloway as an opportunistic python, director Wolfgang Reitherman's movie still delights four decades after its original release. This DVD edition presents the film for the first time in its 1.75:1 aspect ratio, and the digital restoration looks wonderful. There's optional audio commentary from composer Richard M. Sherman, animator Andreas Deja, Mowgli voice Bruce Reitherman, and others. Among the numerous extras are a 46-minute making-of documentary and featurettes on the Kipling adaptation and the film's appeal to Disney's animators, plus a storyboard sequence with a character called Rocky the Rhino, a 21-minute audio-only selection of seven deleted songs, including a quite different alternate version of the hit song "The Bare Necessities," several art galleries, and the usual games and activities, like Baloo's Virtual Swingin' Jungle Cruise. All in all, this is quite a package and highly recommendable family viewing. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted. (Buena Vista Home Entertainment)

"Juno" (2007)
Smart, funny and ultimately moving comedy-drama with a strong pro-life message about an unwed teen (an outstanding Ellen Page) who decides not to have an abortion, and promises the coming baby to a childless couple (Jason Bateman and Jennifer Garner) who long to adopt. The narrative has a moral wrap-up; performances are tops, including J.K. Simmons and Allison Janney as the girl's supportive parents and Michael Cera as the shy classmate responsible for her condition. Jason Reitman's direction strikes just the right piquant tone, though Diablo Cody's script contains a high expletive level for its sassy heroine. Crude language and at least one instance of the f-word, some crass expressions, an irreverent remark, a nongraphic premarital teen encounter with brief partial nudity, out-of-wedlock pregnancy, sexual talk and divorce. The DVD includes amiable commentary by Reitman and Cody, as well as 11 deleted or expanded scenes (one with a highly irreverent remark by a minor character, and an especially nice scene where Page and Cera feel the baby kicking), a gag reel (with more uses of the f-word), and more. Spanish language and subtitle options. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (20th Century Fox Home Entertainment; also available in a two-disc edition and on Blu-ray)

"Just Go With It" (2011)
Very loose -- and sloppy -- remake of the classic 1969 farce "Cactus Flower" weighed down by stale writing and a seemingly endless parade of potty jokes. Adam Sandler plays a philandering plastic surgeon who escapes commitment by telling his many girlfriends he's trapped in a bad marriage. So, once he decides to settle down with a schoolteacher (Brooklyn Decker), he needs to produce a "wife" he can divorce, the start of an increasingly complicated effort at deception in which he eventually enlists not only his sensible office assistant (Jennifer Aniston) but her two precocious kids (Bailee Madison and Griffin Gluck) as well. Director Dennis Dugan and screenwriters Allan Loeb and Timothy Dowling dumb down what was originally a sweet adult romance involving an escalating series of funny complications and a modest message about being true to one's self. The resulting comedy is not only frequently distasteful, but comatose almost from the start. An implied premarital situation, considerable scatological humor, sexual banter, fleeting crude language. Spanish titles option. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Sony Pictures Home Entertainment; also available on Blu-ray)

"Justin Bieber: Never Say Never" (2011)
This genial 3-D profile of teen pop singer and musician Justin Bieber showcases home movies of his childhood, footage documenting his rise to stardom via social media celebrity, backstage preparations for his sold-out concert at New York's Madison Square Garden as well as musical performances recorded there and at other venues. Director Jon M. Chu's portrait of a likable young man striving to resist the temptations of sudden-onset fame is not only perfectly acceptable for audiences of any age, it also highlights his close bonds with his mother and grandparents and the Christian faith he shares with them, typified onscreen by the prayers he and his entourage recite before each show. Spanish titles option. The Catholic News Service classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted. (Paramount Studios Home Entertainment; also available on Blu-ray)

"Just Like Heaven" (2005)
Charming romantic fantasy about a dedicated young doctor (Reese Witherspoon), comatose after a near-fatal car accident, whose spirit "haunts" a grieving widower (Mark Ruffalo) who has rented her former apartment. Despite a somewhat formulaic setup and an uncertain start, director Mark Waters directs with just the appropriate gossamer touch, and the highly appealing leads play with the requisite delicacy. Some sexual innuendo and banter, mild profanity, a few crass expressions, brief rear hospital nudity, mild medical procedures including incisions, some occult thematic material, and an exorcism used for comic point make this best for adults (and older adolescents). The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Universal)

K
"Kangaroo Jack" (2003)
Passable comedy in which two Brooklyn buddies (Jerry O'Connell and Anthony Anderson) end up being pursued in the Australian Outback after a kangaroo hops off with the envelope of mob money they were supposed to deliver. The scenic setting, animal antics and the leads' easygoing rapport make director David McNally's goofy crime caper relatively innocuous entertainment. Mild sexual innuendo, occasional toilet humor and some menace with comic violence. Spanish language and titles options. The Catholic News Service classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG - parental guidance suggested. Some material may not be suitable for children. (Warner Home Video)

"Keane" (2005)
A schizophrenic and sometimes violent man (Damian Lewis) wanders a New York bus terminal looking for the daughter he claims was abducted, and later befriends a troubled mother (Amy Ryan) and her 7-year-old daughter (Abigail Breslin) at a motel for transients. Writer-director Lodge Kerrigan's grainy, cinema-verite-style film has an ugly milieu, sordid situations and tedious stretches in its first half, though the ending is intensely moving and redemptive. Lewis' performance is a tour de force, with first-class support by Ryan, Breslin and Tina Holmes. Profanity and rough language, a violent episode, an unrestrained sexual encounter, and alcohol and drug use. Interestingly, the anamorphic widescreen DVD also contains an alternative cut of the film by executive producer Steven Soderbergh, which offers a fascinating comparison. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Magnolia)

"Keeper of the Flame" (1943)
Contrived melodrama in which a journalist (Spencer Tracy) sets out to gather material for a tribute to a late public leader, falls for his widow (Katharine Hepburn), then discovers the truth about the man's death and secret subversive plans. Director George Cukor's woolly tale of home-grown fascism starts slowly and grows increasingly portentous until ending in typical period flagwaving. Muddled attempt to justify murder. The Catholic News Service classification is A-III -- adults. Not rated by the Motion Picture Association of America. (Warner Home Video)

"Keeper of the Kohn" (2005)
Hourlong documentary profiling 75-year-old Peter Kohn, longtime field manager for the Middlebury (Vt.) College lacrosse team, who has overcome apparent, though undiagnosed, autism and hearing impairment to become a beloved figure to generations of athletes. Director David Gaynes' uplifting film follows the sagacious, devout and compassionate Kohn as he assists and encourages the team through a victorious season -- culminating with a suspenseful championship match. It also shows him as he prepares for retirement and provides companionship to a friend suffering from potentially terminal cancer, while another friend works to have Kohn inducted into the National Lacrosse Hall of Fame. Additional features on the full-screen DVD include five deleted scenes. (Out of the Box TV, www.keeperofthekohn.com)

"Keeping Mum" (2006)
Picturesque, nicely acted, but rather muted English film about a world-weary country vicar (Rowan Atkinson), his boy-crazy daughter, bullied son and frustrated wife (Kristin Scott Thomas) who's having a dalliance with a sleazy golf instructor (Patrick Swayze), all of whose lives are altered for the better by a mysterious housekeeper (Maggie Smith). Director and co-writer Niall Johnson's quirky black comedy gets better as it progresses, but could have been sharper. Though the film's central conceit -- murder without retribution -- is problematic, the satirical context tempers objections. Conversational uses of the f-word, some profanity and crude language, an adulterous affair (not consummated), brief and distant upper female nudity, innuendo, voyeurism and nongraphic violence. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian (THINKFilm).

"Kes" (1970)
British movie set in a small, drab Yorkshire coal-mining town tells the story of a lonely, sullen boy (David Bradley) whose life is momentarily given meaning by his experience in raising and training a baby kestrel, a European falcon. Directed by Ken Loach, the movie is a compassionate study of the blighted conditions and brutalizing life of this youth which in its final scenes indicates the possibility of his rising above his environment. Fine experience for adults and older adolescents. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Criterion Collection; also available on Blu-ray)

"The Keys of the Kingdom" (1944)
Underrated adaptation of A.J. Cronin's novel about a Scottish priest (Gregory Peck) sent to China at the end of the 19th century where he rebuilds a ruined mission, endures misunderstanding, war and disease but perseveres through humility and cheerful service to win many converts and friends until his retirement in Scotland, where he fishes for supper rather than souls. Directed by John Stahl, the narrative is interestingly contrived and Peck's characterization is entirely likable and sincere though, like so many vintage Hollywood pictures about religion, this one is lacking much spiritual depth. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America (Fox Home Entertainment).

"Kickin' It Old Skool" (2007)
During a school dance contest in 1986, a 5-year-old break dancer does a wrong move, ends up in a coma and, 20 years later, wakes up as a man (Jamie Kennedy) still thinking he is a child. Harv Glazer directs with an inconsistent tone, going from sentimental to silly slapstick in a flash, and all the actors mug shamelessly, save for the dry wit of Michael Rosenbaum. Suggestive dancing, drinking, brief male rear nudity, a comic scene of cross-dressing, numerous scatological gags, a brief reference to Internet pornography, one use of the f-word, frequent crude and crass language, an instance of profanity and mild sexual banter. The USCCB Office for Film & Broadcasting classification is A-III --adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Fox Home Entertainment)

"Kicking & Screaming" (2005)
Mostly funny, if formulaic, comedy about a timid suburban soccer dad (Will Ferrell), who seeks to redeem his unathletic childhood by coaching his son's last-place team and finds himself in the championship game going head-to-head with his own supercompetitive father (Robert Duvall), who coaches the rival squad. Directed by Jesse Dylan and dominated by Ferrell's manic presence, this farce imparts a humorous critique of our hypercompetitive culture, but a crass running gag makes it questionable fare for very young viewers. Some comic violence, a minor same-sex-parent theme, as well as mildly crude language and humor, including some ethnically insensitive remarks. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Universal)

"Kinky Boots" (2006)
Slickly made, well-acted tale set in central England of a stodgy young man (Joel Edgerton) who, to save his inherited shoe factory from ruin and keep its workers employed, cultivates a more profitable niche market by hiring a transvestite (the versatile Chiwetel Ejiofor) to design boots sturdy enough to be worn by drag performers, despite opposition from his practical-minded girlfriend (Jemima Rooper). Director Julian Jarrold's offbeat film -- inspired by a true story -- is fun but uneven, and fits the mold of British films about ordinary folk whose unsatisfactory lives take unexpected new directions, giving them purpose and transforming them into better people. Admirable lessons of tolerance aside, the cross-dressing element will not be to every taste. A few instances of profane, rough and crude language, sympathetic portrayal of a transvestite character, some vulgar gestures, sensual onstage movements, men almost kissing backstage, and an implied premarital relationship. The anamorphic DVD contains four OK deleted scenes, commentary by Jarrold and the stars, and a 15-minute featurette on the actual factory that was the inspiration for the film. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13 (Miramax Home Entertainment)

"Kingdom of Heaven" (Director's Cut Edition) (2005)
Sweeping, bloody and revisionist Crusades drama about a disillusioned blacksmith (Orlando Bloom) elevated to knighthood who becomes embroiled in the struggle between the tolerance-advocating Latin king and a war-mongering usurper. Director Ridley Scott's spectacular film takes dramatic license, but overall portrays both sides as a mix of vice and virtue (though Christians come off as the prime villains) and imparts timely messages of peaceful coexistence, and the condemnation of violence, hatred and war. The film gets epic treatment with this handsome four-disc anamorphic set, including the director's cut of the film (with deleted and extended scenes that flesh out the characters and story lines, including a problematic subplot involving child euthanasia), with overture, intermission and entr'acte, as well as an introduction by Scott and commentary tracks. The added footage clarifies much that was vague in the film, enhancing the story. There's also a lavish, six-part, behind-the-scenes documentary including screen tests, cast rehearsals, additional deleted scenes, storyboards, and much more. Recurring intense battlefield violence and associated gore, including decapitations, hacked limbs and flaming bodies, as well as a brief adulterous sexual encounter. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian (Fox Home Entertainment).

"King of Kings" (1961)
Rated "NR"
Stolid screen spectacular presents the life of Christ within the historical context of Jewish resistance to Roman rule. Uncomfortably cast in the title role is Jeffrey Hunter, though more effective are Siobhan McKenna as his mother, Robert Ryan as John the Baptist, Hurd Hatfield as Pilate, Rip Torn as Judas and Harry Guardino as Barabbas. Directed by Nicholas Ray, the script is preoccupied with the period's political unrest but treats the Gospel account reverentially, if with more dramatic license than some might find acceptable. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. Not rated by the Motion Picture Association of America. (Warner Home Video)

"The King's Speech" (2010)
Stirring historical drama, set between the world wars, about the unlikely but fruitful relationship between the Duke of York (Colin Firth) -- second in line to the British crown -- and the eccentric speech therapist (Geoffrey Rush) under whose care he reluctantly places himself at the instigation of his loyal wife (Helena Bonham Carter) to overcome the stammer that hobbles his public speaking. This task becomes all the more urgent as the death of the duke's father (Michael Gambon) and the abdication of his brother (Guy Pearce) propel the unwilling heir toward the throne. Weaving together the story of one of the modern era's most successful royal marriages and the lesser-known tale of the friendship by which an unflappable commoner helped to heal the emotionally crippling childhood wounds underlying his princely client's impediment, director Tom Hooper creates a luminous tapestry reinforced by finely spun performances and marred only by the loose threads of some offensive language. Two brief but intense outbursts of vulgarity, a couple of uses of profanity, a few crass terms and a mildly irreverent joke. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (The Weinstein Company/Anchor Bay Entertainment; also available on Blu-ray)

"Kidnapped" (2005)
Robert Louis Stevenson's classic tale concerning young David Balfour (James Anthony Pearson), a Scottish boy from the Lowlands, shipped to sea under the machinations of his wicked Uncle Ebenezer (Adrian Dunbar), who wants to cheat him out his rightful inheritance after the lad's father dies in 1751 Scotland. Davie is rescued from a future of indentured servitude by blockade-running Scottish rebel Alan Breck (Iain Glen), and together they determine to confront his uncle, and undermine the British occupiers. Director Brendan Maher's letterboxed production, which originally aired on PBS' "Masterpiece Theatre," grips you right from the start, and the dramatic tension holds your interest from first to last. The cast is splendid with Glen a grand and charismatic hero. It's good to be reminded of a time when heroes were motivated by truly noble purposes and fought for a cause. There's typical swordplay, shooting, fleeting bloodshed, an almost-hanging and even an attempted suicide, but nothing to prevent this being recommendable to all but the youngest children. (WGBH)

"King Arthur" (2004)
Bold but brooding retelling of the Arthurian legend in which the once and future king (Clive Owen) is a Roman commanding an elite cavalry unit during the closing days of the empire, who, along with Guinevere (Keira Knightley), re-imagined here as a feisty female warrior, must fend off the savage barbarian hordes bent on conquering Britain. Full of dreary Dark-Age atmospherics and clashing chain-mailed armies, the film, directed by Antoine Fuqua, strips the legend of its storybook romance in favor of gritty, historical realism, but in the process paganizes what has traditionally been a quintessentially Christian myth. Intense battlefield violence, a shadowy sexual encounter, negative representation of church figures and some crude humor. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Buena Vista)

"King Kong" (2-Disc Special Edition) (2005)
Visually staggering remake of the 1933 classic about a giant ape smitten by a blonde-haired beauty (Naomi Watts), captured from his lost world island home by a maverick filmmaker (Jack Black) and taken in captivity to New York where, breaking free, his rampage climaxes atop the Empire State Building. Though the film runs too long, director Peter Jackson's strong storytelling masterfully blends stunning action sequences, humor and pathos-tinged emotion, paying reverent homage to the original while fleshing out the tragic story and raising the movie-magic bar to dazzling new heights. Intense action violence, some frightening and disturbing images, fleeting burlesque images and a few instances of profanity make it inappropriate for younger adolescents. The comprehensive DVD features the film in anamorphic widescreen on the first disc. The second includes exhaustive, not to mention exhausting, "post-production diaries" with Jackson guiding viewers through all aspects of the 33 weeks prior to the movie's release date, broken down week by week; a mock documentary about Kong's habitat, the fictional Skull Island, and a feature on re-creating Depression-era New York. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Universal)

"King's Ransom" (2005)
Dreadful comedy about a wealthy Chicago marketing mogul (Anthony Anderson) whose plan to fake his own abduction to avoid a costly divorce settlement hits a snag when it turns out that several others -- including his gold-digging soon-to-be ex-wife (Kellita Smith), a disgruntled employee (Nicole Parker) and a sad-sack slacker (Jay Mohr) -- also have plans to kidnap him. Full of raunchy, irreverent and mean-spirited humor and uniformly unappealing performances, this witless waste of 95 minutes, sloppily directed by Jeff Byrd, is a royal mess. The film contains crass language and humor, including implied sexual encounters and innuendo, as well as some comic violence and an instance of rough language. The USCCB Office for Film & Broadcasting classification is O -- morally offensive. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (New Line)

"Kingdom of Heaven" (2005)
Sweeping, if bloody and revisionist, Crusades drama about a disillusioned blacksmith (Orlando Bloom) elevated to knighthood who journeys to Jerusalem in search of redemption. He becomes embroiled in the power struggle between a Latin king who advocates tolerance and a war-mongering would-be usurper, who threatens to disrupt the tenuous truce between the Christian and Muslim forces. Spectacularly directed by Ridley Scott and full of grand-scale battle scenes and period detail, the film takes historical license, but overall portrays both sides as a combination of vice and virtue (though in its skewed telling of the events, Christians come off as the prime villains) and imparts a timely message of peaceful coexistence, as well as a strong condemnation of violence, ideological hatred and war. Recurring intense battlefield violence and associated gore, including decapitations, hacked limbs and flaming bodies, as well as a brief adulterous sexual encounter. The glossy two-disc DVD is available in either full- or wide-screen format. With an epic like this, the letterboxed version is probably preferable. Disc one contains the movie (gorgeously transferred), along with an optional "Pilgrim's Guide," offering a running text commentary that flashes historical and production factoids over each scene (sometimes partially obscuring the image). In place of director's commentary, disc two contains an innovative "interactive grid" that allows viewers to follow the making of the movie from scriptwriting through final editing, enabling them to choose from key cast and crew perspectives. Disc two also contains two documentaries -- A&E's "Movie Real: Kingdom of Heaven" and the History Channel's more scholarly

"The King's Singers: From Byrd to The Beatles" (2005)
Delightful concert with the amazing six-man English a capella group, the King's Singers -- David Hurley, Robin Tyson, Paul Phoenix, Philip Lawson, Christopher Gabbitas and Stephen Connolly, all former boy choristers -- who perform a varied concert of spiritual and secular works from William Byrd and Claudio Monteverdi to Duke Ellington, the Beatles and Billy Joel. The centerpiece is father of English church music Thomas Tallis' 40-part motet, "Spem in Alium." The 93-minute programs provides an ideal showcase for their incredible versatility. Taped at London's Cadogan Hall. (Acorn Media)

"Kinsey" (2004)
Sober biopic about controversial sex researcher Alfred Kinsey (Liam Neeson), chronicling his life from his strict Methodist upbringing, to an obscure post teaching biology, to the publication of his landmark study on human sexual behavior in 1948 and his subsequent fall from grace during the 1950s. The movie will generate strong reactions from both those who admire Kinsey as a crusader and those who consider him a degenerate and blame him for igniting the sexual revolution by jettisoning traditional morality and redefining societal mores. Though many viewers will find much of the film offensive, writer-director Bill Condon takes a serious approach to his subject, painting Kinsey in neither overly heroic nor villainous shades. A relativistic view of sexual morality, explicit sexual images, including graphic straight and gay sexual encounters, full frontal nudity, several masturbation scenes, candid sexual discussions and recurring rough language. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. (Fox)

"Kiss Me Kate" (1953)
Halting version of Cole Porter's musical comedy about the backstage bickering between husband and wife (Kathryn Grayson and Howard Keel) starring in a Broadway production of Shakespeare's "The Taming of the Shrew." Director George Sidney gets lost in low comedy routines with an aspiring starlet (Ann Miller) and a gangster duo (Keenan Wynn and James Whitmore) while Porter's musical numbers are squandered in raucous style. Sexual innuendo and domestic turmoil. The USCCB Office for Film & Broadcasting classification is A-III -- adults. Not rated by the Motion Picture Association of America. (Warner Bros.)

"Kit Kittredge: An American Girl" (2008)
Charming chronicle of a 10-year-old aspiring reporter's (Abigail Breslin) experiences during the Great Depression, as her father (Chris O'Donnell) leaves home to seek work, her mother (Julia Ormond) takes in a collection of colorful boarders (Joan Cusack, Glenne Headly, Zach Mills and Colin Mochrie, among others) and she endeavors to sell articles to the local editor (Wallace Shawn) and to clear a homeless teen (Max Thieriot) accused of theft. Director Patricia Rozema's warm, pleasingly innocent adaptation of the titular children's stories presents a somewhat sanitized Waltons-style view of the era, but it fosters persistence, opposes stereotyping and will likely hit a bull's-eye with targeted tweens. The double-sided DVD includes both widescreen and full-screen versions, and the CD-ROM features include a couple of nice featurettes and two deleted scenes showing Kit's argument with her best friend and their subsequent reconciliation. Spanish titles option. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted. (Warner Home Video; also available in Blu-ray)

"Kitchen Stories" (2004)
Wryly poignant tale set in a remote 1950s Norwegian town where a Swedish loner (Tomas Norstrom) is hired to silently observe the movements of a taciturn bachelor (Joachim Calmeyer) in his stark kitchen for a government research study, but gradually the two men enjoy conversing, jeopardizing the project and sparking jealousy in the Norwegian man's resentful friend (Bjorn Floberg). Co-writer and director Bent Hamer's spare script and straightforward visuals capture awkward male friendships while bringing out the characters' humanity with abundant droll humor. Subtitles. An occasional crude expression and fleeting alcohol abuse. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (MGM)

"The Kite Runner" (2007)
Superb adaptation of Khaled Hosseini's best-seller about an Afghan writer (Khalid Abdalla) now living in the U.S. who recalls how as a boy (played by Zekiria Ebrahimi) in his native homeland, he failed to help and subsequently betrayed his best friend (Ahmad Khan Mahmoodzada), and now finds he has a chance to atone for that misdeed. Under Marc Forster's sensitive direction, the beautifully acted film provides a fascinating portrait of pre- and post-Taliban Afghanistan; its fine human values, strong affirmation of friendship and family, and redemptive ending should move even the most stone-hearted. In Dari and English. Partially subtitled. A single profanity and use of the f-word, a brief rape scene with no nudity involving a small boy and a bully, two discreetly worded sexual references, illegitimacy theme, a violent beating and a woman's stoning. The DVD includes commentary by Forster, Hosseini and script writer David Benioff, two good background featurettes, Spanish-language and subtitle options. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating, PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (DreamWorks Home Entertainment)

"A Knight's Tale" (2001)
Rollicking action adventure story about a young squire (Heath Ledger) in 14th-century France who assumes his deceased master's identity and works his way up the jousting circuit to foil a nasty villain (Rufus Sewell). Inspired by Chaucer's "Canterbury Tales," director Brian Helgeland deftly blends contemporary attitudes, dialogue and rock music into an entertaining period piece although the movie's length is a bit indulgent. Intermittent action violence, some rear nudity and fleeting crass language. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Sony Pictures Home Entertainment; also available on Blu-ray)

"Knowing" (2009)
A Boston astrophysicist (Nicolas Cage) discovers that a time-capsule document buried 50 years ago at his son's (Chandler Canterbury) school accurately predicted all the major disasters of the intervening decades, and sets out to prevent the three calamities, one of them potentially global, it warns will transpire in the near future, eventually aided by the daughter (Rose Byrne) of the woman who wrote it as a schoolgirl (Lara Robinson). Director Alex Proyas' vastly ambitious, genre-melding drama begins as a horror tale but becomes, by its spectacular though sobering climax, a haunting meditation on faith, sacrifice and family unity. Disturbingly realistic catastrophe scenes, brief sexual humor and a few instances of crude language. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Summit Entertainment; also available on Blu-ray)

"Kung Fu Hustle" (2005)
Stylish but unnecessarily violent martial arts movie, set in China in the 1940s, about a small-time crook (Stephen Chow) who transforms from street hustler to hero after one of his shakedown schemes inadvertently unleashes the wrath of a ruthless gang, triggering a war between the underworld goons and the locals, several of whom are secretly kung fu masters. Written and directed by Chow, the film deftly combines slapstick comedy and "Matrix"-inspired fight sequences, which, though violent, are for the most part intentionally over the top and cartoonish in tone. Subtitles. Much stylized action violence with associated gore, a shooting, rear nudity, a crass scene of urination, as well as rough and crude language and humor. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. (Columbia/TriStar)

"Kung Fu Panda" (2008)
Winning animated fable about an out-of-shape, awkward bear (voice of Jack Black), the son of a humble noodle-maker (James Hong) in ancient China, whose martial arts dreams come true when he is identified by the inventor of kung fu (Randall Duk Kim) as the prophesied "Dragon Warrior" but who must then transform himself under the direction of a skeptical master (Dustin Hoffman) to combat a villainous snow leopard (Ian McShane) only he can defeat. Co-directors John Stevenson and Mark Osborne's wholesome film, by turns amusing and spectacular, features impressive computer-generated special effects and promotes determination and self-confidence. Mild fantasy violence. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Paramount Home Entertainment; also available on Blu-ray and Spanish editions)

"Kung Fu Panda 2" (2011)
Rated "PG"
Perfunctory if unobjectionable animated sequel follows rotund martial arts warrior Po (voice of Jack Black) as he learns about his origins and confronts the power-hungry peacock (Gary Oldman) responsible for his parents' demise. Director Jennifer Yuh Nelson keeps the action moving along at a brisk pace, overseeing by-the-numbers visuals and imparting an anodyne message concerning the path toward inner peace: Move beyond the past and focus on the present. Mild fantasy violence. Spanish titles option. The Catholic News Service classification is A-I -- general patronage. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (DreamWorks Home Entertainment; also available on Blu-ray)

L
"L.A. Confidential" (1997)
Stylish cop drama set in 1950s Los Angeles where three police detectives (Kevin Spacey, Russell Crowe and Guy Pearce) working on apparently unrelated homicides begin to see all may be related to a ring of corrupt officials. Directed by Curtis Hanson, the darkly cynical story is densely plotted with murders most foul as the detectives work their way through a miasma of chicanery and deceit. Recurring violence, fleeting nudity, recurring sexual innuendo, some profanity and intermittent rough language. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Warner Home Video)

"La Dolce Vita" (1960)
 Lengthy episodic Italian drama about a troubled journalist (Marcello Mastroianni) who mingles in the circles of Rome's high society (including Anita Ekberg, Anouk Aimee and Alain Cuny), alternately fascinated, bemused and repelled by what he observes.       Director Federico Fellini's crowded picture of the moral ills as well as the human foibles and positive values of various segments of Italian society mixes realism with satire and a tragic sense of wasted lives. Subtitles. Critical treatment of immoral situations.    The USCCB Office for Film & Broadcasting classification is A-IV -- adults, with reservations. Not rated by the Motion Picture Association of America. (Koch)

"L.A. Story" (1991)
A TV weatherman (Steve Martin) is chased by a bouncy blonde (Sarah Jessica Parker) while he, with a little help from a magical freeway sign, pursues a reserved English journalist (Victoria Tennant). Directed by Mick Jackson from Martin's script, the result takes a wry view of the trendy populace of Los Angeles, which proves more diverting than the fairly bland fantasy-romance story line. Casual attitude toward premarital sex and minimal rough language. Spanish titles option. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13 (Lionsgate Home Entertainment)

"Ladder 49" (2004)
Above-average -- if overly sentimental -- action drama and paean to firefighters concerning a young fireman (Joaquin Phoenix) as he progresses over the years from rookie to seasoned professional, with the unusual feature of there being as much screen time devoted to his domestic life as to the "Towering Inferno"-like fire sequences, which are generally more enervating than truly exciting. Director Jay Russell's drama -- which also features John Travolta as the paternal fire chief -- boasts a solid, appealing and down-to-earth performance from Phoenix and an authentic-seeming portrait of firehouse life with middle-class workers (mostly Catholic, as it happens) that compensates for the more conventional aspects of the plot. A couple of instances of crude language, an implication of premarital sex and some intense firefighting scenes. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Buena Vista)

"Lady and the Tramp: 50th Anniversary Edition" (2006)
Walt Disney's classic animated feature from 1955 about a cute cocker spaniel in a Victorian family who loses her place in the couple's affections with the birth of their first child but who is reinstated through the efforts of a freedom-loving mongrel. The cast of lovable dog characters and some delightful songs by Peggy Lee still appeal to audiences of every age. Eye-popping restoration of sound and picture on this two-disc set, which offers the film in true full-screen (as opposed to pan & scan) and widescreen editions. (The film was begun in standard ratio, but Disney decided it should be in Cinemascope when that format proved so popular, and set his artists drawing additional material to fill the elongated screen image.) The bounteous extras -- which far outclass the movie's heralded release on laserdisc several years ago -- include a comprehensive "making of" documentary; promotional excerpts from Disney's 1950s-era TV series, including an up-close look at Lee's multifaceted contributions; a fascinating early (1943) storyboard concept for the story; two deleted scenes in story reel form, including Tramp's description of how it would be if pets were the masters, an alternate version of the arrival-of-baby sequence with an extra verse to "La La Lu"; trailers; production art; and games and activities for the kids. French and Spanish soundtracks, including songs, make for fascinating comparison. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted. (Buena Vista)

"Ladybugs" (1992)
A salesman (Rodney Dangerfield) whose promotion depends on successfully coaching his company-sponsored all-girls soccer team gets his fiancee's son (Jonathan Brandis) to play disguised as a girl in order to ensure a winning season. Sidney J. Furie directs a genial sports comedy peppered with Dangerfield's snappy one-liners. Mild sexual innuendo and double entendres. Spanish titles option. The Catholic News Service classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Lionsgate Home Entertainment; also available on Blu-ray)

"The Lady Killers" (2004)
Uneven black comedy set in a sleepy Mississippi town about a charlatan professor (Tom Hanks) and his bumbling gang of accomplices (Marlon Wayans, J.K. Simmons, Tzi Ma and Ryan Hurst) who plan a heist on a Mississippi riverboat casino, using the basement of a God-fearin' granny as their base of operations, until she uncovers their plot and they decide to knock her off. Based on the droll 1955 British screen gem of the same name, the film, while bearing writer-directors Joel and Ethan Coen's unmistakable stamp of off-kilter humor, does not rank among their best work and, despite beautiful filming, its obscenity-laced script and dark theme may have some viewers singing the blues. Some violence, a comedic treatment of larceny, as well as much rough and crude language and humor. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. (Buena Vista)

"Lady in the Water" (2006)
Atmospheric but unconvincing fairy tale about members of a suburban Philadelphia housing complex (Paul Giamatti, Jeffrey Wright, Bill Irwin, Bob Balaban) who -- harking back to mythic times when humans and water creatures were friends -- attempt to return a nymph (Bryce Dallas Howard) to the sea, while pursued by wolflike beasts. Director-writer M. Night Shyamalan provides some trademark scary moments with admirably little overt violence, and the universal brotherhood theme is unarguably a noble one, but this aquatic "E.T." retread isn't terribly compelling despite skillful direction and solid performances. Some scenes of intense peril, suggested nudity. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13 (Warner Bros.).

"Lake City" (2008)
Atmospheric family drama in which a young man (Troy Garity) targeted by a criminal (Dave Matthews) escapes to his rural childhood home with his girlfriend's son (Colin Ford) and reconnects with his estranged mother (Sissy Spacek). Though their script contains considerable salty dialogue and deals with some gritty subjects, co-writers and -directors Hunter Hill and Perry Moore craft a hopeful tale of reconciliation and rediscovered values further enhanced by skillful performances. Beatings, moderate gun violence, drug theme, implied cohabitation, a character born out of wedlock, much rough and crude language, and a few uses of profanity. Spanish titles option. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Universal Studios Home Entertainment)

"Lake Placid" (1999)
Lame horror-comedy in which a big-city paleontologist (Bridget Fonda), a wealthy eccentric (Oliver Platt) and an earnest game warden (Bill Pullman) insist on helping a skeptical rural sheriff (Brendan Gleeson) catch a huge crocodile that has devoured a few locals. Directed by Steve Miner from David E. Kelley's contrived script, the movie offers sparse spurts of comic mileage with suspense equally absent. Some predatory violence with decapitations, sex references, occasional profanity and intermittent rough language. The USCCB Office for Film & Broadcasting classification is A-III --adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Fox Home Entertainment)

"Lars and the Real Girl" (2007)
Poignant story of emotionally fragile delusional man (a brilliant Ryan Gosling) who -- unable to make human connection -- buys a life-size female doll whom he presents as his girlfriend, and how his brother and sister-in-law (Paul Schneider and Emily Mortimer), his officemates, fellow churchgoers and townspeople accept "her" as human out of love and compassion for him. Though suspension of disbelief is essential, director Craig Gillespie, working from Nancy Oliver's delicate script, makes this improbable tale utterly believable, while the themes of family, community, religion, forgiveness, redemption and a strong affirmation of human decency override those very few elements that might preclude younger teens. Two nonexplicit images of a porn site, mild innuendo, discreet sexual references and brief profanity. The DVD includes two good background featurettes, and a brief deleted scene wherein a fully clothed Lars takes a bath with the doll. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (20th Century Fox Home Entertainment)

"The Last Airbender" (2010)
Strained 3-D fantasy adventure, set in an alternate world where some human beings have the power to "bend," that is, control, one of the basic elements of fire, earth, air and water. It is also where a brother and sister (Jackson Rathbone and Nicola Peltz) assist a child (Noah Ringer) who is the latest incarnation of a global peace-giver in his quest to restore order to society by ending the oppressive rule of a warlike, imperialist nation (led by Cliff Curtis and Aasif Mandvi). Though free of objectionable language or behavior, writer-director M. Night Shyamalan's live-action adaptation of an animated TV series -- which also features Dev Patel as a disgraced prince out to prove his mettle by capturing the boy wonder -- fails to gain dramatic traction, bogging down in stilted dialogue and endless explanations of its back story, some aspects of which suggest pantheism or nonscriptural beliefs. Potentially confusing religious themes and much nongraphic martial arts and combat violence. Spanish language and titles options. The Catholic News Service classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Paramount Home Entertainment; also available on Blu-ray)

"Last Chance Harvey" (2008)
Delicate romantic comedy about an isolated New York jingle composer (Dustin Hoffman) who travels to London for his estranged daughter's (Liane Balaban) wedding and falls for a lonely airport employee (Emma Thompson). While somewhat predictable, writer-director Joel Hopkins' skillfully wrought valentine to midlife romance -- which also features Eileen Atkins as Thompson's mother -- draws masterful performances to touching effect and shows the lingering negative consequences of both divorce and abortion as it portrays a mutually generous relationship untainted by irresponsible sexuality. Some sexual references and humor, occasional crude words, the acceptability of divorce and an abortion reference. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating was PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Overture Films Anchor Bay Entertainment)

"The Last Days of Disco" (1998)
Wryly observed tale, set in early 1980s New York City, follows the fluctuating social lives and fledgling careers of a half-dozen recent college grads who frequent a trendy disco over the course of a year. Writer-director Whit Stillman's talky comedy serves as a cautionary tale in exploring opinionated characters who discover there are consequences to sexual permissiveness. Momentary violence, a fleeting sexual encounter and nudity, implied affairs, a character's substance abuse and a few instances of profanity. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Image Entertainment, Inc.)

"The Last Days of Pompeii" (1935)
Creaky but colorful tale in which a happy Pompeii blacksmith (Preston Foster) turns dour seeking wealth as a gladiator, then finds it as a trader in Judea where his boy is cured by the miracle worker later crucified by Pontius Pilate (Basil Rathbone). But back home, the unworldliness of his now-Christian son puzzles the rich old man, then inspires him to save others in the volcanic eruption of Vesuvius. Directed by Ernest B. Schoedsack, the episodic story of a good man changing into a greedy one, then shedding selfishness in the face of disaster plods fitfully along until the spectacular effects depicting the city's destruction. Stylized violence. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America. (Warner Brothers)

"The Last Emperor" (1988)
Sweeping historical saga of Pu Yi (1906-67) who, after being crowned emperor of the fading Manchurian dynasty at age 3, becomes a passive pawn amid political power plays until ending his life as a humble gardener under Chinese communist rule. Italian director Bernardo Bertolucci's movie boasts exquisite historical detail, beautiful costumes, extraordinary location sets in the Forbidden City and breathtaking pageantry, but oddly lacks dramatic punch. Some scenes of violence, sex and opium smoking, though brief and integral to the cultural context. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Criterion Collection; also available on Blu-ray)

"The Last Exorcism" (2010)
Rated "PG-13"
Middling fright fest about an evangelical minister and self-confessed charlatan (Patrick Fabian) who brings a film crew (led by Iris Bahr) along to document his final faked exorcism. But he gets more than he bargained for when the Louisiana farm girl (Ashley Bell) whose father (Louis Herthum) summoned him shows signs of genuine possession. While the gore factor is kept comparatively low in director Daniel Stamm's gothic outing -- which toys cleverly with the modern presumption that all phenomena can be explained scientifically -- the preacher's corrosive cynicism and the occult atmosphere by which he unexpectedly finds himself surrounded make this inappropriate for all but well-grounded and judicious adult viewers. Complex treatment of religion, sacrilegious activity, some gruesome images, at least two uses of profanity, brief sexual talk, and references to incest and homosexuality. Spanish titles option. The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Lionsgate Home Entertainment; also available on Blu-ray)

"Last Flight Out" (2004)
Evangelical-flavored action parable about a cynical pilot (Richard Tyson) who finds faith while evacuating a village -- including the medical missionary (Bobbie Phillips) he was hired to rescue -- under the heel of a ruthless Colombian-cartel drug lord. Produced by Billy Graham's World Wide Pictures, the well-intentioned film's strong Gospel message is handicapped by amateurish performances and a B-movie script full of heavy-handed homiletics with a view to proselytize at the expense of plot. Some gun violence, including two shootings, a scene of child peril, drug references and several explosions. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. Also out this week by Graham's company (but not screened) are a religious road movie "Road to Redemption" (also rated PG) and a musical drama, "Something to Sing About" (not rated) (Fox Home Entertainment)

"Last Holiday" (2006)
Touching if improbable tale of dowdy spinster (Queen Latifah), who, upon learning she has only a few weeks to live, takes her life savings and goes to Europe where she gets a makeover and learns to live life more fully, changing the lives of a corrupt businessman (Timothy Hutton) and less-than-altruistic politicians. Wayne Wang's remake of a 1950 Alec Guinness movie which had a script by august English writer J.B. Priestley is marred by some silly slapstick, but mostly, though predictable and contrived, it's a feel-good film with the marvelously empathetic Latifah and a positive message about recognizing life's possibilities and having the courage to follow through on them. A few instances of crude language, some frank sexual talk and innuendo, and an adulterous situation in an otherwise admirably wholesome film. The anamorphic widescreen DVD includes three featurettes, including one describing the incredible 23 years the film had been in gestation, and two nice deleted scenes The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Paramount Home Entertainment)

"The Last King of Scotland" (2006)
Morality tale set in the 1970s based on the novel by Giles Foden, about a young Scottish doctor (James McAvoy) who, in search of adventure, travels to Africa, where he becomes the personal physician and eventually the confidant of the charismatic but ruthless Ugandan dictator, Idi Amin (Forest Whitaker). Initially blinded to the despot's atrocities by the seductions of power, he later opens his eyes to the heinous truth and his own complicity. Director Kevin MacDonald blends fact and fiction to mostly riveting effect, with Whitaker delivering a towering performance. Though dramatically justified, the brutality is quite gruesome at times. Intense scenes of violence including a graphic depiction of torture, brief grisly images of massacre and dismemberment, several sexual encounters with nudity, an abortion subplot, recurring rough and crude language and profanity. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian (20th Century Fox Home Entertainment).

"The Last Sin Eater" (2007)
Engaging if rather colorless adaptation of Francine Rivers' novel set in 19th-century Appalachia about a guilt-ridden girl (Liana Liberato) who, blaming herself for her younger sister's death, seeks out a mysterious mountain man (Peter Wingfield) alleged to be able to take upon himself the sins of others. Learning that Jesus is the only source of forgiveness after her meeting with a Bible-preaching stranger (Henry Thomas), she helps rid the community of its collective guilt with the help of the son (Soren Fulton) of an abusive father (Stewart Finlay-McLennan). Director Michael Landon Jr.'s film is short on period atmosphere but holds your interest despite plot improbabilities. The performances are above-average for this genre, especially the two youngsters and Louise Fletcher as a wise woman who knows something of the community's mysterious past, and along with some decent plot twists, there are fine Christian messages about redemption, reconciliation, and renewal. Some nongraphic violence, murder and domestic abuse. The DVD is presented in both full-screen and widescreen formats. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children (20th Century Fox Home Entertainment).

"The Last Sin Eater" (2007)
Engaging if rather colorless adaptation of Francine Rivers' novel set in 19th-century Appalachia about a guilt-ridden girl (Liana Liberato) who, blaming herself for her younger sister's death, seeks out a mysterious mountain man (Peter Wingfield) alleged to be able to take upon himself the sins of others. Learning that Jesus is the only source of forgiveness after her meeting with a Bible-preaching stranger (Henry Thomas), she helps rid the community of its collective guilt with the help of the son (Soren Fulton) of an abusive father (Stewart Finlay-McLennan). Director Michael Landon Jr.'s film is short on period atmosphere but holds your interest despite plot improbabilities. The performances are above-average for this genre, especially the two youngsters and Louise Fletcher as a wise woman who knows something of the community's mysterious past, and along with some decent plot twists, there are fine Christian messages about redemption, reconciliation, and renewal. Some nongraphic violence, murder and domestic abuse. The DVD is presented in both full-screen and widescreen formats. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children (20th Century Fox Home Entertainment).

"The Last Starfighter" (25th Anniversary Edition) (1984)
High school senior (Lance Guest), a whiz at electronic games, finds himself defending the frontiers of the universe against ruthless space invaders in a touching, romantic, humorous fantasy from director Nick Castle. Some of the violence might be too much for younger viewers. Spanish titles option. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Universal Studios Home Video)

"Laurence Olivier Presents" (1976-1984)
Terrific collection of six plays that Olivier -- whom many rate as the greatest actor of his generation -- produced for television under his banner. Even in the twilight of his career, Olivier was still an impressive presence. He appears in all but "Hindle Wakes." The plays include Eduardo de Filippo's Italian classic "Saturday, Sunday, Monday" (1978) featuring Mrs. Olivier -- Joan Plowright -- and Frank Finlay; Tennessee Williams' "Cat on a Hot Tin Roof" (1976) with Natalie Wood and Robert Wagner; Harold Pinter's "The Collection" (1976) with Alan Bates and Malcolm McDowell; William Inge's "Come Back, Little Sheba" (1977) with Joanne Woodward and Carrie Fisher; Stanley Houghton's 1912 "Hindle Wakes" (1976) with Donald Pleasence; and, as a bonus, an adaptation of John Fowles' "The Ebony Tower" (1984) by John Mortimer with Roger Rees and Greta Scacchi, which originally aired on PBS. The latter contains some brief (mostly long-shot) rear nudity. Print quality is good, if a little soft, as were the original broadcasts. Though the film versions of "Cat," "Sheba," and "Saturday" (the last with Sophia Loren) are superior, these make for a fascinating comparison. Solid adult entertainment (Acorn Media).

"Laws of Attraction" (2004)
A-III (PG-13)
    Underwhelming romantic comedy in which two rival divorce lawyers (Pierce Brosnan and Julianne Moore) wake up married after a drunken evening and must continue as opposing attorneys on a bitter court case while carrying on a spousal charade. Director Peter Howitt's attractive cast and sumptuous production design can only compensate so much for the paucity of witty dialogue and obvious plot contrivances. Implied sexual encounters following inebriation, impersonation of a cleric, a few crude expressions and an instance of profanity.  The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (New Line)

"Layer Cake" (2005)
Technically proficient but unpleasantly seamy story of a cocaine dealer in London (Daniel Craig) who prides himself on the efficiency of his methods, only to be caught up in the machinations of honcho Jimmy Price (Kenneth Cranham) and Price's high-powered cohort, Eddie Temple (Michael Gambon), and a stolen shipment of Ecstasy pills after which everyone is scrambling. Matthew Vaughn's thriller is too complex for its own good, with its difficult-to-follow plot (to the point of "who cares?"), tricky-to-decipher accents, flashy but empty presentation, and -- though perhaps appropriate for the underworld milieu -- more expletives per minute than any film in recent memory. One brief but graphic sex scene, nudity, brutal violence with attendant gore, pervasive rough and crude language, and drug use. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. (Columbia)

"Lean on Me" (1989)
Formula feel-good bio of controversial Paterson, N.J., high school principal Joe Clark (Morgan Freeman) focuses on his mission to clean up the crime- and graffiti-infested school, restore student self-pride and raise their abysmal reading scores. Director John G. Avildsen's cartoon movie heroics may be simplistic, but the film should speak to older urban adolescents faced with similar school blight. Much rough language, some violence and menace and a flash of nudity. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13 (Warner Bros.).

"Leatherheads" (2008)
Diverting romantic comedy, set in 1925, about a veteran professional football player (George Clooney) who hires a celebrated college star (John Krasinski) to revive his team's fortunes, only to find himself in a rivalry for the affections of a sassy, sophisticated newspaper reporter (Renee Zellweger) who's out to debunk his new teammate's heroic war record. Clooney, who also directed, evokes the tangy wit of the best screwball pairings of 1930s Hollywood and, despite a few inconsistencies in the plot and some objectionable language, creates an enjoyable period piece that thrives on the rough and tumble of the pro game's unregulated infancy. Some profanity, occasional crude and crass language, mild fistfighting, light sexual banter and innuendo. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Universal Studios Home Video)

"Lilo & Stitch" (2-Disc Set; 2002)
Sassy animated comedy in which a lonely orphaned Hawaiian girl (voiced by Daveigh Chase) who lives with her older sister and guardian (voiced by Tia Carrere) adopts what she thinks is a dog (voiced by Christopher Michael Sanders), but turns out to be an alien genetic experiment gone wrong whose only instinct is to destroy. Lessons on the importance of family and caring about others are lightly woven into writer-director Chris Sanders' bold story with offbeat characters, but the cheeky dialogue, rambunctious behavior and discussion of genetics seem inappropriate for the younger set at which the film is aimed. Several scary moments and some slightly irreverent expressions. The DVD contains commentary by Sanders and co-director Dean DeBlois; five deleted scenes and a couple of earlier versions of others; music videos; a making-of documentary; games and more. Spanish titles option. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Walt Disney Pictures Home Entertainment)

"Lemony Snicket's A Series of Unfortunate Events" (2004)
Delightfully macabre tale of three Baudelaire orphans -- one an infant -- navigating their perilous way through various guardians into whose dubious care they've been entrusted after the death of their parents in a mysterious fire: evil Count Olaf (Jim Carrey) who has an eye on their fortune; kindly but dimwitted reptile collector Uncle Monty (Billy Connolly); and hyperphobic Aunt Josephine (Meryl Streep), who lives in a house perched high on a cliff. Director Brad Silberling's adaptation of three books by Lemony Snicket (aka Daniel Handler; here voiced by Jude Law) makes for excellent Edward Gorey-like family viewing for all but perhaps the very youngest children who might find some of the situations scary, though the action is played humorously tongue-in-cheek throughout. Some mildly intense situations and a smattering of crude language. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Paramount)

"Les Miserables" (Two Disc Collector's Edition) (1995)
A welcome pairing of the 10th anniversary concert of the long-running Broadway and West End musical -- which has been seen virtually all over the world -- and a 1988 documentary on the making of the show called "Stage by Stage: The Making of Les Miserables." Both programs aired originally on PBS in the U.S. On the first disc, the musical itself is given a splendid account -- albeit in semi-staged concert form -- with a powerful cast the likes of which will probably not be assembled again, including the original Jean Valjean, Colm Wilkinson, along with Philip Quast, Ruthie Henshall, Michael Ball and Judy Kuhn, backed by a 150-voice chorus and the Royal Philharmonic Orchestra. The event took place at London's Royal Albert Hall. Both discs look wonderful in their DVD incarnation. The well-loved show -- from Victor Hugo's novel -- is a classic tale of sacrifice and redemption, its chain-gang fugitive hero inspired to change his life by a kindly bishop who forgives him after he steals two precious candlesticks. (BBC Video)

"The Leopard" (1963)
Historical drama set against the background of Gen. Giuseppe Garibaldi's 1860 invasion of Sicily where the prince (Burt Lancaster) of an old aristocratic family refuses to adapt to revolutionary times despite the marriage of his more egalitarian nephew (Alain Delon) to the daughter of a wealthy ex-peasant. Directed by Luchino Visconti from the novel by Giuseppe Di Lampedusa, the result captures a fascinating period of social, political and economic change in a family saga filled with nostalgia for a past, more elegant age. In Italian. English subtitles. Mature themes. The Catholic News Service classification is A-III -- adults. Not rated by the Motion Picture Association of America. (Criterion Collection; also available on Blu-ray)

"Letters From Iwo Jima" (2006)
Director Clint Eastwood's emotionally compelling companion to "Flags of Our Fathers," which dealt with the Battle of Iwo Jima through the eyes of American GIs, now from the Japanese perspective, illustrating our shared humanity and showing ignorance as a root of international conflict. The drama focuses on Japanese soldiers entrenched on the island including a young baker (Kazunari Ninomiya) who wants to see his new baby, a newcomer (Ryo Kase) who's looked upon with suspicion, and a former Olympic medalist (Tsuyoshi Ihara), all under the command of an honorable and patriotic lieutenant general (Ken Watanabe) as they prepare for the U.S. invasion and capture of Mount Suribachi. Several characters take their own lives, acts which though morally untenable by Christian standards must be taken in the context of traditional Japanese culture. Japanese with subtitles. Intense and graphic battlefield violence, several gruesome suicides and some crude expressions. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian (Warner Home Video).

"Liam Lawton in Concert" (2005)
Lovely concert filmed at St. Canice's Cathedral in Kilkenny, Ireland, with the Irish singer and composer -- an ordained priest -- in a program of spiritual music, including such titles as "Benedictus," "Voice of an Angel," "Lament of the Virgin" and "Ave Maria -- There is a Heart." He is joined by guest artists Roisin O'Reilly and Elmear Quinn. Bonus features on the full-screen DVD include a behind-the-scenes featurette, an interview with the personable Father Lawton discussing how he combines his priestly and musical vocations, and three bonus selections. (Acorn Media)

"License to Wed" (2007)
Woefully unfunny tale about an engaged couple (chemistry-free Mandy Moore and John Krasinski) who undertake an arduous marriage preparation course run by their local Protestant minister (Robin Williams in subpar form) before he'll agree to marry them. Director Ken Kwapis' putative comedy plays like a B-level TV sitcom, but even in this comedic context, the reverend character is far too lenient about matters such as premarital cohabitation, is tiresomely irreverent throughout, and, though ostensibly all for the good, engages in such questionable behavior as wiretapping the couple's home and grilling them about their sex lives in a way that borders on prurience. Overall irreverent tone, acceptance of premarital living arrangement, sexual banter and innuendo, crude language and mild profanity, crass expressions and scatological humor. Some additional scenes with enthusiastic commentary by Kwapis, including a colorful Monty Python-ish animated history of men and women, but the additional material, including a male stripper scene at Sadie's bachelorette party, fails to enhance the lackluster, unfunny feature, and a vulgar interactive extra called "Ask Choir Boy." The USCCB Office for Film & Broadcasting classification is O -- morally offensive. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Warner Home Video)

"The Life Aquatic With Steve Zissou" (2004)
Offbeat tragicomedy about a washed-up Jacques Cousteau-like oceanographer (played in delightful deadpan by Bill Murray) who, along with his oddball crew, sets out on an open-sea adventure -- which he chronicles on film as part of his latest documentary -- to hunt down the shark that ate his partner, while at the same time coming to terms with a new deckhand (Owen Wilson) who may, or may not, be his long-lost son. Directed by Wes Anderson, this Melvillian revenge could use more wind in its sails, but stays afloat thanks to its cleverly quirky script, imaginatively animated aquatic life and good performances from its eccentric ensemble. Some strong violence, recreational drug use, an implied sexual encounter, an instance of brief gratuitous nudity, much rough and crude language and profanity. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. (Criterion)

"Life As We Know It" (2010)
A womanizing television director (Josh Duhamel) and a successful cafe owner (Katherine Heigl) must overcome their long-standing mutual dislike when the happily married couple who once set them up for a disastrous blind date, and with whom they were each best friends, dies suddenly and they become joint guardians over the deceased pair's infant daughter. Though somewhat sharper-witted than the average romantic comedy, director Greg Berlanti's thoroughly predictable yarn of animosity gradually yielding to a very different emotion showcases a variety of lifestyle choices -- and of more impromptu decisions -- at variance with traditional morality. Brief nongraphic premarital sexual activity, implied casual encounters and cohabitation, an incidental gay relationship, drug use, much sexual and some scatological humor, at least one use of profanity, a couple of rough terms, frequent crude or crass language. Spanish language and titles options. The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Warner Home Video; also available on Blu-ray)

"Life Is Beautiful" (1998)
Bittersweet comic fable in which an Italian Jewish bookseller (Roberto Benigni) uses his imagination to convince his little son that their grim existence in a Nazi concentration camp is just an elaborate contest and that they are sure to win the grand prize. Also co-written and directed by Benigni, the story starts off as a slapstick comedy with the young man courting his future wife, then midway becomes a touchingly human story of a parent's irrepressible determination to protect his child from terror and misery. Subtitles or dubbed. Theme of genocide. The Catholic News Service classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. (Miramax Home Entertainment)

"L'il Abner" (1959)
Faithful filming of 1950s' Broadway musical based on Al Capp's comic-strip yokels who save their Southern town of Dogpatch from becoming an A-bomb test site. Written by Norman Panama and Melvin Frank with Frank directing, the stylized film features intentionally artificial sets and broad acting by a cast including Peter Palmer as Abner and Leslie Parrish as Daisy Mae. Stubby Kaye is on hand to deliver a couple of catchy Johnny Mercer songs. The DVD features a spiffy letterboxed print, a huge improvement over the prints shown on television. Sexual innuendo and barnyard humor. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (Paramount)

"Lilies of the Field" (1963)
When an itinerant jack-of-all-trades (Sidney Poitier) stops to help a group of German nuns newly arrived in New Mexico, his cheerful generosity is disdained by the stern, demanding mother superior (Lilia Skala) until he builds them a chapel with the aid of the local Mexican-American community. Directed by Ralph Nelson, the movie's simple little story of the triumph of faith coupled with good will has enormous charm in the winning performances of the two principals, some good-natured comedy and an infectious theme song that will leave viewers humming "Amen." The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America. (MGM)

"The Lincoln Lawyer" (2011)
Rated "R"
Vibrant but frequently seamy thriller about a slick Los Angeles attorney (Matthew McConaughey) used to defending petty criminals who gets more than he bargained for when he takes the high-profile case of a Beverly Hills playboy (Ryan Phillippe) accused of attempted murder. Driven by McConaughey's kinetic performance, director Brad Furman's adaptation of Michael Connelly's novel -- which also features Marisa Tomei as the advocate's ex-wife -- makes for a lively drama, both inside the courtroom and beyond. But its protagonist's ethical corner-cutting and eventual resort to borderline vigilantism, his client's libertine lifestyle and -- above all -- acrid flashbacks detailing violent sexual assaults narrowly circumscribe this whodunit's appropriate audience. Considerable explicit violence, including scenes of rape, vigilantism issues, brief nongraphic marital lovemaking, fleeting rear nudity, a half-dozen uses of profanity, a few rough terms, much crude and crass language. Spanish titles option. The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Lionsgate Home Entertainment; also available on Blu-ray)

"Lions for Lambs" (2007)
Well-intentioned but static plea for noncomplacency as a slick senator (Tom Cruise) plants an exclusive story about a new U.S. initiative in Afghanistan with a critical TV reporter (Meryl Streep); the idealistic students of a university political science professor (Robert Redford) decide to join the struggle in that country; and the professor tries to convince a disillusioned student (Andrew Garfield) to try to make a difference in the world. Redford's usually solid directorial gifts fail to give life to an exceedingly talky, heavy-handed and artificial script, while even the action scenes in Afghanistan are murky and bland. Pervasive conversational expletives, crude expressions, some profanity and wartime battle violence. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (20th Century Fox Home Entertainment)

"Little Black Book" (2004)
Leaden romantic comedy about an aspiring TV journalist (Brittany Murphy) who decides to snoop into her live-in boyfriend's (Ron Livingston) past love life, only to discover that the embers of some of his former flames are still burning. As directed by Nick Hurran, the lackluster film waffles between being a relationship farce and a show-biz satire, both of which fall flat. Some sexual humor and scattered rough and crude language. The USCCB Office for Film & Broadcasting classification is A-III - adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Columbia/TriStar)

"Little Fockers" (2010)
Dull, tasteless comedy -- the second spawn of 2000's amusing "Meet the Parents" -- dominated by relatively raunchy and poorly staged gags centering on Gaylord and Pam Focker (Ben Stiller and Teri Polo), their 5-year-old twins (Colin Baiocchi and Daisy Tahan) and Pam's meddlesome father (Robert De Niro). Director Paul Weitz strings together a lowest-common-denominator collection of infantile set pieces. Frequent sexual banter, including references to sex toys, condoms and masturbation; some sexual situations and profanity; much crude and crass language; toilet humor; and a bruising fistfight. Spanish titles option. The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Universal Studios Home Entertainment; also available on Blu-ray)

"The Little Shop of Horrors" (1960) (Rifftrax Edition)
Cheesy cult comic chiller in which a dim florist's clerk (Jonathan Haze) nurtures a small carnivorous plant, then winds up killing people to feed its insatiable appetite as it grows to monstrous size. Directed by Roger Corman, the tongue-in-cheek proceedings range from the weird to the gruesome, including a masochist (Jack Nicholson) who enjoys visiting dentists and a plant that calls out, "Feed me," when it's hungry. Comic violence, menacing situations and sexual innuendo. The DVD allows the option of listening to wacky commentary by Mike Nelson, Kevin Murphy, and Bill Corbett of "Mystery Science Theater 3000." The USCCB Office for Film & Broadcasting classification is A-III -- adults. Not rated by the Motion Picture Association of America. (Legend Films)

"A Little Night Music" (1978)
Screen version of Stephen Sondheim's Broadway musical, based on Ingmar Bergman's classic "Smiles of a Summer Night," about ill-matched spouses and lovers who sort out their differences and find happiness in the course of a turn-of-the-century summer night. Harold Prince's uninspired direction and uneven casting (Elizabeth Taylor only so-so in the lead, though she gets to sing "Send in the Clowns") make the light and airy sophistication become rather earthbound, while Diana Rigg, Lesley-Anne Down, and stage holdovers Len Cariou, Hermione Gingold and Laurence Guittard are assets. The situations and dialogue make it mature viewing fare. The film has long been unavailable in any form, so despite flaws, its appearance on DVD is most welcome. Though there are no extras, the print quality of a film that always looked a bit grainy is surprisingly good. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children (Hen's Tooth Video).

"Little Manhattan" (2005)
Warm and wonderful romantic comedy set in New York City about a 10-year-old (Josh Hutcherson) who thinks that girls are "gross" until he falls for an apple-cheeked cutie (Charlie Ray) and finds himself adrift in a befuddling sea of newfound emotions. Tenderly directed by Mark Levin, with endearing performances by its young leads, the sweet story conveys both the agony and ecstasy of first love, as well as its accompanying confusion, anxiety, awkwardness and, ultimately, its magic. Some minor thematic elements, schoolyard fisticuffs, mild rude language and an instance of vomit humor. Bonus features include commentary by Levin and wife-collaborator Jennifer Flackett, who wrote the screenplay. They also contain deleted and alternate footage and a brief making-of featurette in which the married duo walk viewers through the process of planning and filming several scenes, including a wild and "wooly" moment at Central Park's Sheep Meadow. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (20th Century Fox Home Entertainment)

"The Little Mermaid" (1989) (Two-Disc Platinum Edition)
Enchanting Disney animated feature adds a hopeful, happy ending to the Hans Christian Andersen fairy tale about a feisty mermaid (voice of Jodi Benson) who falls in love with a human prince. Written and directed by John Musker and Ron Clements, the characters are delightful, the music is exhilarating and the underwater animation is magical. Youngsters will love how its enterprising heroine faces up to typical parental pressures and learns to take responsibility for her own choices. Picture and sound come up splendidly in the film's deluxe digitally restored anamorphic release with commentary by Musker, Clements and composer Alan Menken. DVD extras include interesting deleted scenes (not all fully drawn), a new animated version of Andersen's "The Little Match Girl"; a 45-minute making-of documentary; a feature on Andersen and the genesis of the original story; and various games and activities for the kids, including an "Under the Sea Adventure: A Virtual Ride." Like all classic Disney products, this is a highly recommendable family acquisition. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted (Walt Disney Home Entertainment).

"Little Miss Marker" (1980)
Adaptation of the Damon Runyon story about a 6-year-old (Sara Stimpson) who is left as security (a marker) for a bet with a bookie (Walter Matthau). Although director Walter Bernstein's reliance upon one-liners keeps the movie lively and his treatment of the romance between Matthau and Julie Andrews is light, the original 1934 version remains unequalled by this remake. Occasional coarse language. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Universal)

"Little Miss Sunshine" (2006)
Immensely likable film about an Albuquerque, N.M., couple -- gung-ho motivational speaker (Greg Kinnear) and his wife (Toni Collette) -- who, with their alienated son (Paul Dano), the wife's gay brother (Steve Carell) who's recovering from a suicide attempt, and the husband's crusty, drug-addicted father (Alan Arkin) in tow, trek to Los Angeles in a creaky van so their daughter (Abigail Breslin) can compete in a beauty pageant. Despite an unfortunately high quotient of expletives and some sexual references (mostly courtesy of the Arkin character), husband-and-wife team Jonathan Dayton and Valerie Faris have directed a refreshingly offbeat tale that, underneath the zaniness, comes over as an extremely positive validation of family and genuine values. Rough and occasionally profane words, sexual references, suicide element, a minor gay plot element, a sight gag involving adult magazines and brief drug use. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Fox Home Entertainment)

"The Little Prince" (1974)
Musical version of Antoine de Saint-Exupery's classic fable about a planet-hopping child prince (Steven Warner) who relates his adventures to a pilot (Richard Kiley) who has crash-landed in the Sahara. Directed by Stanley Donen, the result is warm and upbeat, with engaging acting, pleasant Lerner and Loewe songs and some clever dancing, but the story ends with a gentle letdown that may bring a wee tear to the eyes of the very young. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted. (Paramount Home Entertainment)

"Little Robots: Reach for the Sky" (2006)
Four engaging episodes (11 minutes each) from the parent-approved BBC stop-motion animated series about 11 robots with names like Sporty, Scary, Noisy and so on, comprise this fun DVD. The series encourages children to exercise their imaginations and strive for unlimited possibilities. Cited by the Dove Foundation (which encourages wholesome family entertainment) for its educational messages and innovative story lines, the colorful DVD includes the titular episode, as well as "Scary Scary," "A Bit of Give and Take" and "Noisy's New Song." Good entertainment for the preschool set (Twentieth Century Fox Home Entertainment).

"Little Women" (1994)
Pretty, sentimental version of Louisa May Alcott's classic 1868 novel about four daughters growing up in New England during the Civil War under the watchful eye of an idealistic mother (Susan Sarandon) centers on independent-minded Jo (Winona Ryder) who spurns a wealthy suitor (Christian Bale) to pursue her dreams of becoming a writer. Director Gillian Armstrong's warm characterizations stress unfailing generosity, love, forgiveness and feminine strength in a sweetly charming but dramatically bland production. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Columbia/TriStar)

"Live and Let Die" (1973)
James Bond (Roger Moore) takes on a hokey mixture of Harlem hoods (led by Yaphet Kotto) and Caribbean voodoo worshippers, all eager to chop him up before he blows the whistle on their plan to saturate the U.S. with heroin. Directed by Guy Hamilton, the plot is preposterous, the humor more tasteless than spicy and the special-effects department works overtime to hold the spectator's flagging attention. Spanish titles option. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (20th Century Fox Home Entertainment; also available on Blu-ray)  

"Live Free or Die Hard" (2007)
Action-packed Washington-based thriller as detective John McClane (Bruce Willis in good, sardonic form) teams with a computer geek (Justin Long) to outwit a dastardly hacker (Timothy Olyphant) and deadly femme fatale cohort (Maggie Q) who intend to cripple the nation with a catastrophic computer breach. The fourth installment in the durable series starts in formulaic mode, but builds in excitement, with director Len Wiseman generating some first-rate chase sequences, but repeated profanity and one outrageously vulgar line are unfortunate detriments. Some crude and vulgar words and expressions, gratuitous profanity, a couple making out in a car, innuendo, and pervasive nongraphic violence, including explosions and shootings albeit with little gore. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

"The Longest Day" (1962)
The Allied invasion of Normandy June 6, 1944, is re-created on an epic scale in this three-hour dramatization of the operational preparations, behind-the-line activities but mostly the ferocious battle itself, with particular attention to the American landings at Omaha Beach. Directed by Ken Annakin, Andrew Marton and Bernard Wicki, the result is an absorbing account of D-Day from both sides of the battlefield, with convincing portrayals of men in combat from an international cast headed by John Wayne, Robert Mitchum and Henry Fonda. Wartime violence seen in the context of a righteous cause. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America. (20th Century Fox Home Entertainment)

"The Harold Lloyd Comedy Collection" (1919-1936)
The silent film giant Harold Lloyd, perhaps not today as well known or lionized as Charlie Chaplin or Buster Keaton, finally gets his due in a lavish seven-disc collection that gives full measure to the towering talent of the tremendously appealing and very funny comic actor whose bespectacled, preppy persona is best known today for the iconic image of him dangling precariously from the hands of a giant clock in his classic, "Safety Last." That film is, of course, included along with 14 other feature films (not all of them silent), 13 shorts, and plentiful extras from home movies to photo galleries to celebrity (e.g. Debbie Reynolds, Robert Wagner) testimonials. Lloyd was apparently as kind and amusing off screen as he appears on screen as commentary -- from his descendents, critic Leonard Maltin, and other Lloyd experts -- further attests. Of special interest is the delightful "Speedy," which was actually shot on location in New York, unusual for that time, and makes fascinating historical viewing. (Other scenes, incidentally, were shot in the Westwood section of Los Angeles, site of today's St. Paul's Church and school.) But his hits, "The Freshman," "Why Worry?" and "Kid Brother," and the rest all have their own special pleasures. The films are mostly in terrific shape, thanks to Lloyd's own sense of preservation. Though the silent films predated the Catholic Legion of Decency and the Motion Picture Association, they are all comfortably within A-I (general patronage) parameters. (New Line)

"Carole Lombard: The Glamour Collection"
The glamorous and versatile star who could handle drama and comedy equally well and who died way too young in a plane crash during a World War II bond drive is honored with a six-film box set. Spread over two double-sided discs, the set includes the films below (all with Fred MacMurray), in addition to "Love Before Breakfast" (A-II -- adults and adolescents), and the unclassified "Man of the World" and "We're Not Dressing," the last with Bing Crosby, Ethel Merman, and George Burns and Gracie Allen. Good black-and-white print quality on all. None of the films are rated by the Motion Picture Association of America. (Universal)

"Hands Across the Table" (1935)
Light romantic comedy about a manicurist (Lombard) out to marry for money instead of love, but the rich man's son (MacMurray) she's after proves penniless and is himself seeking a wealthy spouse, while the crippled millionaire (Ralph Bellamy) who truly loves her waits patiently in the wings. Director Mitchell Leisen keeps the frothy plot bubbling with comic wit and slapstick pranks as the cheerfully hard-boiled gold diggers charm each other and the viewer until an agreeably sentimental ending. Romantic complications and situations. The USCCB Office for Film & Broadcasting classification is A-III -- adults.

"The Princess Comes Across" (1936)
Fitful comedy combining murder and romance aboard an ocean liner whose passengers include a girl from Brooklyn (Lombard) trying to get to Hollywood by masquerading as a princess from Sweden, a band leader (MacMurray) aware of the ruse but sweet on its perpetrator, top detectives from around the world and an escaped killer. Director William K. Howard can't quite make it all work but Lombard has a lot of fun spoofing Greta Garbo and Alison Skipworth shines as her brassy lady-in-waiting. Mild romance and some menace. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage.

"Longford" (2006)
Character-driven, fact-based drama probing the relationship that developed between House of Lords politician Frank Pakenham (Jim Broadbent), a convert to Catholicism committed to visiting prisoners, and reviled child murderer Myra Hindley (Samantha Morton). Hindly manipulated Pakenham to press for her parole starting in 1967, years before her true character was revealed. Peter Morgan's sensitive script and Tom Hooper's skillful direction elicit a cunning performance from Morton, but it is Broadbent's exacting rendition of a man's intense spiritual struggle to help and then forgive betrayal that is a testament to his character's enduring Catholic faith. Several instances of rough language and the thematic material make this most suitable for adults. The DVD includes a featurette, "The Truth Behind 'The Moors Murders,'" and audio commentary by Morgan and Hooper (HBO Video).

"The Longest Day" (1962)
The Allied invasion of Normandy June 6, 1944, is re-created on an epic scale in this three-hour dramatization of the operational preparations, behind-the-line activities but mostly the ferocious battle itself, with particular attention to the American landings at Omaha Beach. Directed by Ken Annakin, Andrew Marton and Bernard Wicki, the result is an absorbing account of D-Day from both sides of the battlefield, with convincing portrayals of men in combat from an international cast headed by John Wayne, Robert Mitchum and Henry Fonda. Wartime violence seen in the context of a righteous cause. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America. (Fox Home Entertainment)

"Lonely Are the Brave" (1962)
Thoughtful contemporary Western in which a free-spirited cowboy (Kirk Douglas) tries to break a pal out of jail, then gallops off for the protective wilderness of the mountains as a police manhunt (led by Walter Matthau) closes in. Director David Miller's engrossing narrative provides a penetrating character study of a nonconformist who has to pay the penalty for his refusal to adapt to changing times. Stylized violence. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (Universal Studios Home Video)

"The Long Good Friday" (1982)
Tough British gangster movie in which Bob Hoskins gives a remarkable performance as a London gang lord done in by his own pride. Director John Mackenzie invests his brutal underworld story with grim but intelligent realism that some will find unnerving. Some intense scenes of violence. The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Image Entertainment; also available on Blu-ray)

"Look at Me" (2005)
Finely acted French film about Etienne (Jean-Pierre Bacri), a self-centered, celebrated writer and publisher; his unhappy overweight daughter, Lolita (Marilou Berry), an aspiring classical singer attracted more to the ex-boyfriend who cares little for her than the new one who does; and Sylvia (Agnes Jaoui), the girl's singing teacher, who takes a special interest in the girl mostly to help her writer-husband cultivate a friendship with Etienne. Writer-director Jaoui's perceptive film says much about youthful angst, fathers and daughters, celebrities and sycophants, all in a marvelously real way. Subtitles. A few instances of rough and crude language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Columbia/TriStar)

"Looking for Comedy in the Muslim World"
(Warner Independent)
Rated "PG-13"
Amiable but low-key comedy about comedian Albert Brooks sent to India on a government peace mission to determine what makes Muslims laugh, causing a contretemps with Pakistan in the process. Brooks' brand of laid-back and understated humor and the exoticism of the Delhi, India, settings make for pleasant viewing, along with his gently satiric spin on the present-day politics and conflict often arising over inconsequential misunderstandings. A few instances of profane, rough and crude words make this best for older adolescents and up. The USCCB Office for Film & Broadcasting classification is A-III -- adults.

"Looking for Sophia" (2004)
Kaleidoscopic, adulatory overview of Italian actress Sophia Loren's life and career featuring good-quality film clips (some of them rare), newsreel footage, over-the-years television interviews with the star and contemporary interviews with friends and colleagues, among them actor Omar Sharif and director Robert Altman, who praise her beauty, good humor, strength and professionalism. Robert Olla and Danila Satta's impressionistic 90-minute tribute traces her life from impoverished childhood during World War II to international stardom, as she surmounted such obstacles as the fallout from her controversial marriage to producer Carlo Ponti and her brief prison sentence for tax evasion. But what emerges ultimately is a portrait of a caring woman more "real" than most film stars, and with strong maternal qualities, exemplified best of all by her extraordinary decision to stay in bed for the nine months of her two pregnancies after several early miscarriages. In Italian (with some English-language clips), subtitles. Some thematically adult film clips, including her Oscar-winning role in "Two Women," and brief partial nudity and sexual situations in those clips. The USCCB Office for Film & Broadcasting classification is A-III -- adults. (Mirabella, www.mirabellafilms.com, (305) 828-3250)

"The Lookout" (2007)
Unlikely crime thriller is a compelling character study about a Midwestern town's golden-boy athlete (Joseph Gordon-Levitt), brain-damaged after a car accident and guilt-wracked over the death and injury of his friends, persuaded to serve as lookout for a bank heist, with first-rate performances by Jeff Daniels, Matthew Goode and Isla Fisher. Writer and first-time director Scott Frank admirably shows us the sordid reality of criminal behavior, and offers a redemptive message of how, paradoxically, letting go of the past and forgiving yourself can help you rediscover your true self. Nongraphic premarital encounters, sexual innuendo and banter, violence including shootings and murder in self-defense, a brief violent car crash, fleeting rear nudity, skimpy female attire, drug and alcohol use, pervasive rough and crude language, crass expressions and some profanity. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian.

"Loopdidoo" (2006)
Congenial English-language version of a French cartoon series, based on Alexis Nesme's "Grabouillon" comic books, about the accident-prone titular dog and his 5-year-old owner (and best friend) Petunia. Written for children ages 3 to 5, each of the 13 seven-minute episodes on this widescreen DVD tells a suitably simple story, usually involving a harmless misadventure and often teaching a practical lesson, such as "stay away from bees' nests" and "don't touch a hot iron." Other recurring characters include Petunia's pal, Basil; Loopdidoo's nemesis, Oodles the cat; and the family of fleas who call the dog's fur home. (PorchLight Home Entertainment)

"Lost Gospels or False Gospels?" (2007)
Scholarly but accessible hourlong documentary, hosted by Jesuit Father Mitch Pacwa, exploring the relationship between the four canonical Christian Gospels and the many apocryphal or heretical gospels that were not included in the Bible. Beginning with a discussion of the Jewish and pagan uses of the phrase "good news" (in Greek, "evangelion"), the seven academics featured in director David Wright's film, who are affiliated with both Catholic and non-Catholic institutions, explain the rise of Christian Gnosticism, a dualistic philosophy that rejected the material world and the Creator God of the Jewish Scriptures and that produced such well-known second-century texts as "The Gospel of Thomas" and "The Gospel of Judas." Noncanonical but orthodox Christian writings, like the "Infancy Gospel of James," are also examined, as are too the criteria used by the church in determining the New Testament canon. The DVD includes further analysis of these topics by Father Pacwa. (Ignatius Press, www.ignatius.com or 800-651-1531)

"Lottery Ticket" (2010)
Broad comedy centers on a hardworking, good-natured 18-year-old (rapper Bow Wow) from an Atlanta housing project who wins the lottery but must survive a long holiday weekend before he can collect. He must evade the wiles of a menacing thug (Gbenga Akinnagbe) and a natty crime boss (Mike Epps) with the help of a retired boxer (Ice Cube) for whom he runs errands. Director Erik White's efforts to bridge materialism and spiritual growth are awkward, and viewers seeking an entertaining and perceptive social satire will be disappointed. Nongraphic nonmarital sexual activity, much profanity, at least one use of the F-word, frequent crude and crass language, numerous sexual and contraception references and some violence. Spanish titles option. The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Warner Home Video; also available on Blu-ray)

"Love in the Time of Cholera" (2007)
Overlong, uneven adaptation of Nobel Prize-winner Gabriel Garcia Marquez's acclaimed 1985 epic in which a telegraph clerk (Javier Bardem) in late 19th-century Colombia at the time of a cholera epidemic continues an over-the-decades obsession with the woman (Giovanna Mezzogiorno) he courted as a young man, even though she's now married to an affluent doctor (Benjamin Bratt). Director Mike Newell's cinematic rendering of Marquez's exploration of love in its myriad forms cannot capture the emotional complexities of the book despite Ronald Harwood's intelligent adaptation, and the performances are a mixed bag. The protagonist's finding consolation in numerous sexual if loveless liaisons is morally problematic. Upper female and partial male nudity, several brief nonmarital sexual encounters, innuendo and some frank sexual talk, adultery, domestic discord and murder. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Warner Home Video)

"The Lovely Bones" (2009)
Narrating from beyond the grave, a 14-year-old girl (Saoirse Ronan) recounts her murder at the hands of a psychopath (a squirm-provoking Stanley Tucci) and the effects of the crime on her devastated parents (Mark Wahlberg and Rachel Weisz), her boozy but sensible grandmother (Susan Sarandon) and her sensitive younger sister (Rose McIver), who eventually joins the obsessive dad in a determined hunt for redress. Director and co-writer Peter Jackson's adaptation of Alice Sebold's best-selling 2002 novel features a visually rich, though theologically vague vision of "the In-Between," a picturesque purgatory in which the youthful heroine is trapped as she works through her rage and desire for revenge, but the attempt to blend genres with a story that mixes elements of suspense, emotion-driven drama and a morality tale about the limits of human justice and the dangers of fixation eventually becomes scattershot. Themes of perversion and crime, gory images, scenes of harsh violence, brief nongraphic marital lovemaking, at least one use of profanity and of the F-word, a few crude and crass terms. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Paramount Home Entertainment; also available on Blu-ray.)

"Love Takes Wing" (2009)
Wholesome pioneer romance about a widowed doctor (Sarah Jones) who, together with her colleague and best friend (Haylie Duff), battles an outbreak of cholera, befriending the supervisor (Cloris Leachman) and one of the wards (Annalise Basso) of an orphanage and falling for the village blacksmith (Kevin Scott Richardson), while struggling with her loss of faith. Lou Diamond Phillips, who also plays the local villain, directs an unhurried adaptation of the seventh installment of best-selling novelist Janette Oke's series "Love Comes Softly" with painless lessons about the history of 19th-century medical advances and the feminism of the era, as well as an honorable -- if lightweight -- treatment of nondenominational Christian belief. Spanish titles option. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America. (20th Century Fox Home Entertainment)

"Lucky You" (2007)
Mellow love story set in Las Vegas about an ace poker player (an especially good Eric Bana) who puts his randy ways behind him when he meets a decent young woman (Drew Barrymore) who gently encourages him to come to terms with his estranged father (Robert Duvall), also a poker champ. Director and co-writer Curtis Hanson gets appealing performances from his cast, but the emphasis is largely on the game (familiarity a plus) with several poker champs playing cameo roles, and though there are hardly any sex, violence or language concerns, and the values espoused -- honesty, fidelity, forgiveness, filial devotion and good sportsmanship -- are commendable (gambling notwithstanding), the result is only mildly involving. Acceptable for older teens. A couple of instances of crude language, an implied premarital encounter, brief sexual references and innuendo, and brief mild violence. The DVD includes a few so-so deleted scenes and featurettes on the making of the film and the poker celebrities in the cast. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Warner Home Video)

"The Lord of the Rings" (Limited Edition) (2001-2003)
A handsome streamlined reissue of director Peter Jackson's splendid adaptation of the great J.R.R. Tolkien epic trilogy. The two-disc sets are available for separate purchase. Each film is presented complete on one double-sided disc (and you can choose to watch the theatrical-release or extended version), while a second platter for each film features new feature-length, behind-the-scenes documentaries compiled by filmmaker Costa Botes, with five hours of never-before-seen footage. There are scenes of battlefield violence with frightening images throughout. The USCCB Office for Film & Broadcasting classification for all films is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13 (New Line Home Entertainment).

"The Fellowship of the Ring" (2001)
Visually splendid adventure tale set in the mythical realm of Middle-earth where humble Hobbit Frodo (Elijah Wood), assisted by eight faithful companions (including Ian McKellen), embarks on a perilous quest to destroy a ring which possesses the ultimate source of dark power. The fantasy is true to the epic struggle of good versus evil and uses magnificent effects and location shots. Yet its myriad characters prove daunting and the narrative grows repetitive.

"The Two Towers" (2002)
Spectacular second installment about the struggle between the forces of good and evil, set in the mythical realm of Middle-earth. Jackson seamlessly blends breathtaking locations with cutting-edge effects to tell the timeless tale of Frodo and his companions as they continue their perilous quest to destroy the ring, an amulet of unspeakable, seductive power.

"The Return of the King" (2003)
Lavish final chapter brings to completion the quest of Frodo to destroy the ring coveted by the dark lord Sauron, while his comrades stave off the annihilation of mankind by leading a last-stand resistance against an army of Sauron's evil minions. Seamlessly blending grand-scale special-effects sequences with dramatically nuanced performances, Jackson scores a crowning achievement, as visually spectacular as it is emotionally satisfying. The good-versus-evil, sword-and-sorcery saga touches on transcendent themes such as mortality, free will and divine providence.

"Lord of War" (2005)
Thought-provoking, if at times contrived, morality play about an opportunistic and morally bankrupt Ukrainian emigre (Nicolas Cage) who rises from small-time gunrunner to international arms dealer, while living a double life as a respectable family man, all the while staying one step ahead of his rivals, his ruthless clients and the law -- that is, until his own conscience catches up with him. By turns action drama and black comedy (neither completely successful), the film's serious social commentary and anti-violence themes are saddled with message-heavy melodrama and standard action cliches that bog down the otherwise effective narrative. Strong images of violence, sexual situations with partial nudity, recurring drug content, some racial stereotyping, and pervasive rough and crude language. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Lions Gate)

"The Losers" (2010)
This slick action comedy about a unit of ex-special forces soldiers (Jeffrey Dean Morgan, Chris Evans, Idris Elba, Columbus Short and Oscar Jaenada) who are betrayed by a fiendish spymaster (Jason Patric) holds itself in much higher regard than its deprecatory title and flippant tone would suggest -- or than the disposable project as a whole deserves. Director Sylvain White applies a music-video sensibility to the comic-book source material, and the stylized violence, though considerable, is never explicit, while the jocularity is more juvenile than offensive. A moderately explicit nonmarital sexual encounter, some profanity, at least two instances of rough language, a steady stream of crude and crass verbiage, frequent bloodless violence and some sexual innuendo and banter. Spanish language and titles options. The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Warner Home Video)

"Lost in Translation" (2003)
Likable comedy about an actor and midlife-crisis candidate (Bill Murray) who befriends a lonely young American newlywed (Scarlett Johansson) while filming a liquor commercial in Japan. Wisely keeping the May-December romance chaste, director Sofia Coppola elicits nuanced performances in this well-crafted and ruminative meditation on loneliness and the emotional balm of friendship. Some crude language, an implied sexual encounter, and a scene in a strip club with brief frontal nudity. The USCCB Office for Film & Broadcasting classification is A-IV -- adults, with reservations. The Motion Picture Association of America rating is R -- restricted. (Universal)

"A Lot Like Love" (2005)
Occasionally appealing but mostly forgettable romantic comedy about a button-down Internet entrepreneur (Ashton Kutcher) and a free spirit (Amanda Peet) who, after a sexual tryst on a flight, continue to wander in and out of each other's lives as they search for love. Director Nigel Cole's love story has a predictable plot and bland performances, and its message about "taking chances" is dampened by a casual attitude toward premarital sex. Several sexual encounters, including one with shadowy nudity, drunkenness and some crude language. Excellent DVD print quality, an OK blooper reel, five so-so deleted scenes, a music video, and amiable commentary by Cole and two of the producers. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Touchstone)

"Love's Abiding Joy" (2006)
Fourth installment in the "Love Comes Softly" series where pioneer rancher couple (Erin Cottrell and Logan Bartholomew), circa 1885, cope with financial hardships and the sudden loss of their child. The villainous mayor (John Laughlin) makes the husband sheriff but only to manipulate him for his dastardly purposes, while thwarting the budding romance between his own daughter (Mae Whitman) and the sheriff's adopted son (Drew Tyler Bell). Michael Landon Jr. directs the leisurely tale capably; the production design, cinematography and musical score are assets, but the script and performances are bland and often anachronistically contemporary, while the faith elements, though admirable, are heavy-handed. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children (Fox).

"Love Actually" (2003)
Romantic comedy set in London which interweaves 10 stories of love including a newly elected prime minister (Hugh Grant) who falls for his curvaceous secretary (Martine McCutcheon); a recently widowed father (Liam Neeson) left to care for his young stepson; and a comfortably married woman (Emma Thompson) who fears her husband (Alan Rickman) is contemplating an affair. From romantic to puppy love, from love between spouses, friends and families to unrequited love, writer-director Richard Curtis has composed a touching if uneven film that pleases despite familiar cliches and overworked situations. However, unnecessary extended sexual scenes detract from the film's overall drollness. Several scenes of sexual encounters with nudity, a few sexual references and innuendoes, and intermittent rough language with an instance of profanity. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. (Universal)

"Love and Pain and the Whole Damn Thing" (1973)
An aging, ailing, inhibited English spinster (Maggie Smith) meets an inarticulate young American (Timothy Bottoms) on a bus tour of Spain and the summer friendship turns into a love affair. Director Alan J. Pakula succeeds with poignant comic sequences as the unlikely pair get to know each other but the romantic ending turns the movie into routine soap opera. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Sony Pictures Home Entertainment)

Loverboy" (2006)
Well-acted if bleak story of a psychotic woman (Kyra Sedgwick) -- emotionally scarred in childhood -- who sets out to get herself pregnant and who later becomes an overly protective mother to her young son (8-year-old Dominic Scott Kay). Actor Kevin Bacon's big-screen directorial debut shows skill, and performances are fine all around (including those of Matt Dillon, Campbell Scott, Sandra Bullock and Bacon, himself), but those elements are outweighed by a basically unlikable protagonist (Sedgwick's empathetic portrayal notwithstanding), deliberate pacing and a fairly predictable plot. Promiscuity, some brief sexual encounters, artificial insemination, partial rear and upper female nudity, breast-feeding, some crude language, an act of animal cruelty, suicide, and a murder attempt. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian (Universal Studios Home Video).

The Val Lewton Horror Collection" (2005)
According to his son who speaks on the documentary "Shadows in the Dark: The Val Lewton Legacy," the distinguished 1940s' horror film producer did not practice any faith and did not go to church, but certainly knew the Bible and was well-versed in religious philosophy.
   Now he is honored with a nine-film, five-DVD set commemorating his output for RKO studios. Audiences can appreciate anew how, using merely the power of suggestion and making viewers communicate with their "own dark soul," he made films that despite their melodramatic titles -- "Curse of the Cat People," "The Leopard Man" and "I Walked With A Zombie" -- were, in fact, wonderfully subtle and artistic exercises in suspense.
   Born in Russia but brought by his mother to the U.S. at an early age, Lewton was the nephew of the great actress known as Nazimova. Attracted to books and literature, he wrote several novels of the pulp variety, radio scripts and stories, and worked as a journalist, eventually becoming a story editor to the great producer David O. Selznick.
   The documentary that comes in the set -- "Shadows in the Dark: The Val Lewton Legacy" -- features perceptive commentary by directors Robert Wise and William Friedkin, Val Lewton Jr., Sara (daughter of Boris) Karloff and several film historians.
   Lewton got to fulfill his dream of producing -- his work with Selznick, though prestigious, was drudgery to him -- when RKO, reeling from the financial failures of Orson Welles' "Citizen Kane" and "The Magnificent Ambersons" -- offered him the chance to produce horror films that could be as popular as those from Universal, which had the patent on that genre.
   Lewton would make the film that fit the title. "Cat People" was his first, but he gave the studio a film far different from what they expected: a subtle, psychological mood piece. But it was such a huge success, he got the green light to do other similar projects. His first great director was Jacques Tourneur, but he would later work with Wise, Mark Robson and Curt Siodmak. Eventually, Boris Karloff would come over from Universal, and the two men formed a mutual admiration society.
   Some of his films featured a theme of embracing death -- even to the point of suicide -- and indeed, he was plagued by ill health for most of the RKO period, suffering a heart attack midway through. He would die in 1951 at the age of 46.
   All of the films in "The Val Lewton Horror Collection" are classified A-II -- adults and adolescents -- by the USCCB Office for Film & Broadcasting. None were rated by the Motion Picture Association of America.

The five-DVD set, with the first three DVDs available separately, breaks down as follows:
"Cat People" (1942) and "The Curse of the Cat People" (1944)
"Cat People" -- Effectively understated horror movie in which a husband (Kent Smith) tries to help his bride (Simone Simon) conquer her fear of a legend about humans cursed with the power to turn into deadly panthers. In their first low-budget effort, Lewton and director Tourneur create a sinister atmosphere and some scary scenes --notably in a hotel swimming pool. Much menace.

"The Curse of the Cat People" -- A lonely child is befriended by the spirit of her father's first wife (Simone Simon), who met a dire end in the original. Directed by Gunther von Fritsch and Robert Wise, the fantasy is not one of horror but of fear for the child's safety. Some eerie scenes evoking dread of the unknown. The extras include commentary by historian Greg Mank and audio interview excerpts with Simon.

"I Walked With a Zombie" (1943) and "The Body Snatcher" (1945)
"I Walked With a Zombie" -- Effective horror tale set on a Haitian plantation whose American owner (Tom Conway) employs a nurse (Frances Dee) to care for his strangely afflicted wife (Edith Barrett) who has had some dealings with a local voodoo cult. Directed by Siodmak, the plot offers little more than ominous atmosphere and scary visuals. Threatening situations and romantic complications. Contains audio commentary by historians Kim Newman and Steve Jones.

"The Body Snatcher" -- Gruesome chills from a Robert Louis Stevenson story in which a doctor (Henry Daniell) in 1831 Edinburgh buys cadavers for his medical school from a grave robber (Boris Karloff) who turns to murder when cemetery guards cut off his supply. Directed by Wise, the setting and characters hold interest while the dark, sinister atmosphere provides goose bumps. Minimal violence but much menace and suspense. Commentary by Wise and Steve Haberman.

"Isle of the Dead" (1945) and "Bedlam" (1946)
"Isle of the Dead" -- Science faces the supernatural during the 1912 Balkan War when a stern Greek general (Boris Karloff) quarantines an island beset by plague and gripped by fears of a vampire. Director Robson fashions quite an effective tale of psychological dread filled with dark, moody photography. Mostly spooky effects but some stylized violence.

"Bedlam" -- Dark tale of London's infamous 18th-century insane asylum to which a sane woman (Anna Lee) is committed in order to silence her criticism of its head keeper (Boris Karloff). Directed by Robson, the asylum's terrors are only suggested but they work powerfully. Menacing atmosphere and some brutality. Commentary by film historian Tom Weaver.

"The Leopard Man" (1943) and "The Ghost Ship" (1943)
"The Leopard Man" -- Eerie thriller is set in a New Mexico town where a singer's agent (Dennis O'Keefe) rents a leopard as a publicity stunt but the animal's escape is followed by a series of deaths. Director Tourneur overcomes a weak plot by using the power of suggestion to fill the situation with dread and suspense. Menacing atmosphere. Commentary by director William Friedkin.

"The Ghost Ship" -- Moody, but woodenly acted, story of young ship's officer (Russell Wade) who comes to realize the ship's captain (blandly played by Richard Dix) is a homicidal madman, but no one will believe him. Director Robson generates some suspense, but all in all this is one of Lewton's lesser efforts. Scenes of menace and some mild scenes of violence, one involving blood.

"The Seventh Victim" (1943) and "Shadows in the Dark: The Val Lewton Legacy" (2005)
"The Seventh Victim" -- Murky thriller in which a young woman (Kim Hunter) arrives in New York City to find her missing sister, then learns she's become involved with a cult that has condemned her to death. Directed by Robson, the story establishes an unsettling atmosphere but the sinister implications of the plot are too nebulous. Minimal stylized violence, much suspense and a suicide in the plot's resolution. Commentary by film historian Steve Haberman.
 

 "Love Me Tender" (1956)
Muddled tale of a Confederate trooper (Richard Egan) arriving home after the Civil War to find his girlfriend (Debra Paget) married to his youngest brother (Elvis Presley) which leads to misunderstandings, then bloodshed. Directed by Robert D. Webb, the melodrama grows increasingly contrived as federal agents vie with ex-Rebs to find a stolen Union payroll while Presley sings a few tunes before turning into a jealous husband. Stylized violence and sexual situations. The USCCB Office for Film & Broadcasting classification is A-III -- adults. Not rated by the Motion Picture Association of America. (Fox)

"Lucy & Desi: A Home Movie" (1993)
Extremely touching documentary -- which originally aired on NBC and won an Emmy for outstanding informational special -- gives a unique perspective on television's most famous 1950s couple, Lucille Ball and Desi Arnaz. It was co-produced and directed by daughter Lucie Arnaz who utilizes rare color home movies and telling interviews with friends, family members and show business colleagues to show the personal joys and pains behind the sitcom laughs. The footage spans the period of their marriage, the birth of their children, their landmark series "I Love Lucy," their tragic divorce and beyond, ultimately demonstrating their enduring love even through the rocky times. The DVD edition features more than two hours of extra material, including outtakes, commercials featuring the couple in their heyday, and an extended interview with Arnaz and her brother, Desi Arnaz Jr. (MPI Home Video)

"Luther" (2003)
Sweeping but flawed historical drama about the life of Martin Luther (Joseph Fiennes), the 16th-century German monk instrumental in triggering the Protestant Reformation. Though making the issues and personalities accessible to modern viewers, Eric Till's biopic veers from historical accuracy, oversimplifying complex religious and political issues and glossing over Luther's shortcomings with a revisionist glaze, while painting the church as worldly and self-indulgent. Recurring violence and theological complexities. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (PG-13) (MGM)

M
"MGM: When the Lion Roars" (1992)
The three-part documentary, which won an Emmy for best informational series, comes to DVD in a two-disc set. Hosted in rather overemphatic fashion by Patrick Stewart on an overly stylized heavenly set, it chronicles how the Hollywood studio system built the U.S. movie industry and then was devoured by it by focusing on one of the biggest and best, Metro-Goldwyn-Mayer. The first two parts cover the golden years with production boss Irving G. Thalberg, and studio head Louis B. Mayer at the helm, though Thalberg would die tragically young. The final program is devoted to how the once-proud lion lost its roar with the coming of television, changing social tastes and inept management. There's a generous sampling of some the studio's most memorable movies as well as interviews with some of the artists who worked there. Along with repeats of oft-told Hollywood tales, there are occasional tidbits of information of more than passing interest. For instance, Maureen O'Sullivan remarks that her skimpy costuming as Jane in "Tarzan, the Ape Man" (1932) was "one of the things that started the Legion of Decency," though there's no more substantive explanation. Despite the sometimes hokey presentation, the wealth of excerpts and interviews recalls a classic period of Hollywood movies that will never go out of style. (Warner Home Video)

"Mr. 3000" (2004)
Crowd-pleasing baseball comedy about an aging, self-absorbed all-star (Bernie Mac) who comes out of retirement after nine years when an error discovered in the recordkeeping shows he is three base hits shy of 3,000, a career milestone without which he won't get into the Baseball Hall of Fame. Director Charles Stone III swings for the feel-good fences but comes up short of a home run; his movie's positive, but predictable, message about self-sacrifice, teamwork and second chances is weighed down by unnecessary crudeness. An implied sexual encounter, fleeting partial rear nudity and recurring coarse language and humor. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Buena Vista)

"Mr. Bean's Holiday" (Widescreen) (2007)
The perennially pleasing Mr. Bean (Rowan Atkinson) wins a trip to the French Riviera, but before reaching the beach he manages to complicate the lives of a Russian film critic (Karel Roden), the critic's young son (Max Baldry), a self-obsessed movie director (Willem Dafoe) and a charming French actress (Emma de Caunes). As directed by Steve Bendelack, the film is an unmitigated delight: gentle, ingenious and equally appealing to children and adults. Some mild scatological humor and a few slightly frightening scenes that might upset very young children. The DVD of the film -- a European box office smash that unaccountably did less well here -- includes 22 minutes of brief but amusing deleted scenes, and features on the location filming in France, the Cannes Film Festival, and Atkinson's approach to his character. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted. (Universal Studios Home Entertainment)

"Mr. & Mrs. Smith" (2005)
Excessively violent -- not to mention dull and unfunny -- action comedy about a couple (Brad Pitt and Angelina Jolie) living an ordinary suburban life, each -- unbeknownst to the other -- a hired assassin working for rival organizations, who upon learning the truth stop at nothing to try and kill each other. Director Doug Liman's stylized but unstylish action film is a trashy glorification of violence and ugly brutality, only fitfully watchable thanks to the attractiveness of its stars whose onscreen chemistry is practically nil. The witless script hasn't even a smidgen of reality to ground the improbable proceedings, making for an unusually distasteful film. Relentless violence, cold-blooded murders, profanity, crude language, sexual situations and banter, suggestive costuming, implied premarital sex. The USCCB Office for Film & Broadcasting classification is O -- morally offensive. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Fox)

"Mr. Magorium's Wonder Emporium" (2007)
Wholesome, well-meaning but only moderately charming tale about a magical toy store run by a 243-year-old eccentric (Dustin Hoffman), his young assistant (Natalie Portman), a 9-year-old boy (Zach Mills), and their new stuffy accountant (Jason Bateman). There are too many holes in writer-director Zach Helm's basic premise even for a fantasy, while the death of a major character and the shop's subsequent temporary transformation into funereal black may be too downbeat for the youngest viewers, while the ultimate messages about "believing in yourself" and "finding the magic within" have been done better elsewhere. An ambiguous remark about the afterlife. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted. (20th Century Fox Home Entertainment)

"Mr. Woodcock" (2007)
Needlessly crass but sporadically entertaining comedy in which a best-selling self-help writer (Seann William Scott) returns to his hometown to receive an award only to discover that his mother (Susan Sarandon) is dating the harsh gym teacher (Billy Bob Thornton) who terrorized him in junior high school. Assisted by a former classmate (Ethan Suplee) he attempts to sabotage the relationship while his hard-edged publicist (Amy Poehler) pushes him to return to his book tour. Though it too often strays beyond good taste, the film, as directed by Craig Gillespie, does have some moments of inspiration, and a few genuine insights as well. A nongraphic premarital sexual encounter, one use of the f-word, much crude and crass language, and innuendo. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Warner Home Video)

"The Machinist" (2004)
Darkly arresting psychological thriller about a skeletal machine operator (Christian Bale) suffering from chronic insomnia, whose fragile psyche edges toward madness because of the presence of a menacing co-worker (John Sharian) and whose only solace is found in the companionship of a sympathetic coffee-shop waitress (Aitana Sanchez-Gijon) and a comforting call girl (Jennifer Jason Leigh). Director Brad Anderson's grimly stylish meditation on guilt and paranoia is dripping with nightmarish noir atmospherics and bleak moodiness and is highlighted by a mesmerizing performance by Bale, who lost a jaw-dropping 63 pounds for the role. Several instances of violence, including a gruesome amputation, sexual situations with nudity, as well as recurring rough and crude language. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. (Paramount)

"Madame Bovary" (1991)
Faithful adaptation of Gustave Flaubert's 1856 novel about a restless Frenchwoman (Isabelle Huppert) who, bored in her marriage to a doltish physician (Jean-Francois Balmer), precipitates her own downfall by adulterous infatuations and compulsive expenditures. As adapted and directed by Claude Chabrol, the melodramatic story offers a visually engaging but emotionally distant picture of a relentlessly self-absorbed woman. Subtitles. Restrained treatment of extramarital affairs and a suicide. The two-DVD set includes a 52-minute documentary on Huppert, following the actress over the course of a year. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Koch Lorber Films)

"Madagascar" (2005)
Entertaining animated comedy about a quartet of pampered zoo animals (voiced by Chris Rock, Ben Stiller, David Schwimmer and Jada Pinkett Smith) who find themselves shipped back to the wild, where they discover that the jungle is not all it's cracked up to be. Directed by Eric Darnell and Tom McGrath and imparting a positive message about friendship, the visually vibrant and at times funny film starts out well (the motley menagerie is a hoot), but its early wit gives way to cartoonish slapstick humor that stresses sight gags more than story. Mildly crass language and humor, cartoon violence, as well as some thematic elements that may be disturbing to very young children. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Universal)

"Madagascar: Escape 2 Africa" (2008)
Four animal friends (voices of Ben Stiller, Chris Rock, David Schwimmer and Jada Pinkett Smith), stranded on the titular island, try to fly home to their New York City zoo, but land instead on an African savanna where they must continue to adapt to life in the wild. Though occasionally marred by slightly crass humor, this generally amiable animated comedy, co-written and directed by Eric Darnell and Tom McGrath, is visually lush and offers lessons about the need for self-confidence and the true nature of love. Mild innuendo, a few slightly crude gags and some thematic elements that might frighten very young children. Spanish language and titles options. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Paramount Home Entertainment; also available on Blu-ray)

"Mad Hot Ballroom" (2005)
Generally appealing documentary about ethnically diverse New York City elementary school students competing in citywide American Ballroom Theater's "Dancing Classrooms" program, focusing on the intense rehearsals leading up to the finals, which bring success and, inevitably for some, disappointment. Marilyn Agrelo and Amy Sewell's cinema-verite film would benefit from a glossier style, but the kids' precocious off-the-cuff remarks and growing adeptness at the rumba, tango, merengue, fox trot and swing are impressive and alternate between endearingly humorous and poignant, transcending the sometimes physical drabness of the urban public school setting. Overall positive themes of good sportsmanship and the power of the arts to improve one's life, though with some suggestive movements and mature thematic elements. The DVD has no extras, but picture quality is fine. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Paramount)

"Mad Money" (2008)
Clever, fast-paced caper comedy about three cash-strapped women -- a middle-class housewife (Diane Keaton) whose husband (Ted Danson) has just lost his job, a single mom (Queen Latifah) with two young boys to support, and a dippy but clever young woman (Katie Holmes) -- who join forces to smuggle money out of the Federal Reserve Bank where they work. The time-honored conventions of heist films and the lighthearted "Ocean's Eleven"-ish tone throughout outweigh elements that would be morally problematic if viewed from a strictly literal point of view. The stars make a surprisingly effective and appealing team, and there's assured direction from Callie Khouri. Some crude expletives, crass expressions, one use of profanity, mild sexual talk and innuendo, an implied nonmarital encounter and brief drug reference. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Anchor Bay Entertainment)

"Maggie Smith at the BBC" (1972-1993)
Lovely three-disc tribute to the great English actress Maggie Smith -- acclaimed for her consummate skill in both comedy and drama -- including Shakespeare's "The Merchant of Venice" (with Smith as Portia and Frank Finlay as Shylock) and Bernard Shaw's "The Millionairess" (also available on the BBC's Shaw compendium), both from 1972; Alan Bennett's "Bed Among the Lentils" from his "Talking Heads" series; and Tennessee Williams' "Suddenly Last Summer." The latter two -- which are best for adults -- were seen in the United States on PBS. There's also a radio adaptation of William Wycherley's very funny "The Country Wife," two fascinating archival interviews with Smith from 1967 (her youngest appearance on a set) and 1973, and a newly recorded tribute with director Richard Eyre, actor Simon Callow, and Bennett singing the lady's praises. The box comes with a commemorative booklet. (BBC Video)

"The Major and the Minor" (1942)
Wacky comedy in which a woman (Ginger Rogers) lacking enough money for a full-fare train ticket gets the children's rate by pretending to be an 11-year-old, then has to continue the disguise when she's befriended on the journey by an Army officer (Ray Milland) from a boys military academy, with increasingly giddy but mostly good-natured results. Director Billy Wilder sustains the humor of the absurd premise until the sentimental ending, aided by a capable cast gamely going through the antic proceedings. Comic misunderstandings and romantic complications. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (Universal Studios Home Entertainment)

"Mama's Boy" (2007)
Tepid romantic comedy about an eccentric slacker (Jon Heder) who still lives with his mother (Diane Keaton) and his efforts to sabotage her budding relationship with a motivational speaker (Jeff Daniels) while he timidly pursues a coffee shop waitress (Anna Faris). Though the film ends on a redemptive note, director Tim Hamilton's film features a mostly unsympathetic main character as well as questionable sexual values. Additional features on the DVD include both widescreen and full-screen formats, commentary by the director and four additional scenes. Spanish-titles option. Implied premarital cohabitation and sex, partial rear nudity, a scene of urination, drug use, some sexual and scatological references, one use of the f-word, some crude language, two uses of profanity and obscene gestures. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Warner Home Video)

"Mamma Mia! The Movie" (2008)
Lively and colorful adaptation of the popular stage musical, utilizing the songs of Abba, about a bride-to-be (Amanda Seyfried) who invites her mother's (marvelous Meryl Streep) three lovers from two decades earlier (Pierce Brosnan, Colin Firth and Stellan Skarsgard) to her wedding in Greece after discovering that one of them may be her father. Original theater director Phyllida Lloyd has skillfully adapted the show, and the stars handle their songs with aplomb, but though joyful, humane and life-affirming with little visually offensive, a strong caution must be raised about the underlying "anything-goes-for-love" message and several other problematic elements. Overall freewheeling morality, light sexual references and innuendo, casual treatment of marriage, divorce and nonmarital relations, some vulgar gestures, brief rear-nudity sight gag, an anti-Catholic remark and a few crass words. Spanish language and titles options. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Universal Studios Home Video; also available on Blu-ray)

"The Mambo Kings" (1992)
A failed romance haunts two Cuban brothers (Armand Assante and Antonio Banderas) who arrive in New York in 1952 with dreams of becoming a leading mambo band. Directed by Arne Glimcher, the period movie exudes a Latin beat in capturing the emotional conflicts of the close but radically different siblings. Momentary violence, brief bedroom shots with flashes of nudity and an instance of rough language. The DVD has a handsome letterbox print, commentary by Glimcher and a contemporary featurette. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. (Warner Bros.)

"A Man Called Peter" (1955)
Fact-based dramatization of the life of the Rev. Peter Marshall (Richard Todd), a Scot who became an American minister, rose to the pulpit of a venerable church in the nation's capital and served as chaplain in the U.S. Senate until his death in 1949. Director Henry Koster follows the clergyman's career in uplifting fashion, grounded in the romantic appeal of his joyful marriage to a loving wife (Jean Peters). Inspirational picture of a Christian pastor. The DVD offers a good letterboxed print, premiere footage, and a rare and stirring audio-only sermon by Rev. Marshall. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America. (Fox)

"The Man" (2005)
Minor action comedy about nerdy middle-aged dental products salesman (Eugene Levy) who's mistaken for a stolen-arms dealer, and becomes the unwilling sidekick of a Detroit-based federal agent (Samuel L. Jackson), whose crooked partner has just been murdered in a sting operation against the bad guys. Director Les Mayfield's film is fitfully amusing, thanks to the chemistry of the two intentionally mismatched stars, and though there are positive underlying themes the formulaic plot construction and uninspired dialogue severely undermine what might otherwise have been a more recommendable escapade. Excessive crude language, as well as a few instances of rough language and profanity, some action violence, general vulgarity, some sexual innuendo, and ethnic humor. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (New Line)

"The Manchurian Candidate" (1962)
 Fine political spine-tingler with Laurence Harvey playing a Korean War POW transformed by Red Chinese hypnosis into a deadly instrument of assassination before his return to the United States during a presidential campaign. By the time an ex-POW buddy (Frank Sinatra in a solid performance) figures out the reason for his strange behavior toward wife and family, a major manhunt and race with time are on. Director John Frankenheimer has fashioned a superior suspense movie with a growing intensity that adults and older teenagers may appreciate.    The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (MGM)

"The Manchurian Candidate" (2004)
Pulse-pounding political thriller about a troubled Army officer (Denzel Washington) haunted by nightmares of a combat mission years earlier which may or may not hold the key to shedding light on a conspiracy involving a former member of his platoon (Liev Schreiber) running for vice president of the United States. In remaking John Frankenheimer's 1962 Cold War classic, director Jonathan Demme gives the tale a 21st-century face-lift, weaving ripped-from-the-headlines fears about government and corporate malfeasance into a tautly paced tapestry of spine-tingling suspense that falls short of the original's masterpiece status. Several scenes of graphic violence and torture, as well as some crude language and profanity. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. (Paramount)

"Manna From Heaven" (2002)
Fanciful tale in which a Buffalo nun (Ursula Burton) decides that the found money from which her family and friends benefited 30 years earlier must be repaid, so they organize a car raffle and ballroom dancing competition to raise the long-spent cash, and in the process reconnect with what is really important in life. Written by Gabrielle Burton and co-directed by her daughters, Gabrielle C. and Maria Burton, the movie's combination of humor and hope within a Catholic perspective results in a heartwarming film whose marvelous cast and crowd-pleasing elements make its plot contrivances seem amusingly whimsical. The DVD includes bloopers, deleted and extended scenes, a behind-the-scenes featurette, Q&A and audio commentary by the filmmakers. A few crude expressions and fleeting sexual innuendo. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. (MGM/UA)

"A Man for All Seasons" (Special Edition) (1966)
Engrossing drama of the last seven years in the life of Sir Thomas More, lord chancellor under Henry VIII who met a martyr's death rather than compromise his conscience during a period of religious turmoil. Robert Bolt's script is masterfully directed by Fred Zinnemann, with a standout performance by Paul Scofield in the title role, among other notable performances from a uniformly fine cast. The historical dramatization achieves an authentic human dimension that makes its 16th-century events more accessible and its issues more universal. Profoundly entertaining but perhaps heavy going for children. The handsome anamorphic DVD features a good 18-minute featurette on More, though no other extras. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted (Sony Pictures Home Entertainment).

"The Man in the Iron Mask" (1998)
Lavishly mounted adaptation of Alexandre Dumas' 1850 novel in which the imprisoned twin brother of King Louis XIV (DiCaprio in a dual role) is rescued by the three aging Musketeers (Jeremy Irons, John Malkovich and Gerard Depardieu) while the fourth (Gabriel Byrne) opposes their plan to secretly replace the evil monarch with his twin. Director Randall Wallace's historical drama has rousing scenes of derring-do, but is burdened by the king's one-dimensional character and the story's sentimentality. Occasional violence, including a suicide, and brief rear nudity, as well as sexual situations and references. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

"Man of the Year" (2006)
Political satire about an idealistic comedy TV talk-show host (Robin Williams) who wins the presidency, and falls for a software analyst (Laura Linney) who discovers that the election results were due to a program glitch in her company's voting machine. Director Barry Levinson never decides whether his movie is light farce or something darker; the script soft-pedals issues of personal morality, though the film make some valid observations about the blurred distinction between entertainment and news. Sexually crass humor, innuendo, a mildly irreligious joke, brief violence, a use of the f-word and some crude language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13 (Universal).

"Man on Fire" (2004)
Dark and depraved revenge tale about an ex-soldier of fortune turned professional bodyguard (Denzel Washington), who unleashes his lethal fury on a ring of Mexican kidnappers after they abduct the little girl (Dakota Fanning) he has been hired to protect. As directed by Tony Scott, the film poses interesting questions concerning sin and forgiveness, but its superficial theological pretensions quickly give way to a grisly procession of torture and death, which, though unbearable to watch at times, ends on a redemptive note. Excessive graphic violence, a rationalization of vengeance, much rough and crude language, and a suicide. The USCCB Office for Film & Broadcasting classification is O -- morally offensive. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (20th Century Fox)

"The Man Who Shot Liberty Valance" (Centennial Collection) (1962)
Provocative Western in which a lawyer (James Stewart) from the East becomes the territory's leading politician after confronting a notorious badman (Lee Marvin), though the legend of the shootout omits the role of a local cowboy (John Wayne). Director John Ford shows the power of myth in shaping the past's meaning as the narrative recounts how the frontier's law of the gun gave way to more civilized notions of justice. Stylized violence, some of it quite brutal. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (Paramount Home Entertainment)

"The Man With One Red Shoe" (1985)
An innocent bystander (Tom Hanks), mistaken for an enemy agent by the CIA, goes through his daily routine blissfully unaware that he is in mortal danger from various and sundry agents who are following his every move. Directed by Stan Dragoti, this comedy is an innocuous remake of the stylish French farce, "The Tall Blond Man with One Black Shoe." Comic violence and a bit of sexual innuendo.         The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Fox)

"The Man in the Gray Flannel Suit" (1956)
Earnest melodrama based on Sloan Wilson's novel in which a novice broadcasting executive (Gregory Peck), torn between the needs of family and job, faces a crisis with his wife (Jennifer Jones) when he learns he fathered a child in a brief wartime affair. Directed by Nunnally Johnson, the plot is as obvious as the situations are contrived, but fine performances from Fredric March as the unhappy boss and Lee J. Cobb as a kindly judge help keep the picture of interest. Though the story and treatment are dated, the conflict between material success and personal integrity remains valid. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (Fox)

"Maria Full of Grace" (2004)
Arresting drama about a young woman from rural Colombia (Catalina Sandino Moreno) who becomes a drug "mule" -- swallowing pellets of heroin to be smuggled into the United States -- in order to support her family. Employing a style of stark realism, writer-director Joshua Marston grafts human drama onto what could have been a conventional crime-thriller premise, resulting in an emotionally affecting film about desperation, determination and hope. Subtitles. Recurring drug content, some disturbing images, and rough and crude language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. (HBO)

"Marilyn Hotchkiss Ballroom Dancing and Charm School" (2006)
The wish of a dying man (John Goodman) leads an emotionally scarred widower (Robert Carlyle) to a dance class where he -- and later his fellow bereavement group mates (Sean Astin, Ernie Hudson, David Paymer and Adam Arkin) -- finds fulfillment, and, in his case, love. Director and co-writer Randall Miller's compassionate film has touching moments and several redemptive situations, and is well acted by its impressive cast (Mary Steenburgen, Donnie Wahlberg, Camryn Manheim and Sonia Braga), but its jagged pace, often-stilted dialogue and washed-out color palette make the film ultimately more dreary than uplifting. A few rough and crude words and expressions, a nongraphic premarital sexual encounter, fleeting sexual banter, a car wreck and a bloody victim, a suicide theme and the dispersal of cremated remains. The DVD contains full and widescreen versions of the movie, with audio commentary only on the latter. Also included is the charming half-hour short film of the same title that inspired the feature (which contains some mildly crude language and humor and a brief scene of two young boys smoking cigarettes). The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13 (Sony Home Entertainment).

"Marlene" (1984)
Unconventional documentary on the life and career of screen star Marlene Dietrich (1902-92) uses the usual movie excerpts and newsreel footage but spends much time listening to director Maximilian Schell's futile tape-recorded efforts at interviewing the retired actress and his failure to persuade her to appear on camera. With Dietrich dismissing most of his questions as "rubbish," Schell winds up making a documentary in which he co-stars as the frustrated director struggling to win the confidence of a feisty octogenarian who stubbornly refuses to participate in the project on any but her own terms. Some subtitles. Mature themes. The USCCB Office for Film & Broadcasting classification is A-III -- adults. Not rated by the Motion Picture Association of America. (Kino)

"March of the Penguins" (2005)
Exceptional nature documentary that details the annual mating migrations of emperor penguins in Antarctica during which they endure treacherous treks across inhospitable terrain, facing subzero temperatures and starvation to ensure the survival of the species. Beautifully directed by Luc Jacquet and narrated by Morgan Freeman, the captivating film is as emotionally gripping as it is visually spectacular, and imparts a heartwarming message about the enduring power of love. A brief predatory image and some sad moments. The film is well served in its DVD issue, available in separate wide- and full-screen editions. Bonus features include a 55-minute feature on the making of the film, "Of Penguins and Men," National Geographic's "Crittercam" feature on "Emperor Penguins," and a "Looney Tunes" cartoon involving Bugs Bunny and -- what else? -- a penguin. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. (Warner Bros.)

"March of the Wooden Soldiers" (1934)
Classic screen version of the Victor Herbert operetta "Babes in Toyland" features Laurel and Hardy as toyshop workers who rescue the winsome Bo-Peep (Charlotte Henry) from the evil Barnaby (Henry Brandon) and save Toyland from invading bogeymen. Produced by Hal Roach and directed by Gus Meins and Charles Rogers, the antic silliness of the bumbling duo adds to the fun of a musical fantasy whose nursery rhyme characters, sentimental songs and fanciful story line will entertain the youngsters while charming their elders. Delightful family fare. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America. (Koch Entertainment Distribution)

"Marie Antoinette" (2006)
Visually sumptuous but dramatically inert biography of France's most celebrated queen (Kirsten Dunst), her arranged marriage to the future King Louis XVI (Jason Schwartzman), the lengthy period it took them to consummate their marriage and produce an heir, and her heedless spending and pleasure-seeking, which would infuriate the masses and help lead to the downfall of the monarchy. Director Sofia Coppola has impressively recreated the 18th-century period (albeit with some contemporary flourishes), and for the most part adheres to the historical facts, but rather disappointingly ends with the royal family's arrest and only hints at the queen's maturing transformation. The performances are sound, though the flat American accents of the leads are a detriment, as is the uninspired dialogue. Much speculation about the royal conjugal dilemma, brief partial nudity, an adulterous sexual encounter and innuendo restrict viewing to adults and older adolescents. The handsome anamorphic DVD includes a making-of documentary, and two nice, if extraneous, brief deleted scenes: an opera-house sequence (featuring soprano Susan Graham), and another where the queen, feeling a sense of intense isolation, returns to the palace from her beloved retreat, Le Petit Trianon. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13 (Sony Pictures Home Entertainment).

"Married Life" (2008)
Period melodrama -- based on a 1950s crime novel -- in which a businessman (Chris Cooper) decides to poison his wife (Patricia Clarkson) believing (wrongly) she'll be bereft without him if he leaves her for his mistress (Rachel McAdams), not knowing the latter is being romantically pursued by his best friend (Pierce Brosnan). Though co-writer-director Ira Sachs chiefly aims to explore the compromises of long-term relationships, the stilted dialogue, lumbering pace and stylized old-movie artifice undercut an ostensibly suspenseful plot, solid performances and handsome production design. Adultery, murder theme, nonmarital sexual relationships, one nongraphic sexual encounter, some sexual talk and partial male nudity. Sachs provides interesting commentary on the DVD, which includes no less than three alternate endings, the first two closer to the book though more morally problematic. The USCCB Office for Film & Broadcasting classification is A-III --adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Sony Pictures Home Entertainment)

"Marvin's Room" (1996)
Poignant drama in which a middle-aged woman (Diane Keaton), after devoting 20 years to caring for her invalid father (Hume Cronyn) and childlike aunt (Gwen Verdon), turns to her estranged sister (Meryl Streep) and volatile nephew (Leonardo DiCaprio) for help when she needs a life-saving bone-marrow operation. Director Jerry Zaks' testy tale of reluctant reconciliation is beautifully acted, shows delightful spurts of wacky humor and emerges as a moving portrait of a family's enduring bonds of love. Domestic arguments with instances of rough language and profanity. The Catholic News Service classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Echo Bridge Home Entertainment)

"Mary Pickford" (2005)
A fascinating and poignant documentary about the movie star whose films were among the biggest moneymakers of the silent era. The film traces her career from when she was a budding child performer to the frail and bewildered old lady who got an honorary Oscar in 1976. The story -- narrated by actress Laura Linney -- is as compelling as any of the star's hits. A shrewd negotiator with a keen business acumen, she wrangled a top-dollar contract out of her studio. After an unhappy early marriage, she met the great swashbuckling star, Douglas Fairbanks, whom she would marry. The pressures of their worldwide celebrity and an adulterous affair on Fairbanks' part led to divorce. A series of misfortunes followed in fairly rapid succession, and though she made a few "talkies" the public was indifferent. The documentary, which won a CINE Golden Eagle, is loaded with well-chosen clips which clearly demonstrate Pickford's tremendous appeal. The various film historians interspersed throughout the documentary -- Jeanine Basinger, Kevin Brownlow, Robert Cushman and Scott Eyman, among them -- make telling comments about the actress and her work. (Paramount)

"Martian Child" (2007)
Delicate, highly unusual story about a widowed science-fiction writer (John Cusack) who adopts a strange little boy (a perfectly cast Bobby Coleman) who insists he's come from Mars. Director Menno Meyjes sustains a slightly surreal tone throughout which keeps you guessing whether the child is simply delusional or actually an extraterrestrial being, while an outstanding Cusack's fervent sincerity helps makes the premise all the more plausible, as the poignant script underscores themes of nonconformity, loss and the power of love. Mild profanity, innuendo and some peril. The DVD has audio commentary with producers Corey Sienega and David Kirschner and writers Seeth Bass and Jonathan Tolins, features several deleted or alternate scenes, a documentary about the challenges of working with a child, and an inspiring featurette on original author David Gerrold's adoption of a boy from a foster home that inspired this story. Spanish titles option. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Warner Home Video)

"Mary Poppins" (1964)
Walt Disney's musical adaptation of P.L. Travers' children's classic about the primly perfect nanny of the title (Julie Andrews) who uses her magical powers and common sense to straighten out the disorderly children and preoccupied parents of a London household at the turn of the century. Director Robert Stevenson fancifully integrates songs, dance numbers, animated characters and marvelous special effects into the live-action story which features a bright performance by Dick Van Dyke as a Cockney worker who also does a comic turn as a bank president. Entertaining family fantasy. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. (Buena Vista)

"Mary Shelley's Frankenstein" (1994)
Opulent version of the horror classic in which the obsessed Dr. Frankenstein (Kenneth Branagh) lives to regret his reanimation experiment when the hideous but intelligent creature (Robert De Niro) sadly but savagely wreaks revenge on his creator -- with some surprising, if gruesome, departures from the original. Also directed by Branagh, the suspenseful treatment alternates the horrific with the doctor's impassioned love for his beautiful adopted sister (Helena Bonham-Carter), thereby adding a human dimension to the old science-tampering-with-nature story, a cautionary fable of continuing relevance in an age of genetic engineering. Some intense and gory violence as well as brief shadowy nudity. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. (Columbia/TriStar)

"The Mask" (1994)
Cartoonish fantasy in which a nerdy guy (Jim Carrey) dons a mask whose magical powers turn him into a green-faced, crime-fighting superhero out to rescue a sultry torch singer (Cameron Diaz) from a gang of bank robbers. Director Charles Russell's wacky special-effects comedy generally hits its broad marks thanks to Carrey's zany impersonations, lightning-speed sight gags and overall madcap nuttiness. Much cartoon-style violence and minimal gutter language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Warner Bros.)

"The Mask of Zorro" (Deluxe Edition) (1998)
Spirited swashbuckler set in Old California in which an aging Zorro (Anthony Hopkins) trains his fiery replacement (Antonio Banderas) to defeat the tyrant who 20 years earlier stole Zorro's infant daughter, now a dazzling beauty (Catherine Zeta-Jones) in love with the new masked avenger. Director Martin Campbell combines old-fashioned derring-do with a game cast in a zesty adventure pitting dauntless heroes against daunting villains. Much stylized violence, mild sexual innuendo and fleeting rear nudity. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Columbia/TriStar)

"The Matador" (2008)
Profile of 24-year-old David Fandila, one of Spain's most popular matadors, as he pursues his goal of performing in 100 bullfights in a single season, cheered on by fans of the controversial spectacle, but hounded as well by protesters who regard it as primitive and brutal. Filmmakers Stephen Higgins and Nina Gilden Seavey's documentary masterfully evokes the beauty of the Spanish countryside and the athleticism of its manifestly devout subject, but how his profession can be compatible with the Christian obligation to preserve human life and avoid unnecessary suffering in animals remains unclear. Bloody violence against animals; fleeting, mostly obscured frontal male nudity; wounds; and a graphic medical procedure. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. Not rated by the Motion Picture Association of America. (WEA; also available on Blu-ray)

"The Matchmaker" (1958)
Romantic comedy from Thornton Wilder's play about an 1884 New York matrimonial agent (Shirley Booth) who snares a Yonkers merchant (Paul Ford) after his prospective bride (Shirley MacLaine) is swept off her feet by the merchant's head clerk (Anthony Perkins). Directed by Joseph Anthony, the stagy proceedings have the characters speak directly to the audience on occasion, but the performances are winning and the period humor is sweetly good-natured. Romantic complications. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America. (Paramount)

"Match Point" (2005)
Hypnotic London-based morality tale of lower-class tennis instructor (Jonathan Rhys Meyers) who marries a young woman (Emily Mortimer) from an affluent family and commences an affair with his brother-in-law's ex-fiancee (Scarlett Johansson). Writer-director Woody Allen is at the top of his serious, as opposed to humorous, form in a superbly acted psychological drama that makes its cautionary point even though, like its protagonist, the film delineates a universe governed not by God, but by pure luck. Several discreetly filmed sexual encounters but no overt nudity, some innuendo, adultery theme, scattered profanity and crass words, a couple of violent episodes discreetly filmed, abortion discussion and nihilistic worldview. The USCCB Office for Film & Broadcasting classification is A-III - adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Universal)

"Mean Girls" (2004)
 Catty teen comedy about an insecure 15-year-old (Lindsay Lohan), home-schooled for most of her life and raised in the African bush, who gets a crash course in the law of the social jungle when she is thrust into a public high school and gets stung by its reigning queen bee (Rachel McAdams). Directed by Mark Waters, the film explores the psychological minefields navigated by many young girls and imparts a positive self-esteem message, but its hard-edged sexual references make it unsuitable for the 'tween and teen audience it seems aimed at. Recurring crude language and humor, some drug references and implied underage drinking.      The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Paramount)

"Mean Streets" (1973)
 Robert De Niro and Harvey Keitel star in director Martin Scorsese's drama about small-time crime in New York's Little Italy. The drama has moments of power and effectiveness, mostly in its depiction of an authentic ethnic neighborhood, but it too often degenerates into a kind of bizarre freak show. Some intense violence, nudity and rough language.   The USCCB Office for Film & Broadcasting classification is A-IV -- adults, with reservations. The Motion Picture Association of America rating is R -- restricted. (Warner Bros.)

"Mean Creek" (2004)
Involving drama set in rural Oregon about a group of teenage friends (including Rory Culkin and Scott Mechlowicz), whose plot to teach a schoolyard bully (Josh Beck) a lesson while boating down a river ends in tragedy when their prank springs unintended leaks. Director Jacob Aaron Estes elicits strong performances from his young cast, crafting a modest but engaging morality tale about revenge and remorse. A disturbing boating accident, fleeting rear nudity, underage drinking while driving and smoking marijuana, as well as some rough language and lewd humor. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. (Paramount)

"Meatballs" (1979)
Bill Murray cavorts as the director of a haplessly ill-organized summer camp. Canadian production ineptly directed by Ivan Reitman contains some relatively mild off-color jokes and sex-oriented pranks. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Sony Pictures Home Entertainment)

"Meet Dave" (2008)
Whimsical comedy in which the tiny captain (Eddie Murphy) of a human-shaped alien spaceship (also Murphy) gains the help of a kindhearted young New York widow (Elizabeth Banks) and her bullied 11-year-old son (Austyn Lynd Myers) in his quest to save his home planet. Director Brian Robbins' film relies entirely on the single joke of Murphy's abject social awkwardness, but along the way celebrates generosity, human decency and the heroic potential of seemingly ordinary people. Some mild scatological humor, a sexual reference and a brief profanity. Spanish language and titles options. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (20th Century Fox Home Entertainment) (Also available on Blu-ray)

"Meet the Fockers" (2004)
Glossy, good-natured, often intentionally tasteless sequel to "Meet the Parents" as Gaylord Focker (Ben Stiller) and his soon-to-be bride, Pam (Teri Polo), and in-laws (Robert DeNiro and Blythe Danner) drive to Florida to meet his gregarious, unconventional parents (Barbra Streisand and Dustin Hoffman) with predictably farcical results. The chief pleasure of director Jay Roach's film is watching the stars go through their paces so gamely, but though the film ultimately espouses good family values, much of the humor, language and setups are on the crude side. The DVD issue of this big moneymaker includes more of the same with a plethora of deleted scenes and outtakes, and some amusingly goofy extra features about the film's cat, and one of DeNiro's outrageous props, and there's feature-length commentary by Roach and editor Jon Poll. Sexual situations and innuendo, coarse language and brief rear nudity. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Universal)

"Men in Black" (1997)
Zany sci-fi comedy in which a brassy New York City cop (Will Smith) is recruited by a taciturn government agent (Tommy Lee Jones) who monitors extraterrestrial activity in the city to prevent a ferocious alien in human disguise from destroying planet Earth. Director Barry Sonnenfeld's apt pairing of Smith and Jones mixes understated hip humor with witty creature puppetry and amusing special effects. Some cartoonlike comic violence and a few instances of profanity. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Columbia/TriStar)

"Megamind" (2010)
Generally endearing 3-D animated adventure about a good-hearted, perpetually inept alien villain (voice of Will Ferrell) who, with the aid of his trusty assistant (voice of David Cross), finally defeats his longtime superhero rival (voice of Brad Pitt), also a visitor to Earth, only to find that mastery of the city the good guy once protected is not all he had dreamed. Though the bored scamp's scheme to create a new adversary for himself goes awry when he accidentally endows an ordinary cameraman (voice of Jonah Hill) with superhuman powers, the possibility of winning the love of the charming TV reporter (voice of Tina Fey) by whom both are smitten offers the not-so-naughty knave hope of ultimate redemption. The occasional indulgence in mild bathroom humor is outweighed, in director Tom McGrath's diverting, if not strikingly original, tale by worthy lessons about making positive use of talents and abilities and about the dangers of allowing others to define who you are. Scenes of peril, a few touches of crude humor, a bit of slightly crass language. Spanish titles option. The Catholic News Service classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Paramount Home Entertainment; also available on Blu-ray)

"The Merchant of Venice" (2004)
Visually rich, if overly somber, adaptation by director Michael Radford of Shakespeare's classic play about Shylock (Al Pacino), a Jewish moneylender in the 16th century who lends the merchant Antonio (Jeremy Irons) a sum of money, and then insists on the contractual "pound of (Antonio's) flesh" when the money cannot be repaid by the promised date. Pacino is in good form and, as in most modern stage productions of the piece, makes Shylock as sympathetic as possible, showing him as deserving of his desired revenge after years of mistreatment by the Christians. Irons, Joseph Fiennes as the merchant's young friend, Bassanio, for whom the money was really borrowed, and Lynn Collins as Portia, Bassanio's betrothed, who impersonates a male barrister to plead Antonio's case, provide solid support. The widescreen DVD includes commentary by Radford, with giggling interjections by Collins, and a good 30-minute "making of" documentary. Some nudity and sexual innuendo. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. (Sony Pictures Classics)

"The Messenger: The Story of Joan of Arc" (1999)
Medieval action movie offers little insight into the life and times of the French teenager (Milla Jovovich) who followed her voices to defeat the English before being betrayed and burned at the stake. Directed by Luc Besson, the battlefield scenes are drawn on an epic scale but keyed to gory special effects, and the lumbering result manages to achieve little dramatic credibility in its picture of Joan as a political martyr who is less a saint than a hysteric relying on heavenly visions of her own making. Much graphic violence, including a murderous rape, occasional profanity and considerable rough language. Spanish language and titles options. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Sony Pictures Home Entertainment; also available on Blu-ray)

"Metropolis" (Special Edition; 1926)
Silent classic of a future society ruled by an aristocracy living in luxury above ground while the workers suffer miserably underground, comforted only by the religious faith of a young woman (Brigitte Helm) in whose likeness a sinister scientist (Rudolf Klein-Rogge) fashions a robot inciting the workers to rebel but all ends in reconciliation. Directed by Fritz Lang, the story's melodramatic turns and woolly finale may be dated but not its vivid pictorial sense, grandly expressionistic decor and theme of social justice. This edition uses a print of the film discovered in Argentina in 2008 to restore all but five minutes of this once-mangled masterpiece's original 153-minute running time. But the additional material suggests a somewhat more restrictive classification than the one below, which was assigned to the previously available version. Bleak picture of exploited workers, stylized violence and some sexual innuendo. The Catholic News Service classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (Kino International; also available on Blu-ray)

"Michael Clayton" (Widescreen Edition) (2007)
Potent legal drama focusing on a few days in the complicated life of the title character (George Clooney), a "fixer" for a high-powered law firm whose managing partner (Sydney Pollack) dispatches him to deal with the apparent nervous breakdown of the firm's top litigator (Tom Wilkinson) and with its effects on a multimillion-dollar, class-action lawsuit against an agrochemical company whose chief counsel (Tilda Swinton) is prepared to protect her company's interests by whatever means necessary. Writer-director Tony Gilroy's masterfully absorbing film begins at a gallop and the pace -- driven forward by uniformly intense performances -- never slackens. Much rough and crude and some crass language, frequent use of profanity, and one scene of a female character in clinging underwear. The DVD includes commentary by Gilroy and film editor John Gilfroy, and six minutes of additional and alternate scenes. Spanish language and title options. Also available in HD-DVD/DVD combo and Blu-ray formats. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Warner Home Video)

"Midnight Express" (30th Anniversary Edition) (1978)
The sensationalistic aspects of this film -- based on the harrowing true story of a young American named Billy Hayes (played here by the late Brad Davis) -- along with the portrayal of the Turkish characters were heavily criticized by many prominent reviewers upon the film's initial release. The Catholic film office was among the naysayers, writing: "Wildly melodramatic movie directed by Alan Parker about the imprisonment of an American youth in a Turkish prison for narcotics smuggling wallows in bloody violence and cruelty, an indulgence hardly justified by its human rights plea. Further marred by sexual references and nudity." Now on a deluxe DVD, Parker's astute commentary and three interesting featurettes about the production position the movie -- much tamer with the passage of the decades -- and its production in scholarly perspective. Interestingly, it was a young Oliver Stone who wrote the screenplay and won an Oscar for it. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Sony Pictures Home Entertainment)

"Mighty Joe Young" (1949)
Sentimental adventure fantasy in which an enterprising nightclub owner (Robert Armstrong) brings a young woman (Terry Moore) and her pet, the giant gorilla of the title, from Africa to New York where the oversized beast goes berserk. Directed by Schoedsack, the contrived story line will appeal to youngsters and others willing to enjoy the sympathetic antics of this mild-mannered descendent of King Kong. Hokey stylized violence. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America. (Warner Bros.)

"Million Dollar Baby" (2004)
Dark-edged drama about an ornery old-school trainer and manager (Clint Eastwood) who finds personal redemption in molding a scrappy but determined female boxer (Hilary Swank) into a contender, only to have his efforts implode in tragedy. What starts out as a formulaic, Rockyesque fight film takes a disturbingly downbeat turn, becoming a somber meditation on assisted suicide with a morally problematic ending which, despite knockout performances by Eastwood (who also directed), Swank and Morgan Freeman as a grizzled ring rat, will leave Catholic viewers emotionally against the ropes. A guilt-wracked, but ultimately permissive, depiction of euthanasia, much bloody boxing violence, some rough and crude language and profanity. The USCCB Office for Film & Broadcasting classification is O -- morally offensive. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Warner Bros.)

"Millions" (2005)
Disarming fable about 7-year-old Damian (Alex Etel), enthralled by the lives of the saints, who finds a stash of stolen money and, believing it is from God, tries to do good with it by giving it to the poor with the help of 9-year-old brother Anthony (Lewis McGibbon), all the while keeping it a secret from their widowed father (James Nesbitt), and being hounded by the criminal (Christopher Fulford) who stole the money in the first place. Danny ("Trainspotting") Boyle's quirky little charmer features good performances all around, especially by the adorable Etel, delightful vignettes with the saints, and dramatizes its themes of the corrupting influence of money, faith in people's basic decency, and the need for societal philanthropy, without being heavy-handed, making this ideal entertainment for older adolescents and up. A couple of mildly crude expressions, some intense episodes of menace, a momentary sexual situation, religious stereotyping, slight irreverence, and a brief scene where the brothers look, with boyish curiosity, at a Web site for women's bras on a computer. The nice-looking DVD includes full-length commentary with Boyle and scriptwriter Frank Cottrell Boyce, behind-the-scenes featurettes, and some exceptionally fine deleted scenes, including a touching scene of Damian praying with his beloved saints. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. (20th Century Fox)

"The Miracle Maker: The Story of Jesus" (Special Edition) (1999)
A terrific lineup of mostly British actors (including Ian Holm, Alfred Molina, Julie Christie, William Hurt, and more) provides the voices for this clay- and cel-animation rendering of the greatest story ever told. Nicely framing the story of Jesus' life from age 30 on is a sickly young girl named Tamar (Rebecca Callard) who first observes Jesus (Ralph Fiennes) preaching in her village, though the narrative ultimately leads to a highly dramatic crucifixion scene and resurrection. Fluidly directed by Stanislav Sokolov and Derek Hayes, the film embodies simplicity, drama and joy in the good news. The childlike perspective of Tamar should appeal to youngsters in the viewing audience and it lends freshness to the story's familiar trajectory. Two years in the making in Russia and Wales, the film is recommended viewing. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America. (Lionsgate)

"Miss Congeniality 2: Armed and Fabulous" (2005)
Likable follow-up to the original "Miss Congeniality" (2000) with FBI agent Gracie Hart (Sandra Bullock), this time teamed with a hostile and reluctant partner, Sam Fuller (Regina King), sidestepping her new role as celebrity front person for the agency and going back into action to discover the whereabouts of her pal, Miss United States (Heather Burns), and master of ceremonies Stan (William Shatner), both of whom have been kidnapped in Las Vegas, while Nevada agent Collins (Treat Williams) jealously attempts to block her efforts. Director John Pasquin succeeds in mixing the laughs and the action, and Bullock and King make appealing sparring partners and register genuine humanity underneath the slapstick. There's a solid message about friendship throughout. Some crass expressions, mild profanity, comedic action violence, gender cross-dressing and sexual innuendo. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Warner Brothers)

"Missing" (1982)
Director Costa-Gavras in his first American movie presents a taut and powerful drama based upon an actual event, that of an American father's search for his son, a 31-year-old writer living with his wife in a Latin American country, who has disappeared in the midst of the brutal repression following a right-wing coup. Jack Lemmon and Sissy Spacek are outstanding as the concerned father and his daughter-in-law, with John Shea giving capable support as the missing man. Significant and absorbing work on a topical and important theme of human rights. General atmosphere of menace, a depiction of the aftermath of bloodshed and occasional profanity. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Universal)

"The Missing" (2003)
 In this film set in New Mexico territory in 1885, a prairie healer (Cate Blanchett) must enlist the help of her estranged father (Tommy Lee Jones), who abandoned his family to live among Apaches, in order to rescue her daughter from a band of desperadoes led by a vicious Indian witch doctor.      Despite full stunning big-sky vistas, director Ron Howard crafts a bleak tale weighed down by unnecessary brutality which, while imparting a message of forgiveness and redemption through self-sacrifice, blurs religious distinctions resulting in a hodgepodge of Christianity and Native American shamanism. Recurring graphic violence, an implied sexual encounter, a suicide, as well as sporadic crude language.   The USCCB Office for Film & Broadcasting classification is L-- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. (Columbia/Tristar)

"The Men" (1950)
Brooding in a Veterans Administration hospital, a bitter World War II paraplegic (Marlon Brando) resists all attempts at rehabilitation for civilian life until a dedicated doctor (Everrett Sloane) and his loving fiancee (Teresa Wright) make him face the future. Directed in semi-documentary style by Fred Zinnemann, the story amply demonstrates the psychological dimensions of devastating injuries but it is Brando's powerful, convincing performance that makes the movie a vivid experience. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (Artisan)

"The Medallion" (2003)
Pointless martial-arts comedy about a Hong Kong cop (Jackie Chan) who is endowed with superhuman powers by a sacred amulet in order to protect its young guardian from a madman bent on using the talisman's powers for his own evil designs. Failing to satisfy viewers' adrenal glands or funny bones, this kung-fu clunker, directed by Gordon Chan, hangs a series of increasingly tedious chopsocky fight sequences on a threadbare narrative, which, despite Jackie Chan's gravity-defying feats, offers few thrills. With action violence and some crass humor and double entendres. The USCCB Office for Film & Broadcasting classification is A-II - adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Columbia/TriStar)

"Millions" (2005)
Disarming fable about 7-year-old Damian (Alex Etel), enthralled by the lives of the saints, who finds a stash of stolen money and, believing it is from God, tries to do good with it by giving it to the poor with the help of 9-year-old brother Anthony (Lewis McGibbon), all the while keeping it a secret from their widowed father (James Nesbitt), and being hounded by the criminal (Christopher Fulford) who stole the money in the first place. Danny ("Trainspotting") Boyle's quirky little charmer features good performances all around, especially by the adorable Etel, delightful vignettes with the saints, and dramatizes its themes of the corrupting influence of money, faith in people's basic decency and the need for societal philanthropy, without being heavy-handed, making this ideal entertainment for older adolescents and up. A couple of mildly crude expressions, some intense episodes of menace, a momentary sexual situation, religious stereotyping, slight irreverence, and a brief scene where the brothers look, with boyish curiosity, at a Web site for women's bras on a computer. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children.

"Minority Report" (2002)
Engrossing murder mystery set in 2054, when future crimes can be detected before they are committed, in which a pre-crime police detective (Tom Cruise) is accused of an imminent murder and, in attempting to prove his innocence, discovers a flaw in the system. Seeped in futuristic atmospherics, director Steven Spielberg combines thrilling action sequences with a thought-provoking narrative that confronts the issue of personal freedom versus national safety and the value of each human life. Recurring stylized sci-fi violence, brief substance abuse, fleeting sexual situations, occasional profanity and an instance of rough language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Dreamworks Video; also available on Blu-ray.)

"Miracle at St. Anna" (2008)
Powerful World War II drama about a kindhearted African-American soldier (Omar Benson Miller) who, together with three others from his segregated unit (Derek Luke, Michael Ealy and Laz Alonso), becomes trapped behind enemy lines in Italy where they must rely on a sympathetic villager (Valentina Cervi) and a partisan leader (Pierfrancesco Favino) for safety, while he protects a wounded local boy (Matteo Sciabordi). The script, adapted from his own novel by writer James McBride, contains much spiritual debate and reflection and pits Catholicism, as embodied by a heroic priest, against the brutality of the occupying Nazis. Director Spike Lee's ambitious effort to blend action, mystery, pathos and social commentary -- though it sometimes leads to jarring tone shifts -- ultimately proves an ardent emotional journey. Intense combat violence with gore, nongraphic sexual activity, adultery, upper female nudity, much rough and crude language, several uses of profanity and racial slurs. Spanish language option. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Walt Disney Studios Home Entertainment; also available on Blu-ray)

"Miracle on 34th Street" (2-Disc Edition; 1994)
Sweetly updated remake of the 1947 holiday classic about the department store Santa (Richard Attenborough) who believes he is actually Santa Claus and ends up in court defending his claim, in the process winning over the cynical mom (Elizabeth Perkins) who hired him and her dubious 5-year-old (Mara Wilson). Director Les Mayfield's gently values-centered but sluggishly paced family movie stresses faith in things unseen, hope for the future and a generous loving spirit that underlies the true meaning of Christmas. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (20th Century Fox Home Entertainment; also available on Blu-ray.)

"The Miracle Maker: The Story of Jesus" (2000)
A terrific lineup of mostly British actors (including Ian Holm, Alfred Molina, Julie Christie, William Hurt, and more) provides the voices for this clay- and cel-animation rendering of the greatest story ever told. Nicely framing the narrative of Jesus' life from age 30 on is a sickly young girl named Tamar (voice of Rebecca Callard) who first observes Jesus (voice of Ralph Fiennes) preaching in her village. Fluidly directed by Stanislav Sokolov and Derek Hayes, the film embodies simplicity, drama and joy in the good news. The childlike perspective of Tamar should appeal to youngsters, and it lends freshness to the tale's familiar trajectory. Recommended viewing. Spanish language and titles options. The Catholic News Service classification is A-I -- general patronage. Not rated by the Motion Picture Association of America. (Lionsgate Home Entertainment; also available on Blu-ray)

"The Mission" (1986)
In the 1750s, the large and prosperous Jesuit Indian missions of South America were divided between Spain and Portugal. In retelling these events, Robert Bolt's screenplay focuses not on the religious but on the sociopolitical dimension of the colonial era and its injustices. The epic production is visually splendid, but Roland Joffe's direction is erratic and bogs down in contrasting a nonviolent priest (Jeremy Irons) and one (Robert De Niro) who leads the Indians against a colonial army. Although flawed, the work recalls a past that provides a context for current Latin American struggles. Violence and ethnographic nudity. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested.

"Mission: Impossible III" Collector's Edition (2006)
Third installment in the franchise which finds secret-agent Ethan Hunt (Tom Cruise) and his team of spies (Ving Rhames, Maggie Q and Jonathan Rhys Meyers) battling a ruthless arms dealer (Philip Seymour Hoffman) who kidnaps Ethan's fiancee to get back the doomsday device they snatched from him. As popcorn entertainment, director J.J. Abrams' thrill ride doesn't disappoint, piling on the action fireworks and pulse-pounding excitement, but, like the previous two films, is otherwise an empty exercise in adrenaline-charged excess. Pervasive action violence, including an intense execution scene, a few disturbing images, a suggested sexual encounter, and some crude language and profanity. The two-disc DVD includes deleted scenes, interviews with Cruise and Abrams and a good number of "behind-the-scenes" featurettes. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating was PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13 (Paramount Home Video).

"Mister Rogers' Neighborhood: Going To School "(2005)
It's always a beautiful day in the neighborhood with Mr. Rogers. Third in a series, this video contains two 30-minute episodes of the beloved children's show available for the first time on DVD. Both episodes, "Mr. Rogers Goes to School" and "Learning," have educational themes and impart positive self-esteem messages that stress the unique value of each individual. Mr. Rogers is joined by Mr. McFeely, as well as friends from the Land of Make-Believe, including King Friday and Lady Elaine Fairchilde. Disarmingly gentle, polite and ever-curious, Mr. Rogers makes learning fun by fostering a sense of wonder in a way that, rather than talking down to kids, celebrates childhood. Debuting in 1966, "Mr. Rogers' Neighborhood" was the longest continuously running program on public television. The show's creator and host, the late Fred Rogers, was an ordained Presbyterian minister and the recipient of over 200 awards including the Presidential Medal of Freedom in 2002, two Peabody Awards, and four Emmys. Bonus features include singalongs, games and the classic segment "Crayon Factory Tour." (Anchor Bay Entertainment, www.anchorbayentertainment.com)

"Mitzi Gaynor: Razzle Dazzle! The Special Years" (1968-1978)
Commemorating the 50th anniversary of the star's memorable Nellie Forbush in "South Pacific," this lively documentary -- interspersed with many entertaining musical clips -- looks at Gaynor's network television specials from the 1960s and '70s through new interviews with the lady herself, costume designer Bob Mackie, comedy legend Carl Reiner, performers Kristin Chenoweth and Kelli O'Hara, critic Rex Reed, and others. The DVD includes nearly 80 minutes more than the PBS special from which it derives, including several extended musical performances, sketches of the star in her endearing character of "The Kid," outtakes, more reminiscences including speaking about a torrid dance she performed on "The Ed Sullivan Show" which, she alleges, generated censure from the Catholic Church, and assorted outtakes. Some suggestive movements aside, the package makes generally family-friendly entertainment from an age when variety shows were a staple on the tube. (City Lights Home Entertainment)

"Modern Romance" (1981)
Obsessive and insecure film editor (Albert Brooks) has an on-again, off-again relationship with his girlfriend (Kathryn Harrold) but he can't break this recurring cycle of misery. Also written and directed by Brooks, it is a sometimes very funny movie, but suffers from a lack of structure and too much Brooks. Still, two hilarious sequences in the cutting room might make some viewers willing to forgive the movie's frequent slow stretches. Some brief seminudity, occasional rough language and a muddled view of sexual morality. The USCCB Office for Film & Broadcasting classification is A-III - adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Columbia/TriStar)

"Modern Times" (1936)
Charlie Chaplin's insightful fable of man versus machine centers on the artificiality of industrialized society and the anxieties caused by the Depression as Charlie dances his way through the hazards of an assembly-line job. A model of silent comedic technique and refined slapstick humor, the movie marks the last appearance of the Little Tramp character as Charlie takes his final walk down the long, empty road, this time in the company of Paulette Goddard, who adds an element of freshness to the plot's old-fashioned romance. The Catholic News Service classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general patronage. All ages admitted. (Criterion Collection; also available on Blu-ray)

"Moliere" (2007)
Engaging tale that speculates about what might have happened when actor and aspiring author Jean-Baptiste Poquelin (Romain Duris), who would become the playwright Moliere, disappeared from Paris in his youth, showing him enlisted by a wealthy businessman (Fabrice Luchini) to help him seduce a potential mistress, though the playwright ends up falling in love with the man's wife (Laura Morante). His farcical and ultimately morally redeeming adventures end up giving him the inspiration for his greatest plays in which comedy and moral purpose meet, allowing director and co-writer Laurent Tirard's film to give an amusing twist to the theme of art imitating life. French with English and Spanish subtitles. Some crude and sexual language, some liturgical and doctrinal irreverence, as well as mild sexual scenes of a somewhat romanticized adulterous relationship. The DVD includes informative English commentary by Tirard and a making-of featurette. The USCCB Office for Film & Broadcasting classification is A-III --adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Sony Pictures Home Entertainment)

"The Mama Cass Television Program" (1969)
In this delightful late-1960s period piece, folk-rock singer "Mama" Cass Elliot (1941-74) -- beginning a solo career after the initial breakup of the short-lived but classic group the Mamas and the Papas -- gives a groovy twist to the variety show format in an hourlong special that was originally conceived as the pilot for a series. Unsurprisingly, the emphasis is clearly on music, with some of the folk genre's then-reigning aristocracy appearing as Elliot's guests. Joni Mitchell performs "Both Sides Now" and Mary Travers of Peter, Paul and Mary sings "When I Die" before the two join Elliot in a memorable rendition of Bob Dylan's "I Shall Be Released." John Sebastian, also on his own after his departure from the Lovin' Spoonful, sings both a solo and a duet with the host. Comedian Buddy Hackett gets off some good one-liners, and there are a couple of gentle, bittersweet skits involving the husband and wife "Mission Impossible" stars Martin Landau and Barbara Bain, as well as Hackett and Elliot. The original commercials -- one about a shaggy-haired would-be rock star whose bandmates wise him up to the importance of fresh breath -- are another treat. Additional features on the full-screen DVD include footage of Elliot and Sammy Davis Jr. singing "I Dig Rock and Roll Music" and a recent interview in which Sebastian reminisces about his friendship with Elliot and the early days of the Mamas and the Papas. (Infinity Entertainment Group)

"Mommie Dearest" (Hollywood Royalty Edition) (1981)
Faye Dunaway plays Joan Crawford in this cult favorite, based on the harsh biography written by daughter Christina. Director Frank Perry alternates heavy doses of sensation and sentimentality, while Dunaway gives a bravura performance. Some brief but graphic violence, rough language and vulgarity. The fresh-looking anamorphic widescreen DVD contains canny commentary by filmmaker John ("Hairspray") Waters, a couple of "making of" featurettes and a contemporary appreciation of the film. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children (Paramount Home Entertainment).

"Monsoon Wedding" (2002)
Exuberant ensemble comedy set in present-day India follows several subplots which spin out from the central story of the days leading up to an arranged marriage ceremony in the Punjabi culture. Modernity and tradition jostle to find common ground in director Mira Nair's intoxicating and vibrant film which positively depicts a close-knit, loving family, some of whom finally let loose long-suppressed secrets. Subtitles. An implied sexual encounter, an extramarital affair, some sexual references and sporadic rough and crass language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Criterion Collection; also available on Blu-ray)

"Monsieur Ibrahim" (2004)
Tender tale set in Paris in the early 1960s about a motherless young Jewish boy (Pierre Boulanger) abandoned by his father, who finds an unlikely surrogate in a kindhearted, elderly Muslim grocer (Omar Sharif). Buttressed by nuanced performances from both ends of the life spectrum, director Francois Dupeyron's beautifully crafted film is a poignant, though minor, fairy tale about love, loss, friendship and tolerance. Subtitles. A few sexual encounters involving the teen protagonist and a prostitute, as well as sporadic crude expressions. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. (Columbia/Tristar)

"Moonlighting: Seasons One and Two" (2005)
Debuting in 1985, the groundbreaking series staring Cybill Shepherd and Bruce Willis gave the tired TV detective genre a fresh, hip spin by injecting it with a madcap blend of battle-of-the-sexes romance and screwball comedy. The handsomely packaged six-disc collection contains all 23 episodes of the first two seasons, including the two-hour pilot which tells how glam girl Maddie Hayes (Shepherd) first partners with wisecracking private eye David Addison (Willis) to solve crimes at the Blue Moon Detective Agency (the zaniest gumshoe duo since Nick and Nora), as well as such classic episodes as "The Dream Sequence Always Rings Twice" (shot in 1940s-style black-and-white and introduced by Orson Welles). Known for its inventiveness and whip-smart dialogue, the series pushed the envelope (at the time) with its clever, sexually charged repartee without being trashy or crude. Bonus features include a two-part behind-the-scenes look at seasons one and two, including interviews with creators, cast and crew members. There is also commentary for select episodes and a short segment on the success and lasting appeal of the series. (Lions Gate Home Entertainment)

"My Blue Heaven" (1950)
Musical about husband-and-wife television team (Dan Dailey and Betty Grable). She suffers a miscarriage, and their subsequent efforts to adopt a child are thwarted at every turn. Director Henry Koster's film has a slightly more serious story than most musicals of the time, and the leads -- and supporting cast including David Wayne, Jane Wyatt and Mitzi Gaynor -- are first-rate, though the songs (mostly by Harold Arlen) are rather undistinguished; they include a spoof of "South Pacific," then a huge hit on Broadway. Miscarriage theme, mild innuendo, a car accident and some suggestive costuming in musical numbers. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America (Fox Home Entertainment).

"The Molly Maguires" (1970)
Fact-based, hard-hitting drama set in the Pennsylvania coal mining fields during the 1880s when the mine owners hire an undercover agent (Richard Harris) to ferret out the leaders (Sean Connery and Anthony Zerbe) of a secret band of miners known as the Molly Maguires who resort to terrorist tactics to force better pay and working conditions. Director Martin Ritt has made a thoughtful movie about the futility of using violence to redress injustices. More menace than bloodshed. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Paramount Home Entertainment)

"Monsieur Vincent" (1947)
Lucid, moving account of St. Vincent de Paul's work among the poor and the oppressed in 17th-century France, from his first labors in a plague-ravaged village and his appeals to the conscience of the aristocracy to the founding of an order devoted to charitable works and his death in 1660. Director Maurice Cloche portrays the poverty of the times and the cruelty of the regime in power in starkly convincing fashion, providing a solid historical framework within which Pierre Fresnay's performance in the title role shines with a warm compassion and spiritual intensity which most viewers will find irresistibly compelling. Subtitles. High on the list of great religious movies. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America. (Lionsgate Home Entertainment)

"Moonstruck" (1987)
Charming romantic comedy set in an Italian-American neighborhood in Brooklyn where a widow (Cher) accepts the proposal of a fastidious bachelor (Danny Aiello) but falls in love with his darkly emotional younger brother (Nicolas Cage). Director Norman Jewison concentrates more on the comedy of character than on incident and the result is pleasantly amusing, emotionally operatic and humanly uplifting. Several restrained scenes implying sex but the movie's moral perspective is implicit throughout. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (MGM Home Entertainment)

Marilyn Monroe: Special Anniversary Collection" (1953-1962)
A new collection of the legendary star's films already issued among the titles in "The Marilyn Monroe Diamond Collections, I and II" a few years ago. Besides the three described below, the set also includes "Gentlemen Prefer Blondes" (1953) and "The Seven Year Itch" (1955), both now classified A-III -- adults.

The set also includes the fascinating documentary "Marilyn Monroe: The Final Days," concerning the film Monroe was shooting at the time of her death, "Something's Got to Give." It includes all the extant footage from that project, which would have co-starred Dean Martin. There is a swimming scene with partial nudity glimpsed briefly.

The transfers are all excellent, but there are no significant extras, except on "The Seven Year Itch," which includes a couple of deleted scenes and a "making of" documentary. None of the films have been rated by the Motion Picture Association of America (Fox Home Entertainment).

"Let's Make Love" (1960)
Romantic comedy about a billionaire playboy (Yves Montand) who falls for an actress (Monroe) in a comedy revue, gets a role in the show and then hires Bing Crosby, Gene Kelly and Milton Berle to teach him to sing, dance and tell jokes. Director George Cukor labors to wring some smiles out this lackluster star vehicle, but Monroe is delightful. Some sexually suggestive musical numbers. The USCCB Office for Film & Broadcasting classification is A-III -- adults.

"Niagara" (1953)
Dark thriller set in the honeymoon haven of Niagara Falls where a wife (Monroe) plots with her boyfriend to kill her disturbed husband (Joseph Cotten), then fears for her life when the plan backfires. Director Henry Hathaway uses the waterfall locales to provide a spectacular background for the action's suspense, though the harrowing results are far from satisfying. Violence, menace and sexual innuendo. The USCCB Office for Film & Broadcasting classification is A-III -- adults.

"River of No Return" (1954)
Slack Western in which a backcountry farmer (Robert Mitchum) saves his son (Tommy Rettig) and a saloon singer (Monroe) from rampaging Indians by rafting downstream to safety in a town where he confronts the crooked gambler (Rory Calhoun) who had run out on them. Directed by Otto Preminger, the rugged raft scenes work up considerable tension, Monroe's musical numbers are fun, but the rest of the picture is a letdown. Frontier violence, romantic complications and sexual innuendo. The USCCB Office for Film & Broadcasting classification is A-III -- adults.

"Monster-in-Law" (2005)
Lightweight comedy about a bride-to-be (Jennifer Lopez) who locks horns with her prospective mother-in-law (played intentionally over-the-top by Jane Fonda) after finding out that the latter is trying to derail her upcoming wedding to the woman's doctor-son (Michael Vartan). Directed by Robert Luketic, the film marks the first acting appearance by Fonda in 15 years, but apart from Fonda and a witty turn by Wanda Sykes as her sassy assistant, the bland acting, combined with a weak script and, at times, mean-spirited humor, makes Fonda's return trip hardly worth the wait. Sexual situations and humor, including several crude gestures, some comic violence, and sporadic crass language and profanity. The two-DVD set includes seven cut scenes, including a mildly amusing one of Fonda's character in a confessional and a knock-down, drag-out fight between the two ladies, a gag reel (some of it crude), five behind-the-scene featurettes (including one heralding Fonda's return), and commentary by Luketic, Sykes and others. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (New Line)

"Monsters vs. Aliens" (2009)
Affable animated comedy-adventure in which a trio of kindly monsters (voices of Seth Rogen, Hugh Laurie and Will Arnett) led by a once-ordinary woman (voice of Reese Witherspoon) who became a giant after being struck by a meteor, are released from government captivity in the custody of a gung-ho general (voice of Keifer Sutherland) and commissioned by the president (voice of Stephen Colbert) to combat an evil alien (voice of Rainn Wilson) whose schemes threaten humanity. Co-directors Rob Letterman and Conrad Vernon create a lavish 3-D homage to 1950s-era sci-fi B-movies that also celebrates friendship, teamwork and the heroic potential of everyday people. Moderate action violence and a bit of vaguely sexual and slightly crude humor. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (DreamWorks Animation; also available on Blu-ray)

"Monte Carlo" (2011)
Rated "PG"
In this flimsy but inoffensive teen-girl romantic fantasy, director and co-writer Thomas Bezucha sets Selena Gomez, Katie Cassidy and Leighton Meester loose in Paris -- and in the Principality of Monaco district of the title -- as a trio of small-town Texas tourists who embark on a series of comic misadventures after Gomez's character is mistaken for a British socialite (also played by Gomez). Some mild sensuality. Spanish titles option. The Catholic News Service classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (20th Century Fox Home Entertainment; also available on Blu-ray)

"Mother's Boys" (1994)
Having abandoned her husband (Peter Gallagher) and three young sons several years earlier, a disturbed woman (Jamie Lee Curtis) abruptly returns, obsessed with reclaiming her role as wife and mother despite her husband's plans to remarry. Yves Simoneau directs a routine thriller whose sinister atmosphere lingers listlessly right up to an unconvincing, melodramatic finish. Some sexual innuendo, fleeting nudity, brief violence and several instances of rough language. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Echo Bridge Home Entertainment)

"The Motorcycle Diaries" (2004)
Compelling but hagiographic drama set in 1952 South America chronicling the continent-crossing odyssey of Ernesto "Che" Guevara (Gael Garcia Bernal), then a 23-year-old medical student, and his best friend (Rodrigo de la Serna), during which they witness the poverty of the indigenous people, awakening in Guevara a social conscience which would inform his later radical politics. Though the film is beautifully acted and crafted by director Walter Salles, some viewers may find it difficult to reconcile the road movie's idealistic -- almost saintly -- portrayal of Guevara with the fiery revolutionary of later years who advocated violence as a political tool. Subtitles. An implied sexual encounter, some crass humor and recurring rough and crude language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. (Universal)

"Monte Walsh" (1970)
Once the Wild West was tamed, cowboys such as Monte Walsh (Lee Marvin) found it hard to adapt to the demands of society. Jeanne Moreau and Jack Palance join Marvin in strong performances in a seriocomic study of ordinary cowpokes put out of work by a changing cattle industry that director William Fraker makes interesting despite a weak and aimless script with a hopelessly melodramatic climax. Some Hollywood heroics featuring fist fights and gun play. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Paramount Home Entertainment)

"Morning Glory" (2010)
Generally likable light comedy about an enthusiastic television producer (Rachel McAdams) who gets her shot at the big time running a struggling morning show for a national network. Tasked with lifting ratings, she must mediate between clashing co-anchors (Harrison Ford and Diane Keaton) and convince one -- a venerable reporter -- that fluff is an acceptable substitute for hard news. In the process, she learns that balance is essential in her own life, though she also makes a morally unacceptable decision to bed down with a colleague (Patrick Wilson). Director Roger Michell leans heavily on the appeal of the talented McAdams, whose infectious smile lends the film a warm glow. Nongraphic sexual activity, an off-screen encounter, several uses of profanity, two instances of rough language, much crude and crass talk, numerous scatological and sexual references, and a drug reference. Spanish titles option. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Paramount Home Entertainment; also available on Blu-ray)

"Music of the Heart" (1999)
Inspiring true story of an abandoned wife and mother (Meryl Streep) who turns her life around by moving to Harlem and instilling self-esteem in underprivileged schoolchildren by teaching them the disciplined art of playing the violin. Anchored by Streep's finely tuned performance, director Wes Craven's biographical movie realistically captures a devastated woman's personal growth and the value of the arts in the educational curriculum. An implied affair and an instance of rude language. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Echo Bridge Home Entertainment)

"Mr. Deeds Goes to Town" (1936)
When a small-town writer of greeting-card verses (Gary Cooper) inherits a fortune, he moves to New York City where he is made into a front-page laughingstock by a two-timing reporter (Jean Arthur) and his plans to help the poor embroil him in a sanity hearing. Director Frank Capra deftly juggles romance and humor in this entertaining Depression-era tale of an ordinary American whose homespun virtues triumph over big-city cynicism and greed. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (Sony Pictures Home Entertainment)

"Mrs. Henderson Presents" (2005)
Patriotic true-life story of a wealthy widow (Judi Dench) who refurbishes London's dilapidated Windmill Theatre, and with the help of an artistic manager (Bob Hoskins), decides to produce topless musical revues -- with the showgirls remaining stationary by order of the Lord Chancellor (Christopher Guest) -- to entertain the troops during the blitz. Despite the seeming raciness of the theme, and several artfully posed tableaux of bare-breasted showgirls, Stephen Frears' well-made film, with a script by playwright Martin Sherman, is as decorous as a "Masterpiece Theatre" production, and features predictably fine performances by the leads. Partial female nudity throughout, and a fleeting scene of full-frontal male and female nudity, a premarital affair with tragic results, some innuendo, a smattering of profanity and rough language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Genius Productions)

"Mulholland Falls" (1996)
Investigating the bizarre murder of a call girl (Jennifer Connelly) with whom he had once had a brief affair, a 1950s' Los Angeles detective (Nick Nolte) runs up against a government conspiracy to conceal the facts in the case. Director Lee Tamahori's stylish melodrama is rich in period atmosphere but the weak plot is derivative of 1974's "Chinatown" without the benefit of its intelligent screenplay. Recurring brutal violence, several bedroom scenes with nudity, frequent profanity and minimal rough language. The USCCB Office for Film & Broadcasting classification is A-IV -- adults, with reservations. The Motion Picture Association of America rating is R -- restricted. (MGM)

"The Mummy: Tomb of the Dragon Emperor" (2008)
Lavish but lightweight adventure sequel in which an archaeologist (Luke Ford) joins forces with his explorer father (Brendan Fraser) and scholar mother (Maria Bello) to prevent the titular resurrected ruler (Jet Li) from reviving his terra-cotta legions to tyrannize the world, while falling for the immortal maiden (Isabella Leong) who holds the secret to the monarch's destruction. Director Rob Cohen's breathlessly paced epic is long on special effects and battle sequences and, though short on wit or convincing emotion, it does feature respectable family values and a positive image of a marital partnership. Spanish language and titles options. Moderate action violence, brief innuendo, some crass language and a couple of profanities. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Universal Studios Home Video; also available on Blu-ray)

"The Muppet Christmas Carol" (Anniversary Edition) (1992)
In this sprightly version of Charles Dickens' "A Christmas Carol," Muppets Kermit, Miss Piggy, the Great Gonzo, Rizzo the Rat and Fozzie Bear have incidental roles as Michael Caine portrays skinflint Ebenezer Scrooge, who is visited by the spirits of Christmas Past, Present and Future so he can learn the true spirit of Christmas. Director Brian Henson retells the holiday classic with delightful musical numbers, though with less frenzied fun than the usual Muppet outings. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. (Buena Vista)

"The Muppet Movie" (Anniversary Edition) (1979)
After a chance encounter with a Hollywood talent scout Dom DeLuise, Kermit the Frog abandons his soggy swamp for a movie career, taking the entire Muppet crew on a heartwarming cross-country jaunt but it is Miss Piggy who saves the day by getting Kermit his Hollywood audition. In their first appearance on the big screen, Jim Henson's Muppet characters seem right at home and director James Frawley's location filming gives them the world as a stage. Charming and delightful entertainment for all. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. (Buena Vista)

"Murder My Sweet" (1944)
Raymond Chandler's hard-boiled detective, Philip Marlowe (Dick Powell), sets out to find a missing person but the trail leads to a widening mystery involving a stolen jade necklace, a blackmail ring and assorted mayhem. Directed by Edward Dmytryk, the crime story offers a lot of gritty atmosphere, tough characters (Claire Trevor, Mike Mazurki and Otto Kruger), imaginative plot twists and snappy period dialogue. Justice prevails over all the stylized violence. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (Warner Brothers)

"Music and Lyrics"(2007)
Likable, if featherweight, romantic comedy about a has-been 1980s pop star (Hugh Grant) commissioned to write a song for a reigning pop diva (Haley Bennett) who discovers that his plant lady (Drew Barrymore) has a talent for lyrics, so he enlists her help, and they fall in love in the process. The two leads are effortlessly charming; there's a refreshing absence of romantic conflict and nice message about real values and believing in oneself, but for all that and despite some funny barbs about the music business, the film could have used a bit more wit. Apart from a single implied premarital encounter, writer-director Marc Lawrence's film is mostly devoid of objectionable elements, making this acceptable for older adolescents. Aforementioned tryst, some skimpy costuming and gyrating moves from the pop star, brief physical scuffle, mild sexual banter and innuendo. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13 (Warner Home Video).

"Must Love Dogs" (2005)
Amiable but uneven comedy about a recently divorced teacher (Diane Lane) whose well-meaning family runs a personal ad on her behalf that brings her into contact with a lonely boat-builder (John Cusack) in similar straits, but the possibilities of romance are complicated by the woman's attraction to the handsome father (Dermot Mulroney) of one of her preschoolers. Writer-director Gary David Goldberg's script meanders, the plot turns are sometimes implausible, but the central characters are decent and played by likable leads, with good support by Christopher Plummer, Elizabeth Perkins and Stockard Channing. Freewheeling attitude toward premarital sex, condom use, an instance of profanity, scattered crude language, sexual banter, and a scantily clad go-go dancer. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Warner Bros.)

"My Best Friend" ("Mon Meilleur Ami") (2007)
A ruthless, self-centered antiques dealer (Daniel Auteuil) must prove to his disbelieving business partner (Julie Gayet) that he has a best friend, but after learning that none of his acquaintances consider him a friend, he decides that a good-natured cab driver (Dany Boon) may fit the bill. Director and co-writer Patrice Leconte's perceptive study on the nature of friendship begins as a lightweight comedy, but builds in bittersweet profundity as it goes along, and has a nail-biting climax involving, of all things, the TV show "Who Wants to Be a Millionaire?" In French, with subtitles. A few rough and crude expletives, a lesbian character and an unethical act. The only extra feature on the anamorphic DVD is a subtitled 26-minute making-of documentary, but there's a lot of behind-the-scenes footage that makes an interesting addendum. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Genius Productions Inc.)

"My Dog Skip" (2000)
World War II-era story in which a sensitive little boy (Frankie Muniz) overcomes his shyness when his frisky Jack Russell terrier helps him make friends, learn to play football and hold hands with the prettiest girl in school. Jay Russell directs a sweetly sentimental story about the bonds between a child and his loyal pet. Brief mild violence. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children (Warner Bros. Home Video).

"My Blueberry Nights" (Miriam Collection) (2008)
Noted Chinese director Wong Kar Wai's English-language debut tells of a young woman (singer Norah Jones in her movie debut) who, abandoned by her boyfriend, finds solace with an empathetic diner owner (Jude Law), after which she embarks on a cross-country odyssey of self-discovery encountering an alcoholic cop (David Straitharn), his estranged wife (Rachel Weisz), and a fearless gambler (Natalie Portman, giving the film's standout performance) along the way. Though poetically shot, generally well acted and with characters all drawn with an underlying moral decency, the artsy film frequently drags. Some profanity and a few expletives, a couple of brief violent episodes, smoking and drinking. The handsome DVD includes a good making-of documentary and an interview with Wong taped at the Museum of the Moving Image. Spanish titles option. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Weinstein/Genius Products)

"My Fair Lady" (1964)
Screen version of the Lerner and Loewe musical based on George Bernard Shaw's play, "Pygmalion," in which an egotistical professor (Rex Harrison) makes a bet that he can transform the Cockney speech and manners of a London flower girl (Audrey Hepburn) well enough for her to pass for a lady at an upcoming royal ball. Predictably, it is not always the professor who gives the lessons. George Cukor's nimble direction, Cecil Beaton's stunning sets and costumes, the charming performances and the wonderful music add up to splendid family entertainment. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted. (Paramount Home Entertainment)

"My Left Foot" (1989)
Powerful dramatization of the life of Irish writer-artist Christy Brown, born with cerebral palsy to a large, impoverished Catholic family, shows his triumph over physical disabilities as the creative intelligence bottled up inside his young, twisted body finds expression, thanks in large part to his mother's love and encouragement. Jim Sheridan's sensitive, unsentimental direction and brilliant acting by Hugh O'Conor and Daniel Day-Lewis as the young and the adult Brown provide a testament to the power of the spirit over adversity and a tribute to a mother's unquestioning belief in her child. Some violence, rough language and sexual innuendo. The DVD has a sharp letterbox print, a brief documentary about the real Brown and a "making of" featurette. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. (Miramax)

"My Life in Ruins" (2009)
Cotton-ball-soft romantic comedy about a travel guide in Greece (Nia Vardalos) who learns to absorb the spirit of the Greek islands in order to enjoy life and find romance with -- who else? -- a handsome Greek (Alexis Georgoulis). Director Donald Petrie and screenwriter Mike Reiss duplicate the slow, ambling formula of Vardalos' monster hit, "My Big Fat Greek Wedding," to the letter, replacing her passel of eccentric but lovable relatives with a busload of eccentric but lovable tourists. So devoid of objectionable elements, it's acceptable for older adolescents. A couple of implied premarital encounters, mild sexual banter and innuendo. Spanish titles option. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (20th Century Fox Home Entertainment)

"My Sassy Girl" (2008)
Genial romantic comedy about a straight-laced business school student (Jesse Bradford) who falls for an eccentric rich girl (Elisha Cuthbert), but their relationship is strained by her peculiar drinking problem and the after-effects of her last relationship. Director Yann Samuell's remake of a Korean movie based on the graphic novels by Kim Ho-sik features a screwball heroine whose unlikely antics are more grating than endearing, though its central relationship is refreshingly chaste. Some sexual humor and discussion, one use of the F-word, occasional crude language and one use of profanity. There are no extras on the widescreen DVD. Spanish subtitle option. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (20th Century Fox Home Entertainment)

"My Sister Eileen" (1955)
Updated musical version of the 1942 comedy with two sisters from Ohio coming to New York to seek careers as a writer (Betty Garrett) and an actress (Janet Leigh), with wacky results involving their Greenwich Village basement apartment, a contingent of Brazilian naval cadets, a smug magazine editor (Jack Lemmon) and a shy soda jerk (Bob Fosse). Directed by Richard Quine, the songs and dance numbers add an agreeable dimension to the entertainment. Sexual situations and innuendo. The DVD has a sparkling letterboxed print of the story that Leonard Bernstein musicalized in the Broadway hit "Wonderful Town," but this version utilized a new -- inferior -- score by Jule Styne. The menu allows viewers to choose individual scenes from the movie, rather than -- as usual with musicals -- the musical numbers. The USCCB Office for Film & Broadcasting classification is A-III -- adults. Not rated by the Motion Picture Association of America. (Columbia/TriStar)

"My Sister's Keeper" (2009)
Generally well-acted if sometimes soggy family drama about a strong-willed mother (Cameron Diaz, excellent in a not-always-likable part), in denial about her teenage daughter's (Sofia Vassilieva) losing battle with cancer; the loving but conflicted father (Jason Patric); and sister (Abigail Breslin), who hires a lawyer (Alec Baldwin) for "medical emancipation" so she won't be forced to donate her kidney to her sister. Affecting, despite basic plot contrivances and a couple of morally questionable elements, co-writer and director Nick Cassavetes' tear-jerker ultimately presents a positive view of marriage and family. A nongraphic nonmarital sexual encounter, in vitro conception, disturbing hospital imagery, brief rough and crude language and a couple of profanities, domestic discord, some mild sexual talk and brief teenage drinking. The DVD includes both widescreen and full-screen versions and features eight deleted scenes. Spanish language and titles options. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (New Line Home Video; also available on Blu-ray.)

"Mysterious Island" (1961)
Escaping a Confederate prison in an observation balloon, five men (led by Michael Craig and Gary Merrill) wind up on a Pacific island where they encounter giant-sized animals, a shipwrecked Englishwoman (Joan Greenwood) and her niece, pirates, an erupting volcano and the helping hand of Captain Nemo (Herbert Lom). Director Cy Enfield's sequel to Jules Verne's "20,000 Leagues Under the Sea" is a rousing adventure tale with intriguing plot twists and imaginative special effects by Ray Harryhausen but the ending lags. Despite the usual stylized violence and menace, the result is exciting family fare with an anti-war message. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. Not rated by the Motion Picture Association of America. (Platinum)

N
"The Naked Jungle" (1954)
Turn-of-the-century romantic thriller centers on a sour plantation owner (Charlton Heston) who imports a mail-order bride (Eleanor Parker) to his South American backwater, then faces the fight of his life trying to save his lands from an invasion of soldier ants. Directed by Byron Haskin, the climax pitting Heston against a ferocious army of insects is edge-of-the-seat fare, thanks to George Pal's convincing special effects. Initial romantic complications swept away by the growing menace of a natural disaster. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (Paramount)

"The Naked Kiss" (1964)
Ragged melodrama in which a former prostitute (Constance Towers) finds a new life as a children's nurse in a distant town, then kills her rich fiance in shock after discovering him molesting a child. Writer-director Samuel Fuller's tough-minded tale of a woman's struggle to break with her past has some effective scenes, but the plot never quite hangs together and the result is largely unconvincing. Stylized violence and story elements involving prostitution, pedophilia and abortion. The Catholic News Service classification is A-III -- adults. Not rated by the Motion Picture Association of America. (Criterion Collection)

"The Naked Prey" (1965)
Brutal picture of 19th-century Africa in which natives cruelly massacre a hunting safari, then give its guide (Cornel Wilde) a head start before sending their best warriors to hunt him down for sport. Also produced and directed by Wilde, the life-and-death action is vigorous and the tactics of surviving in the savage wilderness are inventive, but the result proves little more than an ultimately disappointing exercise in menace. Savage violence and racial stereotyping. The USCCB Office for Film & Broadcasting classification is A-III -- adults. Not rated by the Motion Picture Association of America. (Criterion Collection)

"The Namesake" (2007)
Superb, beautifully acted over-the-years saga about Indian newlyweds (Tabu and Irrfan Khan) who emigrate to New York to start their life, and the joys and vicissitudes which follow, including the son (Kal Penn) who grows away from them. Director Mira Nair's adaptation of Pulitzer Prize-winning author Jhumpa Lahiri's acclaimed novel holds your interest right up to its two-hankie conclusion, and though there are a few uses of the "s" word, and some low-keyed bedroom scenes with brief rear nudity in one of them, this is highly recommendable for upper teens and up, for its poignant affirmation of family, respect for one's parents, and embracing one's heritage with pride. Partially subtitled. A few crude words, brief teenage drug use, brief sexual encounters -- a couple without nudity, one a premarital situation with rear nudity -- adultery, fleeting images of dead and injured after a train wreck. The DVD includes commentary by Nair, three deleted scenes (two of them extremely brief, and one a sexual encounter without nudity), a feature on Penn, and Nair speaking with a class at Columbia University's graduate film school explaining how she was inspired by personal grief to make the film. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (20th Century Fox Home Entertainment)

"Nancy Drew" (2007)
Reasonably involving, if formulaic, yarn about a plucky teenage detective (Emma Roberts) who, despite her father's (Tate Donovan) admonition to stop "sleuthing," can't resist the urge to unravel the mystery behind a Hollywood actress's death. Director and co-writer Andrew Fleming applies a contemporary spin which Drew aficionados may decry, but maintains Nancy's overall innocent -- if savvy -- spirit, and allows her to operate with integrity. A character presumably born out of wedlock, light violence, mild innuendo and mild disobedience of parental authority. DVD extras include a making-of featurette and several "mini-featurettes," as well as an unobjectionable gag reel. Spanish subtitle option. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating was PG -- parental guidance suggested. Some material may not be suitable for children. (Warner Home Video)

"Nanny McPhee" (Universal)
Rated "PG"
Enjoyable tale of magical nanny (Emma Thompson) who comes to the aid of (seven) out-of-control children and their befuddled widower father (Colin Firth), a mortician, and the servant (Kelly MacDonald) who loves him from afar. Director Kirk Jones, working from a screenplay by Thompson based on the "Nurse Matilda" books, has derivative overtones of "Mary Poppins" and other children's fare, but the sweet story is touching, well acted by a solid British cast, including Angela Lansbury, Derek Jacobi and Imelda Staunton, and the almost fairy-tale ambience successfully sustained, with solid moral messages about the primacy of family and the inherent goodness of people. Some innuendo, mild bad language, rude humor, innocuous shots of cadavers and macabre childish pranks perhaps preclude viewing by the very youngest children. The USCCB Office for Film & Broadcasting classification is A-II - adults and adolescents.

"National Lampoon's Gold Diggers" (2004)
Atrociously unfunny comedy about two twentysomething numskulls (Will Friedle and Chris Owen) who scheme to wed a pair of elderly sisters (Louise Lasser and Renee Taylor), then kill them for their inheritance. What they don't realize is that the geriatric heiresses are actually broke and are only marrying the greedy gigolos so they can knock them off and collect on the life insurance. Full of vulgar sight gags, this witless and woefully directed clunker by Gary Preisler should be declared a "national" disaster. Recurring lewd sexual situations and humor, sporadic violence, drug content, as well as some crass language and profanity. The USCCB Office for Film & Broadcasting classification is O -- morally offensive. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (MGM/UA)

"National Treasure" (2004)
Unevenly entertaining action adventure about a fortune hunter (Nicolas Cage), who steals the Declaration of Independence, which he believes holds the key to unlocking a 200-year-old mystery surrounding a fabled treasure hidden by America's Founding Fathers. Combining Indiana Jones-inspired action sequences with "The Da Vinci Code" intrigues involving secret societies like the Freemasons, director Jon Turteltaub has crafted a fun but forgettable popcorn film. Recurring action violence and some frightening images. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Buena Vista)

"National Treasure 2: Book of Secrets" (2007)
Diverting, though paper-thin, adventure sequel in which a treasure hunter (Nicolas Cage), helped by his technologically gifted but hapless partner (Justin Bartha), his estranged parents (Jon Voight and Helen Mirren) and his archivist girlfriend (Diane Kruger), sets out to vindicate an ancestor accused of conspiring in the Lincoln assassination and to find a legendary city of gold while being shadowed by the descendant of a Confederate officer (Ed Harris) who has his own agenda and by an FBI agent (Harvey Keitel) who always seems to be one step behind. Director John Turteltaub's overlong film will not bear much scrutiny, but those willing to go along for the ride will be rewarded with car chases, journeys through underground passages and an alternative version of U.S. history. Some intense action sequences and a couple of bathroom gags. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Buena Vista Home Entertainment)

"Nativity" (2005)
Few images hold a more cherished place in the hearts of Catholics than that of the Nativity, the most recognizable Christian symbol after the cross. But how did the devotional practice of the family Christmas creche develop and why does it touch us in such a profound way? This modest but beautifully crafted program briefly examines the history and spirituality of the Nativity, from its humble origins in the early 13th century when St. Francis created a manger scene -- with live barnyard animals -- so his parishioners could better experience the Christmas story, to its flowering into a more elaborate art form and eventual adoption by countless cultures, with special attention given to the meaning and spiritual significance of each of the main figures. Narration and insightful commentary by theologians and collectors explains how as Christianity spread Nativity scenes began to reflect the various indigenous cultures. Though the running time is just 30 minutes and there are no bonus features, the Trappist-produced program provides a fascinating look at cribs from around the world, including traditional European creches and unique Asian, African, Oceanic, Mexican and Native American (with baby Jesus in a canoe) Nativity scenes, as well as a modern abstract one made of Coca-Cola cans. (Mepkin Abbey) (www.mepkinabbey.org)


"The Nativity Story" (2006)
Dramatization of the New Testament birth narratives from the Annunciation to the birth of Jesus, focusing on the relationship between Mary (Keisha Castle-Hughes) and Joseph (Oscar Isaac) and their arduous trek from Nazareth to Bethlehem, with subplots tracking the journey of the three Magi and the efforts of King Herod (Ciaran Hinds) to prevent the prophecy of a messiah from coming to pass. A composite of the Gospels of Matthew and Luke, embroidered with apocryphal traditions and the imagination of the filmmaker, the Bible story gets the prestige treatment in director Catherine Hardwicke's artful, reverent and affecting retelling, with soulful performances from an excellent international cast -- including Shohreh Aghdashloo as Elizabeth -- and impressive production design. Mike Rich's screenplay manages to flesh out Mary and Joseph while remaining faithful to Scripture, poignantly suggesting the humanity beneath the halos. Some violent images. The handsome DVD offers both widescreen and full-screen versions, though no other significant extras. There is, however, a Web site (www.NativityResources.com) featuring downloadable study guides, sermon outlines and the like. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children (New Line Home Entertainment).

"The Natural" (Director's Cut) (1984)
Screen version of the Bernard Malamud novel about a phenomenal baseball player (Robert Redford) is as much a fable about the temptations of worldly glory and the flesh as it is a red-blooded sports saga. Directed by Barry Levinson, it has a strong supporting cast (Robert Duvall, Glenn Close and Wilford Brimley) but muddles the story's underlying themes of self-deceit, evil and mortality. Promiscuity figures in the plot but is treated with restraint. The two-disc set starts with a video introduction by Levinson, who explains how the new version (20 minutes added, about 14 excised) helps realize his original intent, and also includes more than 10 featurettes, including interviews with Redford, Close and various sports and broadcast professionals. The USCCB Office for Film & Broadcasting classification of the theatrical version was A-II -- adults and adolescents. The Motion Picture Association of America rating was PG -- parental guidance suggested. Some material may not be suitable for children (Sony Pictures Home Entertainment).

"Nearing Grace" (2006)
Melancholy coming-of-age drama set in 1979 about an 18-year-old (Gregory Smith) trying to cope after the recent death of his mother. His despairing father (David Morse) numbs the pain with booze and his older brother (David Moscow) retreats into mind-altering drugs, while he is torn between lust for a sexually aggressive high-school seductress (Jordana Brewster) and his affections for his soul mate and best friend (Ashley Johnson). Director Rick Rosenthal's adaptation of Scott Sommer's novel touches on themes of love, loss and death, and, despite the amorality of its characters in navigating their brokenness and grief, ultimately endorses a deeper appreciation of life and others. Sexual situations, teen smoking and drinking, drug content, an attempted suicide, rear nudity, a vulgar gesture, an irreligious dispersal of ashes, as well as rough, crude and sexually blunt language and profanity. The DVD includes commentary by Brewster and Rosenthal. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Vivendi Visual Entertainment)

"The Next Three Days" (2010)
Implausible, ethically dubious thriller about a Pittsburgh college professor (Russell Crowe) who decides to spring his wife (Elizabeth Banks) from a prison where she's serving time for murder. Writer-director Paul Haggis embeds faulty moral logic inside his far-fetched premise. Together with certain plot contrivances, its endorsement of seriously flawed behavior -- a laudable belief in his spouse cannot excuse some of the choices Crowe's character makes -- renders this otherwise well-made movie difficult to enjoy. One instance of rough language, a smattering of profanity and crass terms, some gunplay and other nongraphic violence, an off-screen suicide attempt, drug dealing, brief sexual banter. Spanish titles option. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Lionsgate Home Entertainment; also available on Blu-ray)

"A Night at the Roxbury" (Special Collector's Edition) (1998)
Witless comedy about two nerdy brothers (Will Ferrell and Chris Kattan) who haunt local nightclubs until they stumble onto romance and success in spite of themselves. Directed by John Fortenberry, the brainless proceedings feature gratingly irksome characters whose dumb antics are thuddingly dull. Implied affairs, a discreet sexual encounter, crude expressions and a few instances of profanity. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Paramount Home Video)

"Night at the Museum: Battle of the Smithsonian" (2009)
Enjoyable sequel, again directed by Shawn Levy, has the ex-Museum of Natural History night guard (Ben Stiller) traveling to Washington to rescue his formerly inanimate friends -- the museum's display figures (Owen Wilson, Robin Williams, Steve Coogan) -- from being archived in the Smithsonian. With the help of Amelia Earhart (Amy Adams) and General Custer (Bill Hader), they must ward off Egyptian pharaoh Kahmunrah (funny Hank Azaria), Ivan the Terrible (Christopher Guest), Napoleon Bonaparte (Alain Chabat) and Al Capone (Jon Bernthal). Kids will love the gags (the humor stays clean) and excellent special effects, and adults will appreciate the wit of some of the D.C. museum's most iconic paintings and sculptures springing to life. Spanish language and titles options. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (20th Century Fox Home Entertainment; also available on Blu-ray)

"Nights in Rodanthe" (2008)
Sensitively played but synthetic tale of a betrayed wife (Diane Lane), mulling her errant husband's (Christopher Meloni) surprising request to return to her, and a troubled plastic surgeon (Richard Gere, coming to terms with the death of a patient, who connect at a North Carolina waterfront inn, offer each other comfort and, of course, fall in love. Stage director George C. Wolfe makes his feature-film debut with this gauzy adaptation of Nicholas Sparks' best-seller which, though it has little overtly objectionable content in terms of graphic sex or language, romanticizes an objectively adulterous affair. A few expletives including one use of the F-word, mild innuendo, a nongraphic sexual encounter, and the acceptance of nonmarital sexual relationships and divorce. The DVD includes both widescreen and full-frame formats. Spanish language and titles options. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Warner Home Video; also available on Blu-ray)

"The Night Listener" (2006)
Adaptation of Armistead Maupin novel -- "inspired by true events" -- about a gay radio host (Robin Williams) who develops a paternal phone friendship with a young fan (Rory Culkin) who has AIDS and was sexually abused as a child, but then begins to doubt the boy's existence, and wonders if he's not actually speaking with the teenager's blind adoptive mother (Toni Collette). Director and co-writer Patrick Stettner's gloomy but suspenseful film is part psychological drama, part mystery in the M. Night Shyamalan manner, but though the performances are solid and there are some chills the result is, on the whole, unconvincing. Profanity, rough and crude language, sexual elements including brief footage of an orgy with partial nudity, innuendo and some violence. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian (Miramax).

"The Night of the Hunter" (1955)
Powerful chiller from Davis Grubb's novel in which a berserk backwoods preacher (Robert Mitchum) learns of money stolen by a dying convict, marries his widow (Shelley Winters) to find it, then pursues her two frightened youngsters until they find sanctuary with a frail but resourceful matron (Lillian Gish). The only movie directed by actor Charles Laughton, the dark tale of suspense builds a truly frightening picture of a homicidal fanatic whose righteous facade is finally shattered by the innocence of children and the common sense of a determined woman. Much menace, some stylized violence and muted sexual references. The Catholic News Service classification is A-III -- adults. Not rated by the Motion Picture Association of America. (Criterion Collection; also available on Blu-ray)

"Night of the Living Dead" (1968) (Rifftrax Edition)
Low-budget horror movie whose plot centers on a group of strangers barricaded in a farmhouse while radiation-animated corpses who feed off the living try to storm in for their prey. Directed by George Romero, the unpolished look of the production (grainy black-and-white photography and use of local Pittsburgh residents) has a makeshift quality helping to sustain the dimension of nightmarish unreality. Every once in a while, there is some unconscious humor which nicely relieves the tension and helped earn its cult reputation. Several fleeting but graphic scenes of ghouls gnawing on various parts of the anatomy. The DVD allows the option of listening to wacky -- sometimes sophomorically irreverent -- commentary by Mike Nelson, Kevin Murphy and Bill Corbett of "Mystery Science Theater 3000." The USCCB Office for Film & Broadcasting classification is A-III -- adults. Not rated by the Motion Picture Association of America. (Legend Films)

"Night Train to Munich" (1940)
Classy British espionage caper in which a Czech inventor and his daughter (Margaret Lockwood) are snatched from England by a nasty Nazi agent (Paul von Henreid), then rescued from a heavily guarded German train by a daredevil British operative (Rex Harrison). Director Carol Reed paces the cat-and-mouse thriller with some twisty plot turns, comic byplay (notably Basil Radford and Naunton Wayne as woolly English travelers) and suspenseful action, including a shootout atop the Swiss Alps. Stylized violence and mild romance. The Catholic News Service classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (Criterion Collection)

"Nim's Island" (2008)
Winning yarn set on a solitary South Pacific island where an 11-year-old girl (Abigail Breslin) e-mails a heroic adventurer for help when her widowed marine biologist father (Gerard Butler) fails to return from a two-day research expedition, not realizing that her hero is actually a highly phobic fiction writer (Jodie Foster in a rare comic turn) living in San Francisco. Directors Mark Levin and Jennifer Flackett deftly combine the adventurous, humorous, sentimental and fantastical aspects of Wendy Orr's novel, and the three stars are engaging, making this recommendable family fare. Mild action violence. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (20th Century Fox Home Entertainment)

"9" (2009)
Artistically accomplished but intellectually problematic animated fantasy in which the doll-like titular creature (voice of Elijah Wood) leads a band of similar beings (voiced by, among others, Christopher Plummer, Martin Landau, John C. Reilly and Jennifer Connelly) -- each also identified by a number -- as they battle giant mechanical monsters amid the ruins of a post-apocalyptic world. Director Shane Acker's feature debut, an expansion of his 2004 short of the same title, implicitly contrasts a naysaying version of religious faith with enlightening science, a false dichotomy that, despite some eventual modifications, requires mature deliberation by spiritually well-grounded viewers. Complex religious themes, moderate action violence and frequent menace. Spanish language and titles options. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Universal Studios Home Video; also available on Blu-ray)

"The Ninth Day" (2005)
Quietly compelling drama about a Catholic priest (Ulrich Matthes) temporarily released from a concentration camp and returned to his native Luxembourg, where a young SS officer (August Diehl) informs him that he has nine days to convince the staunchly anti-Nazi bishop to sign a letter supporting Hitler, leading to a battle of wills in which the priest must choose between survival and the dictates of his conscience. Loosely based on the prison diaries of real-life Luxembourg priest Father Jean Bernard, and intelligently directed by Jesuit-educated German filmmaker Volker Schlondorff, the picture is an emotionally forceful and morally complex meditation on faith, redemption and the cost of true discipleship. Subtitles. Several images of sadistic violence, including a crucifixion, as well as some crude language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. Not rated by the Motion Picture Association of America. (Kino)

"Nine Lives" (2005)
Finely acted nine-part anthology with a central female character in each segment: prison inmate Sandra (Elpidia Carrillo); pregnant Diana (Robin Wright Penn) reconnecting with her old flame in the supermarket; powder keg Holly (Lisa Gay Hamilton) seething with serious stepfather issues; Sonia (Holly Hunter), with a troubled relationship below the surface; teenage Samantha (Amanda Seyfried), caught between sparring parents; Lorna (Amy Brenneman), meeting her ex-husband at his wife's funeral; married Ruth (Sissy Spacek), checking into a motel with her would-be lover; Camille (Kathy Baker), facing a mastectomy; and Maggie (Glenn Close) and daughter Maria (Dakota Fanning) visiting a grave. Writer-director Rodrigo Garcia has fashioned a thoughtful -- often sad -- reflection on humanity's interconnection, albeit with some slow patches. Profanity and rough language, premarital sex, some sexual talk and a nongraphic sexual encounter, attempted suicide and murder, and an abortion discussion. The anamorphic widescreen DVD features a panel discussion at the Strasberg Theater and Film Institute with Garcia and cast members Brenneman, Hamilton, Baker, and Mantegna. There are four featurettes: "The Women of Nine Lives," "Sonia: Blocking a Scene," "Working With One Continuous Take" (as each segment was indeed shot), and "Maggie: A Day at the Cemetery." The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Sony Home Entertainment)

"No Country for Old Men" (2007)
Spellbinding, richly detailed thriller based on Cormac McCarthy's 2003 novel set in the Texas borderlands as a cold-blooded, psychopathic killer (Javier Bardem) ruthlessly pursues a welder (Josh Brolin) who's taken a suitcase of loot after stumbling across a brutal drug slaying, while a philosophical small-town sheriff (Tommy Lee Jones) pursues them both hoping to avert tragedy. Co-directors and writers Joel and Ethan Coen create an atmosphere of almost unbearably quiet tension, with powerful performances by a masterful cast (including Woody Harrelson and Kelly MacDonald), underscored by themes of the struggle between good and evil, the changing ethos of the West, temptation, honor and sacrifice. Strong violence and multiple killings with blood, occasional rough language and profanity, and brief partial nudity. The DVD of this year's best-picture Oscar winner has three extras: "Working with the Coens," "Diary of a Country Sheriff," and a 25-minute making-of featurette. Spanish subtitle option. The USCCB Office for Film & Broadcasting classification is A-III --adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Miramax/Buena Vista Home Entertainment; also available on Blu-ray)

"No Impact Man" (2009)
Thought-provoking documentary charting a yearlong experiment by a New York City couple, author Colin Beavan and his journalist wife, Michelle Conlin, during which they gradually give up every aspect of their lifestyle that could cause a negative environmental effect, a formidable list of sacrifices that eventually includes all motorized transport, even elevators, all food not grown locally, disposable diapers for their toddler daughter, air conditioning, heating and electric lights. While their undertaking obviously carries conscientiousness to an extreme unlikely to be imitated by many, as captured by filmmakers Laura Gabbert and Justin Schein, the pioneering experience does have its potentially inspiring rewards in the form of increased exercise, improved diet and intensified family life, though the incidental portrait of a real-life marriage mixes mutual commitment with sometimes misguided reproductive values. Some rough and crude language, a half-dozen crass terms and birth control references. The USCCB Office for Film & Broadcasting classification is A-III -- adults. Not rated by the Motion Picture Association of America. (Oscilloscope Laboratories) (www.oscilloscope.net)

"No Reservations" (2007)
Sweet story, adapted from the 2001 German film "Mostly Martha," now set in New York, about a work-obsessed master chef (Catherine Zeta-Jones) who takes in her orphaned 9-year-old niece (Abigail Breslin) and her subsequent rivalry with and then growing admiration for the restaurant's happy-go-lucky sous-chef (Aaron Eckhart) who helps open her up to life. Despite formulaic and overly sentimental moments, director Scott Hicks' excellent adaptation maintains a sensible tone, and allows the engaging story to unfold at an unhurried pace, while the performances are immensely appealing. Apart from a handful of expletives and crass expressions, including an instance of profanity and some remarks that imply the acceptability of premarital living arrangements, and one such implied sexual encounter, the film may be acceptable for older adolescents. The double-sided DVD features both the widescreen and full-screen editions and looks very nice, but the only extra is an episode of the Food Network's "Unwrapped" with the film's stars, while the HD-DVD/DVD combo and Blu-ray editions have an "Emeril Live" episode with Eckhart and Breslin. Spanish language and subtitle options. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Warner Home Video)

"Notes on a Scandal" (2006)
Lurid but skillful melodrama set in England about a lonely history teacher (Judi Dench) whose unhealthy interest in an attractive younger art teacher (Cate Blanchett) leads her to help conceal the latter's reprehensible affair with a determined 15-year-old student (Andrew Simpson) in the hope of fostering the woman's dependence on her. Richard Eyre directs playwright Patrick Marber's adaptation of Zoe Heller's award-winning book with Hitchcockian flair, while taking care not to glamorize the seamier plot elements. Though Dench is a manipulative villain, she skillfully delineates her character's sense of isolation. The themes may rule out the film for many, but for those who approach the plot as the astute psychological thriller it is, they'll appreciate two actresses at the top of their game. Some rough, crude and profane language, domestic violence, adulterous affair with underage boy including some kissing, innuendo and obsession. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian (20th Century Fox Home Entertainment).

"The Notorious Landlady" (1962)
Rated "NR"
Dark comedy about a newcomer (Jack Lemmon) to the American Embassy in London who rents an apartment from a mystery woman (Kim Novak) suspected of having murdered her husband. Director Richard Quine gets some good sight gags out of an anemic storyline which picks up energy only toward the end when the diplomat risks his career trying to clear the landlady's name. Occasional stylized violence and romantic situations. The Catholic News Service classification is A-III -- adults. Not rated by the Motion Picture Association of America. (Sony Pictures Home Entertainment)

"North by Northwest" (50th Anniversary Edition) (1959)
Stylish tongue-in-cheek thriller in which a suave advertising executive (Cary Grant), mistaken for a spy by foreign agents (James Mason and Martin Landau) and suspected of murder by the police, is chased from the United Nations to Mount Rushmore, with some time out along the way for romance with a double agent (Eva Marie Saint). Though the plot is only an excuse for some dandy suspense sequences (most memorable, the deadly crop-dusting plane in the middle of nowhere), director Alfred Hitchcock is at his most playful in manipulating the innocent hero and the viewer through an intricate maze of menace. Stylized violence and discreet sexual references. Spanish titles option. The USCCB Office for Film & Broadcasting classification is A-III -- adults. Not rated by the Motion Picture Association of America. (Warner Home Video; also available on Blu-ray)

"North Country "(2005)
Compelling drama set in northern Minnesota about a struggling single mother of two (Charlize Theron), who takes a job at a local mine, and encounters hostility and abuse from the predominantly male ranks. With the help of a sympathetic lawyer (Woody Harrelson), she eventually stands up for herself and her female co-workers by filing a landmark sexual harassment lawsuit. Buttressed by a forceful performance by Theron, director Niki Caro's film avoids melodrama while touching on issues of gender discrimination, justice, family, community and human dignity. Scenes of workplace harassment including lewd comments and humor plus obscene graffiti, groping and assorted other malicious mischief involving scatological and sex gags, implied spousal abuse, a suggested rape and recurring rough and crude language and profanity. The letterboxed DVD (a narrower image than some) looks good, and features nine above-average deleted scenes, though some are quite brief, and one includes a couple of four-letter words. The featurette, "Stories from North Country," includes interesting background on some of the real-life class action suits that inspired the film. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Warner Bros.)

"Not on the Lips" ("Pas Sur La Bouche") (2003)
Delightfully frothy 1925 French operetta -- first filmed in 1931 -- about a society woman (Sabine Azema) whose husband (Pierre Arditi) is unaware she was once married to an American businessman (Lambert Wilson) with a phobia about being kissed on the lips, and who, much to her dismay, has been invited to dinner, leading to farcical complications. Veteran filmmaker Alain Resnais has directed this bauble with just the right lightness of touch, paying homage to a long-vanished style, and assembled a first-rate cast, including Audrey Tautou, Isabelle Nanty and Jalil Lespert, more adept at acting than singing, but playing with just the right style. Subtitles. The DVD issue is a beautiful print with easy-to-read yellow subtitles, and provides a chance to see a film which, unaccountably, never had a theatrical release in the United States. Artificially amorous intrigue and innuendo, mildly crass expressions. The USCCB Office for Film & Broadcasting classification is A-III -- adults. Not rated by the Motion Picture Association of America. (Wellspring)

"The Notebook" (2004)
Florid romance set in both present-day and 1940s North Carolina about a vacationing prep school debutante (Rachel McAdams) and a local working-class boy (Ryan Gosling) whose passion echoes through the decades and has a healing effect on an aging couple (James Garner and Gena Rowlands) who read their star-crossed saga in a diary. Though cynics may write it off as mawkishly melodramatic, director Nick Cassavetes' old-fashioned tearjerker, based on a Nicholas Sparks novel, wears its heartfelt sentimentality like a badge of honor and proves ultimately to be a tender portrait of the miraculous power of love. A few sexual encounters with shadowy nudity and recurring profanity. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13.(New Line)

"Nuns on the Run" (1990)
Lightweight British comedy about two genially daft gangsters (Eric Idle and Robbie Coltrane) who masquerade as Catholic sisters while using a convent as a hide-out from the police and two rival gangs. Written and directed by Jonathan Lynn, the ridiculous situation of men in religious drag offers much irreverent though good-natured humor that may rub some the wrong way while providing others with some healthy laughter about Catholic life and foibles. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Anchor Bay)

O
"127 Hours" (2010)
This fact-based survival yarn about a self-centered, negligent mountain climber (James Franco) who becomes trapped in an isolated Utah canyon, with an 800-pound boulder crushing his right arm, is as straight up about moral consequences as any Sunday school lesson. Intelligently made and exciting, if also, at times, difficult to watch, director Danny Boyle's drama -- adapted from Aron Ralston's 2004 memoir "Between a Rock and a Hard Place" -- is unflinching in its portrayal of the devastating, yet personally transformative results of its central character's irresponsible behavior. Possibly acceptable for mature adolescents. A harrowing scene of amputation, a nonmarital situation, fleeting rough and crude language. Spanish titles option. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (20th Century Fox Home Entertainment; also available on Blu-ray)

"Obsessed" (2009)
Competent but forgettable suspense yarn in which a temporary office worker (Ali Larter) becomes fixated on a happily married executive (Idris Elba) eventually causing his wife (Beyonce Knowles) to suspect an affair. Director Steve Shill's feature debut, essentially a rickety star vehicle for Knowles, showcases marital fidelity, but dallies with vigilantism as the police -- led by Christine Lahti as a detective -- prove helpless. Moderate action violence, brief nongraphic sexual activity, a suicide attempt, some crude and crass language, a few sexual references and a half-dozen uses of profanity. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Sony Pictures Home Entertainment; also available on Blu-ray)

"Ocean's Twelve" (2004)
So-so caper film, in the vein of its predecessor, "Ocean's Eleven," with much the same star-studded cast as before (George Clooney, Julia Roberts, Brad Pitt, Matt Damon), joined here by Catherine Zeta-Jones and a couple of unbilled surprise cameos, this time with picturesque European locales. The larcenous crew, which has tried to go straight, must pay back entrepreneur Terry Benedict (Andy Garcia) from whose Vegas casino they stole $160 million in the first film. They set out after a Faberge egg while outwitting a master jewel thief (Vincent Cassel). Steven Soderbergh's sequel is agreeable rather than grippingly suspenseful, and the script, by George Nolfi, more genial than truly witty, though there are some mildly surprising twists and turns along the way. Tongue-in-cheek glamorization of robbery and some crude language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Warner Bros.)

"Ocean's Thirteen" (Widescreen Edition) (2007)
After a convoluted European sojourn in "Ocean's Twelve," the third film in the stylish caper franchise returns to its entertaining if morally questionable Las Vegas roots as Danny Ocean (George Clooney) and company -- motivated by loyalty to their cohort Reuben (Elliott Gould) -- target an egotistical hotel mogul (Al Pacino). The buildup is more exciting than the payoff, but director Steven Soderbergh makes it easy to watch all the moving parts in this elaborate and improbable job. Some glorification of crime, crude language and profanity, sexual innuendo, and one extended if nongraphic scene of sensuality. Extra features on the DVD include three additional scenes, a 22-minute documentary on Las Vegas and a tour of the casino with producer Jerry Weintraub. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Also available in HD/DVD Combo and Blu-ray formats) (Warner Home Video)

"The Odessa File" (1974)
Screen version of the Frederick Forsyth thriller about a German journalist (Jon Voight) who seeks to track down a Nazi war criminal (Maximilian Schell) and comes into conflict with the dreaded Odessa, a secret Nazi organization bent on regaining power. Too heavy and slow moving to be a really effective melodrama, director Ronald Neame has made a run-of-the-mill entertainment with serious overtones. Some violence. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Image Entertainment)

"Off Limits" (1953)
Tricked into joining the Army, a prizefight manager (Bob Hope) is assigned to the military police, then ordered to make a boxer out of a lightweight recruit (Mickey Rooney) whose aunt (Marilyn Maxwell) disapproves. Directed by George Marshall, the two veteran comics wring few laughs out of a tired service comedy whose outlandish situations were thin even then. Comic violence and mild romantic complications. The Catholic News Service classification is A-I -- general patronage. Not rated by the Motion Picture Association of America. (Olive Films)

"Off the Map" (2005)
Leisurely paced but ultimately affecting story of the unconventional Groden family living in virtual isolation in New Mexico -- a husband (Sam Elliott) suffering from depression; a mother (Joan Allen) who sometimes gardens in the nude; a precocious 11-year-old daughter (Valentina De Angelis); and the Internal Revenue Service agent (Jim True-Frost) who comes to collect back taxes but is so charmed by their lifestyle he decides to stay. Actor Campbell Scott's second solo directorial stint is actually a rather sweet story with a positive message about the value of family and love, and features solid performances all around, including that of J.K. Simmons as the husband's best friend. Fleeting, shadowy nudity, some crass language and brief sensuality. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Columbia/TriStar)

"Of Gods and Men" (2011)
Brilliant dramatization of real events, recounting the fate of a small community of French Trappists (led by Lambert Wilson and including Michael Lonsdale) living in Algeria during that nation's civil war in the 1990s. Targeted by violent Muslim extremists, the monks must decide whether to continue their medical and social work for the local population or abandon them by fleeing to safety. Using the tools of the monastic life itself, director Xavier Beauvois finds a path to the heart of the Gospel through simplicity, a compassionate sense of brotherhood and an atmosphere of prayer enriched by sacred music and potent silence. The result, a profound mediation on the cost of discipleship, is a viewing experience from which every adult as well as many mature teens can expect to profit. In French. Subtitles. Brief gory violence, some unsettling images and a single instance each of rough and crass language. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Sony Pictures Home Entertainment; also available on Blu-ray)

"Oh, God! Book II" (1980)
George Burns returns as the Almighty, his comic timing as quasi-omnipotent as ever. This time he teams up with an 11-year-old schoolgirl whom he persuades to launch an ad campaign promoting him. Directed by Gilbert Cates, it is entertaining, if only mildly funny fare. Though there is less of the secular humanism that marred the original, the concept of Burns as God together with a bit of mild vulgarity may not suit all tastes. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Warner Bros.)

"Oh, Heavenly Dog" (1980) A murdered detective (Chevy Chase) is reincarnated as a lovable mutt (Benji) whose mission is to solve the crime. Jane Seymour provides some romantic interest. Director Joe Camp's canine movie is sometimes amusing, but slow-paced, overly cute and, in general, pretty tepid stuff. Some double-entendres and a significant amount of profane language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Fox)

"Oh! What a Lovely War" (1969)
Leisurely paced British World War -- musical (based on a stage hit) covers events from Sarajevo to America's entrance in the conflict as told in a series of sketches conveying the mood, motives and attitudes of the British government, military, clergy, common soldier and the folks at home. Directed by Richard Attenborough, with a large and talented British cast (Dirk Bogarde, Laurence Olivier, Maggie Smith, Michael Redgrave, etc.), the ambitious but largely successful work intermixes song and comedy with the ugly reality of the battlefield. Its anti-war perspective emphasizes the futility and waste of war. The handsome anamorphic DVD contains stately commentary by now-Lord Attenborough, and a three-part documentary. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is G -- general audiences. All ages admitted (Paramount Home Entertainment).

"The Old Man and the Sea" (1958)
Lyric version of Ernest Hemingway's story of an aged Cuban fisherman (Spencer Tracy) who has gone three months without catching a fish, then lands a giant marlin after an exhausting two-day battle, only to lose it to swarms of hungry sharks. Director John Sturges' handsome, if studio-bound, picture on the theme of man vs. the elements features a compelling performance from Tracy, though the cultural context is weak and the fisherman's interior reflections tend to platitudes. The ferocious shark sequences may frighten youngsters, but the portrayal of the old man's grace in coping with adversity is for all. The Catholic News Service classification is A-I -- general patronage. Not rated by the Motion Picture Association of America. (Warner Home Video)

"Oliver!" (1968)
Rousing British musical drawn from Charles Dickens' "Oliver Twist." As Fagin, rubber-faced Ron Moody leads a solid cast, with Mark Lester perfectly winning as Oliver, Jack Wild stealing scene after scene (along with handy wallets) and Harry Secombe as a bumbling Mr. Bumble. Under Carol Reed's direction, it all adds up to delightful fare for the entire family, actually more atmospheric than the current Roman Polanski version. An original 1968 featurette is included on the DVD release (which comes with a bonus CD of the soundtrack), while you can listen to the entire film in French, including the songs. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. (Columbia)

"Oliver Twist" (2005)
Fine handsome new version of Charles Dickens' oft-filmed classic about an orphan boy who gets involved with a gang of thieves headed by the elderly Jewish ringleader Fagin (Ben Kingsley), and the efforts of a kindly gentleman to rescue him from their clutches. Director Roman Polanski and screenwriter Ronald Harwood have streamlined the complex novel, as most versions have done, but the essentials are all there, and beautifully performed by a top-notch cast, bolstered by lavish production design and an evocative score. A brief violent episode, a few scenes of menace and a hanging make this recommended entertainment for all but the youngest children. The USCCB Office for Film & Broadcasting classification is A-II - adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Columbia/TriStar)

"Oklahoma!" (1955)
Director Fred Zinnemann's stunning, delightful yet surprisingly serious adaptation of the classic Rodgers and Hammerstein musical is set in the relatively innocent days when Oklahoma was getting ready to join the Union and everything was "up-to-date in Kansas City." Shirley Jones is absolutely winsome as the fresh-as-milk farm girl, Gordon MacRae almost outsmarts himself as her cowpoke beau and Rod Steiger is downright malevolent as would-be suitor Jud Fry. The plot is simple, but the music and dance numbers charming. It's issued for the second time on DVD, now in a generous two-platter set that includes two simultaneously shot widescreen versions -- one in Todd-AO, the other in Cinemascope. The latter has commentary by Ted Chapin of the Rodgers & Hammerstein Organization and commentary by film historian Hugh Fordin; the former features Jones and film historian Nick Redman, all offering interesting perspectives. The Todd-AO disc also includes featurettes on the two processes and a couple of vintage television clips of MacRae, plus other goodies. Print quality for the Cinemascope version is oddly better than the Todd-AO, which ought to be sharper. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America. (Fox)

"The Omen" (2006)
Effective remake of the 1976 supernatural thriller about an American diplomat (Liev Schreiber) and his wife (Julia Stiles) whose adopted son (Seamus Davey-Fitzpatrick) turns out to be the Antichrist. Slickly crafted and well acted with a fair amount of suspense, director John Moore's virtual scene-by-scene update is a hodgepodge of Christian symbolism, biblical prophecies, nonscriptural inventions and occult mumbo jumbo, resulting in the sort of junk food that should not be taken too seriously. Some disturbing scenes of violence, including an impaling, a decapitation, a dog mauling, a hanging suicide and a person getting hit by an automobile; a misrepresentation of Catholic doctrine; and an instance of rough language and profanity. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian (20th Century Fox Home Entertainment).

"On a Clear Day" (2006)
Poignant story of middle-aged Glasgow shipbuilder (Peter Mullan), laid off from his job, who decides to cross the English Channel and, with the help of his mates, trains for the 20-miles-plus stint, unbeknown to his wife (Brenda Blethyn), who's secretly hoping to be a bus driver, and grown son, who mistakenly believes his father blames him for the death of his sibling when they were children. Director Gaby Dellal's film is finely acted, and conveys positive messages about forgiveness, taking chances, conquering fears, following your heart, and standing up for your beliefs. A few instances of conversational profanity, rough and crude language, and partial locker-room nudity preclude viewing by the youngest adolescents. The USCCB Office for Film & Broadcasting classification is A-III --adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13 (Universal Home Video).

"One Day" (2011)
Turgid screen version of the best-selling romance novel scripted by the book's author, David Nicholls, and directed in a plodding style by Lone Scherfig. Ill-assorted Anne Hathaway and Jim Sturgess -- she a prim children's writer, he a whiny, boorish TV host -- are shown in a series of 20 annual episodes, beginning with their college graduation in 1988, as they progress from awkward friends to something more. Though their relationship is mature and broadly, if not always straightforwardly, moral, viewers' interest is likely to be fatally depleted by the excessively wordy dialogue of Nicholls' verbose script well before the five-hanky ending. A shadowy glimpse of female frontal nudity, brief rear nudity, implied cohabitation, a single instance of rough language. Spanish titles option. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Universal Studios Home Entertainment; also available on Blu-ray)

"One Flew Over the Cuckoo's Nest" (Special Edition) (1975)
Screen version of the Ken Kesey novel about an abortive rebellion in a mental institution led by a drifter (Jack Nicholson) feigning mental illness to avoid being sent to a prison farm. Director Milos Forman's smooth, low-key movie about life in an asylum is filled with colorful, often amusing incidents and characterizations, but the central confrontation between the sane drifter and the repressed and repressing nurse (Louise Fletcher) is too contrived to evoke a strong emotional response. Some violence, very rough dialogue and an incident presenting loveless sexual intercourse as therapeutic. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Warner Home Video)

"One Hour Photo" (2002)
Sordid thriller in which a lonely employee (Robin Williams) at a one-hour photo lab grows obsessed with a "picture perfect" suburban family (Connie Nielsen, Michael Vartan and Dylan Smith), whom he's come to know through their pictures, and begins to insinuate himself into their lives and stalk them. Writer-director Mark Romanek's effectively constructed film is darkly sinister. Despite the story's ugly twists, Williams' nuanced and ultimately moving performance captures the humanity of this troubled individual. An extramarital affair, a disturbing sexual scene with brief nudity, menacing violence and sporadic rough language with an instance of profanity. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (Fox Home Entertainment)

"101 Dalmatians" (Platinum Edition) (1961)
The beloved Disney animated feature about canines Pongo and Perdita (voices of Rod Taylor and Cate Bauer) rescuing their 99 offspring from the evil Cruella De Vil (voice of Betty Lou Gerson) who has dognapped them to make a polka-dot fur coat. With stylish art direction and production design by Ken Anderson, the film maintains its great appeal as heartwarming family entertainment. In addition to the beautifully restored film, the deluxe two-DVD set features a plethora of additional features including a superb documentary about this most contemporary of any of the classic Disney animated features, and others on the creation of De Vil, and the original correspondence between Walt Disney and Dodie Smith, author of "The Hundred and One Dalmatians." Especially interesting are several deleted and abandoned songs, along with alternate takes. The usual Disney games and activities make this safe and recommendable family viewing, while the scholarly tone of the feature material make it worthwhile for adults as well. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted. (Buena Vista Home Entertainment)

"One Missed Call" (Warner Bros.)
Rated "PG-13"
By-the-numbers (literally) remake of the 2003 Japanese film "Chakushin Ari," without either the satire or the gore of the original, involving an evil spirit that leaves messages for its victims on their cell phones. Director Eric Valette and screenwriter Andrew Klavan transfer the action to an American college town, where plucky coed Shannyn Sossamon and inept police detective Edward Burns try to figure out why ring tones are becoming death knells. Rough and profane language, a half-dozen deaths involving varying degrees of violence, scenes of intense terror, an instance of nonexplicit mother-daughter child abuse, another instance of a little girl physically abusing her sister, a couple of gory corpses, and a sacrilegious image of a leering crucifix during an attempted exorcism by a nondenominational evangelist. The USCCB Office for Film & Broadcasting classification is O -- morally offensive. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

"One Night With the King" (2006)
Biblical drama that tepidly recounts the Old Testament story of Esther (Tiffany DuPont), a devout Jewish maiden who becomes a queen when she is chosen as the bride of the powerful Persian King Xerxes (Luke Goss), and who uses her station to save her people from extermination by dissuading her husband from ordering the slaughter urged by a vengeful court advisor (James Callis). Based on Tommy Tenney's novel "Hadassah," the film has impressive production value and cameos by Oscar-pedigreed actors such as Omar Sharif and Peter O'Toole, but it's handicapped by an inferior screenplay by Stephan Blinn -- which makes some changes to the story -- and awkward, if earnest, direction by Michael Sajbel. Still, the power of the tale's enduring theme of faithful witness in the face of persecution isn't completely diminished by the filmmaker's uninspired telling. Some discreet violence and sensuality, and mature thematic elements. The anamorphic DVD has no extra features. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children (Fox Home Entertainment).

"Once Upon a Mattress" (2005)
Tracey Ullman gives a confident performance, though she can't measure up to Carol Burnett's original performance as Princess Winnifred, the extroverted but nocturnally sensitive focal point of Mary Rodgers' musical version of "The Princess and the Pea." Burnett has graduated to the role of Queen Aggravain, mother of Prince Dauntless (Denis O'Hare), whose marriage prospects are thwarted by the possessive monarch who devises increasingly impossible tests for any would-be bride to pass. And until the prince marries, no one else can either. Burnett's queen misses a certain lightness of touch. O'Hare is a likeable Dauntless. Tom Smothers is appealing as the mute king. Matthew Morrison has some nice moments as Sir Harry, engaged to the pregnant Lady Larken (Zooey Deschanel). (This little subplot precludes viewing by the youngest viewers, along with a song where the king tries to explain the facts of life to his clueless son.) Broadway choreographer Kathleen Marshall makes an OK directorial debut, and stages the dances with flair. The DVD improves on the recent TV broadcast in offering a more attractive letterboxed print, and several appealing extras: a feature on making the program, the cast's off-camera shenanigans and rehearsal footage. (Buena Vista)

"Once Upon a Time in the West" (1969)
Any movie with such a plainly mythic title can't be all bad and this one really isn't bad at all. Epic, stately spaghetti Western directed by Sergio Leone, its wispy plot concerns hired killer Henry Fonda's pursuit of outlaw Charles Bronson and widow Claudia Cardinale's land, but it contains a whole encyclopedia of Western cliches and stereotypes that are irresistible for Western buffs. Others may enjoy it as a knowing spoof but one that is overlong and featuring some rather intense violence. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Paramount Home Entertainment)

"Only the Lonely" (1991)
A 38-year-old Chicago cop (John Candy) vacillates in his struggle to free himself from the manipulative domination of his mother (Maureen O'Hara) as he seeks a last chance at love with a shy mortuary cosmetician (Ally Sheedy). Writer-director Chris Columbus scores with a top-notch cast in a warmhearted story that casts a wry eye on Irish Catholic mores. Implied premarital sexual encounter, minimal slapstick violence, flash of nudity, a few ethnic slurs and an instance of rough language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. (Anchor Bay)

"Ong Bak: The Thai Warrior" (2005)
Above-average martial arts action movie set in Thailand about a local scrapper (Tony Jaa) -- trained in an ancient fighting system -- who volunteers to retrieve a sacred Buddha statue revered by the locals which was stolen from the village temple by a ruthless crime boss (Sukhaaw Phongwilai) looking to sell it on the black market. Director Prachya Pinkaew dresses up the film's generic chop-socky premise with hyperkinetic fight sequences -- as balletic as they are brutal and all done without special effects -- which show off the athleticism of Jaa, who combines the acrobatic daredevilry of Jackie Chan and the lethal limbs of Bruce Lee. Much strong action violence, drug content, an aborted sexual encounter, fleeting rear nudity and sporadic rough and crude language. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. (Fox)

"Open Water" (2004)
Hair-raising deep-sea thriller about a career-consumed couple (Blanchard Ryan and Daniel Travis) whose island vacation turns into a fight for survival when a mix-up during a scuba-diving excursion leaves them stranded in the middle of the ocean in shark-infested waters. Inspired by true events and made on a shoestring budget by the husband-and-wife team of Chris Kentis and Laura Lau, the movie follows a simple formula for primal-fear success: Take two actors, put them in the water with real sharks and, voila, you have one of the most truly terrifying films in years. Sustained suspense, brief frontal nudity and scattered rough and crude language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. (Lions Gate)

"Our Family Wedding" (2010)
Scattershot comedy, prone to physical gags, about the culture clash between two families when a Latina (America Ferrera) marries an African-American (Lance Gross). Director Rick Famuyiwa, who co-wrote along with Wayne Conley and Malcolm Spellman, leaves no stereotype untouched in this wildly uneven combination of "Father of the Bride" and "Abie's Irish Rose," but mostly manages to stay within tasteful boundaries. A fleeting instance of crass language and the implication of a premarital relationship. Probably acceptable for mature teens. Spanish language and titles options. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (20th Century Fox Home Entertainment; also available on Blu-ray.)

"Out Cold" (1989)
Offbeat black comedy about two California butchers (John Lithgow and Bruce McGill) whose longtime business partnership ends abruptly when one is frozen to death in a meat locker by his wife (Teri Garr) who also bumps off the nitwit gumshoe (Randy Quaid) she has hired to track her philandering husband. Director Malcolm Mowbray understates just about everything in this humorless effort, except his cliched characters. Casual treatment of adultery, some flashes of nudity and profanity. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. (MGM)

"Out of Africa" (25th Anniversary Edition; 1985)
Rated "PG"
Slow-moving narrative and beautiful photography characterize this dramatization of storyteller Isek Dinesen's (Meryl Streep) years as a plantation owner in East Africa and her love affair with a hunter (Robert Redford). Produced and directed by Sydney Pollack, the movie celebrates the mystique of Africa rather than the muddled romance of its two main characters. Romanticized treatment of adultery. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (Universal Studios Home Video; also available on Blu-ray.)

"Out of Time" (2003)
Well-made thriller about a small-town Florida cop (Denzel Washington) who must investigate an arson that resulted in the death of the woman with whom he was having an adulterous affair, forcing him to cover up incriminating evidence that seems to point to him as the culprit. While Carl Franklin's taut direction keeps the action moving through a series of plot twists, the film offers a mixed message, showing the self-entangling consequences of deception while overly sympathizing with its protagonist's moral weakness in justifying dishonesty as a means of pursuing the truth that will prove him innocent. Sexual encounters, some violence and sporadic crude language. Spanish language and titles options. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (MGM Home Entertainment; also available on Blu-ray)

"The Out-of-Towners" (1970)
Midwestern couple (Jack Lemmon and Sandy Dennis) on a business trip to New York City try to cope with a hilarious series of mishaps, including a garbage strike, a snafu with hotel reservations, a rainy night in Central Park, a mugging to go with it, the siege of the Cuban U.N. embassy and a stolen-car chase. Arthur Hiller's spirited direction of Neil Simon's script provides lots of fun at the expense of big-city life for family viewers. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted. (Paramount Home Entertainment)

"Outsourced" (2007)
Gentle, bittersweet romantic comedy about a call center supervisor (Josh Hamilton) whose company outsources his department to India and dispatches him to train a new supervisor (Asif Basra) and instruct the new operators, one of whom (Ayesha Dharker) soon catches his eye. Director and co-writer John Jeffcoat's feature debut sees its impatient main character learn to relax and adapt, though it also has him engaged in a physical relationship with a woman unlikely ever to become his wife. Nongraphic, nonmarital sexual activity, some sexual and scatological humor, a brief pornographic image, occasional crass language and one use of profanity. The widescreen DVD includes commentary by Jeffcoat, Dharker and others, a making-of featurette, an interview with Jeffcoat and a discussion about storyboarding. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (Ocean Park Home Entertainment)

"Orca: The Killer Whale" (1977)
Shark hunter Richard Harris decides to go after bigger game and, in attempting to catch a male killer whale, kills its mate, a pregnant female, thus incurring the wrath of the male. Charlotte Rampling is on hand as a whale specialist who seems to have a soft spot in her heart for big brutes of all sorts. Director Michael Anderson's seafaring adventure has some scenic beauty but its story is mediocre entertainment at best. Some rather graphic violence. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. (Paramount)

"The Other Conquest" (1999)
Intriguing, thoroughly enigmatic drama, based on historical events, that examines the fate of a fictional Aztec prince (Damian Delgado) who defies the Spanish conquistador Hernando Cortes (Inaki Aierra) by continuing to worship his native gods rather than convert to Christianity. Saved from death by the entreaty of Cortes' indigenous mistress (Elpidia Carrillo), who claims the prince as her half-brother, he is severely beaten, then placed in the custody of a friar (Jose Carlos Rodriguez) who tries to win him for the faith by gentler means. Writer-director Salvador Carrasco's picturesque, meditative, sometimes hallucinatory film -- an examination of the origins of Mexican Catholicism produced with the participation of a Jesuit adviser -- is open to a number of different interpretations. Is it a simple plea for peace and tolerance, an evenhanded indictment of both Spanish and Aztec cruel